Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

From Faribault: When graffiti overtakes nature & history May 6, 2021

A view of the Straight River and the railroad bridge crossing it, photographed from the footbridge. Minnesota Prairie Roots copyrighted photo.

IF NOT FOR THE OFFENSIVE GRAFFITI, the natural setting would be particularly inviting. But obscene words and disturbing messages kept me from fully enjoying the trail leading from Faribault’s Teepee Tonka Park into River Bend Nature Center.

Along the trail from Teepee Tonka Park into River Bend Nature Center, I saw trees tagged with graffiti. Here I’m approaching the footbridge crossing the Straight River. Minnesota Prairie Roots copyrighted photo.

Even trees were tagged with paint. That’s a first.

Randy looks over the Straight River. Minnesota Prairie Roots copyrighted photo.

On the footbridge which spans the Straight River, I found the most disturbing of accusations—J**** killed my mother. That shifted my already on-alert mode to what the h*** is going on in these woods? I read derogatory comments about Faribault. And I thought, why do those who hate this community so much stay here?

This marker on one end of the bridge remains unmarred. Minnesota Prairie Roots copyrighted photo.

I tried to overlook all that awful graffiti, but it was just too much to dismiss. I wouldn’t bring a child here, not one who can read anyway.

I expect there’s a story behind this beautiful railroad bridge over the Straight River. Minnesota Prairie Roots copyrighted photo.

Yet, there’s much to see and appreciate here, if you look beyond the tagging, the offensive messages. Nature and history intertwine, leaving me with more questions than answers.

I felt tempted to climb these stairs, but didn’t have the energy. Minnesota Prairie Roots copyrighted photo.

A lengthy stairway climbs a hillside. Slabs of limestone and chunks of concrete—perhaps foundations of long ago buildings—cling to steep banks.

Graffiti mars the tunnel entrance. Minnesota Prairie Roots copyrighted photo.

And then there’s the tunnel. The 442-foot-long tunnel, which I refused to enter. One look at the graffiti at the entry, especially the rat art, and I knew, no way, would I walk through that former root cellar. So I photographed that space, editing out the obscenities (which proved nearly impossible).

A sign above the tunnel details its history. Minnesota Prairie Roots copyrighted photo.

And I photographed the sign above, which summarizes the history of this 1937 Works Progress Administration project. Workers hand dug the tunnel with picks, hauling the dirt and rocks away with wheelbarrows. Once complete, the tunnel served as a root cellar for the Minnesota School and Colony (later known as The Faribault State School and Hospital). The Teepee Tonka Tunnel once held 25-30 carloads of vegetables to feed the 2,300 residents and 350 employees. Most of those potatoes, carrots, beets, onions and cabbage were grown on the school farm.

Another snippet of the tunnel graffiti. Minnesota Prairie Roots copyrighted photo.

Now the history, the hard work, the humanity were dishonored by those who use this as a canvas for words and art that shouldn’t be here.

Trees tower over the trail. Minnesota Prairie Roots copyrighted photo.

All of this saddened me as I retraced my steps, watched as a young man walked along the railroad tracks, backpack strapped on, county music blaring. This should be a place of peace. Not only noise-wise, but also mentally. I pictured picnic tables near a footbridge devoid of menacing messages. I pictured a beautiful natural setting where I could bring my grandchildren. But, in reality, I understood that those tables would only be defaced, maybe even burned.

The beautiful Straight River, which winds past Teepee Tonka Park and River Bend Nature Center. Minnesota Prairie Roots copyrighted photo.

This could be so much. A respite. Water and woods converging. River flowing with history. Images of men hard at work tunneling into a 60-foot high hill. I could envision all of that…the possibilities beyond that which I’d seen.

© Copyright 2021 Audrey Kletscher Helbling

 

Among the wildflowers in Kaplan’s Woods May 5, 2021

Spring wildflowers at Kaplan’s Woods. Minnesota Prairie Roots photo.

