Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

You’re invited to hear two Faribault poets read & talk about poetry November 29, 2012

WITH ONLY A WEEK until the presentation, I figured I better buckle down and finish my prep work. After all, wasn’t I the annoying mom sometimes harping on my once high school-aged kids to finish their homework?

“Don’t leave it until the last minute,” I would urge, not that they heeded my advice.

Peter C. Allen and I will present in the Great Hall, a lovely room with Greek murals on the second floor of the library.

I decided to listen to myself and have been preparing for a poetry presentation Faribault poet Peter C. Allen and I will give at 6 p.m. next Thursday, December 6, in the second floor Great Hall of Buckham Memorial Library, 11 East Division Street, Faribault.

I expect Peter is not really stressing at all about this event as he enjoys reading his poetry to an audience.

Me? Not so much.

Connie Ludwig, right, and I pose with her watercolor, “Pantry Jewels” (above my head), inspired by my poem, “Her Treasure.” We were participants in Poet-Artist Collaboration XI at Crossings at Carnegie in Zumbrota in April.

I’m counting on Peter, whom I first met last spring at a poet-artist collaboration in Zumbrota, to help me ease into our joint poetry reading and poetry educating. He’s the kind of guy who makes you feel comfortable and who reads with the confidence of a seasoned poet.

And that he is. Several weeks ago Peter invited my husband and me to dinner in his home with wife, Maria, and their adult son, Peter Allen (the sixth). After our savory meal, I asked the elder Peter to read some of his poetry. When my friend pulled out a thick binder of his poetry, I spouted, “You’ve written way more poetry than me.”

That matters not to Peter. Nor, I suppose, should it matter to me. After all, we each write poetry when the muse calls—or in my case when a contest deadline approaches.

The 2012 volume of Poetic Strokes in which Peter Allen and I are both published.

Peter and I were both winners in the Southeastern Libraries Cooperating 2012 Poetic Strokes competition, which is why we were invited to speak at the library next week. Of the 202 submissions from regional poets, only 30 poems were selected for publication in Poetic Strokes: A Regional Anthology of Poetry from Southeastern Minnesota, Volume 6.

I’ve also been published in volumes 2, 3 and 4 of Poetic Strokes.

Lake Region Review 2, right, in which I was recently published, and LRR 1, to the left, in which I was published in 2011. I will read from both volumes during the poetry presentation next Thursday evening. This weekend you can listen to writers read their works from LRR 2 on selected western Minnesota radio stations. Go to lakeregionwriters.net and click on “Upcoming Events” for details. LRR 2 writers will also read and discuss the craft of writing at  Zandbroz Vareity, 420 Broadway Ave., Fargo, North Dakota, at 2 p.m. on Sunday, December 9, where I shot this photo.

I’ll read six of my poems from those four volumes plus an additional 11 published elsewhere. Even I did not realize, until I began gathering my work, that I’d been published this often. Do I have enough published work to possibly think about compiling a book of my poems?

Additionally, I’ll share tips on poetry writing and a sampling of places Minnesota poets can submit their poetry right here in Minnesota.

The most unusual place my poetry has been published, on billboards as part of the Roadside Poetry Project in Fergus Falls.

You can also expect me to use visuals in presenting several of my poems. Initially I’d considered using PowerPoint, but worried that I couldn’t pull that off given I have no idea how to prepare or technically present a PowerPoint. Lack of equipment at the library for that type of presentation caused me to drop that thought and rely instead on my ingenuity. (No, I’m not even going to hint at what I have planned.)

Besides listening to Peter and me read our poetry and talk about poetry and our other writing experiences (including blogging), you will leave with a gift—a free copy of the 2012 Poetic Strokes, compliments of SELCO.

Peter and I will also treat you to snacks and beverages.

So…if you’re up for an hour of poetry followed by a question-and-answer period, or simply want to meet me, the real person behind this blog, join Peter and me at 6 p.m. next Thursday, December 6, at the Faribault library. Peter and I promise a casual and relaxed (hopefully for me) atmosphere with down-to-earth poetry you will (hopefully) understand and enjoy.

