Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Pairing poetry and art in Zumbrota April 19, 2012

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:08 AM
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Lois' jellies and pickled beans photographed in July 2009 at the Faribault Farmers' Market.

In the dark, dank depths of the dirt-floored cellar

she stocks a treasure-trove of jewels

in jars upon slivered planks—

Thus begins my poem, “Her Treasure,” which I will read this Saturday, April 21, at the Poet-Artist Collaboration XI Gala Reception at Crossings at Carnegie in Zumbrota. The reception begins at 6:30 p.m. at Crossings with guests treated to refreshments and to music by pianist Matthew Rivera. The event then moves next door to the State Theatre for poetry readings with on-screen art at 7:30 p.m.

Yes, art. And poetry. Together. One inspired by the other.

I’ll meet “my artist,” Connie Ludwig of Goodhue who created a watercolor, “Pantry Jewels,” inspired by my poem about canned fruits and vegetables stocked in a farmhouse cellar.

The works of 25 other poets and of 25 other artists are also included in this juried exhibit.

Once I learned Connie’s identity, I contacted her, asking her to share some information about herself and about the process of creating her poetry prompted piece. Unlike me, Connie is not a novice at this poet-artist collaboration. This marks her tenth time participating in the Crossings event.

Recently retired from the Zumbrota library, Connie is an established artist who typically works in pastels from her home studio. In the summer she does pastels outdoors and on her front porch.

But this time, for this show, Connie opted to work in watercolor, which, she says, “more often than not has control over me.”

Drawing on childhood memories of the huge garden her family planted every year at their home in St. Croix State Park along the Minnesota-Wisconsin border east of Hinckley, this artist understands the content of my poem.

My aunts and my mother were survivors of the Great Depression and gardens and canning were very, very important to them. So you can probably deduce that your poem about the dark basement, dirt floor and canned jewels reminded me of them.

When I read it (your poem), I could picture the light on the jars when I used to go down and get them. And I knew both the physical resemblance to jewels and the equivalent worth of jewels was how they felt about their canning endeavors. You wrote a poem that reflected an important part of their lives.

Fortunately my husband has cousins that enjoy canning. The models for the three jars that I used to illustrate your poem are Mary’s peaches and Greg’s pickles. I took a picture of them and painted both from that and the actual jars. Jim (my husband) could hardly wait for me to finish so he could “open and eat.”

Well, Connie, I can hardly wait to see your art, “Pantry Jewels,” paired with my poem.

FYI: Click here to read more about Poet-Artist Collaboration XI, including a list of the participating poets and artists. The exhibit will be on display through April 26. Please join Connie and me at the Gala Reception and at the poetry reading.  I’m second on the list to read my poem and Connie to talk about her art. We’d love to meet you.

Copyright 2012 Audrey Kletscher Helbling

 

Poets & artists collaborate in Zumbrota and I’m in March 13, 2012

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:52 AM
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I SET A GOAL for 2012 to write more poetry. I’ve posted a contest list on my office desk and filed information in a three-ring binder. But all the best-laid plans and organizing are meaningless unless I follow through with my intentions.

Thus far, I’m doing OK, although not penning poetry probably as frequently as I should be.

Yet, I’ve already seen my initial efforts, including poetry revision, rewarded with the acceptance of a poem into Crossings Poet-Artist Collaboration XI in Zumbrota.

The exhibit, which will be installed on April 2 at Crossings at Carnegie, pairs poetry with art.

Poets were invited to submit up to three poems for consideration. Then four professional writers/poets juried the poetry—this year more than 180 poems—and selected 26 for inclusion.

I’m honored and thrilled to have my writing in this exhibit.

Marie Marvin writes in an e-mail to the selected poets: “It was exciting to receive such a fine outpouring of exceptional work from so many talented poets for this collaboration. Jurists told us they were a pleasure to read, and selecting those to be included was a difficult task.”

Additionally, Laura McDonough of Crossings tells me jurists were given complete license and no specific guidance during the selection process and did not know the identity of the poets.

But, she surmises, “They look for excellence and magic.”

Now artists, who also were juried for the collaboration, are working their magic creating  pieces of art inspired by the poetry.

Paired poets and artists will not know each others’ identities until the show is installed. Nor will the names of participating poets and artists be revealed to the public until April 2. I asked.

I’m not disclosing the content of my poem which I unsuccessfully submitted to previous contests and then reworked for this competition to make it a stronger, better poem. Yes, time allowed me to view my writing with fresh eyes and see areas where I could improve.

Naturally, I’m wondering how “my artist” will interpret my quite visual poem.

I’ll find out on Saturday, April 21, when I attend a reception beginning at 7 p.m. at Crossings at Carnegie, 320 East Avenue, in Zumbrota. Poets and artists will discuss their works. Please join me and the 25 other poets and 26 artists at this celebration during April, National Poetry Month.

FYI: MARIE MARVIN, who opened Crossings in 2001 to create an oasis for artists, writers and musicians, is the driving force behind the Crossings Poet-Artist Collaboration. She discussed her love for “mixing up the arts” with poet Beverly Voldseth and, between the two of them, the first collaboration took shape in April 2002.

The collaboration also includes publication of an exhibit book offered at a nominal cost to participating poets and artists and their families.

Crossings is housed in a former Andrew Carnegie Library built in 1908 in the Classical Revival style. I can’t wait to see the building as I appreciate libraries, history and architecture.

Zumbrota, a community of around 3,000, is located along U.S. Highway 52 about 25 miles north of Rochester.

Click here for more information about the art center.

IF YOU’D LIKE to share information about a similar poet-artist collaboration in Minnesota, please submit a comment with details.

© Copyright 2012 Audrey Kletscher Helbling

Graphic courtesy of Crossings at Carnegie