FLOWERS OF SPRING EMERGE in the woods. Among layers of dried leaves. Among fallen limbs. Sometimes blanketing hillsides.

White trout lilies. Minnesota Prairie Roots photo.
A mass of white trout lilies in the woods. Minnesota Prairie Roots photo.
An unidentified, by me, wildflower cluster. Minnesota Prairie Roots photo.

Saturday morning, as Randy and I hiked through Kaplan’s Woods Park in Owatonna, I found myself searching the edges of the wood chip covered trails for wildflowers.

A sign inside the woods details the Parkway. Minnesota Prairie Roots photo.
I love this foot bridge which crosses the creek and leads into the woods. Minnesota Prairie Roots photo.
Near the creek, this solo boulder seems out of place in the woods. Minnesota Prairie Roots photo.

This time of year, especially, I crave flowers. They represent the shifting of seasons, of plant life erupting as the landscape transforms.

Dainty violets are among the spring wildflowers. Minnesota Prairie Roots photo.
The largest of the wildflowers I saw. Can anyone identify these? Minnesota Prairie Roots photo.
The brightest of the flowers I spotted, this one also unknown to me. Minnesota Prairie Roots photo.

Green begins to fill the woods, accented by bursts of violet and yellow and white hugging the earth. Low to the ground, easily missed if you focus only on the trail ahead.

Low water. Minnesota Prairie Roots photo.

We have walked Kaplan’s only a few times and this visit I noticed the low water level of the creek that winds through the woods.

Hillside wildflowers. Minnesota Prairie Roots photo.

I noticed also the noise of traffic from nearby Interstate 35. Motorists en route somewhere on an incredibly warm and sunny morning in southern Minnesota. I hope that at some point they paused to appreciate the day. The sun. The trees. Maybe even the wildflowers. And the brush strokes of green tinting the landscape.

© Copyright 2021 Audrey Kletscher Helbling

 

Mourning Week Day, age six May 4, 2021

Week Day. Photo source: Hamilton Funeral Home.

TODAY A FAMILY BURIES their six-year-old daughter and sister on the southwestern Minnesota prairie. My heart breaks. Tears flow. And sorrow roots deep within me.

To see the photo of an adorable girl with a sweet smile and braided pigtails makes this all too real. This COVID-19. This deadly virus which, on April 25, claimed the life of Week Day.

She emigrated with her family from a Thai refugee camp to Marshall, Minnesota, in December 2015. Week was not quite 18 months old. The daughter of Mu Mu and He Lars. And then big sister to Michael.

And when she passed, the first grade student of Ms Hewitt and a classmate and friend at Park Side Elementary School.

My heart breaks for those who knew and loved this little girl. The girl who loved the color pink and singing and dancing and drawing and painting. The little girl with the kind heart, best attitude, bright smile.

Any death from COVID-19 is tragic. But, when a child loses her life, it’s especially difficult to take.

If you wish to show your love and support to the family of Week, please send cards, words of encouragement and donations to:

Hamilton Funeral Home

Family of Week Day

701 Jewett St.

Marshall, MN. 56258

Thank you.

© Copyright 2021 Audrey Kletscher Helbling

 

Alley-side art in Faribault May 3, 2021

Faribault’s newest mural, completed late last year.

OUTDOOR PUBLIC ART enhances a community. It provides an outlet for creativity, adds interest to place and often brings joy. At least that’s my assessment.

As someone who grew up in rural southwestern Minnesota with minimal exposure to the arts—or perhaps more accurately minimal opportunity in the arts—I deeply appreciate the arts.

This sculptor of Alexander Faribault trading with a Dakota trading partner stands in Faribault’s Heritage Park near the Straight River and site of Faribault’s trading post. Faribault artist Ivan Whillock created this sculpture which sits atop a fountain known as the Bea Duncan Memorial Fountain. Minnesota Prairie Roots file photo.

