Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

“Poem in a Bag” celebrates the arts, connects cultures April 23, 2024

Pick a poem from a box at Mercado Local (and other locations) as part of a poetry initiative rooted in Northfield. (Minnesota Prairie Roots copyrighted photo April 2024)

PRINTED POETRY PLACED in public pleases me. Pleases me because putting poetry out there places this literary art into hands that might not otherwise pick poetry. I mean, if we’re honest, how often do we purchase a poetry book or pull a poetry volume from the 811. section of the library? Probably not all that often.

Among colorful merchandise sold by immigrant vendors at Mercado Local in Northfield. (Minnesota Prairie Roots copyrighted photo April 2024)

That is why I love the latest poetry project in my area—“Poem in a Bag.” Rice County Neighbors United, an advocacy group for low income and immigrant community members, recently launched this project in Northfield, a city rich in the arts, including poetry. Mar Valdecantos, RCNU advocate director and also a poet, writer, visual artist and art teacher, is leading this endeavor.

Grab a poetry scroll from the box. (Minnesota Prairie Roots copyrighted photo April 2024)

The concept is simple. Collect, translate, print and place poems inside a box (not a bag) in locations accessible to the public. The poetry, both original and favorites, is paired with local original art, including that of Valdecantos. Anyone can grab a poetry scroll and have instant access to literary and visual art.

Northfield is home to a sizeable Hispanic population. Immigrant vendors sell their art and more at Mercado Local. (Minnesota Prairie Roots copyrighted photo April 2024)

But there’s more. The poems are printed in Spanish and in English. I can’t read Spanish. (My second daughter can; she’s a former Spanish medical interpreter and translator.) That doesn’t matter. What matters is that each poem is printed in two languages, reflecting, respecting and celebrating cultural diversity in our region of southern Minnesota.

The merchandise inside Mercado Local, including this woven tote, is a colorful, visual delight. (Minnesota Prairie Roots copyrighted photo April 2024)

Rice County Neighbors United aims to raise cultural awareness via events and activities like “Poem in a Bag,” funded by a grant from the Minnesota Arts & Cultural Heritage Fund. The arts have always been a way to connect peoples, to communicate, to inspire and more. Whatever our differences, art is universal, linking us in our humanity.

A portion of the poem, “Streetlight at Night,” and art by Mar Valdecantos. All poems are printed in Spanish and in English. (Minnesota Prairie Roots copyrighted photo April 2024)

Poems submitted for this National Poetry Month project cover a range of topics, some specific, others broader. Sunrise, empanadas, children, cancer, loneliness, life, winter, salmon, even a dead mouse, are among the subjects of original poems. I’ve lent several poems for the project.

More cultural offerings at Mercado Local. (Minnesota Prairie Roots copyrighted photo April 2024)

And then there is the poetry of renowned poets—Latin American, Cuban, American—selected and submitted as favorite poems. Nature, the mother-child relationship, a white rose and service to others theme these. They, too, are accompanied by art.

Mercado Local is located in the heart of downtown Northfield, just off Division Street. (Minnesota Prairie Roots copyrighted photo April 2024)

Art in all its forms is powerful. Rice County Neighbors United recognizes that, celebrating creativity and entrepreneurship at Mercado Local, a marketplace for immigrant vendors and also an art center, community room and education space located at 108 5th Street East in Northfield.

Mercado Local explodes with color. The “Poem in a Bag” box is on the cashier’s counter. (Minnesota Prairie Roots copyrighted photo April 2024)

“Poem in a Bag” poems are available at Mercado Local and at other Northfield businesses (currently Content Bookstore, Imminent Brewery and radio station KYMN) and at the Northfield Public Library. Valdecantos aims to get poetry boxes into more Northfield businesses. In Faribault, “Poem in a Bag” can be found at Books on Central, a used bookshop run by the Rice County Area United Way.

This is an ambitious undertaking, one Valdecantos hopes to repeat next April during National Poetry Month. She intends to extend this year’s “Poem in a Bag” into May with a poetry reading set for 6:30-8 pm Thursday, May 23, in the community room/art space at Mercado Local. I appreciate all of this. To place poetry in public places, to use art to connect cultures, is truly a welcoming, neighborly gift to our culturally diverse communities.

© Copyright 2024 Audrey Kletscher Helbling

 

Looking for Lucy July 11, 2023

This sculpture of Lucy Van Pelt in Faribault is titled “Land O’Lucy.” (Minnesota Prairie Roots copyrighted photo June 2023)

SHE’S OUTSPOKEN. Loud. Sometimes bossy. Opinionated. Strong. And, in her own unique way, lovable. She is Lucy Van Pelt of the Peanuts cartoon strip.