Full disclosure: I am being paid a small stipend to present on poetry at the library. However, I was not asked to write this post and did so because I often promote such cultural events in my community and elsewhere.

The Poetic Strokes project is funded in part or whole by Minnesota’s Arts and Cultural Heritage Fund.

© Copyright 2012 Audrey Kletscher Helbling

 

Unlocking the poetry within an abandoned farmhouse April 30, 2012

An abandoned farmhouse along Minnesota State Highway 19 east of Vesta on the southwestern Minnesota prairie.

Abandoned Farmhouse

My old bones rattle in the winter wind,
grown weary from years of standing,
bitter cold encompassing my body.

Despair surrounds me
like rot in the weathered heap of the barn,
like rust consuming the junk pile.

Alone, all alone now, abandoned
except for the dying circle of trees
that embrace me, holding me close.

The years have broken my spirit—
too much silence within my walls,
too many tears shed upon my floors.

Left here, without laughter, without hope.
Dreams shattered in my broken windows.
My door closed, locked with a skeleton key.

Abandoned. Desolate. Alone.
Leaning only on the prairie sky,
in a circle of dying trees.

#

IN 2001, THIS POEM published in Poetic Strokes, A Regional Anthology of Poetry from Southeastern Minnesota, Volume 3. To this day, it remains one of my favorite poems among all those I’ve penned.

“Abandoned Farmhouse” retains that status because the poem connects to my past, to rural southwestern Minnesota where I grew up in a cramped 1 1/2-story wood-frame farmhouse. When I was 11 years old, my parents built a rambler with a walk-in basement a stone’s throw across the circular gravel driveway from the old house. They needed the space for their growing family as the sixth, and final, child arrived in August of 1967.

The summer after we moved into the new house, we tore down the old house, board by board. Memories of dismembering that house lath by lath, nail by nail, imprinted upon my memory. Decades later I would recall the bones of the old house, the skeleton key that unlocked the porch door, the grove of trees that sheltered it from the strong winds that swept across the prairie.

I would write this poem, personifying an abandoned farmhouse.

My poetic words reach beyond my childhood home, though, to embrace the many abandoned farmhouses that dot the prairie landscape. I often wonder about the families that lived in these houses and about the stories they would tell.

Returning to an even earlier time period, my poem also reflects a pervasive loneliness that often troubled early pioneer women in a land that could feel desolate, harsh and inhospitable.

This past March, I captured that desolation in an abandoned farmhouse photo (above) taken within five miles of my childhood home. It aptly illustrates my poem.

To this day, I see both beauty, and despair, in abandoned farmhouses.

©  Copyright 2012 Audrey Kletscher Helbling

Shared with you in celebration of National Poetry Month, which ends today, April 30.


 

Celebrating poetry and art in Zumbrota on a Saturday evening April 22, 2012

Artist Connie Ludwig's "Pantry Jewels," inspired by my poem, "Her Treasure." (Please excuse the glare on the glass; there was no way to avoid it while photographing the painting.)

Her Treasure

In the dark, dank depths of the dirt-floored cellar
she stocks a treasure-trove of jewels
in jars upon slivered planks—
golden corn nuggets,
amber chunks of ample beef,
ruby red tomatoes,
peas like unstrung pearls,
jade shards of dill pickles,
amethyst beets,
clusters of topaz apples
and an abundance of sauerkraut,
diamond of this hard-working German farm wife,
dweller of the Minnesota prairie,
tender of the earth,
keeper of the pantry
and guardian of the garden gems
that will adorn her dinner table
during the long winter months ahead.

#

I MET “MY ARTIST” Saturday evening and saw the art she created, inspired by my poem (above).

And I use those words, “my artist,” because I feel connected to Connie Ludwig of Goodhue. She, like 25 other artists participating in Poet Artist Collaboration XI at Crossings at Carnegie in Zumbrota, took words of poetry and shaped them into art.

“Her Treasure,” under Connie’s paintbrush, became “Pantry Jewels.” The earthy watercolor painting of canned beets, pickles and peaches glows with the perfect balance of light and darkness, with sunlight filtering through glass and glinting off the golden rings that lock in garden goodness.

