Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Oh, blessed summer eve on a Minnesota farm June 30, 2011

If you look closely, you will see the farm dog in front of the 1915 farmhouse to which a machine shed was added.

WIDE SWATHS OF SHADOWS sliced across the farmyard as the sun edged toward the horizon on a whisper of a summer night.

The old farm dog, tethered to a chain next to the 1915 farmhouse-turned-granary-turned storage shed, rose from his resting place on a paw-worn patch of grass. Water and food bowls rested on the single cement step nearby, within his reach.

The dog didn’t bark, didn’t lunge, just let me be as I moved into his territory. He stood, paced and then eased onto his haunches, acknowledging my non-threatening presence as I dropped to one knee to view the world from his perspective.

I wanted only to photograph this guardian of the farm on a summer evening as absolutely picture-perfect as any day you’ll get in Minnesota. Still. Serene. Colors sharp like new crayons. Sunlight, eye-blinding bright to the west, on the other side of the barn, outside the dogs’ reach.

This June evening, for these few hours, this watchdog could not roam the farmyard. He could only eye the visitors seated across the gravel drive at a picnic table. Friends gathered for pizza and lemonade sweetened with fresh strawberries and then more berries atop angel food cake and ice cream topped off with whipped cream.

Laughter punctuated conversation. Then bibles flipped open to words written upon pages thin as butterfly wings. The shrill call of a cardinal pierced the silence between ideas shared and scripture read.

Then, as the farm dog watched, the friends bowed their heads in a prayer of thanksgiving—gratitude to God for protecting the owners of this farm from serious injury in a motor vehicle accident the previous day. A rear-end collision. Truck spinning, tipping onto its side along a Minnesota highway. Glass in teeth and waistbands and hair.

None of this the guard dog knew on this most blessed of summer evenings on a Minnesota farm.

TODAY, JUNE 30, has been designated as “Maroon Day” in Minnesota, historically the deadliest day on our state’s roadways. Since 2000, more fatal crashes have occurred on this final day of June, leading into the July Fourth holiday, than on any other day of the year. Statistics show 30 fatal crashes resulting in 35 deaths.

All of Minnesota’s nearly 600 state troopers, in their signature maroon vehicles, will be patrolling today.

Buckle up. Drive carefully and be safe.

© Copyright 2011 Audrey Kletscher Helbling

 

The endearing smiley face June 29, 2011

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I URGED HIM to speed up, to catch up to that yellow jeep ahead of us.

“I want to take a picture,” I explained, and my husband obliged although he thought me a bit crazy.

And maybe I am sometimes. But that canary yellow jeep, the single visual jolt of brightness on yet another recent dreary weekend, tripped something in my brain.

If you live in Minnesota, I expect you’ll understand. I mean, honestly, weren’t you tired of all the cold and rain and gloom on the heels of a long and snowy winter? (Remind me of that tomorrow when the temperature is predicted to reach 100 degrees or higher.)

So, given that context, the yellow jeep with the smiley face wheel cover made me smile as we traveled on U.S. Highway 14 between Mankato and Eagle Lake recently.

Smiley faces, no matter where I spot them, always increase my happiness quotient.

My appreciation of smiley faces stretches back further than I’d like to admit these days. This happiness symbol popped up everywhere when I was in high school, which would be, yes, the 1970s. Oh, how I wish I still had my smiley face bulletin board and my smiley face button.

So there, that should explain why I wanted to photograph the yellow jeep on a drizzly Saturday afternoon along a Minnesota highway. The smiley face represents a link to my past, to those turbulent teen years when I needed a bright smile as much then as I sometimes still need one some four decades later.

I can’t think of another symbol with such upbeat universal appeal. Can you?

Do you, like me, have fond memories of the smiley face? I’d like to hear.

© Copyright 2011 Audrey Kletscher Helbling

 

At the WordWalk: Why I won’t eat tuna June 28, 2011

A view of the Minnesota River as seen from Riverfront Park, looking toward downtown Mankato.

THE MANKATO PARK SEEMS, in many ways, an ideal setting for poetry.

The usually playful Minnesota River bumps against the land here, acting on this Saturday afternoon like a willful, unruly child.

On the other side of Riverfront Park, across the tracks, historic buildings stand like forlorn children, neglected, waiting for someone to care.

Overhead, moody skies pout.

I have come here at this late afternoon hour to read the poetry imprinted upon cement. Occasionally the sky spits rain at me as I follow the gray sidewalk which mimics the gray day.

