Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Insights from a pocket garden June 21, 2021

2nd Street Garden in downtown Faribault. MN Prairie Roots copyrighted photo.

WHEN YOU CONSIDER THE WORD pocket, what flashes into view? A side or back pocket in your jeans? A place to tuck your cellphone or keys? A slip of fabric stitched to the front of a shirt? How about a garden? Yes, a garden.

Downtown Faribault features a pocket garden, a mini garden sandwiched in an open space between buildings. I love the concept, the artsy and practical use of a spot that might otherwise exist as unused and unsightly.

In 2018, two sisters and two artists created the 2nd Street Garden next to DuFour’s Cleaners thanks to funding from Faribault Main Street. That downtown-focused group secured a $15,000 grant from the Preservation Alliance of Minnesota and the Bush Foundation for six creative placemaking art projects, including the pocket garden.

With financial support, sisters Dee Bjork and Beth Westerhouse (who has since died) and husband-wife team Ann Meillier and Dave Correll (Brushwork Signs) designed and created the garden. It incorporates metal flowers, real flowers and plants, a bench and floral art.

A bench offers a place to rest and ponder. MN Prairie Roots copyrighted photo.

The result is an inviting oasis that feels tranquil and welcoming. And unexpected.

Left behind by a recent visitor to inspire kindness. MN Prairie Roots copyrighted photo.

Recently, I revisited the garden and discovered a mini stuffed bear on the park’s bench. An attached tag invited visitors to take a photo and to use #LovePeopleBeKind. The bear, with red heart connected, fits the garden’s theme of Love One Another.

An important message tagged to the bear. MN Prairie Roots copyrighted photo.

It’s such a simple concept: Love One Another. But it’s not always easy to do. We say and do things that hurt others. We fail to listen. We blame and criticize and jump to conclusions. And with technology, it’s easier than ever to fire off words in the heat of the moment. Without thinking. Without considering. Without putting our fingers and mouths on pause.

The positive message painted onto a fence panel in the garden. MN Prairie Roots copyrighted and edited photo, August 2019.

I’d like each of us to step into a pocket garden. To sit on a real or imaginary bench, surrounded by natural and artistic beauty, and to contemplate. To think beyond ourselves. To think of ways we can grow more loving and caring. To consider that what we say, write and do matters. In either a positive way or a negative way. We can hurt people. Or we can choose to love one another. We can choose to show, and grace others with, kindness, love, care, empathy and compassion.

© Copyright 2021 Audrey Kletscher Helbling

 

Faribault’s newest mural reflects love, diversity June 16, 2021

“LOVE FOR ALL” created by Jordyn Brennan. MN Prairie Roots copyrighted photo.

THE POWER OF VISUAL ART can’t be underestimated. It heals. Uplifts. Infuses joy. Creates a sense of peace. Brings people together. And so much more.

The ASL symbol for “v” and the peace symbol. MN Prairie Roots copyrighted photo.

In Faribault, “LOVE FOR ALL,” a just-finished mural designed and painted by Minneapolis artist Jordyn Brennan, shows the positive power of art in a way that reflects my southern Minnesota community. Yet, the mural’s universal theme of love appeals to everyone.

Jordyn Brennan signed her “LOVE FOR ALL” mural. MN Prairie Roots copyrighted photo.

I love this 85-foot by 35-foot mural which sprawls across the side of a building (and next to a city-owned parking lot) at the corner of First Avenue NW and Third Street NW in the heart of downtown Faribault. The City of Faribault commissioned Brennan to create the public art. It will be celebrated this week during Faribault Heritage Days with a ceremony at 3:30 pm Thursday, June 17, at the mural site. Guest speakers include city officials, representatives from the Minnesota State Academies for the Deaf and Blind and Faribault Main Street, and the artist.

The setting sun shines on the northwest corner of the mural. MN Prairie Roots copyrighted photo.

When I say I love this mural, I should explain, right? I love the vivid hues defining this art. To look at “LOVE FOR ALL” simply makes me happy. And who doesn’t need to feel happy after these past difficult 14 months-plus of living in a pandemic?

LOVE in assorted colors and languages. MN Prairie Roots copyrighted photo.

But beyond that basic appreciation, I value the message of an inclusive Faribault. Mine is a diverse community. Diverse in culture and ethnicity. Diverse, too, in that deaf and blind students come here from all over Minnesota to attend the Minnesota State Academies for the Deaf and Blind. Some of their families live here. A global student population also attends Shattuck-St. Mary’s School, an historic private boarding and day school on Faribault’s east side.