Lucy stands outside the east wing entry to Noyes Hall at MSAD. (Minnesota Prairie Roots copyrighted photo June 2023)

Lucy and the other characters created by Charles Schulz represent diverse personalities. They are some of us. They are all of us. And that is perhaps what makes this comic strip so endearing, so relatable.

Agricultural-themed “Land O’Lucy” features a farm site. (Minnesota Prairie Roots copyrighted photo June 2023)

In Minnesota, especially, we hold a deep fondness for the Peanuts’ characters. Cartoonist Schulz was born in Minneapolis, raised in St. Paul, moved to Colorado, back to Minnesota, and then eventually to California in 1958 with his wife and their five children. As a high school student, he studied art through a correspondence course at the Art Instruction Schools in Minneapolis and later taught there. His Peanuts cartoon debuted in October 1950 and would eventually include some 70 characters, their stories, trials, triumphs.

Pastured Holsteins detail the rural theme. (Minnesota Prairie Roots copyrighted photo June 2023)

St. Paul honors their native son with bronze sculptures of Peanuts at Landmark Plaza in the heart of the capital city. While I’ve never seen that art, I’ve seen art from an earlier endeavor, “Peanuts on Parade.” After Schulz died in 2000, St. Paul undertook the five-year parade project beginning with Snoopy fiberglass statues painted by artists and then auctioned to fund scholarships for artists and cartoonists and to finance the bronze statues. In subsequent years, “Peanuts on Parade” featured Charlie Brown, Lucy, Linus, and, finally, Snoopy and Woodstock.

“Land O’Lucy” stands outside the east wing of Noyes Hall. (Minnesota Prairie Roots copyrighted photo June 2023)

It is a statue of Lucy which found its way into my community, landing at the Minnesota State Academy for the Deaf. “Land O’Lucy” now stands in a visible spot on campus, moved during a recent construction project from an obscure location outside Quinn Hall to the front of Noyes Hall East Wing. She’s become my silent, if Lucy can be silent, cheerleader as I walk the deaf school campus doing my vestibular rehab therapy exercises. I like to think that Lucy is encouraging me, just as she is encouraging the young deaf and hard of hearing students who attend this specialized residential school. Lucy symbolizes strength with her nothing’s-going-to-stop-me attitude. We can all use a bit of that empowering approach to life’s challenges.

Informational signage at the base of Lucy. (Minnesota Prairie Roots copyrighted photo June 2023)

This particular statue from the 2002 “Looking for Lucy, Peanuts on Parade” project was painted by Dubuque, Iowa, artist Adam Eikamp with Land O’Lakes Inc. the sponsoring company. The dairy plant in Faribault has since closed. But its support of this public art remains forever imprinted in informational signage at the fiberglass statue’s base.

Artwork shows disking the field in preparation for spring planting. (Minnesota Prairie Roots copyrighted photo June 2023)

The agricultural theme of the MSAD Lucy is fitting. Our area of southern Minnesota is a strong agricultural region. The paintings on the statue reflect that with fields, barn, farmhouse, cows and chickens. Lucy banners rural. She is among 105 five-foot tall Lucys painted as part of “Looking for Lucy.”

Extroverted “Land O’Lucy” outside Noyes Hall east wing. (Minnesota Prairie Roots copyrighted photo June 2023)

If you’re looking for this Lucy, travel to MSAD on Faribault’s east side. You can’t miss the domed Noyes Hall, on the National Register of Historic Places and among many beautiful historic limestone buildings on campus. She stands outside Noyes’ east wing, welcoming students and others, arms flung wide. Typical Lucy with body language that reveals her extroverted personality, her loud, strong and encouraging voice.

© Copyright 2023 Audrey Kletscher Helbling

 

Inspired by an outdoor community gathering spot in Marshall April 13, 2023

Terrace 1872, under development in September 2022 in downtown Marshall, Minnesota. (Minnesota Prairie Roots copyrighted file photo September 2022)

WHEN I PHOTOGRAPHED an under construction patio while visiting Marshall in mid-September, I wondered exactly what was up with this space. And then I forgot about it…until now.

The Lyon County Historical Society Museum, housed in a former library. (Minnesota Prairie Roots copyrighted photo September 2022)

It was a warm and sunny day when I happened upon the patio project in the heart of Marshall’s downtown business district. This ag-based community and college town sits on the southwestern Minnesota prairie, some 20 miles west of my hometown. I was back in the area to view two of my poems on display in the “Making Lyon County Home” exhibit at the Lyon County Historical Society Museum. After touring the museum, Randy and I did a short walk-about in a downtown that looks nothing like the downtown I remember from my last visit 40 years earlier.