Connie understands my poem—the memories of my mother canning fruits and vegetables in her southwestern Minnesota farmhouse kitchen. She understands the dark dirt-floored cellar in which these preserves were stored upon rough boards. She understands the importance of honoring the women who honored the land by feeding their families with the fruits of their labors.

In the chapbook published for Crossings’ Poet Artist Collaboration XI, Connie writes:

My mother and aunts loved gardening and canning. They considered those “squirreling skills an essential part of themselves. I have wonderful memories of the ladies showing off, trading and sharing their canned jewels. And, of course, feeding them to us. The models for this painting came from the pantry of my husband’s cousin.

Connie, right, and I pose for a photo after a 90-minute presentation in which 26 poets read their poems and 26 artists talked about how the poems inspired their art. Note Connie's "Pantry Jewels" painting just above my head to the left. If I could buy this $490 watercolor on aqua board, I would in a snap. I love it that much and how it honors my rural roots. But I can't... If you're interested, contact Crossings.

Connie, thank you for transforming my poem into such down-to-earth, beautiful art that touches my soul. Your painting was all I hoped for in this process of poetry inspiring art.

A snippet shot of the crowd at Crossings at Carnegie, including Marie Marvin, center in blue. This place was elbow-to-elbow people during the hour-long gala reception before and after the poetry readings and artist talks held at the next door historic State Theatre. There were 26 poems selected from around 180 submissions for this juried Poet Artist Collaboration, now in its 11th year.

Thank you also to the artists and poets and guests who took the time to thank me for writing “Her Treasure.”

Thank you to my husband, Randy, for always supporting me in my writing.

To Crossings at Carnegie, and specifically Marie Marvin who opened the art center in 2001, thank you for acting as the driving force behind this collaboration. The phenomenal (or as I would say, overwhelming) turn-out is a tribute to the hard work of your team. I’d like to see more events like this through-out Minnesota that pair words and art.

To be one of the 26 poets selected for inclusion truly brought me joy. To mingle with so many poets and artists for an evening inspired and validated for me the importance of the arts in our lives.

Crossings at Carnegie, housed in a former Carnegie library, is a privately-owned cultural, visual and performing arts center in Zumbrota. I love the rural atmosphere with the hardware store and grain elevator just down the street. I need to return to Crossings as I was overwhelmed (crowd-wise and visually) on this busy evening.

I’d encourage you, if you have not seen this exhibit at Crossings, 320 East Avenue, to take it in before the April 26 closing date. Click here for more information.

Also check back here for an additional post from Poet Artist Collaboration XI.

© Copyright 2012 Audrey Kletscher Helbling

 

Prairie poetry in Fergus Falls June 12, 2011

SATURDAY MORNING MY HUSBAND and I hit the road, heading north on Interstate 35 and then west on Interstate 94 to the west central part of Minnesota.

This was our destination:

It's approaching noon on Saturday, and we've nearly reached our destination, Fergus Falls.

Because of this:

The first of my four Roadside Poetry billboards in a stretch of ditch along North Tower Road in Fergus Falls.

I got word last Monday that my winning Roadside Poetry Project spring poem will come down on June 17, to be replaced with a summer poem. (Click here to read a previous post about my poem.) So if I wanted to see “Cold earth warmed by budding sun sprouts the seeds of vernal equinox” and my name—all sprawled across four Burma Shave style billboards—we had to get our butts up to Fergus Falls.

So we did, making the 200-mile trip this weekend under big skies that stretched all the way to the Dakotas.

After a few stops, including a swing into Melrose to view an historic Catholic church (more on that in another post), we eventually reached Exit 54 into Fergus some 3 1/2 hours later. We followed Highway 210/West Lincoln Avenue, turned onto North Tower Road and drove past the NAPA Auto Parts store before reaching those poetry billboards. I mention NAPA because Randy works at the NAPA store in Northfield as an automotive machinist and we found it interesting that my poems just happened to be right down the road from the Fergus NAPA store.

We passed right by the NAPA store to reach my billboards just down the road.

