I FIND MYSELF, daily, tipping my head back to view the trees, leaves unfurling, greening the landscape.
In these early days of a much-too-late spring in Minnesota, the greens appear especially intense, vivid, lush. The infusion of color is almost like visual overload after months of living in a colorless, drab world. I welcome the change with my eyes wide open.
From the woods that bump against my backyard to area parks and nature centers, I feel such gratitude for places where I can immerse myself in nature. Even if that’s simply looking skyward.
In this tech-centered world, we need to pause, to take a break, to connect, really connect, with nature. Falls Creek County Park, just east of Faribault along Minnesota State Highway 60, offers such a place to embrace the natural world.
As soon as I step onto the footbridge over Falls Creek, I feel a sense of peace. In the sound and sight of water rushing over rocks. There’s nothing more soothing than that symphony, except perhaps the rush of wind through trees.
This park is more wild than tamed. Narrow dirt trails, packed hard by hikers’ shoes, call for caution. Roots can trip. Sections of eroded creek bank along the main path require focused walking, especially over a makeshift bridge of branches. In one area, a large, fallen tree blocks the route.
Still, despite the obstacles, this park is navigable. And worth visiting, especially now, when wildflowers blanket the woods. White, yellow, purple.
On a recent hike through Falls Creek County Park, Randy and I encountered another hiker and his two unleashed dogs who rushed us. I didn’t appreciate that, never do. But we also met a pre-teen girl and her dad on the bridge, she with book—some series about drama divas—in hand. The title fits his daughter, the dad said. They come to the park to read and to listen to music along the creek. How wonderful, I thought, to see this young girl into reading. And reading in the woods besides.
I tipped the pair off to painted stones I’d discovered, pointing to the bright pink stone at the end of the footbridge. I found two more in the woods. “Look to your right,” I said. I delight in such unexpected messages that always cause me to smile and uplift me.
On this day, I took to heart the words—Everything will be okay!—printed on a stone painted a metallic, glittery turquoise. On this day, I needed to read that encouraging message left in the woods, left for me to see as I immersed myself in nature, in this Minnesota spring.
FROM ONE HOLDING POND to the next, then to the next, they flew. The elusive egrets.
On a recent evening, I tried to photograph egrets at the Faribault Energy Park, place of dirt trails, ponds, creek, assorted trees, wildflowers and wetlands along Interstate 35.
A wildlife photographer I am not. But that doesn’t keep me from trying.
Randy spotted the egrets first, in the waterway near the small shelter just off the entry road into the park. I hurried toward the shelter thinking I would quickly get the shots I wanted. But, as I soon discovered, egrets are observant and evasive. Before I even reached the site or had adjusted my camera for action shots, the two egrets were in the air.
They flew toward the nearest holding pond. I followed, stood on the dirt trail, zoomed from afar and clicked the shutter button multiple times. When I moved, the egret of my focal attention took off. I was intentionally trying to respect the birds and remain unobtrusive. But I suspect, even if I had simply been walking the trails minus my camera, their behavior would have been the same.
By this time I determined that egrets are camera, or people, shy, preferring to just be left alone in their watery habitat.
They are an interesting bird. Long of neck, curved when they fly. Wide white wing span, which leaves me wondering how they possibly keep those feathers so snowy white. Thin black legs resembling sticks. Long, jolt of orange beak. And not exactly graceful in flight. Rather clumsy-appearing, in my opinion.
I wonder what those egrets thought of me, earthling far below or nearby. Without wings. And although my legs are long given my height, they are no match for an egret’s long twiggy legs. I can’t compete with their vision either. That I observed in the short time I attempted to photograph…the elusive egret.
TELL ME: Do you know anything about egrets and/or their behavior?
AFTER WHAT SEEMED an especially long, cold winter in Minnesota, spring is emerging. And although the calendar confirms that with the vernal equinox on March 20, I need only look around me to verify this change in seasons.
Several days of gloriously warm weather, capping with 70 degrees on Monday, meant lots of time outdoors in the warmth and sunshine. And nature, mostly nature.
I especially delight in following the packed dirt roads at Faribault Energy Park. Even with its location next to busy Interstate 35, the park provides, for me, a preferred place to immerse myself in the outdoors. I love the wide sky, the prairie feel of this landscape.
As I began my walk around the on-site ponds that attract waterfowl aplenty, I hear first the overwhelming chorus of birdsong. Red-winged blackbirds, perched high atop a cluster of trees, trill a song of spring. I welcome the music.