During that brief tour, we came across the developing outdoor area. I was impressed by what I saw—by the well-laid pavers, the strong arched entry, the cluster of patio tables and chairs, and the then-unfilled planter bed. I envisioned plants and flowers adding a calming natural balance to hard surfaces.

An unreadable (to me) ghost sign speaks to Marshall’s history. (Minnesota Prairie Roots copyrighted photo September 2022)

My eyes saw all of this. But, still, I didn’t know the backstory until now. This is Terrace 1872, a public gathering space next to City Hall. It came to be after the former Marshall Hotel was demolished, leaving a narrow, empty lot. Local visionaries saw this as an opportunity to create a community gathering spot. And so it will be. And the name, well, Terrace is self-explanatory. But 1872 represents the year Marshall became a city.

A mural, “At the Bend of the Redwood,” sprawls across a business in the heart of downtown Marshall. (Minnesota Prairie Roots copyrighted photo September 2022)

I love this concept of an outdoor area downtown where visitors, shoppers and downtown employees can meet, relax, just be. I also envision Terrace 1872 as a site for pop-up events—mini art shows, concerts, poetry readings… The possibilities seem endless for this pocket park.

Plans are to add a sculpture or art piece to the terrace, enhancing a downtown already graced by murals. Online plans also show movable fire pits and patio lights strung between posts. I appreciate the vision of an inviting and welcoming space to gather.

Businesses across the street from Terrace 1872. (Minnesota Prairie Roots copyrighted photo September 2022)

I’d love to see my community of Faribault adopt Marshall’s Terrace 1872 idea and create a similar mini gathering spot in the heart of our downtown. We have many vacant lots left after buildings were demolished. Previously demolished buildings were replaced by parking lots. Faribault now needs some greenery and additional outdoor public art infused into downtown, creating a peaceful place for people to gather, connect, relax, grow a sense of community while outdoors. I hope the visionaries here follow Marshall’s lead…

TELL ME: Do you have a Terrace 1872 in your community or have you seen one in another community? I’d love to hear details.

 

Minnesota prairie roots revisited, remembered, reflected January 25, 2023

My “Hope of a Farmer” poem exhibited at the Lyon County Historical Society Museum. The exhibit also includes my poem, “Ode to My Farm Wife Mother.” (Minnesota Prairie Roots copyrighted file photo September 2022)

WHEN I RETURNED to my beloved southwestern Minnesota prairie in September, I did so with one primary purpose—to see my poetry showcased in the “Making Lyon County Home” exhibit at the Lyon County Historical Society Museum in Marshall. Any additional attractions—like viewing a public art sculpture outside the local ice arena and a stop at Brau Brothers Brewing—would only enhance the day trip.

Randy Walker’s “Prairie Roots” sculpture defines the entrance outside the Red Baron Arena on Marshall’s east side at 1651 Victory Drive. (Minnesota Prairie Roots copyrighted photo September 2022)

My one regret is that Randy and I didn’t stay overnight, allowing more time to explore local sites without feeling rushed. Forty years have passed since I visited Marshall en route to the Black Hills on our honeymoon. The college and county seat town lies 20 miles to the west of my hometown, Vesta in Redwood County, and 140 miles from my current home in Faribault.

A serene country scene just north of Lamberton in southern Redwood County on the southwestern Minnesota prairie. (Minnesota Prairie Roots copyrighted file photo September 2013)

This area of Minnesota is the place of my roots. My prairie roots. It is the place of wide open space, expansive skies, small towns and endless acres of cropland.

A prairie sunset photographed from Minnesota State Highway 67 between Redwood Falls and Morgan. (Minnesota Prairie Roots copyrighted file photo)

The land where I grew up inspired my blog name, Minnesota Prairie Roots. The name fits me as a person and a creative. The sparseness of the prairie taught me to notice details, to fully engage my senses. To appreciate the landscape and people. The vastness of the flat land and the star-flushed night sky and achingly beautiful sunsets. Here I connected to the land—bare feet upon dirt, bike tires crunching gravel, dirt etched into my hands from working the soil. Here I connected to the people—down-to-earth, hardworking, linked to the land.

A favorite children’s picture book about the prairie gifted to me by my friend Kathleen.

For those who are not of prairie stock, the sparse landscape can seem uninteresting, empty, desolate. Even I admit the challenge of “if you’re not from the prairie…” A children’s picture book by that title, written by David Bouchard and illustrated by Henry Ripplinger and published in 1995, speaks to the prairie sun, wind, sky, flatness…grasses.