The three dots below the L are L in Braille. MN Prairie Roots copyrighted photo.

The artist took those facets of Faribault and incorporated them into her artwork. You’ll see that in the hands communicating love in American Sign Language with the Braille spelling below. The hands are painted in varied skin tones.

Mums, peonies and clematis. MN Prairie Roots copyrighted photo.

The rare Dwarf Trout Lily. MN Prairie Roots copyrighted photo.

Faribault’s noted flowers. MN Prairie Roots copyrighted photo.

And then, above those hands, flowers bloom. Not just any flowers, but mums, peonies, clematis and the Dwarf Trout Lily, all reflective of Faribault’s rich floral history. Read the backstory on that in my initial post about the mural by clicking here.

Painted concrete blocks distance vehicles from the mural. MN Prairie Roots copyrighted photo.

I feel incredibly grateful to live in a community which values art, including outdoor public art. Many historic-themed murals grace our downtown as do murals on the alley-side of The Upper East Side (213 Central Avenue) and the Second Street Pocket Garden.

The letter L in ASL. MN Prairie Roots copyrighted photo.

As a creative and a member of this diverse place I’ve called home for 39 years, I celebrate this newest piece of art. I hope it sparks conversations, creates a strong sense of community and positivity, and reminds all of us that art is powerful. And so is love.

© Copyright 2021 Audrey Kletscher Helbling

 

Latest mural blooms in downtown Faribault June 4, 2021

“LOVE FOR ALL” mural photographed on May 29, 2021. Minnesota Prairie Roots copyrighted photo.

ART BLOOMS ON A MASSIVE white canvas, brightening a street corner in the heart of downtown Faribault with flowers in vibrant hues.

It’s an in-progress floral delight created by Jordyn Brennan. The Faribault City Council selected the Minneapolis-based visual artist to paint the 85 x 35-foot instagrammable mural on a blank wall next to a parking lot on the corner of First Avenue NW and Third Street NW.

A big space to fill. Minnesota Prairie Roots copyrighted photo May 2021.

A week ago I photographed the project, which differs from the many historically-themed murals scattered throughout the downtown. This one, while also incorporating history, is more universal.

Yet, Brennan thought local when designing this “LOVE FOR ALL” mural. She’s incorporating the word LOVE—spelled in American sign language, braille and text. Faribault is home to the Minnesota State Academies for the Deaf and Blind. Skin tones on the signing hands will also vary, celebrating our community’s diversity.

The flowers, too, hold significance, according to Brennan’s Facebook page. Yellow mums trace back to Lehman Gardens, founded here in 1931 and nationally-recognized for its mums. The mum gardens drew thousands of visitors. The mum business continues today as Mums of Minnesota owned by Faribault Growers, Inc.

The peonies painted into the mural honor the long ago Brand Peony Farm, no longer in existence. The nationally-renowned peony grower/developer earned Faribault the title of “Peony Capital of the World.” The community celebrated with an annual peony festival and parade, and brides stored peonies in caves along the river. In many Faribault residential neighborhoods you’ll see peonies bushes, currently in bloom.

Brennan also painted another Faribault famous flower, the clematis, in to her mural. Donahue’s Greenhouse, just blocks from my home, grows one of the largest selections of clematis in the country.

Finally, the rare, endangered Dwarf Trout Lily also earned a spot in this floral garden. The mini lily grows in only three places in the world—in Rice, Steele and Goodhue counties—and can be found locally at River Bend Nature Center.

To the left in this image, you can see one of the architecturally beautiful historic buildings that define downtown Faribault. Minnesota Prairie Roots copyrighted photo May 2021.

I love how this young Minneapolis artist put so much thought into designing a vibrant mural that is universally appealing yet reflective of Faribault. I expect this oversized public art piece will provide the backdrop for many a fun photo opp. For visitors and locals alike. Maybe even for brides clutching peony bouquets.

FYI: Jordyn Brennan, who holds a Bachelor of Arts degree in Studio Arts, has been working hard on the mural with a goal of completing it by mid-June, just in time for Faribault’s Heritage Days celebration. She’s painted more since I took these photos. I will do a follow-up post when the mural is done. This talented young artist is also pursuing a Master of Fine Arts degree from the Minneapolis College of Art & Design. She’s completed other flower and nature-themed murals. Be sure to visit her website.