On two of the three ponds, I observe ducks and geese—mostly geese—rippling gracefully across the open water.
The water on the pond nearest the energy plant remains frozen except along the fringes where an angler catches and releases bass and bluegills. It’s a good place to fish with kids, he says, or for someone like him, a kid. I laugh.
As I follow the paths and walk along main pond’s edge with camera slung around my neck, I notice the remnants of seasons past interwoven with signs of spring.
Dried leaves, sumac, grasses, cattails, berries, milkweed pods, pine cones, even a bird nest tucked low in the crook of a tree, remain from months earlier.
But now, amid all those visuals of autumn and winter, spring pops. Red dogwood colors the brush.
Pussy willow buds open, tracing a line of mini cotton balls along slender branches.
I take in this seasonal change. With my eyes, then my camera. And I listen to those blackbirds in concert, interrupted by the occasional applause of geese against the background music of I-35 traffic.
It’s good to be here, to experience the beginning of spring. To connect to the earth along muddy dirt roads. To feel, hear and observe the transition of seasons as we step into spring in southern Minnesota.
THE SHIFT IN SEASONS seems subtle. But it’s there. In the lengthening of days. In brilliant sunshine that cuts through snowbanks, streams of water flowing and puddling. Iced rivers, too, are beginning to thaw.
At the convergence of the Straight and Cannon Rivers, an angler fishes in the open water. His orange stocking cap covered by his hooded sweatshirt layered beneath black coveralls jolt color into an otherwise muted landscape. Randy and I watch as he reels in a large fish, then unhooks and plops it onto the snow. A northern, Randy guesses. We watch for awhile, content to see the river flow, sun glinting upon the surface.
We make our way back to the parking lot, after I pause to photograph the mostly open river sweeping between snowy woods. There’s sometime serene about such a scene. Peaceful, even as traffic drones by on nearby Second Avenue.
On the trail, we cross bridges constructed of uneven angled boards that always trip me. I pause to peer into the river.
Birdsong, a sure auditory sign of spring’s approach, resounds as I lean over the bridge railing to see the open water below. Both hint of winter’s retreat.
Far below I observe animal tracks crossing the snow in a tic-tac-toe pattern leading to water’s icy edge.
Curving along the path near the former Faribault Foods canning company, stationary boxcars sidle against the building.
Graffiti colors the boxcar canvases.
We walk for awhile, then retrace our steps. Randy warns of an approaching cyclist and we step to the right of the trail in single file. “Hi, Randy,” the guy on the fat tire bike shouts as he zooms past. We look at each other. His identity remains a mystery.
Back on the bridges, I pause again to view the Cannon River snaking across the landscape like a pencil path following a maze. More photographs.
Before heading home, we divert briefly toward North Alexander Park, taking the tunnel under the Second Avenue bridge where, on the other side, the scene opens wide to the frozen, snow-layered river. In warm weather, anglers fish here, below the dam in open water.
Now the place is mostly vacant, just like the riverside picnic shelter.
By now we are cold, ready to conclude our afternoon jaunt. As I stride downhill toward the tunnel, I notice shadows of fence slats spaced upon the concrete. Art to my eyes. I stop, photograph the fence and fence shadows as they arc. Even in this moment, I see signs of spring along the river, beneath the blue sky.
STRIPPING IMAGES OF COLOR lends an historic context to several aged buildings I recently photographed near Central Park in downtown Owatonna. It’s easier for me to see the past, to appreciate these long-standing structures through the lens of time when I view them in black-and-white.
First, I feel such gratitude that these buildings still stand. A time existed when the thought was that new is better. Out with the old, in with the new. I’m not of that camp and I’m thankful for the shift in attitudes.
On a recent visit to Owatonna’s Central Park, I pivoted to observe those key historic buildings and others in a downtown of multiple core business streets.
The park, with a replica of the 1899 community stage, serves as the “town square,” the physically identifiable point of focus and gatherings. Here folks gather for concerts, the farmers’ market and other events. Music and the undeniable human need to socialize connect the past to the present.
I feel inspired now, via my recent stop in Central Park, to return to downtown Owatonna and further explore its history and architecture. Sure I’ve been here before, but not in awhile and not with a focused purpose of intentional appreciation for and photographic documentation of this historic district.
I encourage each of you, wherever you live, to pause. Strip away the color to black-and-white. See the basics, uncolored by time or attitudes or that which detracts. Observe how the past and present connect. Value the “good” in your community. Appreciate the place you call home.
TELL ME: What do you appreciate about your community?