My community of Faribault, where I’ve lived for the past 39 years, embraces creativity, centered today at the Paradise Center for the Arts. Yet, the visual arts extend well beyond the walls of the Paradise to stained glass windows in our historic churches, an art collection at Buckham Memorial Library, sculptures, architecture, home-grown shops, historic-themed murals and even the graceful curves of the historic viaduct.

In this January 2016 photo taken from the viaduct, you can see the back of The Upper East Side (white stucco building) before the mural was added. The historic building originally housed W.H. Stevens Drug. Minnesota Prairie Roots file photo.

You can see Faribault’s newest addition to the outdoor art scene from that viaduct, which offers a sweeping view of the downtown area.

Visual layering is part of this mural.

But I viewed this latest public art close up from an alley. On the back and sides of The Upper East Side, an art and gallery space at 213 Central Avenue, Morristown area artist Jeff Jarvis (West Cedar Studio) painted a mural onto the stucco building.

A 1950s scene along Faribault’s Central Avenue is shown in this mural in our downtown district. Minnesota Prairie Roots file photo.

The mural differs significantly from the historic-themed murals scattered throughout our downtown as part of The Mural Society of Faribault’s ongoing mural installation efforts.

Close up, colors and graphics pop.

The Upper East Side mural, a project of owner Suzanne Schwichtenberg and Jarvis, is more modern and graphic with strong lines. Less detailed. Bold. With unexpected pops of color. I find the zipper painted into the mural to be especially creative—the unzipping of history, of stories, of past and present. The mural invites introspection rather than simple reflection on an historic place or memory.

That’s my take. Not as someone with an art education, but rather as a creative who has grown to appreciate the arts in her community and beyond.

A locally-themed tote displayed at The Upper East Side. Minnesota Prairie Roots file photo September 2018.

FYI: Suzanne Schwichtenberg leads paint-and-sip events and other painting sessions at The Upper East Side and also takes painting/social gatherings on the road. Jarvis is a third-generation artist specializing in historical sketches and scenes from everyday life. He is passionate about local and regional history, authoring a book on the area’s mill history.

© Copyright 2021 Audrey Kletscher Helbling

 

On this May Day: Pigs, horses, bikes & baskets May 1, 2021

Two May Day baskets were dropped on my front steps in 2015. Minnesota Prairie Roots file photo.

HAPPY MAY DAY, dear readers!

Do you hold sweet childhood memories of May Day like me? I remember elementary school days of weaving baskets from strips of colored paper and crafting paper flowers to arrange inside. And then gifting the basket to Mom.

Four homemade chocolate chip cookies were tucked inside a May Day basket. Minnesota Prairie Roots file photo 2015.

And then, a few years back, hearing my doorbell ring on May 1 to find bags and baskets crafted by the children of friends. Homemade chocolate chip cookies and Puppy Chow were tucked inside. Candy centered flowers on another. Their thoughtfulness brought me such joy.

The sweet May Day surprise friends dropped onto my front steps in 2012. Minnesota Prairie Roots file photo.

The gifts of May Day had come full circle. Perhaps today you can drop a May Day basket on a front stoop, ring the doorbell and run away before being spotted. Or walk if you can’t run.

An interior view of the swine barn, building #7, set for demolition today.

Or you can give the gift of time, if you live in my area. The Rice County Fair Board is seeking volunteers to dismantle the aged swine barn today. Just show up with your gloves and hammer (and other demo tools) at 9 a.m. at the Rice County Fairgrounds in Faribault. Many hands make light work. The building will eventually be replaced with a new barn.

Fans watch The Kentucky Derby at the Paradise Center for the Arts in 2015.

At the end of the day, you can kick back and enjoy The Kentucky Derby. Typically, the Paradise Center for the Arts in Faribault holds a watch party, Big Hats & Big Hearts. But, because of the pandemic, that won’t happen this year.