© Copyright 2021 Audrey Kletscher Helbling

 

Portraits honor laborers on Madison’s East Side September 22, 2020

Portraits grace window spaces of Madison-Kipp Corporation, founded in 1898, and located in the Atwood Neighborhood of Madison, Wisconsin. The company produces precision machined aluminum die castings and subassemblies for the transportation, lawn and garden, and industrial markets, according to its website.

 

WHEN I VIEWED PORTRAITS set into former window spaces in an aged industrial brick building on Madison’s East Side, I saw strength.

 

This portrait exudes strength.

 

Strength in the bulk of bodies. Strength in the machines depicted. Strength in the hands and arms and faces of those who labored inside. Strength of work ethic and determination and skill.

 

Portraits of industrial workers stretch along the building.

 

Pride surged, not because of a personal connection to those employed by Madison-Kipp Corporation, but because of the blue collar connection. Too often, society dismisses as secondary those who put hands to machines, hands to tools, hands to steering wheels…

 

That each mural focuses on one worker highlights their individual value to the company.

 

But I recognize their value, for my father and his father before him and the generation prior worked the land. Farming. To feed their families. To feed others. Dirt and grease and backbreaking hard work defined their days. So I honor these men in the history of my life, including my husband, Randy, an automotive machinist for 40-plus years. A customer recently called him “an institution.” That seems fitting given his career longevity and the rarity of his skill set. I have no idea what Randy’s customers will do when he retires because no apprentice waits in the wings.

 

It takes the hands and skills of many to run a company and produce product.

 

Even with a renewed interest in the need for hands-on skilled workers, I don’t expect young people to necessarily embrace these jobs. The four-year college degree mindset has been too long embedded in our psyche. Yet, the need for mechanics, carpenters, electricians, plumbers, factory workers, etc., will only grow as Baby Boomers retire.

 

I appreciate that women are among those featured in this public art.

 

I am grateful for those who work with their hands. They keep our vehicles running, our houses repaired, our grocery store shelves stocked, our factories running…

 

Strong, determined, skilled…

 

When I studied the portraits on the Kipp building along the Capital City State Trail, I noticed, too, the drab shades of brown, grey, blue, green, no single person standing out in flashy colors. Too often those employed by manufacturers, warehouses and more go unnoticed, blending into the landscape of our lives.

 

Credit goes to these groups.

 

So to see this art, this very public art, recognize the often unrecognized pleases me. I value these men and women and the work they do. And now this art which honors them.

 

© Copyright 2020 Audrey Kletscher Helbling

 

LOVE blooms in Northfield mural September 18, 2020

The Northfield Arts and Culture Commission awarded $3,000 toward this mural project.

 

SUNFLOWERS. LILIES. DAISIES.

 

I love the bold hues of this mural mixed with grey and black.

 

Flowers bloom in bold colors painted onto an exterior block wall in the heart of downtown Northfield.

 

Mural on the Domino’s building.

 

Just a half block off Division Street, up the hill from Bridge Square, on the building housing Domino’s Pizza, a colorful mural stretches, drawing appreciative onlookers. Including me. During Northfield’s The Defeat of Jesse James Days celebration last Saturday, many a passerby posed for photos against the colorful and inspiring backdrop.

 

Outlined in blue, the word LOVE.

 

This mural commissioned by the owner of the building and created by Illinois artist Brett Whitacre features more than vibrant flowers. It highlights a single word: LOVE.

 

The signature of mural artist Brett Whitacre on a corner of the mural.

 

And perhaps that is the unconscious draw. We all need LOVE. More than ever right now. These are difficult days of dealing with a relentless and deadly virus, social unrest and injustices, and a country in turmoil.

 

I expect the LOVE mural will continue to be a popular photo backdrop, especially for couples holding their wedding receptions at The Grand Event Center just across the street.

 

To pause for a moment in the chaos and appreciate this beautiful example of uplifting public art is to take a respite. To choose for a moment to embrace LOVE. That one emotion we all need. That connects us. If we allow it to do so.

THOUGHTS?

© Copyright 2020 Audrey Kletscher Helbling

 

From Northfield: Snapshots of an abbreviated Defeat of Jesse James Days September 17, 2020

The site of the 1876 attempted bank robbery, now the Northfield Historical Society.