The tall grasses stretch to the prairie sky. The bent tops of the stems are also meant to resemble hockey sticks given the sculpture’s location outside the ice arena. (Minnesota Prairie Roots copyrighted photo September 2022)

Tall grasses are often associated with the prairie. Yet, those grasses were mostly missing from the landscape of my youth as cultivated crops covered the earth. But on our farm site, a sliver of unmown grass grew between granary and grove and gravel driveway, stretching high, stems bending in the wind. That Little House on the Prairie (Walnut Grove is 20 miles from Vesta) space opened summer afternoons to imaginative play. I hold many memories rooted in those tall grasses, in the prairie.

Depending on the time of day and viewing point, the steel grass stems showcase different colors. (Minnesota Prairie Roots copyrighted photo September 2022)
The sculpture reflected in an arena window. (Minnesota Prairie Roots copyrighted photo September 2022)
Just another view of the grass stems, emphasizing the orange and yellow hues. (Minnesota Prairie Roots copyrighted photo September 2022)

Prairie Roots. That name graces a public art sculpture outside the Red Baron Arena in Marshall. Minneapolis artist Randy Walker was commissioned by the City of Marshall in 2018 to create the sculpture reflecting the prairie landscape. I knew in advance of my September visit that I needed to see this artwork if time allowed. We made time. Walker used 210 painted steel poles to represent tall stems of grass, prairie grass. They are colored in hues of yellow, orange, red and green, reflecting seasonal changes and light.

Prairie grass grows within the sculpture. (Minnesota Prairie Roots copyrighted file photo September 2022)

And in between all those steel stems, prairie grass grows, thrives.

A grasshopper clings to a steel grass stem in the “Prairie Roots” sculpture. (Minnesota Prairie Roots copyrighted photo September 2022)

I even spotted a grasshopper on a steel stalk, taking me back decades to the hoards of grasshoppers that amassed and hopped through that patch of uncut grass on the farm.

Viewing the sculpture toward the field, this perspective shows the meandering course of the Redwood River in the Marshall area on the floor of the gathering space. (Minnesota Prairie Roots copyrighted photo September 2022)

Walker’s sculpture holds visual appeal against an expansive backdrop sky and open field (when viewing the art from the arena entrance outward). Via that perspective, I see the enduring strength of the prairie, and the immensity of land and sky, this place of my Minnesota prairie roots.

Please check back for more posts about my day trip back to southwestern Minnesota in September 2022.

© Copyright 2023 Audrey Kletscher Helbling

 

About recycling, a hard truth & what we can do October 27, 2022

A graphic on a recycling dumpster in Northfield inspires. (Minnesota Prairie Roots copyrighted photo August 2022)

JUST INSIDE OUR GARAGE, a green plastic tote rests on a shelf. It’s located a few quick steps from the kitchen door, providing easy access to our temporary recycling box. Once the box fills, Randy dumps the contents into the official hideous dark-blue-with-bright-yellow-lid plastic recycling bin. Every other week the refuse hauler picks up our recyclables for delivery to the Rice County Recycling Center.

The City of Northfield “Youth Live Green Recycling Team” program aims to get youth involved in recycling corrugated cardboard. Participating groups get monetary funds for monitoring the public recycling containers, keeping the area clean and informing the public about cardboard recycling. (Minnesota Prairie Roots copyrighted photo August 2022)

Now I should feel mostly good about that, right? I’m placing milk jugs and other plastics, cans, newspapers, envelopes, an excessive amount of campaign mailings, other paper products and more into recycling. I’m doing my part to keep stuff out of the landfill, to protect the environment.

Rules on a recycling container in Northfield. (Minnesota Prairie Roots copyrighted photo August 2022)

But when it comes to plastic, most of my efforts may be for naught, according to a recent report by the environmental education and awareness group Greenpeace. The nonprofit shared that less than five percent of recycled plastics are made into new products. Why? Simply put, it’s costly to collect and sort the plastics. I’m not surprised by that explanation. Money factors into most business decisions.

Youth and adults painted a mural on Just Food Co-op, Northfield. Among the themes, Mother Earth. Rice County Neighbors United led the grant-funded project. (Minnesota Prairie Roots copyrighted photo October 2021)

Yet, I’ll continue to recycle and hope for an environmentally-friendly shift in attitudes on both consumer and corporate levels. We as consumers need to consciously choose non-plastics. I’m as guilty as anyone else in not thinking often enough about what I personally can do to reduce my use of plastics, focusing on reduce before I focus on recycle.