But on this cold Saturday in late February when I stopped by, only a few people used the park. A couple walked their dogs. And two women crossed to the center fountain, purses angled across downy winter coats, stocking caps clamped on and shopping bags looped over three gloved hands, take-out coffee clutched in the fourth.
As the women paused near the centerpiece fountain placed here in 1909, I studied the scene before me, camera ready. Only moments earlier, I finished my packed lunch inside the cozy warmth of the van. Randy and I had planned to eat at nearby Rice Lake State Park. But that all changed when hiking trails proved too icy for safe walking. So here we were in Owatonna, shifting our plans.
I was determined that the cold weather would not keep me from photographing the park. Dressed in a warm hand-me-down parka from my son layered over tee and flannel shirts, long johns under jeans, practical winter boots, hand-knit cap and mitten/gloves, I felt prepared. The combo mitten/gloves were a gift from Randy years ago. They work great for winter photography. I flip back the fleece ends to reveal open fingertips. That allows me to manipulate my camera without exposing my entire hand.
Even with all of that, I soon found myself hurrying my creative pace. My fingertips were freezing.
But I was determined to document the setting on an afternoon that looked deceptively warm. Bold blue skies. Sunshine. Artsy fountain. Stout community stage. Historic buildings bordering the park. Remnants of snow sculptures.
I regretted that we missed Owatonna’s Bold & Cold Winter Festival at the end of January. Then those sculptures would have been newly-built, pristine. But now I could only imagine kids slipping down the slide at the deteriorating snow castle.
I also imagined how, in a few months, this scene will change. How leaves will unfurl on the birch trees. How the fountain will spill water. How Farmers Market vendors will set up shop. How music will create a joyful rhythm that welcomes spring, then summer. And warmth.
This I contemplate as I snap frames, fingertips freezing, hurting now in the cold of winter. Back in the van, I hold my fingers close to the blower, seeking heat while the sun shines bright, bold over Central Park.
DECADES AGO, WHEN THE SON was but a preschooler, he left his favorite teddy bear in the church nursery. Not until evening, long after church doors were locked, did the parents notice Bear Bear was missing. And then panic set in. Efforts began to retrieve the beloved bear. While I don’t recall how entry was gained—nothing illegal, I assure you—Caleb had his bear back by bed-time, much to our family’s collective relief.
That memory popped into my mind during a recent visit to Mission Park in Crow Wing County. There I spotted not one, but two, cherished possessions abandoned on picnic tables inside the park shelter. A doll and a lizard. Plus a bonus bottle of hand sanitizer.
Now, as most parents and even grandparents realize, losing a cherished doll or stuffed animal or blanket can cause angst, distress and unstoppable tears for a child. I empathized when I saw the two lovies and hoped whoever left them would soon retrieve them.
But that was not to be. A day or two later, upon returning to Mission Park to, once again, hike the trails, the three abandoned items remained, now grouped on a single picnic table.
I mentioned this to an older man working in the park. He speculated that children from a daycare (who frequent the park) left the doll and the lizard. Perhaps he’s right. I can only hope some adult remembers and returns…before winter blows in and vacationing on the Caribbean island of Curacao centers thoughts and plans.
TELL ME: I’d love to hear any stories you may have about dolls, stuffed animals and other comforts forgotten somewhere.
IN A BEAUTIFUL NATURAL SETTING, among the woods and water and wetlands, an American tragedy unfolded nearly 100 years ago on the Cuyuna Iron Range. In the late afternoon of February 5, 1924, water seeped into and then flooded the Milford Mine near Crosby, killing 41 miners in Minnesota’s worst mining disaster.
Their deaths left 38 women without husbands. And 83 children without fathers.
Today the memories of those 41 hardworking iron ore miners, and the seven who survived the mine collapse, are honored at Milford Mine Memorial Park. The Crow Wing County Park is located four miles north of Crosby, just off County Road 30. The Milford Mine Historic District is on the National Register of Historic Places, so important is this to the region’s mining history.
This is truly a remarkable park that covers the history of this event in a deeply personal way. Through names on boardwalks and brief bios on signs, this park moves this disaster beyond statistics. Only then do we begin to understand, to feel the loss.
Emil A. Carlson, 29, from Finland, was the father of four and married to Elma. They lived in Crosby.
Nels R. Pitari, 37, also a Finnish immigrant, was married to Hilda. They lived in Brainerd and had four children, one only five months old at the time of his father’s death.