 

TYPICALLY, THE DEFEAT OF JESSE JAMES DAYS in Northfield finds Randy and me avoiding this college town only 20 minutes from Faribault. Crowds and congestion keep us away as thousands converge on this southeastern Minnesota community to celebrate the defeat of the James-Younger Gang in a September 7, 1876, attempted robbery of the First National Bank.

 

Waiting for fair food at one of several stands.

 

But this year, because of COVID-19, the mega celebration scaled back, leaving Northfield busy, but not packed. And so we walked around downtown for a bit on Saturday afternoon, after we replenished our book supply at the local public library—our original reason for being in Northfield.

 

The LOVE mural painted on a pizza place in Northfield drew lots of fans taking photos, including me.

 

On our way to Bridge Square, a riverside community gathering spot in the heart of this historic downtown, I paused to photograph the latest public art project here—a floral mural painted on the side of the Domino’s Pizza building by Illinois artist Brett Whitacre. (More info and photos on that tomorrow.)

 

One of the many Sidewalk Poetry poems imprinted into cement in downtown Northfield.

 

Northfield’s appreciation of the arts—from visual to literary to performing—is one of the qualities I most value about this community. As a poet, I especially enjoy the poetry imprinted upon sidewalks.

 

An impromptu concert in Bridge Square.

 

A fountain, monument and the iconic popcorn wagon define Bridge Square in the warmer weather season.

 

Buying a corn dog…

 

I was delighted also to see and hear a guitarist quietly strumming music in the town square while people walked by, stopped at the iconic popcorn wagon or waited in line for corn dogs and cheese curds. Several food vendors lined a street by the park.

 

The Defeat of Jesse James Days royalty out and about.

 

Among fest-goers I spotted Defeat of Jesse James royalty in their denim attire, red bandanna masks, crowns and boots, the masks a reminder not of outlaws but of COVID-19.

 

Photographed through the bakery’s front window, the feet-shaped pastries.

 

Yet, in the throes of a global pandemic, some aspects of the celebration remained unchanged. At Quality Bakery a half a block away from Bridge Square, the western-themed window displays featured the bakery’s signature celebration pastry—De-Feet of Jesse James.

 

A sign outside a Division Street business fits the theme of the celebration.

 

For a bit of this Saturday, it felt good to embrace this long-running event, to experience a sense of community, to celebrate the defeat of the bad guys.

 

© Copyright 2020 Audrey Kletscher Helbling

 

Montgomery’s new mural details this Czech community August 19, 2020

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A family views Montgomery’s updated mural by Victor A. Garcia.

 

PUBLIC ART, WHEN RESEARCHED, well thought out and created by talented hands, enhances any community. Montgomery, Minnesota included.

 

The new mural, recently installed in Montgomery.

 

Recently, this town of some 3,000 in Le Sueur County unveiled a new historic-themed mural done by former long-time Montgomery resident and artist Victor A. Garcia, now of Belle Plaine.

 

A close-up shot of the prior Montgomery mural, photographed around 2013. Minnesota Prairie Roots file photo.

 

The latest 40-foot long painting replaces a weather-beaten mural Garcia created about 25 years ago.

 

Montgomery’s main street, circa 1900. Overhead lights shadow across the mural.

 

A current day view of a section of downtown Montgomery. The mural is to the left, on a side street.

 

Like the previous scene, the new mural depicts a view of the town’s main street, First Street, around 1900. But this time, both sides of the street are included in the painting.

 

A “key” of sorts to the mural. And a thank you to supporters.

 

Kolacky Days honored in the mural.

 

Garcia also featured “Montgomery Identifiers” to search for in his artwork. Like kolacky. This Czech community is, after all, the self-proclaimed “Kolacky Capital of the World.”

 

Franke’s Bakery is among businesses incorporated into the mural.

 

My photo of Franke’s photographed from across the street, by the mural.

 

Right across the street from the mural sits Franke’s Bakery, a popular local source for this fruit-filled Czech pastry.

 

The artist’s signature and a “Redbird.”

 

Cardinals are also painted into the mural, honoring the former school mascot, the Redbirds, before schools merged and the mascot became the Titans.

 

The local newspaper gets a place on the mural.

 

A Czech flag and the Green Giant and many more details incorporated into the mural depict the history and heritage of Montgomery.

 

One of several names I spotted on the mural.

 

Garcia even added some personal touches in images and words.

 

One last look at the Montgomery mural on Ash Street.