Mother Earth in progress on the Just Food Co-op mural. (Minnesota Prairie Roots copyrighted photo August 2022)

What am I doing right? This has nothing to do with plastic, but rather with reducing energy use. I either line dry my laundry outdoors or indoors on drying racks, with the exception of sheets and towels in the brutal cold of winter. Come a 40-degree sunny January day, though, and you will find my laundry on the line, snow layering the ground.

Mother Earth a month later. (Minnesota Prairie Roots copyrighted photo September 2022)

I also buy used. And I donate or give away—rather than toss—items I no longer need. The boulevard along our busy street has proven an ideal location to give away a swing set, bookcase, headboard, recliner and much more. Recently Randy and I hauled several purple dove tail drawers from a vintage school art table to a downtown shop, Lily of the Valley. The owner sells repurposed furniture, gifts, clothing and more in her boutique and I figured she could use the drawers to display merchandise or come up with some other creative use. We kept the maple top to possibly reuse ourselves.

Then there’s our yard. We live in a city with a compost center, a place to haul leaves and plants that are composted, basically recycled back into a nutrient-rich natural fertilizer for flowerbeds and gardens. This time of year we make multiple trips to the compost site to dump off mulched leaves fallen from the single tree on our property and from neighborhood trees. I feel good that we are keeping yard waste out of the landfill. I use some of the leaves as winter mulch for my flowerbeds.

A shopper rolls out her cart of purchases in reusable bags. (Minnesota Prairie Roots copyrighted photo August 2022)

Sometimes I use cloth tote bags while grocery shopping, but sometimes I don’t. I could do better.

Northfield’s recycling containers are outside two grocery stores. (Minnesota Prairie Roots copyrighted photo August 2022)

My efforts may not seem like much in the all of the environment. Yet, I know the recycling, the reusing, the things I do matter. What you do matters. Together we can make a difference by our choices.

TELL ME: Do you recycle? I’d like to hear more about your efforts to protect the environment.

FYI: To read the Greenpeace report on plastic recycling, click here.

© Copyright 2022 Audrey Kletscher Helbling

 

Fish art along the Mississippi in Monticello October 20, 2022

The Mississippi River in Monticello, MN. (Minnesota Prairie Roots copyrighted photo September 2022)

ALMOST ON A DAILY BASIS now I hear and read media reports about the Mississippi River, reportedly at its lowest level in a decade. Lack of rain led to this situation which is now causing shipping problems, concerns about drinking water supplies and issues with salt water creeping into the river.

Fish art along the Mississippi in Monticello. (Minnesota Prairie Roots copyrighted photo September 2022)

I need only look at lakes, rivers, streams and creeks in southern Minnesota to see how drought is affecting our waterways. Dry creek beds, exposed rock, clearly low water levels raise my concern.

Arrows on the public art list locations along the Mississippi. (Minnesota Prairie Roots copyrighted photo September 2022)

Some 270 miles to the north of Faribault in Itasca State Park, the Mississippi River begins. Like most Minnesotans, I’ve walked across the headwaters. The Mississippi starts as a narrow, knee-deep river that widens and deepens and flows 694 miles through Minnesota. It passes through communities like Bemidji (at its northern-most point), Brainerd, Little Falls, St. Cloud, Minneapolis, Hastings and many towns and cities in between before spilling into Iowa on its 2,350-mile journey to the Gulf of Mexico.

These lovely homes are next to the park by the river. (Minnesota Prairie Roots copyrighted photo September 2022)

Recently, on a return trip home from a family member’s lake cabin in the Brainerd Lakes area, Randy and I stopped for a picnic lunch at West Bridge Park in Monticello. On the northwest edge of the Twin Cities metro, this community hugs the Mississippi. The park, just off State Highway 25 by the river bridge, is easily accessible, but noisy with the steady drone of traffic.

Community members designed and painted the individual fish for this project. (Minnesota Prairie Roots copyrighted photo September 2022)

The creativity in these fish is unique, a reflection of the community. (Minnesota Prairie Roots copyrighted photo September 2022)

Another version of funky fish from community creators. (Minnesota Prairie Roots copyrighted photo September 2022)

Yet, even if not peaceful, the park is worth visiting. I discovered here a MontiArts Community Project, “The Funky Fish Sign.” Wooden fish cut-outs painted by community members are attached to the trunk of a dead oak as are wooden arrows crafted from old park benches. Those arrows list destinations and river miles from Monticello. To Lake Itasca, 443 river miles. To St. Paul, 43 river miles. To New Orleans, 1,776 river miles.

Public art posted on a dead oak removed from a local cemetery and “replanted” along the Mississippi River bank. (Minnesota Prairie Roots copyrighted photo September 2022)

This riverside fish tree meets MontiArts’ goal of “using the arts to build community.” This truly was a community project with residents, interns and city employees working together to create public art that connects Monticello to the Mississippi from beginning to end.