"Curve around the corner/You are free/To change directions/Or your mind," reads this poem by Marlys Neufeld of Hanska.

I read:

Minnesota

Here, the river rests its elbow

before it turns north to meet

the father of them all.

Here we made 38 mistakes

we now try very hard

not to forget.

A snippet of the poem, "Minnesota." I've edited this image so that you can better read the words. The poems are, unfortunately, a bit difficult to read because of a lack of color contrast between the letters and the cement.

The poem by Ikars Sarma of Mankato refers to the hanging of 38 Dakota here on December 26, 1862. A heavy thought to match the heaviness of the sky, the raging of the river, the anger that still simmers over this shameful moment in this city’s history.

I move on.

Susan Stevens Chambers of Good Thunder writes:

Aging Benignly

Ah the terrible beauty

of the not so perfect

body.

In this edited photo, read Susan Stevens Chambers' poem about aging.

Nearby kids scramble up a rock wall as I struggle to lift my aging bones from the sidewalk where I have bent close to read and photograph Chambers’ poem.

Then I laugh at the words penned by Mankato resident Yvonne Cariveau:

Tuna

Craving lunchbox love

I slowly open the lid.

Fish smell breaks my heart.

The poem that causes me to remember all the tuna I ate during my last two years of college.

Exactly. I ate too much tuna in this college town between 1976 and 1978. I could write my own poem about cramming tuna sandwiches while cranking out stories at the Mankato State University (I still can’t call it Minnesota State University, Mankato) student newspaper, The Reporter.

Deadlines and words.

Words and deadlines.

Tuna. Words. Deadlines.

Cariveau’s writing reminds me of those years so long ago when I was young and only beginning my journey into the poetry of life.

WordWalk poems are imprinted on the sidewalk circling this restroom/shelter facility at Riverfront Park in Mankato.

FOR MORE INFORMATION about Mankato’s public sidewalk poetry, WordWalk, click here and here. At least two other Minnesota cities, of which I am aware, have sidewalk poetry: St. Paul and now Northfield.

WHAT’S YOUR OPINION on sidewalk poetry? Do you like it, or not? Would you like to see more such public poetry in Minnesota communities? Why or why not?

© Copyright 2011 Audrey Kletscher Helbling

 

Appreciating mom-and-pop businesses like Mutch Hardware June 27, 2011

Buildings across the street reflect in the windows of Mutch Northside Hardware in North Mankato where these signs hang on a front plate-glass window.

“Grass Seed and Fertilizer.”

“We cut glass and plexiglass.”

I didn’t need grass seed or fertilizer or any glass cut. Yet, the signage drew me to the storefront plate-glass window of the hardware store along Belgrade Avenue in North Mankato. How often do you see business signs like this with letters printed in near-perfect penmanship between two penciled ruler lines on white tagboard?

After I admired the simplicity of this advertising in a world of mass-produced, flashy, signage, I noticed the old screen door. That did it. I was smitten with this place, this Mutch Northside Hardware that, from the exterior, reminded me of the small town hardware stores of my youth.

You know, the kind of store where you can buy everything and anything. The place packed with merchandise from floor to ceiling, aisles narrow as a sidewalk crack. Nails and bolts jumbled in scarred cubbies. Belts dangling from hooks on pegboard. Wooden floors that creak.

Mutch Hardware is crammed with merchandise, some of it displayed in the window fronts.

An old ACE Hardware sign decorates the front door where a handwritten sign is posted listing store hours.

I could almost hear the vintage screen door slam shut behind me as I stood outside the closed hardware store, hands cupped around my eyes, peering inside. It was late Saturday afternoon and I was hours too late to step inside Mutch Hardware, much to my disappointment.

But that didn’t stop a flood of memories from washing over me. Memories of going to town with my dad, stopping at Joe Engel’s Hardware store on Vesta’s main street to pick up a few bolts or maybe a belt or something else for the farm.

My siblings and I had another reason for hitching a ride to the southwestern Minnesota hardware store with our dad. Joe Engel’s supplied our ammo—coiled rolls of red-perforated paper pocked with gun powder for our toy cap guns. This was the 1960s, and even though not politically-correct today, an era of playing “Cowboys and Indians.” I remember those days with a depth of fondness that I doubt today’s tech-oriented kids will ever experience.

I would like to take each of them inside a business like Mutch Hardware, where I expect helpful, personal service, care and friendliness accompany each purchase. Places like this seem rare in our fast-paced world of big box stores run by corporations in far away cities. Few mom-and-pop stores can survive in today’s economy. That is reality.