My friend Beth Ann gifted me with official Kentucky Derby from 1986 and 1991 some years ago. Minnesota Prairie Roots file photo.

But in my mom’s southwestern Minnesota care center, they’ll host a Derby party for residents, including hats crafted especially for the ladies. I’m thrilled. My mom has always loved The Kentucky Derby. The big hats and finery. Watching the race. If this party sparks memories, brings happiness into her day, then I am grateful. It’s been a difficult past year-plus for our seniors, their families and those who care for them. They need this escape to Kentucky, to watch horses with names like Known Agenda, Midnight Bourbon, and Soup and Sandwich (what kind of name is that?) compete.

It’s motorcycle season in Minnesota. Minnesota Prairie Roots file photo 2020.

One more interesting event in the region rounds out the weekend, this one beginning at 10 a.m. Sunday in Owatonna. It’s the 25th annual Owatonna Bike Blessing at the Steele County Fairgrounds. Motorcycle riders and others will gather for music (by the Roadside Redemption Band), a guest speaker, food (available from 10 vendors) and blessings.

A May Day basket I received in 2015. Minnesota Prairie Roots file photo.

To you, my dear readers, whatever you do this weekend, may you be blessed. Happy May Day!

© Copyright 2021 Audrey Kletscher Helbling

 

Lyon County exhibit receives state history award April 30, 2021

My poem with accompanying photos in the Lyon County exhibit. Photo courtesy of the LCHS.

ONLY A FEW DAYS AGO, I wrote about the inclusion of my poem, “Ode to My Farm Wife Mother,” in the “Making Lyon County Home” exhibit at a county museum in Marshall.

Now the Minnesota Alliance of Local History Museums (MALHM) has named the Lyon County Historical Society (LCHS) a recipient of a 2021 Minnesota History Award for that exhibit. That honor is a credit to LCHS Executive Director Jennifer Andries, staff, board, volunteers and, yes, also locals who contributed stories, artifacts and more in the crafting of this exhibit.

A portion of the “Making Lyon County Home” exhibit focuses on 4-H and more. Photo courtesy of the LCHS.

Museology Museum Services of Minneapolis also deserves recognition as lead contractor for the project. I was first contacted by Museology in January 2020 about inclusion of my rural-themed poem in this exhibit focusing on Lyon County and also reflective of the surrounding area in southwestern Minnesota. I feel incredibly honored to be part of an award-winning exhibit that connects people to the history of this rural region.

MALHM awards were also given to historical societies in Anoka, Carver and St. Louis counties and to the Minnesota African American Heritage Museum and Gallery. Susan Garwood, director of the Rice County Historical Society in Faribault (RCHS), earned the 2020 Lifetime Achievement Award for 30-plus years of service to organizations across Minnesota, including the RCHS, Northfield Historical Society and the MALHM. The award recognizes individuals who have made outstanding contributions and demonstrated leadership to Minnesota’s history community on a broad scale.

The state-wide Alliance serves some 500-plus local history groups throughout Minnesota with a basic mission “of connecting people to nearby history.” It also provides peer-to-peer support and aims “to raise the quality of work in the local history field in Minnesota.”

Mrs. Morris takes a break from making applesauce during A Night at the Museum at the Rice County Historical Society. This is an example of local living history. Minnesota Prairie Roots file photo October 2015.

A time existed when I didn’t appreciate history or history centers like I do now. My shift in appreciating history came when museum exhibits changed. When they became more personal and interactive. When an artifact was not just something encased in glass, but an object with meaning, purpose, depth. When living history became a standard. When stories became part of the story.

I photographed this abandoned farmhouse along Minnesota State Highway 19 east of Vesta (my hometown) on the southwestern Minnesota prairie in 2012. The house is no longer there. But it looks similar to the one in which I lived during the first 10-plus years of my life. This is the landscape of my upbringing and the place which shaped me. Minnesota Prairie Roots file photo.