When Randy pulled to the side of North Tower Road by my billboards, I determined this was not the safest place to park. So we pulled into the Fastenal parking lot and then descended the steep ditch, wading through tall, and wet, prairie grasses—sweet clover, June grass, alfalfa—and more than a few thistles.

Our shoes and jean legs were soon soaked with moisture. But, you know, that really didn’t matter. I was so focused on viewing my four-line, spring-themed poem and on taking photos that the wet feet and denim seemed more a nuisance than anything worth fretting over on a glorious early Saturday afternoon.

And so, billboard by billboard, we worked our way down the road ditch, stopping by each sign for photos. Eventually I handed the camera over to Randy, who managed to figure out how to turn on the camera, focus it, compose and snap some pictures.

Me posing by the last of the four billboards with my spring poem.

This may be the first and last time my poetry, and my name, will be on billboards, so I savored every letter, every word, every line, every billboard...

Then I snapped this image of my husband, who had plucked a spear of prairie grass and slipped it into his mouth. The frame marked one of those quick clicks of the camera that resulted in a photo that you could never recapture given its spontaneity.

A sweet shot of my husband as he walked away from the final billboard.

I’m uncertain how long we worked the road ditch along North Tower. But long enough to appreciate that this spot on the edge of town, under a sky that always feels bigger, wider, on the open prairie, perfectly fit a poem written by me, a southwestern Minnesota prairie native.

I crouched to capture this image which focuses on the road ditch prairie grasses.

© Copyright 2011 Audrey Kletscher Helbling

 

Reflecting on graduation speeches by three generations of Minnesota women May 27, 2011

Wabasso High School, where my niece will give a speech tonight as class valedictorian. My mom and I also graduated from WHS, although the building looks much different than when we graduated in 1951 and 1974.

Arlene Bode Kletscher's 1951 graduation portrait.

SIXTY YEARS AGO 18-year-old Arlene Bode stepped onto the stage at Wabasso High School and gave a commencement speech, “Our Part in the Fight Against Communism.”

While that seems an unlikely, unsuitable, topic for an address by the class valedictorian, my mom says you need to remember the time period in which she wrote and gave that speech.

This was 1951, at the height of the Cold War, the era of bomb shelters and fear of the Soviet Union.

My mom espoused patriotism, encouraging her southwestern Minnesota classmates “to be patriotic and vote…so we can keep our freedom,” she recalls. She has a copy of that speech tucked inside her WHS diploma.

She found the speech recently when pulling out her diploma to show her granddaughter, Hillary Kletscher, who graduates tonight, also from Wabasso High.

Hillary, like her 79-year-old grandmother, is the class valedictorian and will speak at commencement. When I texted Hillary early Thursday afternoon, she hadn’t yet titled her speech. But, she said, the “main subject is change and how it’s good but we have to hold onto what we learn from the past.”

I won’t be there to hear my niece’s address. But I intend to ask her for a copy, just like I plan to get a copy of my mom’s speech, which I’ve never seen. These are parts of our family history, words reflecting the time periods in which they were written, words of hope and wisdom and patriotism (at least in my mom’s case).

Hillary will step onto the WHS stage tonight and speak on change, yet remembering the past.

Audrey Kletscher Helbling, 1974 WHS graduate.

That my mom kept her speech through six decades impresses me. I say that specifically because I have no idea where to find the speech I gave at my graduation from Wabasso High School in 1974. It’s packed in a box somewhere in a closet in my home, but I possess neither the time nor energy to dig it out.

I remember only that, as class salutatorian, my farewell address included a poem. What poem and by whom, I do not recall.

In 2006, my daughter Miranda graduated as valedictorian of Faribault High School and gave a commencement speech. Given that occurred only five years ago, I should remember the content. I don’t. I recall only that she held up a test tube to make a point.

I am also making a point here. Thankfully much has changed in the 60 years since my mom spoke on “Our Part in the Fight Against Communism.” While the world today remains in turmoil, at least the intense fear, felt by the Class of 1951 during the Cold War, no longer exists.

We have also moved beyond the turbulent 60s and 70s, a time of rebellion, anti-establishment, and anti-war sentiments and discontent over the Vietnam War experienced by my class, the Class of 1974.