I especially like the buffalo plaid on this fish. (Minnesota Prairie Roots copyrighted photo September 2022)

But this is about more than a river and geography. In an online video about the project, I learned that the variety in the painted fish represents the differences in people. We are each unique.

From afar, “The Funky Fish Sign” blends into the riverside landscape. (Minnesota Prairie Roots copyrighted photo September 2022)

As individual as we are, though, we are collectively all residents of Earth. We are tasked with caring for natural resources like water, like the mighty Mississippi. This beautiful, scenic, powerful waterway is vital to our economy, vital to our water supply, vital to our leisure, our enjoyment, and, in Monticello, to connecting creativity and community.

© Copyright 2022 Audrey Kletscher Helbling

 

Reflections on harvest from fields to art October 13, 2022

Harvesting, left, in a field along a gravel road near Dundas. (Minnesota Prairie Roots copyrighted photo October 2022)

DUST HANGS OVER THE LANDSCAPE like smoke. Hazy. The air dirty with debris kicked up by combines sweeping across corn and soybean fields in southern Minnesota. Harvest is well underway here as farmers bring in the season’s crops.

Trucks haul harvested crops from fields to bins and/or grain elevators. (Minnesota Prairie Roots copyrighted photo October 2022)

From back country gravel roads to the interstate, I’ve witnessed this scene unfolding before me in recent weeks. Combines chomping. Harvested corn and beans spilling into grain trucks.

Harvesting beans. (Minnesota Prairie Roots copyrighted file photo October 2022)

Farmers work all hours of the day and night in the rush to finish gathering crops before winter arrives. In the dark of night, bright headlights spotlight fields. In daylight, sunlight filters through clouds of dust.

A grain truck pulls into a farmer’s grain drying and storage complex. (Minnesota Prairie Roots copyrighted photo October 2022)

Harvest is part of my DNA by having been raised on a southwestern Minnesota crop and dairy farm. Decades removed from the land, I still take notice of the harvest. The smell. The hues. The hurry. I understand this season in rural Minnesota.

“Harvest” by Raymond Jacobson. (Minnesota Prairie Roots copyrighted photo October 2022)

In nearby Northfield, I recently happened upon a bronze sculpture, “Harvest,” which had gone unnoticed by me. It’s been there since 2008 at Sesquicentennial Legacy Plaza along the Cannon River, near the post office, near Bridge Square. In all my visits to Northfield, to the Riverwalk area, I missed this public art created by Raymond Jacobson.

Close-up details of the wheat incorporated into “Harvest.” (Minnesota Prairie Roots copyrighted photo October 2022)

The historic Ames Mill along the Cannon River. (Minnesota Prairie Roots copyrighted photo October 2022)

An interpretation of a stone grist mill for grinding wheat into flour is included in the sculpture. (Minnesota Prairie Roots copyrighted photo October 2022)

It’s beautiful, fitting for a community rooted in agriculture. The 3,000-pound sculpture symbolizes Northfield’s heritage of wheat farming and milling. Just across the river sits the Ames Mill, where the gristmill in the late 1860s produced 150 barrels of wheat daily.

Malt-O-Meal was a major funder for the sculpture. (Minnesota Prairie Roots copyrighted photo October 2022)

In 1927, John Campbell of the Campbell Cereal Company took over the mill and began producing Malt-O-Meal hot cereal. Today Post Consumer Brands owns the mill and still makes that hot cereal. Dry cereal is manufactured at a nearby production facility. Many days the scent of cereal wafts over Northfield.

Harvested wheat and a plowed field cast into bronze. (Minnesota Prairie Roots copyrighted photo October 2022)

All of this—the smell of cereal, the “Harvest” sculpture, the historic Ames Mill—reminds me of the importance of agriculture in our region. It reminds me, too, of my rural roots. I am grateful for my farm upbringing. I am grateful, too, for those who today plant, tend and harvest crops. They are essential to our economy, feeding the world, providing raw product.

Wheat stalk details on an informational plaque which is nearly impossible to read due to weathering of the writing. (Minnesota Prairie Roots copyrighted photo October 2022)

That this season of harvest is honored in a “Harvest” sculpture shows a deep appreciation for history, heritage and agriculture in Northfield. The public art gives me pause to reflect on inspiration in creativity. Today I celebrate the artistic interpretation of harvest displayed along the banks of the Cannon River.