That brings me back to my “Ode to My Farm Wife Mother.” After I posted on Tuesday about the poem’s inclusion in the Lyon County exhibit, my cousin Diane emailed a 1958 photo of my parents. And while I’m not sharing that image here, I will tell you that I was overjoyed to see a different side of my parents other than as, well, simply parents. They were young and clearly blissfully, joyfully in love. Diane also shared that her parents and mine would often attend dances together, leaving the kids with Grandma. As one of the oldest, Diane helped look after the babies, including me. I’d never heard that story or seen that black-and-white snapshot. To receive both now—with my dad long gone and my mom in failing health—was a gift. Such a gift.

I hope my poem, inspired by my mom, yet representative of all the hardworking farm women of the 1950s and 1960s, is also a gift to those who read it. I hope those who read my words, who view the accompanying photos, will reflect and feel gratitude for these strong rural women.

I shall forever feel grateful to my mom and to the rural region which shaped me and continues to inspire me today in my writing and photography.

FYI: If you didn’t see my back story on “Ode to My Farm Wife Mother,” please click here to read that initial post. The post includes my poem and more info about the new Lyon County exhibit.

© Copyright 2021 Audrey Kletscher Helbling

 

Remnants & reawakening April 29, 2021

Across the pond, the power plant, part of the Minnesota Municipal Power Agency and next to Faribault Energy Park.

TRAFFIC DRONES ALONG the nearby interstate, overwhelming the scene with intrusive noise.

The park features dirt roads edging ponds.

Yet, I find reasons to appreciate Faribault Energy Park, a mostly under-used park on Faribault’s northwest side. Located next to I-35, this Minnesota Municipal Power Agency Park features dirt roads circling ponds.

The texture of a birch tree drew my photographic interest.

With trees, a variety of other plant life, waterfowl, songbirds and the rare occasional sighting of wildlife, this makes for an interesting place to walk. Especially for a photographer. Even though I’ve been here many times, I enjoy the challenge of finding new ways to photograph a familiar setting.

I love the artsy bend of these branches against the backdrop April sky.

As I followed the roadways, a theme emerged. Remnants. And reawakening.

Berries left-over from seasons past pop color into the landscape.

Everywhere I looked, I saw remnants of seasons past.

Milkweed pods, oh the texture, the sturdiness, the weathered grey of winter.

Bare branches. Dried berries. Grey milkweed pods. Fluffs of cattails.

I love the contrast of red dogwood against the blue sky.

April marks the transition from dormancy to reawakening. Spring bursts into the landscape in tree buds, in green grass, in the reddening of dogwood.

The park includes a wind turbine and solar panels.

I noticed, too, when photographing the on-site wind turbine, the scuttle of white clouds against blue sky.

Buds open on dogwood.

After months of grey everything, the sky looks bluer, the new green greener.

Looking across the pond, used by anglers, and next to the power plant.

I don’t know if this is a Minnesota thing, this seeing spring colors through an especially vivid lens, or whether this is universal as seasons shift. Or perhaps it’s the photographer in me.

Look in the center of this photo to see a chipmunk among the rocks. Without the telephoto lens on my Canon, this is the best I could do in photographing the rodent.

Yet, as much as I credit myself for environment awareness, I missed the chipmunk camouflaged among rocks along the creek.

Dead on pond’s edge.

I missed, too, the muskrat rippling away from the shoreline into the pond. And the dead fish lying on its side near water’s edge. Randy saw all three and drew my attention to them. Then he wondered why I would photograph a dead fish. “Because I want to show what I saw,” I say. Yes, even the unappealing. Life isn’t always pretty.

Soon the banks along this creek will fill with plant growth.

Yet, we can choose to focus on the beauty in life—in the remnants and reawakening. And we can choose to shut out the noise that threatens to silence the sounds of joy.

© Copyright 2021 Audrey Kletscher Helbling

 

Briana, more than a statistic April 28, 2021

Minnesota Prairie Roots file photo used for illustration only.