By 2006, when my second daughter graduated, we as a nation were beginning to recover from 9/11, yet we lived in an increasingly security-focused society.

Today my niece graduates in a day of continuing economic uncertainty, when young people are struggling to find jobs and when Baby Boomers like myself worry about our jobs and retirement.

Yet, through it all—the Cold War, Vietnam, September 11 and a challenging economy—we remain four strong women living in a free country where we, individually, spoke freely, representing the classes of 1951, 1974, 2006 and 2011.

© Copyright 2011 Audrey Kletscher Helbling

 

Count me in on Roadside Poetry April 26, 2011

“We’ve selected YOUR poem for our spring Roadside Poetry installment!”

For nearly a month now, I’ve kept that exciting, boldfaced news mostly to myself, sharing it with only my immediate family, my mom and a few select friends and extended family members.

But now that the billboards are up—yes, I said billboards—I no longer feel obligated to keep this a secret.

I won the spring Roadside Poetry competition and my poem now sprawls across four billboards, Burma Shave style, 50 yards apart in Fergus Falls.

That’s it, my poem, the winning poem, which is posted along North Tower Road west of Minnesota State Community and Technical College in Fergus Falls, just down the road from Fleet Farm. Take exit 54 off I-94 on the west edge of Fergus.

Paul Carney, the project coordinator who delivered the good news to me via e-mail in early March, tells me that 100,000 vehicles drive by the billboards each month. “How’s that for readership?” he asks.

Well, mighty fine, Paul. Mighty fine.

Getting my poetry out there in this unusual, highly-public venue really is an honor for me, adding to my poems already published in two magazines and four, soon-to-be five, anthologies.

The mission of The Roadside Poetry Project “is to celebrate the personal pulse of poetry in the rural landscape,” according to roadsidepoetry.org. The first poem went up in September 2008 and was, interestingly enough, written by another Faribault resident, Larry Gavin, a writer and Faribault High School English teacher.

The poems, all seasonally-themed, change four times a year. Mine will be up through the third week of June when a summer poem replaces it. Yes, entries are currently being accepted for the summer competition.

About now you’re likely, maybe, wondering how I heard about this contest. I honestly cannot remember. But I do remember thinking, “I can do this.” So one night I sat down with a notebook and pencil and started jotting down phrases.

Like most writers, I strive to find the exact/precise/perfect/right words.

I scribbled and scratched and thought and wrote and crossed out and jotted and erased and counted and filled several notebook pages.

These poems do not simply pop, like that, into my head, onto paper.

To add to the complexity of this process, poets are tasked with creating poetic imagery that describes the wonderment of the season, all in four lines. But there’s more. Each line can include no more than 20 characters.

Now that character limitation, my friends, presents a challenge. Just when I thought I had nailed a phrase, I counted too many characters. Again and again, I had to restart until, finally, I had shaped and molded the poem I would submit.

“I love the language and the imagery,” project leader Paul said of my winning spring poem.

Honestly, when I wrote this poem, I could feel the sun warming my back as I stooped to drop slips of zinnia seeds into the cold, damp earth. Visualizing has always been a part of my creative process. Choosing the words “vernal equinox” simply seemed so much more poetic than the single, plain word, “spring.”

Even though Paul loved my poem and it fit the contest guidelines, there was a problem: Audrey Kletscher Helbling. Count and you get 23 characters and two spaces in my name, putting me five over the 20-character limit.

I understood the space limitations, but explained to Paul that I really wanted Audrey Kletscher Helbling, not Audrey Helbling, on the billboard because that’s my professional name. He agreed to see if the sign-maker could fit my full name and keep it readable. From my experience years ago writing newspaper headlines, I knew that the letters “l” and “i” took less space than other letters. The sign-maker was able to honor my request.

I haven’t been up to Fergus Falls yet to see my poem and Audrey Kletscher Helbling splashed across four billboards. But a trip will be forthcoming.