© Copyright 2022 Audrey Kletscher Helbling

 

Quirky finds in Elgin June 9, 2022

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Downtown Elgin, Minnesota. (Minnesota Prairie Roots copyrighted photo May 2022)

AS A WRITER AND PHOTOGRAPHER, details matter to me. I notice the unusual, the quirky, the odd in places. That includes in Elgin, a small farming town northeast of Rochester.

A block off the main street, I saw this steeple in a backyard. (Minnesota Prairie Roots copyrighted photo May 2022)

On a recent walk-about through the downtown area, I came upon a church steeple. Not atop a church, but rather in a residential backyard. I have no idea what the story may be behind its placement there or what the homeowners have planned for the structure. But I found the entire scene interesting.

Bathtub turned planter. (Minnesota Prairie Roots copyrighted photo May 2022)

In that same backyard sits a vintage bathtub repurposed into a planter. The growth springing from the tub suggests these are raspberries. I didn’t feel comfortable moving in closer to confirm my guess.

An angler’s shed. (Minnesota Prairie Roots copyrighted photo May 2022)

Just across the way, a boat rests on tires outside a shed. More tires sidle the small building. Again, I didn’t move in to snoop. But I speculated that the owner is an avid angler and could spin a story or ten about the big one that got away.

Doors repurposed into a fence in downtown Elgin. (Minnesota Prairie Roots copyrighted file photo May 2022)

A row of vintage doors, repurposed as a fence next to an architecturally interesting brick corner building, also grabbed my attention. I love when people get creative. There’s a story here in this functional public art and in that historic building.

I’m reflected in the window of this downtown “flower garden.” (Minnesota Prairie Roots copyrighted photo May 2022)

As I meandered, I noticed a few other details. Like the colorful fake flowers blooming in a window. That scene simply made me smile.

Be on notice… (Minnesota Prairie Roots copyrighted photo May 2022)

But when I spotted a BEWARE OF DOG sign on a garage door, I felt quite the opposite. At least no barking ensued, warning me to keep my distance.

This is the lovely corner building where I spotted the door fence to the far right. (Minnesota Prairie Roots copyrighted photo May 2022)

I wasn’t in Elgin all that long. Yet, I discovered details that imprint upon my memory. I’ll remember the church steeple in the backyard, the doors repurposed into a fence, the nuances that caught my eye. I take joy in finding these small town quirks/oddities/characteristics and I encourage you to look for the same when you’re out and about.

O’Neill’s Pizza Pub, which serves more than pizza. (Minnesota Prairie Roots copyrighted photo May 2022)

FYI: Click here to read my previous post focusing on Elgin’s downtown business district. If you have information on any of the discoveries mentioned in this post, please share that with me in a comment.

© Copyright 2022 Audrey Kletscher Helbling

 

Northfield tunnel art features spring in the Big Woods & more May 11, 2022

Hidden Falls at Nerstrand Big Woods State Park is featured in a public mural by Adam Turman. (Minnesota Prairie Roots copyrighted photo 2022)

IN THE UNLIKLIEST of places—in the underpass tunnels of a roundabout—bold, nature-themed murals flash color onto concrete in Northfield. I love this public art created by renowned Minneapolis muralist Adam Turman in the pedestrian and biking underpasses at the intersection of Minnesota State Highway 246 and Jefferson Parkway.

The rare Dwarf Trout Lily grows in only several places in the world, including at Nerstrand Big Woods State Park. (Minnesota Prairie Roots copyrighted photo 2022)

The art is unexpected. It’s vibrant. And it honors the ecologies of the Northfield area with four focused themes: Nerstrand Big Woods, the Cannon River, Oak Savannas and Prairie.

The recreational trail leading to one of the underpasses. (Minnesota Prairie Roots copyrighted photo 2022)

With the exception of winter, the paintings also cover three of Minnesota’s four distinct seasons.

An overview of the Nerstrand Big Woods underpass mural. (Minnesota Prairie Roots copyrighted photo 2022)

Because it’s spring, I’ll start by showing you the spring-themed art depicting nearby Nerstrand Big Woods State Park. The park proves a popular hiking spot with attractions like Hidden Falls, the rare Minnesota Dwarf Trout Lily and, in the autumn, spectacular colors.

A rare Dwarf Trout Lily up close. (Minnesota Prairie Roots copyrighted photo 2022)

Seeing these murals for the first time calls for a thoughtful pace of studying the art, appreciating it and reflecting on how beautiful the natural world in and around Northfield.

Wild geraniums grace the Big Woods mural. (Minnesota Prairie Roots copyrighted photo 2022)

Vehicles may be passing overhead, but inside those underpasses the quiet beauty of nature prevails.