 

This mural calls for close study, not just a quick drive-by or look. Next visit to Montgomery, I’ll take more time to study the details I missed. For it is in the details that we learn the intricacies of a community and its history. And grow to understand and appreciate that which defines a place.

 

FYI: This $20,000 project was funded and supported by the Southern Minnesota Initiative Foundation, The Montgomery Community Foundation, Prairie Lakes Regional Arts Council, individuals, businesses and more.

This concludes my series of blog posts from Montgomery.

© Copyright 2020 Audrey Kletscher Helbling

 

Calling all cats, dogs & creatives July 29, 2020

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A mural on the bandshell in Faribault’s Central Park features the annual Pet Parade. Minnesota Prairie Roots file photo.

 

THE SHOW MUST GO ON. Or, in this case, the 2020 Faribault Pet Parade.

Now in its 80th-something year, this annual August parade of animals and kids continues even in a global pandemic. Not to worry. Changes have been made to protect participants and parade watchers.

 

This side of the mural shows a typical pet parade. This year, all participants must stay inside their vehicles. Minnesota Prairie Roots file photo.

 

According to information posted on the Faribault Parks & Rec Department Facebook page, the 6:30 pm, Thursday, August 6, event will be car cruise style. That means no walking; only riding in vehicles. Pets and people.

Organizers encourage folks to get creative with pet-themed vehicles or to load up their pets and hit the lengthy parade route.

 

The complete Pet Parade mural. Minnesota Prairie Roots file photo.

 

Those watching the parade must adhere to social distancing guidelines, the Facebook post states. That goes also for the concert, with a DJ playing kid-focused music, at 7 pm in Central Park. CDC guidelines and crowd limits will be enforced.

 

Minnesota Prairie Roots file photo.

 

Minnesota Prairie Roots file photo.

 

Minnesota Prairie Roots file photo.

 

Now that you understand the changes and the rules, go ahead and brainstorm. Make this a family project to transform the family vehicle into a pet. Or determine ways to showcase your pets in a festive and fun way.

We could all use a little fun and many reasons to smile. Let’s do it, Faribault. For our community, and especially for our kids. And, above all, stay safe and adhere to the rules.

© Copyright 2020 Audrey Kletscher Helbling

 

Honoring Bishop Whipple’s “unfailing love & hope for humanity” on a mural in Faribault June 29, 2020

The Central Park Bandshell mural on the left honors Bishop Henry Benjamin Whipple. The one to the right features the Faribault Pet Parade and was placed there several years ago.

 

THE RECENT INSTALLATION of an historic-themed mural on the west side of the Central Park Bandshell in Faribault prompted me to look more closely at the man featured thereon—Bishop Henry Whipple.

 

The middle mural panel features a portrait of Bishop Whipple and a summary of information about him.

 

Just across the street from Central Park, the stunning Cathedral of Our Merciful Saviour.

 

The historic marker posted on the Cathedral bell tower.

 

He is a prominent figure in the history of my community and the history of Minnesota. Explore Faribault, and you will find Whipple’s name on numerous plaques, including across the street from the park at the Cathedral of Our Merciful Saviour, the cathedral he helped build as Minnesota’s first Episcopal bishop. He’s buried in a crypt beneath the chancel there. The bell tower was dedicated in his honor by his second wife, Evangeline, as “a monument of love and Christian unity.”

 

Posted outside the front door of the Chapel of the Good Shepherd. The church is on the National Register of Historic Places. Minnesota Prairie Roots file photo.

 

On the east side of town, Whipple’s name graces an historical marker at The Chapel of the Good Shepherd on the campus of Shattuck-St. Mary’s School. He helped found the school, separately first as Shattuck School for boys and St. Mary’s Hall for girls, along with St. James and Seabury Divinity schools, all in Faribault.

 

The soaring tower landmarks the Cathedral. Ralph Adams Cram, architect of St. John the Divine in New York City, designed the Cathedral tower. The tower was added as a memorial to Whipple after his death in 1901.

 

The inscription, in stone, on the bell tower.

 

An historic marker on the Cathedral grounds.

 

As admirable as Whipple’s role in founding educational institutions, it is another facet of this man—his humanitarian efforts—which are often cited in history. The inscription on the Cathedral bell tower states that Whipple’s “unfailing love and hope for humanity have made his life an inspiration far and near.”