SHE DIED ON FRIDAY due to complications from COVID-19. And she was 30. Only 30.

I didn’t know Briana, who graduated from Faribault High School in 2009. But that matters not. Here’s a young life lost to a deadly virus, Briana’s name now on the ever-lengthening list of 7,091 (as of Tuesday) Minnesotans who have died from COVID or complications thereof.

Briana’s obituary, published April 27, 2021 in The Faribault Daily News.

My heart hurts for Briana’s family and friends. Her obituary and the comments therein, describe a vibrant and artsy young woman who enjoyed photography, crafts, sewing and music. She was also tagged as a passionate activist.

Briana’s friend Corrina writes: Briana was the most fieriest, artistic, and admirable person I knew. She inspired me to protest and we walked together through the streets fighting for justice. She made the world a better place.

She made the world a better place. I think we would all like to be remembered in that way.

It’s so important to remember that behind every COVID-19 death statistic is a person. An individual who loved and was loved. Who perhaps, like Briana, marched with fiery passion. Or quietly helped others via kindness, generosity and compassion. Or still had their whole life ahead of them. Like the first grader from Park Side Elementary School in Marshall who died on Sunday due to complications from COVID-19. A child with no underlying health conditions. My heart breaks. My cousin’s daughter teaches at Park Side. Marshall sits in Lyon County, in the southwestern corner of the state, in a region with one of Minnesota’s highest COVID infection rates.

As I watch and read media coverage of the COVID situation in India, my heart also breaks at the overwhelming number of new cases—some 350,000 in a single day—and the resulting deaths. It’s difficult to see film of people suffering, of bodies wrapped in blankets and lying in the streets, of oxygen masks clamped onto faces and hear the pleas for oxygen, medicine, PPE. Pleas, too, for vaccines.

An article published in the April 27 edition of The Faribault Daily News highlights how the virus continues to spread in my region of Minnesota. I see more and more people in public without face masks or half-masking. Tuesday stats from the Minnesota Department of Health list 12 new deaths, including one from my county of Rice. That individual was between the ages of 55-59. That makes 104 COVID-19 deaths now in my county

I feel thankful that the US and other countries are offering help to the people of India in this overwhelming health crisis. Yet, I can’t help but think how people in the US are turning down vaccines, not wearing face masks, living like there’s no pandemic…

Monday evening I watched “The Virus That Shook the World,” a two-part FRONTLINE public television documentary featuring people from around the world in the first year of COVID-19. A doctor. Filmmakers. Dancers. It was heart-wrenching to listen, to watch. But necessary to document. Important to view. I felt my grief building as the film progressed. And then, when a daughter in Iceland shared the story of her mother’s death from COVID, all the grief and pain I’ve felt during the past year-plus erupted. I couldn’t stop crying as I observed this family’s loss and pain. I felt like I was crying the grief of the world. Crying for Briana and her family. Crying for the family of that first grader and the entire community of Marshall. Crying for those in my circle who have lost loved ones (seven thus far) to COVID.

In all this grief and suffering and pain and death, I hold onto hope. Hope that we can overcome. Hope that we can heal. Hope that we can set aside politics and misinformation and me-attitudes to do what is right. To care about others and to act like we care. To understand the importance of health and science in defeating this virus. To cry tears of joy rather than tears of unending grief.

© Copyright 2021 Audrey Kletscher Helbling

 

Honoring farm women via my poetry in a Minnesota museum April 27, 2021

My poem (to the left of the woman in the dress), my mom’s high school graduation photo and a four-generation family photo of me, my mom, eldest daughter and granddaughter are included in a museum exhibit in southwestern Minnesota. Photo courtesy of the Lyon County Historical Society Museum.

AS NATIONAL POETRY MONTH ends this week, I want to share exciting news about a rural-themed poem I wrote. The poem, “Ode to My Farm Wife Mother,” originally published in South Dakota State University’s literary journal, Oakwood, in 2017. Today that poem is part of a museum exhibit in Marshall, Minnesota, 60 miles to the northeast of Brookings, South Dakota.