FYI: Paul Carney hopes to expand Roadside Poetry, supported in Fergus Falls by the Fergus Area College Foundation, to other locations in Minnesota. However, additional funding is needed to finance start-up, printing and other costs. If you would like to support this public art venue, have questions, need more information or wish to enter the seasonal contest, visit roadsidepoetry.org.

© Text copyright 2011 Audrey Kletscher Helbling

Photos courtesy of Paul Carney

 

Kudos from MPR for Minnesota Prairie Roots March 29, 2011

OK, I’M NOT EVEN GOING to apologize for tooting my horn here today. It’s not something I’m all that comfortable doing. But, hey, every once in awhile it’s alright to let everyone know you’ve been recognized.

That latest recognition for me as a writer comes via Minnesota Public Radio’s Bob Collins. He publishes a popular online MPR weekday column, News Cut. He’s a professional blogger, meaning he gets paid for blogging, which I aspire to accomplish.

I’m a News Cut fan, and not just because Collins has referenced my Minnesota Prairie Roots posts numerous times. I sincerely enjoy reading the content he pulls together and comments and encourages discussion on.

MPR Public Relations Manager Christina Schmitt interviewed Collins about News Cut for an article published in the Plugged In Minnesota Public Radio highlights section of Minnesota Monthly’s March issue. The “Behind the Blog: Bob Collins” article titled “Looking Sharp,” runs on pages 6 and 7.

 

This two-page spread in Minnesota Monthly's March issue features an interview with MPR's Bob Collins in which Minnesota Prairie Roots is mentioned.

And that’s where I’m mentioned, on the second page, when Schmitt asks Collins which online sources he trolls for information.

He taps into Twitter. And, like everyone else, Collins says he checks the BBC, National Public Radio and The New York Times. But then Collins shares that he also reads blogs like…ta-da, drum roll here, please…Iron Ranger Aaron Brown’s Minnesota Brown and Audrey Kletscher Helbling’s Minnesota Prairie Roots.

I’m honored, humbled and more than a tiny bit giddy that Collins would single the two of us out from among the hundreds, if not thousands, of writers out there in the Minnesota blogosphere.

Such an endorsement from a well-respected entity like MPR means a lot to me as a professional writer. It validates that I can blog, and blog well, or at least blog well enough to grab Collins’ attention and interest.

In the interview, Collins tells Schmitt that Minnesota Brown and Minnesota Prairie Roots “are intimately tied to what’s going on in their parts of Minnesota. They’re not news sources per se, but they quite often touch on a topic that is interesting and give me ideas to expand it a little bit.”

 

Right here, in the fourth paragraph, Collins talks about Minnesota Brown and Minnesota Prairie Roots.

So there you have it. Direct from News Cut.

To read the full story, track down Minnesota Monthly’s March issue. I’m looking for copies now as I only learned several days ago about this article. Gotta show my mom, you know. So…, if you have any extra copies of the magazine, send them my way.

© Copyright 2011 Audrey Kletscher Helbling

 

Tips to successful blogging from Minnesota Prairie Roots December 3, 2010

I AM NOT NECESSARILY the self-promoting type, which, for a writer, likely spells missed opportunities.

While I appreciate positive comments, even glowing praise and public recognition, I struggle with marketing myself. I’ve turned down invitations to speak to groups because I dislike giving public presentations. Not that I can’t, and won’t, but, given the choice, I’d rather not. I’m at that place in my life where I don’t feel pressured to do what others expect.

I’m not on Facebook, Twitter, LinkedIn or any social networking site that would likely benefit my career.

Rather, I have focused my energy on writing, simply writing, and not shouting to the world, “Hey, look at me, I’m great!”

But today I’m going to shed my conservative Minnesota Lutheran, avoid-the-spotlight persona and share my thoughts on blogging, which in my humble opinion, I’ve become quite good at during the past year. Even writing those words, though, makes me feel uncomfortable and boastful.

Yet, numbers don’t lie. Since launching my Minnesota Prairie Roots blog on July 15, 2009, my readership has soared. A year ago my views totaled an unimpressive 896 for the month of August, my first full month of blogging. This August, I had 6,132 views.

But the numbers get even better. The past three months, my views have scooted close to 10,000 per month with 9,623 views in September, 9,573 in October and a record 9,976 in November. That’s a current average of 332 daily views.