 

This panel depicts the relationship between Native peoples and Bishop Whipple.

 

Bishop Whipple’s portrait, up close.

 

Details on a sign outside the Cathedral reference Whipple as “Straight Tongue.”

 

What, exactly, does that mean? To understand, one must consider the time period in which Whipple arrived in Minnesota, just years before the U.S.-Dakota War of 1862. He was a missionary and, as such, worked to educate and convert the Native peoples to Christianity and agrarian ways. (Not necessarily the adaptive approach one would take today toward other cultures, but the mindset then.) In his work, Whipple observed poverty among the Dakota and Ojibwe and mistreatment by the government and began to advocate for their rights. The Native peoples called the bishop “Straight Tongue.” That title speaks to their trust and respect for him.

 

The mural, in full, including the right panel recognizing Whipple and his first wife, Cornelia, and his second wife, Evangeline.

 

Whipple was among the few leaders who publicly pressed for sparing the lives of 303 Dakota warriors sentenced to death following the war. President Abraham Lincoln spared or pardoned most, but 38 were still hung during a mass execution in Mankato.

Whipple’s strong public stances on behalf of Native peoples were not necessarily widely-embraced. Rice County Historical Society Executive Director Susan Garwood shared at a presentation I attended several years ago that several assassination attempts were made on the bishop’s life. Following the U.S.-Dakota War, about 80 Native people, under Whipple’s protection, moved to Faribault. Some helped build the Cathedral, a construction process which took from 1862-1869. Additionally, several Dakota and African Americans attended Seabury Divinity School, Garwood noted. That, too, caused concern.

 

The Whipples.

 

But through it all, from the information I’ve read, Whipple remained steadfast, unwavering in his compassion toward Native peoples, advocating for them, loving humanity.

 

FYI: The Mural Society of Faribault actively promotes Faribault history through public murals posted throughout the downtown area, this one the latest. Dave Correll of Brushwork Signs crafted, painted and installed the Whipple mural with help from his team.

For more information about Bishop Whipple, click here to reach MNOpedia.

Or read this post I wrote about a Rice County Historical Society event in 2018. The RCHS features a museum exhibit on Bishop Whipple.

 

© Copyright 2020 Audrey Kletscher Helbling

 

Mankato’s emerging massive mural represents diversity & more November 18, 2019

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THE ARTWORK CAUGHT ME by surprise as I looked across the Minnesota River toward the grain towers dominating the riverside skyline in Old Town Mankato.

 

One of many sculptures in Mankato and North Mankato that change yearly as part of the city’s sculpture walk.

 

Yet, the presence of an evolving mural in this arts-centric southern Minnesota city didn’t surprise me. Mankato is a community rich in public art from poetry to sculptures. It is one of the qualities which draws me back to this place where I graduated from college in 1978 with a degree in mass communications and a minor in English.

 

My poem, River Stories, attached to a railing along the Minnesota River Trail. In the background are the Ardent Mills silos and the bridge from which I photographed the in-progress mural.

 

This time I arrived in town to view my latest poem selected as part of The Mankato Poetry Walk & Ride. Spotting the in-progress mural on the 135-foot high Ardent Mills grain silos was a bonus find. I snapped a few quick frames while crossing the Minnesota River bridge and then while heading onto U.S. Highway 169. Only too late did I notice public viewing areas along the roadway.

 

 

Upon my arrival home, I researched the $250,000 project by Australian artist Guido van Helten. Although specifics of the mural design are elusive, the art will represent diversity and more. I saw that in the image of a young Dakota boy already painted onto the towering canvas. This region holds a rich Native Peoples heritage, making the art particularly powerful.

 

“Forgive Everyone Everything” themes this art in Reconciliation Park. Names of the 38 Dakota who were hung at this site in 1862 are inscribed thereon along with a prayer and a poem.

 

Having grown up some 80 miles to the west, in a region between the Upper and Lower Sioux Indian Communities, I’m aware of the strong Dakota history and also of The U.S.-Dakota Conflict of 1862. Within blocks of the Ardent Mills silos, Reconciliation Park honors 38 Dakota tried and hung by the U.S. government following that war. The healing continues.

 

 

This latest public art represents so much—history, culture, diversity and a coming together of peoples. And today, more than ever, we need that sense of community, of understanding that no matter our backgrounds or the color of our skin or our history, we are simply people who need one another.

© Copyright 2019 Audrey Kletscher Helbling