My poem first published in South Dakota State’s Oakwood literary magazine.

I feel humbled and honored to have my poem, inspired by memories of my hardworking farm wife mother, in the Lyon County Historical Society Museum’s newest semi-permanent exhibit, “Making Lyon County Home.” The exhibit opened in January. Its purpose, according to Executive Director Jennifer Andries, is “to share stories, artifacts, and photographs from Lyon County after World War II and to inspire residents and visitors to share their memories and experiences of growing up and living in Lyon County and the region.”

4-H and more are featured in this section of “Making Lyon County Home.” Photo courtesy of the Lyon County Historical Society Museum.

I grew up in this prime agricultural region, some 20 miles to the west on a dairy and crop farm near Vesta in Redwood County. I knew Marshall well back then as a shopping destination. A place to buy clothes, shoes and other essentials. But even more, I understood rural life decades ago because I lived it. I witnessed, too, how my mom worked hard to raise six children on our family farm. Before marriage, she attended Mankato Commercial College and then returned to her home area to work an office job in Marshall. Like most women of the 1950s, once she married, she stopped working off the farm.

These family photos complement my poem. Photo courtesy of the Lyon County Historical Society Museum.

My poem honors her in a poetic snapshot timeline of life beginning shortly before she married my farmer father. Saturday evening dances. Then rocking babies. Everyday life on the farm. Challenges. And finally, the final verse of Mom shoving her walker down the hallways of Parkview.

Whenever I write poetry, especially about life in rural Minnesota, I find myself deep within memory. Visualizing, tasting, smelling, hearing, even feeling. Although I took some creative license in penning “Ode to My Farm Wife Mother” (I don’t know that Mom ever drank whiskey or danced at the Blue Moon Ballroom in Marshall), it is primarily true. She met my dad at a dance in southwestern Minnesota. She washed laundry in a Maytag, baked bread every week, made the best peanut butter oatmeal bars…

An overview of the exhibit space featuring my poem and family photos. Photo courtesy of Lyon County Historical Society Museum.

I expect many who lived in this rural region in the 1950s-1970s can relate. Says LCHS Director Andries of my poem: “It is a good fit for the exhibit and fits with the agriculture section and the role of farm wives and mothers. The poem itself goes beyond just the agriculture area. I feel many people can resonate with the poem with the sense of being carefree while we are young but at some point we all have responsibilities but that doesn’t mean we lose our carefree spirit.”

Exactly.

Those sentiments were echoed by Tom Church, former managing director of Minneapolis-based Museology Museum Services, lead contractor for the “Making Lyon County Home” exhibit. Church first contacted me more than a year ago about using my poem. He said then that the poem “offers a nice snapshot of the era and setting we’re trying to evoke in several places within the exhibit and will fit well with our story.”

A 1950s era kitchen, left, is part of the “Making Lyon County Home” exhibit. Photo courtesy of the Lyon County Historical Society Museum.

I appreciate stories rooted in a strong sense of place. The new exhibit features themes of natural landscape, agriculture, education, industry and community. For example, the devastating and deadly June 13, 1968, F5 tornado in Tracy centers a display with information and oral histories. How well I remember that disaster. The 1980s farm crisis focuses another section. A late 1950s era kitchen fits the beginning time period of my poem.

Although I have yet to view the exhibit, I hope to do so this summer. And even more, I want my mom to know how she, and other farm women of the era, are honored via my poem. I want them to see themselves in my words, to understand the depth to which I value them. My mom, through her selflessness, her hard work, her kindness, her love, her faith, helped shape me. Today, as Mom lives out her final days in hospice, her memory and cognition diminished, I feel a deep sense of loss, of grief. But I hold onto the memories of a mother who read nursery rhymes, gardened, and, before I was born, enjoyed carefree Saturday evenings out with friends. Dancing. Laughing, Delighting in life.