Maybe those numbers are small potatoes in the blogging world. I don’t know and I really don’t care, all that much. I’m happy with where I’m at, although getting paid for blogging would increase my happiness quotient substantially.

 

The homepage of WordPress.com, chose my "In Praise of Preserving Country Churches" as one of 11 featured posts from among 300,000-plus world-wide on July 10. There's my post in the lower right.

I’ve been featured on the home page of WordPress.com on “Freshly Pressed,” chosen from among hundreds of thousands of bloggers world-wide for that honor. That July 10 selection pushed my views to an all-time high of 1,052 on a single day.

I’ve been categorized among Minnesota’s best bloggers on at least two online publications.

At MinnPost, my posts have been featured numerous times on “Minnesota Blog Cabin” by Justin Piehowski who, weekdays, “surveys hundreds of Minnesota’s best blogs looking for the best of the best.”

Bob Collins, who writes the online “News Cut” for Minnesota Public Radio calls Minnesota Prairie Roots an excellent blog and one of his favorites. “This woman can write,” he wrote in a recent tweet. To get that kind of praise from a respectable media outlet like MPR confirms that I really can blog, and well.

And get this, Minnesota Twins fans, I even made Joe Mauer’s official Web site on June 11 under the section “Joe’s Kemp’s Dairy TV spots,” posted by his mom, Theresa Mauer. She links to my June 17 Minnesota Prairie Roots post, “I may not be Joe Mauer’s mom, but I’ve got it.” Let me tell you, getting onto Mauer’s Web site certainly drove traffic to my blog.

I’m not sure how I’ve managed to achieve all of these honors or grow my readership beyond family and friends. Mostly, I’ve stayed true to my down-to-earth self, writing about my everyday life, the places I visit, the things I do and observations I make about the world around me. In other words, I really haven’t changed how I write because my writing has been noticed.

My writing isn’t particularly opinionated. In fact, the topics of my blog posts seem rather ordinary to me. Perhaps therein lies their appeal. One reader (I must divulge that she is my cousin) says my writing makes her feel good. She likes that I don’t gripe and complain or have an agenda (usually). Another reader, who is a native Minnesotan and New York Times bestselling author living in California, says “Reading your e-magazine is almost like visiting Minnesota again.”

Whatever the reasons for my success, I’m pleased that folks continue clicking on Minnesota Prairie Roots. This validates me as a writer.

Recently a writer-friend asked for blogging tips. After some thought, which really made me examine this blogging passion of mine, I created a list that has proven successful for me.

Even though directed at blogging, these suggestions can apply to writing in general:

  • Keep paragraphs short. Big blocks of copy can be daunting to readers.
  • Use catchy, creative titles.
  • Categorize and/or tag your blogs. I did not tag initially. Big mistake.
  • Use photos. Readers find blogs paired with artwork to be more visually-appealing and interesting.
  • Keep a constant list of blog topics in your head or on paper. This means remaining attentive to everything around you. Almost anything can become a blog post. I never run out of ideas.
  • Engage all of your senses when you write. Paint a picture with words.
  • Use strong verbs. I avoid forms to “to be” whenever possible.
  • Sometimes what you think are the most mundane topics turn out to be the most interesting to readers. Do not underestimate a topic.
  • Story-tell with quotes in a style of creative nonfiction. I always, or almost always, use present tense when I write in this style.
  • Proof your writing to assure that you publish an error-free piece.

Now, with this post I’ve likely broken many of the above guidelines—too few images, too many weak verbs, too many long paragraphs. But this is not my typical writing style or topic. I’ve dared, for one day, to step outside of my comfort zone and promote myself. Thank you for indulging me.

IF YOU ENJOY READING Minnesota Prairie Roots, tell me why. You, after all, dear reader, have encouraged me through your views and your comments. I am grateful for the 72,986 (as of 2:15 p.m. December 2) views I’ve gotten during the past 17 months of writing for Minnesota Prairie Roots. Very grateful.

© Copyright 2010 Audrey Kletscher Helbling

 

 
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