According to signage at Milford Memorial Park, the park “is an attempt to preserve the memory of those who gave their lives to pursue the American dream, provide for their families and build their community.” That’s necessary to understand given the importance of iron ore mining in this region. The high grade ore from the Milford Mine was used in the production of steel. This region of Minnesota was built around iron ore mining.
Many who came to this area arrived from across the US, Canada and the European continent. They were a diverse group, looking to better their lives, to raise their families in a new place, to build strong communities.
In walking through the park, pausing often to read the history of this place and to view marked sites like the machine and blacksmith shops and the mine and timber shafts, I felt a sense of reverence, a sense of understanding of the loss connected to this land.
Investigators determined that pressure from Lake Foley, connected to adjoining wetlands, caused water to rush into the mine resulting in the collapse of the mine’s walls. Within 20 minutes of that occurrence, the 200-foot deep mine shaft filled to within 15 feet of the surface. That allowed only minimal time for the miners to attempt an escape. Only seven got out. They, too, are recognized at the memorial park on a survivors’ boardwalk: Carl Frals, Harry Hosford, Mike Zakotnik…
As I walked the boardwalks and trails, I felt sometimes overwhelmed by the sheer tragedy of the Milford Mine Disaster. So much loss. So much grief and pain. So many father-less children. And it is that, perhaps, which touched me the most.
NOTE: Milford Mine Memorial Park is open daily from sunrise to sunset. I encourage you to visit, to experience this important part of Minnesota history.
AFTER MULTIPLE VISITS to Grams Regional Park, Randy and I feel comfortably familiar with this 100-plus acre natural area. The Sherburne County park in Zimmerman has become a lunch-time stopping point on our way to a family lake cabin south of Crosslake.
We exit US Highway 169 onto county road 4, drive a short way, then turn left and snake back to the park across the road from Lake Fremont. Here, among the oaks, we eat our picnic lunch before stretching our legs.
The park features two miles of trails and boardwalks in a diverse landscape of open natural space, oak forest, tamarack bog and wetlands.
We’ve enjoyed the wildflowers of spring, the wild raspberries of summer and the flaming hues of autumn here in this quiet natural setting.
On our most recent stop in late May, we met a couple, Connie and Dale, lunching at the same picnic table we’d used prior to a hike through the park. It was a chance meeting which turned out to be a history lesson. Connie’s grandparents moved onto this land in 1919. She grew up here and eventually convinced her mother to sell the property to Sherburne County. The county, according to information on its website, acquired the park land from Howard and Marvel Grams in 2002.
Had the property not been sold to the county, it would have become a housing development, Connie said. I could hear her gratitude that the Grams family legacy is one of a park and not of houses. I shared how much we enjoy this natural space.
Connie also pointed to a nearby 200-years-plus-old oak tree, now under study. I couldn’t help but think how an oak often symbolizes a family tree. The Grams family may have owned this land at one time and grew their family here. But now the branches have spread to include the broader family of those of us who appreciate this place among the oaks.
AS SPRING EASES INTO MINNESOTA, I embrace the transition of seasons in indecisive weather and in the subtle greening of the landscape.
I don’t trust that winter has really, truly, exited. Yet, these early glimpses of spring assure me that the bulk of winter lies behind us.
I saw that in the woods of Falls Creek County Park on Sunday afternoon. Randy and I hiked in this 61-acre park a mile east of Faribault off Minnesota State Highway 60. It’s a relatively unused park, one of the reasons we are drawn here.
Here a dirt hiking path curves along the waterway winding through woods. Access to that path comes via an arched pedestrian bridge. There water rushes over rocks and we always pause to appreciate the soothing sound of rushing water.
And we also always walk to the side of the creek, to examine the water at the bend, before it flows under the bridge. Recent rain left that water muddied. Later we would find the creek flowing clear.
Entering the woods, I determined to photograph signs of spring in the muted landscape. That requires focus. Examples of spring are elusive and seen mostly in vivid green moss carpeting fallen tree trunks.
But I can photograph only so much moss. Thus I expanded my perspective. Nature writes details upon the landscape. Even in a scene of mostly muted browns.
Hillsides of trees rising
and fungi laddering
and dried leaves curling.
And the branches of a tree twisting like antlers.
And felled trees that appear like natural sculptures.
All of these nuances I noticed as we walked, as I stopped to take in my surroundings, as Randy steadied me while I crossed a makeshift branch bridge across a spillway.
There is much to see in this seasonal transition, if only we pause to appreciate. To look. And really see. To hear. And really listen. It’s there. The poetry of wind and water and woods and words.