FYI: The Lyon County Historical Society Museum, 301 West Lyon Street, Marshall, is open from 11 am – 4 pm Monday – Friday and from noon – 4 pm Saturdays. The “Making Lyon County Home” exhibit was partially funded by a Minnesota Historical and Cultural Heritage grant. The exhibit is semi-permanent, meaning artifacts and stories can be rotated to fit within the themes.

Ode to My Farm Wife Mother

Before my brother,

you were Saturday nights at the Blue Moon Ballroom—

a bottle of Jim Beam whiskey in a brown paper bag,

Old Spice scenting your dampened curls,

Perry Como crooning love in your ear.

Then motherhood quelled your dancing duet.

Interludes passed between births

until the sixth, and final, baby slipped into your world

in 1967. Thirteen years after you married.

Not at all unlucky.

Life shifted to the thrum of the Maytag,

sing-song nursery rhymes,

sway of Naugahyde rocker on red-and-white checked linoleum.

Your skin smelled of baby and yeasty homemade bread

and your kisses tasted of sweet apple jelly.

In the rhythm of your days, you still danced,

but to the beat of farm life—

laundry tangled on the clothesline,

charred burgers jazzed with ketch-up,

finances rocked by falling corn and soybean prices.

Yet, you showed gratitude in bowed head,

hard work in a sun-baked garden,

sweetness in peanut butter oatmeal bars,

endurance in endless summer days of canning,

goodness in the kindness of silence.

All of this I remember now

as you shove your walker down the halls of Parkview.

in the final set of your life, in a place far removed

from Blue Moon Ballroom memories

and the young woman you once were.

#

Poem copyright 2017 Audrey Kletscher Helbling

Blog post © Copyright 2021 Audrey Kletscher Helbling

 

Welcome to the river in Northfield April 26, 2021

The historic Ames Mill hugs the Cannon River at the dam in downtown Northfield, Minnesota.

THE RIVER RUNS THROUGH. Behind businesses, over the dam by the aged mill, under bridges…

Bridging the Cannon by Bridge Square.

In Northfield, the Cannon River always draws me. There’s something about water. About the power of a river, the mesmerizing movement, the rise and fall thereof, the sense of peace which flows through me when I view water. Or watch fire. Or hear wind.

Posted on the railing by the dam, a reminder that we’re still in a pandemic.

On a recent Sunday, Randy and I headed toward the Riverwalk in the heart of historic downtown Northfield. We passed, and paused, at Bridge Square, the community’s gathering place. Every town should have a spot like this for folks to meet, to center causes, to converse or to simply sit.

We stopped to watch the Cannon spill over the Ames Mill Dam next to the 1865 Malt-O-Meal (now Post Consumer Brands) mill that still produces hot cereal, the scent often wafting over the city.

A flowering tree bursts color into Bridge Square near the river.
Spring in art, at the local tourism office.

I delighted in a blossoming tree and the spring-themed art painted on the front window of the Northfield Area Chamber of Commerce and Tourism office. Seemingly small things like this add an artsy vibe to Northfield. Details matter. Art matters. Nature matters.

The narrow walkway by the Contented Cow (a British style pub) leads to Division Street from the Riverwalk.

When we reached the riverside back of the Contented Cow, I noticed for the first time the Holstein painted retaining walls and tables. Why had I not previously seen this? It appears to have been here for awhile.

The back of an aged building photographed from the Riverwalk.

I find backs of buildings bare bones interesting, like nouns without adjectives.

Words on the Riverwalk stairway.

That’s the thing about slowing down. Noticing. Sometimes we fail to walk at a pace that allows us to see, truly see, the world around us. The backs of buildings. The flow of the river. To take it all in, starry-eyed at the beauty which surrounds us.

© Copyright 2021 Audrey Kletscher Helbling