I’m not a prima donna; I shop chain stores as much as anyone. Yet when I see a business such as Mutch Northside Hardware in North Mankato, I take notice. I appreciate the hardworking men and women who, as independent business owners, still offer us a shopping option.

Outside Mutch Northside Hardware, a place reminiscent of bygone days.

DOES AN OLD-FASHIONED mom-and-pop type business like Mutch Northside Hardware exist in your community, or do you know of one somewhere? I’d like to hear. Tell me about it by submitting a comment.

This image of a section of Belgrade Avenue in North Mankato shows the following businesses, from left: Like-Nu-Cleaners, Christy's Cafe, Mutch Northside Hardware, Skillings & Associates, Dino's Gourmet Pizzeria, Craft-n-Floral Center, the U.S. Post Office, Frandsen Bank & Trust and Bobby Joe's Pub.

© Copyright 2011 Audrey Kletscher Helbling

 

Hail St. Mary’s of Melrose June 26, 2011

The steeples of St. Mary's Catholic Church of Melrose.

I STOOD THERE. Just stood there. For minutes, taking in the glorious splendor before me.

The cornflower blue of the arched ceiling. The pillars. Pews—endless carved pews stretching from the fonts of holy water to the steps leading to the altar.

A view from the back of St. Mary's Catholic Church looking toward the main altar.

I didn't even try to count the hand-carved pews that grace this church. But they are many.

A stone font holding holy water at the back of the church.

Such beauty. Such holiness. Such wonderment.

Opulent, stained glass windows bedecking the sanctuary like jewels on a crown.

One of too many stained glass windows to count.

Statues fit for the finest of museums.

This statue of Jesus and Mary sits at the back of the church.

And then I moved, not sure which direction to go, wondering how I could possibly see every detail. Prayerful hands. Flickering candles. The frayed ends of the bell pull. Gold-leaf stenciled crosses. Worn wood. Angels in flight above the altar.

Clustered candles of prayer at St. Mary's.

Bell ropes dangle by the balcony stairway. Two stairways lead to the balcony.

A gold-leafed stenciled cross borders a side wall of the sanctuary.

My eyes swept across the Church of St. Mary’s, or St. Mary’s Catholic Church of Melrose. Choose the moniker you prefer.

The name and the denomination of this 1898 church mattered not to me. I cared only for the heavenly feel of this holy place.

How could I not be impressed by this multi-steepled house of worship next to the turkey plant and soaring above the landscape 100 miles northwest of the Twin Cities?

How many times, if you travel Interstate 94 in central Minnesota, have you noticed those steeples while zipping by Melrose, but never taken the time to drive into town? Placed on the National Register of Historic Places in 1993, this Catholic church is worth a stop if you appreciate craftsmanship, art, history and reverent beauty beyond belief.

The church rises above the land, defining Melrose.

The 113-year-old building was constructed by the parishioners of St. Boniface and renamed St. Mary’s when St. Boniface and St. Patrick’s parishes merged in 1958.

History runs deep here. You will see it in the hitching post out front, smell it in the incense, hear it in the creak of steps leading to the locked balcony.

And if you listen closely, you can almost hear the whispered prayers of those who have come here on bended knees to lift up their sorrows to the Lord.

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I COULD NOT POSSIBLY share my many photos of St. Mary’s with you in one blog post. Please check back for more images in a future post.

© Copyright 2011 Audrey Kletscher Helbling

 

A Lake Agnes love story June 24, 2011

IT APPEARED TO BE nothing short of a love story played out on a west central Minnesota lake.

Two love birds—or more accurately, ducks—met along the shoreline of Lake Agnes in Alexandria which, to those of you who do not live in Minnesota, claims to be the birthplace of America what with the Kensington Runestone and all found here.

But I digress.

The mallards cared not one wit about the vikings or the Runestone or even me, watching their every move. The drake and the hen had eyes only for each other.

And so the romance spawned on Lake Agnes, on this lake with the name of Greek (not Scandinavian) origin meaning pure/holy/chaste.

© Copyright 2011 Audrey Kletscher Helbling

 

A native Minnesotan reports from flooded Minot June 23, 2011

MY BROTHER-IN-LAW, Neil, lives in Minot.

But he ranks as one of the lucky residents of this North Dakota city. His house lies outside—albeit less than a mile away—and several hundred feet above the flood zone.