Adam Turman’s painting of Hidden Falls at Nerstrand Big Woods State Park. (Minnesota Prairie Roots copyrighted photo 2022)

This roundabout came about because of a need for improved pedestrian safety and traffic flow along stretches of roadway used by commuters and kids/families going to and from school. I expect the roundabout, once people adjusted to it, has achieved its goal.

Stepping stones and rock cairn in the Big Woods. (Minnesota Prairie Roots copyrighted photo 2022)

And then to have that bonus art beneath, well, what a welcome addition to an otherwise utilitarian project. The public art in Northfield brings to mind another such space that would work well for a nature-themed mural. That’s the tunnel under Highway 371 in Nisswa, a small, but busy, tourist town in the central Minnesota lakes region. Last time I walked through the 371 underpass from downtown Nisswa to Nisswa Lake Park, chalk art marked walls. I can envision Adam Turman’s bold graphic murals brightening this pedestrian and biking route with scenes depicting nature or perhaps Paul Bunyan and Babe the Blue Ox of Minnesota northwoods lore.

The artist’s signature. (Minnesota Prairie Roots copyrighted photo 2022)

“Up North” themes more work done by Turman, who tags himself as an artist, muralist and screen printer. In my community, he’s created, loon, Boundary Waters Canoe Wilderness and S’mores art for throws and pillowcases crafted at Faribault Mill (formerly Faribault Woolen Mill). He’s created for many other entities throughout Minnesota and the world. Target. Duluth Trading Company. The Minnesota State Fair. And many more.

Into Nerstrand Big Woods State Park via an underpass mural. (Minnesota Prairie Roots copyrighted photo 2022)

For now, I appreciate seeing Turman’s work here in southern Minnesota, in neighboring Northfield.

PLEASE CHECK BACK for posts featuring the other three themed art tunnels in Northfield.

© Copyright 2022 Audrey Kletscher Helbling

 

From the heart of Northfield: A sculpture reflects community love April 12, 2022

Fused glass hearts on the sculpture “Spreading the Love.” (Minnesota Prairie Roots copyrighted photo February 2022)

IN SOME WAYS, the “Spreading the Love” sculpture reminds me of a box of crayons. It’s a boldly colorful work of art sidling next to a sidewalk near the corner of Division and Sixth Streets in downtown Northfield.

The sculpture is located along Division Street, near Armory Square and Imminent Brewing. (Minnesota Prairie Roots copyrighted photo February 2022)

The crayon comparison comes in the mix of colors that combine in fused glass hearts created by Geralyn Thelen. The Northfield glass artist crafted the sculpture in collaboration with Hastings metal artist Dale Lewis as part of the 2020 Artists on Main Street Program.

Against a blue sky, a bold and beautiful multi-hued heart. (Minnesota Prairie Roots copyrighted photo February 2022)
Signage explains the meaning of the sculpture. (Minnesota Prairie Roots copyrighted photo February 2022)
The heart-filled tree represents community. (Minnesota Prairie Roots copyrighted photo February 2022)

The result is this metal community tree adorned with vibrant heart “leaves.” The heart shape represents love. And the mixed hues of those hearts represent inclusiveness, that all are welcome here.

Many hearts in many colors. (Minnesota Prairie Roots copyrighted photo February 2022)

That brings me back to crayons. Remember the thrill of a new box of Crayola crayons? The scent. The sharp points. The rows of neatly packed colors in, oh, so many hues and shades? What kid didn’t want a box of 64 crayons versus the standard 24?

A full view of “Spreading the Love.” (Minnesota Prairie Roots copyrighted photo February 2022)

Yet, even though we had all those choices in colors, there were expectations. Grade school worksheets directed us to color the sun yellow, the grass green, the horse brown, the heart red, for example. To earn an S+ on a paper, we needed to follow directions. It was a way to teach reading and colors. But that left zero options for creativity, for an opening of the mind.

This shows how metal artist Dale Lewis attached the hearts. (Minnesota Prairie Roots copyrighted photo February 2022)

To the child who yearned to use all the colors in the crayon box, following directions stifled creativity in the necessity of conformity. I’d like to think as adults that we consider all the colors in the crayon box. If only that were true.

Geralyn Thelen’s fused glass hearts represent love. (Minnesota Prairie Roots copyrighted photo February 2022)

That’s why projects like “Spreading the Love” hold such value. Art encourages us to see, to think, to open our minds and reflect. To color the sun purple, the grass orange, the horse pink, the heart in a mix of hues. Ours is a multi-colored world of skin tones, beliefs, lifestyles and more. Yet, we all share the commonality of love. Giving love. Receiving love. Feeling loved. And, it is my hope, spreading love.

TELL ME: How do you spread love?

© Copyright 2022 Audrey Kletscher Helbling