Yet, this Air Force man and Minnesota native isn’t sitting idly by because his home has not been threatened. He’s pitching in to help those who face the reality of losing their houses in the worst flooding since 1969.

In an e-mail I received from Neil early this morning, he shares information, insights and, yes, even advice about the current situation—which he terms “exhausting and discouraging”—in his adopted hometown. The overwhelmed Souris River in Minot is expected to crest on Sunday, some five feet higher than any previous flood stage in recorded history for the area, Neil says. The old record was set in 1881, before Minot was founded.

So that’s the situation facing this city, where some 12,000 residents, more than a quarter of the population, have been evacuated and where, says Neil, dikes in several neighborhoods were breached on Wednesday.

Neil has assisted two families in exiting the city.

He writes: “I helped a lady from our church on Monday night as she moved everything either to the second floor or attic. What didn’t go upstairs went into a horse trailer that her brother brought in from out of town late that night. She seemed to take things in stride. Her house was also flooded in ’69 (before it was her house), but came through it okay. It’s extremely well built, nearly 100 years old. This lady trusts that God will provide for her needs, even if her house washes down the river.”

Neil next joined efforts to help his boss’s family. His boss is deployed to Afghanistan.

“I lost track of how many people were there to help them,” Neil writes. “We also helped them three weeks ago, when we moved everything out of their sopping wet basement to the upper floor and garage. Because of the shortage of time allowed to evacuate, we left almost everything there that time. Because of the expected height of the floodwaters and the advance preparation time, we decided to clear everything out of their house this time.”

Yet, Neil continues, “There were easily several pickup loads of stuff that we left behind simply because there wasn’t enough time/energy/resources to move it all.”

At this point my brother-in-law pauses and suggests that we all re-evaluate our possessions, deciding what we really need and what we don’t. “Go through your house and garage and get rid of anything that you haven’t laid eyes on or used in the past three years.” He intends to do exactly that at his Minot home, which is currently on the market; he’s been reassigned to an Air Force base in Missouri.

When Neil and his wife, who is already in Missouri, purchased their house several years ago, they purposely stayed away from the flood zone. “A contractor that we spoke to before buying a house told us the down sides of several locations in this town. One specific neighborhood that he told us to steer clear of is the exact one that we helped my boss’s family move out of; he told us that he wouldn’t even consider building a house down there because the whole area was under water in the flood of ’69,” Neil says.

And then my brother-in-law adds this final statement: “Dikes give people a false sense of security.  No one presently living in this town will ever doubt that again!”

© Copyright 2011 Audrey Kletscher Helbling

 

A historic bank and White Buffalo Calf Woman

SET ME IN FRONT of an architecturally-stunning historic building and I’m in history heaven.

Just look at the lines, the colors, the window leading, the carvings…of the Old First National Bank of Mankato building, now a Verizon Wireless Center reception hall.

I didn’t step inside the former bank, didn’t even try a door. I was content last Saturday afternoon to view the exterior with its Prairie School style architecture.

“It’s like that bank in Owatonna,” my husband said as we gawked at the building built of brick, Mankato limestone and terra cotta along Civic Center Plaza in downtown Mankato.

He was, of course, referring to Chicago architect Louis Sullivan’s “jewel box,” National Farmer’s Bank in Owatonna, a brick building with terra cotta accents, splendid for its stained glass windows, arches and other architectural details.

The Mankato building features Frank Lloyd Wright-inspired stained glass and detailed ornamentation along the roof line.

And now it also showcases a bronze sculpture of White Buffalo Calf Woman by South Dakota artists Lee Leuning and Sherri Treeby as part of Mankato’s City Art Walking Sculpture Tour.

 

If you peer at the woman’s face, examine her beaded moccasins and the trim on her buckskin dress and pouch, you’ll notice how the colors mimic those of the historic bank building. Whether this Native American sculpture’s placement was planned or accidental, I don’t know, but it fits seamlessly with the historical vibe of the locale, enhancing the whole art viewing experience.

The city of Mankato, apparently named after a varied translation of the Dakota word Mahkato, meaning “blue earth,” owns a place in Minnesota and national history for the mass hanging of 38 Dakota here on December 26, 1862. Three hundred warriors were accused of killing civilians and soldiers and of other crimes during the U.S.-Dakota Conflict. After a public outcry, President Abraham Lincoln commuted the sentences of all but 38. Certainly, Mankato is not proud of this moment in history. But efforts have been made to honor the Dakota at monuments in the city.

And now sculptures like White Buffalo Calf Woman also help heal and educate the public about the Native American culture. According to information on the sculpture placard, this prophetess is the only religious icon accepted by all Native American tribes. She “brings a message of healing, hope and peace among the races to all the people.”

More than just art, I also got a history lesson along a Mankato city street on a Saturday afternoon in June.

PLEASE VIEW MY JUNE 20 post for more photos and information about the Walking Sculpture Tour. Additional images will be forthcoming.

© Copyright 2011 Audrey Kletscher Helbling

 

A chocolate cake tradition of love June 22, 2011

Homemade chocolate Crazy Cake frosted with Chocolate Buttercream Frosting.

THEY RAVED ABOUT the moistness of the cake. And three of them—all guys—forked up a second slice of the chocolate cake I’d made from scratch.

I almost said, “Ummm, guys, it’s the women who should have a second piece.” But I let them be, passing the cake pan around the table, plating more cake.

This is one moist, delicious chocolate cake.

Then, because I couldn’t help myself, I shared the story about this cake. They needed to hear it, to understand that they weren’t eating just any old cake but cake made from a special recipe.

This Crazy Cake, aka Wacky Cake, is the chocolate cake of my youth, the one my mom made every time she baked a birthday cake, I told my friends.

“We didn’t have much money, didn’t get birthday presents,” I explained as my friends savored each bite of chocolate cake. “So our birthday present was the cake, an animal cake my mom made.

She would pull out her cake book and let us pick the animal shape we wanted for our birthday cake—a lion, a horse, a duck, an elephant…”

“My mom had a book like that too,” my friend Jackie chimed in.

Mari, on the other end of the table, nodded her head. Likewise, her mother had a booklet that provided instructions for transforming round cakes and square cakes and oblong cakes into animal shapes.

By cutting the cake and decorating it with various candies and frosting, my mom transformed a plain chocolate cake in to a special animal-shaped birthday cake.

Those birthday cakes were magical. I never missed the birthday presents, never even knew I should receive gifts, because I had that cake, that special, special chocolate animal-shaped cake.

When I became a mother, I continued the tradition with my children. While I didn’t have an animal cake book, I had my imagination. I made a snowman, Garfield, Piglet, a Teenage Mutant Ninja Turtle, a horse (that looked more like a cow than an equine)…

Unlike me, my children got birthday presents, plenty of them. But I would like to think that the one they will remember is the annual gift of an animal-shaped birthday cake, a gift, really, passed down from their grandmother.

For in the passing down of that tradition, I’m honoring their grandma, my mom, who taught me that birthdays are not about prettily wrapped presents, but about love. And that love, for me, will always be symbolized by homemade chocolate Crazy Cake.

Chocolate Crazy Cake

3 cups flour

2 cups white sugar

½ cup cocoa

1 teaspoon salt

2 teaspoons baking soda

Mix the dry ingredients together and then stir in:

¾ cup salad (vegetable) oil

2 cups cold water

2 Tablespoons vinegar

1 teaspoon vanilla

Pour into a 9 x 13-inch cake pan and bake at 350 degrees for 35 – 40 minutes.

When the cake is cool, whip up a bowl of this creamy Chocolate Buttercream Frosting.

When cool, frost with:

Chocolate Buttercream Frosting

6 Tablespoons butter, softened

½ cup cocoa

2 2/3 cups powdered sugar

1/3 cup milk

1 teaspoon vanilla

Cream butter in a small mixing bowl. Then add the cocoa and powdered sugar alternately with the milk, beating to a spreading consistency. You may need to add an additional tablespoon of milk. Blend in vanilla. Spread on cake. Makes about two cups of frosting.

The recipe yields two cups of heavenly, finger-licking-good frosting.

© Copyright 2011 Audrey Kletscher Helbling

Recipes from The Cook’s Special, 1973, St. John’s Evangelical Lutheran Church, Vesta, Minnesota, and Hershey’s Easy-Does-It Recipe #10

 

Mankato brings art to the sidewalks with walking sculpture tour June 21, 2011

Martin Eichinger of Portland, Oregon, created this graceful "Bird in the Hand" bronze sculpture valued at $14,500 and posed near the City Center.

You'll find "Play Thing" by Ryszard, Denver, Colorado, and sculpted from Colorado marble, in North Mankato.

MAYBE IT’S BECAUSE I grew up without much art—no paintings, no piano, no library—that I so appreciate the visual, performing and literary arts.

I still can’t paint a painting or read a musical note. But I value those two art forms and words, which have always been a part of me, who I am.

Several years ago I walked the Bemidji Sculpture Walk and I quickly became enamored with the idea of placing sculptures in a community and then swapping them out a year later for new sculptures. The touring sculptures scattered primarily through-out Bemidji’s downtown impressed me as an ingenious way to get art before the general public.

Now I needn’t drive hours and hours and hours to view such public art. In 45 minutes I can reach downtown Mankato and view the 25 sculptures positioned there and in North Mankato as part of the City Art Walking Sculpture Tour. For free.

On Saturday, while in Mankato for a graduation reception, my husband and I made it a point of afterward checking out those sculptures. We missed seeing only a few of the art pieces, including one along Belgrade Avenue that was vandalized and, ironically, titled “Look and You Will Find.” We found only an empty block of Minnesota limestone, donated by Vetter Stone, where the sculpture once stood.

Mahtomedi artist Kate Christopher's $6,900 bronze sculpture, "Look and You Will Find It," was vandalized. The art piece symbolized HOPE.

I expected to find a bustling downtown Mankato. Obviously I have not been downtown for many years. Nearly all of the shopping has moved to the fringes of the city, into the malls and big box stores, and the downtown houses primarily office buildings, restaurants, bars, a hotel and the Verizon Wireless Center. Honestly, except for the sporadic motor traffic on Second Street and a few pedestrians, the place was basically deserted around mid-afternoon. Granted, the weather was less than ideal with on-again-off-again rain. We could park almost anywhere we wanted and walk to the sculptures within a several-block area.

We spotted only two other individuals walking around viewing the sculptures. Dana Parlier of Brooklyn, New York, created this resin sculpture, "Cubist Woman." The man-made concrete canyons of New York City inspired this contemporary art, which seems to match the modern look of the building.

The art pieces certainly present a reason to visit downtown Mankato and then cross the Minnesota River to North Mankato to view several more sculptures. I’m not going to tell you I liked every sculpture, because I didn’t. But that’s OK; no one expects that. Sometimes first impressions change though. When I spotted “Twenty Seven (China)” from across the street, I honestly thought it looked like a mess of twisted junk. But up close, the steel sculpture of recycled bicycle parts—mostly handle bars—grew on me. Joe Forrest Sacke’s $3,500 conglomeration seemed modernish and hippyish and vintageish jumbled into one. Art will surprise you that way.

Joe Forrest Sacke's "Twenty Seven (China)."

You can vote for your favorite, for The People’s Choice Award. We didn’t, although I narrowed my favorites down to three. Voting booths are strategically located through-out the Walk area.

One of my three favorite sculptures, "White Buffalo Calf Woman," a bronze piece created by Aberdeen, South Dakota, artists Lee Leuning and Sherri Treeby. Notice how the dominant color in the sculpture blends with the building's color. Wait until you see the building on the other side of this Native American woman. You will be wowed. I'll share those images with you in another post.

This bronze piece, "The Farmer's Wife," by Dee Clements of Loveland, Colorado, is also among my three favorite sculptures. A photo Clements took in a Korean village inspired this art creation.

The detail in this bronze, "Reading Magic," by Julie Jones of Fort Collins, Colorado, appeals to me and makes it one of my top favorites among the 25 sculptures in the exhibit.

Banners draw visitors to the sculptures and to voting spots in downtown Mankato.

I also noticed, and I don’t know whether this was on purpose, but the sculptures often seemed to jive, architecturally and environmentally, with the buildings they were situated near.

Mankato is committed for the next five years to bringing these rotating sculptures into the community via a partnership with the Sioux Falls-based SculptureWalk program. Of course, this all costs money and with the help of a grant, business sponsorships, donations and more, Mankato has managed to bring this art directly to the people.

It’s a grand idea. I expect to return to Mankato to see next year’s art and perhaps other area attractions. Even though I attended college here for four years, I really didn’t appreciate the city. And so much has changed since 1978.

For someone like me, who doesn’t venture into Minneapolis to engage in the art scene there, mostly because I don’t like the congestion and busyness of the metro, outstate art opportunities like City Art in Mankato offer me culture at a quieter, more enjoyable (at least for me) pace.

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SINCE I CAN’T POSSIBLY show you all of my photos in one post, I’ll bring you more images in future stories.

© Copyright 2011 Audrey Kletscher Helbling