Even trees were tagged with paint. That’s a first.
On the footbridge which spans the Straight River, I found the most disturbing of accusations—J**** killed my mother. That shifted my already on-alert mode to what the h*** is going on in these woods? I read derogatory comments about Faribault. And I thought, why do those who hate this community so much stay here?
I tried to overlook all that awful graffiti, but it was just too much to dismiss. I wouldn’t bring a child here, not one who can read anyway.
Yet, there’s much to see and appreciate here, if you look beyond the tagging, the offensive messages. Nature and history intertwine, leaving me with more questions than answers.
A lengthy stairway climbs a hillside. Slabs of limestone and chunks of concrete—perhaps foundations of long ago buildings—cling to steep banks.
And then there’s the tunnel. The 442-foot-long tunnel, which I refused to enter. One look at the graffiti at the entry, especially the rat art, and I knew, no way, would I walk through that former root cellar. So I photographed that space, editing out the obscenities (which proved nearly impossible).
And I photographed the sign above, which summarizes the history of this 1937 Works Progress Administration project. Workers hand dug the tunnel with picks, hauling the dirt and rocks away with wheelbarrows. Once complete, the tunnel served as a root cellar for the Minnesota School and Colony (later known as The Faribault State School and Hospital). The Teepee Tonka Tunnel once held 25-30 carloads of vegetables to feed the 2,300 residents and 350 employees. Most of those potatoes, carrots, beets, onions and cabbage were grown on the school farm.
Now the history, the hard work, the humanity were dishonored by those who use this as a canvas for words and art that shouldn’t be here.
All of this saddened me as I retraced my steps, watched as a young man walked along the railroad tracks, backpack strapped on, county music blaring. This should be a place of peace. Not only noise-wise, but also mentally. I pictured picnic tables near a footbridge devoid of menacing messages. I pictured a beautiful natural setting where I could bring my grandchildren. But, in reality, I understood that those tables would only be defaced, maybe even burned.
This could be so much. A respite. Water and woods converging. River flowing with history. Images of men hard at work tunneling into a 60-foot high hill. I could envision all of that…the possibilities beyond that which I’d seen.
FLOWERS OF SPRING EMERGE in the woods. Among layers of dried leaves. Among fallen limbs. Sometimes blanketing hillsides.
Saturday morning, as Randy and I hiked through Kaplan’s Woods Park in Owatonna, I found myself searching the edges of the wood chip covered trails for wildflowers.
This time of year, especially, I crave flowers. They represent the shifting of seasons, of plant life erupting as the landscape transforms.
Green begins to fill the woods, accented by bursts of violet and yellow and white hugging the earth. Low to the ground, easily missed if you focus only on the trail ahead.
We have walked Kaplan’s only a few times and this visit I noticed the low water level of the creek that winds through the woods.
I noticed also the noise of traffic from nearby Interstate 35. Motorists en route somewhere on an incredibly warm and sunny morning in southern Minnesota. I hope that at some point they paused to appreciate the day. The sun. The trees. Maybe even the wildflowers. And the brush strokes of green tinting the landscape.
She emigrated with her family from a Thai refugee camp to Marshall, Minnesota, in December 2015. Week was not quite 18 months old. The daughter of Mu Mu and He Lars. And then big sister to Michael.
And when she passed, the first grade student of Ms Hewitt and a classmate and friend at Park Side Elementary School.
My heart breaks for those who knew and loved this little girl. The girl who loved the color pink and singing and dancing and drawing and painting. The little girl with the kind heart, best attitude, bright smile.
Any death from COVID-19 is tragic. But, when a child loses her life, it’s especially difficult to take.
If you wish to show your love and support to the family of Week, please send cards, words of encouragement and donations to:
OUTDOOR PUBLIC ART enhances a community. It provides an outlet for creativity, adds interest to place and often brings joy. At least that’s my assessment.
As someone who grew up in rural southwestern Minnesota with minimal exposure to the arts—or perhaps more accurately minimal opportunity in the arts—I deeply appreciate the arts.
My community of Faribault, where I’ve lived for the past 39 years, embraces creativity, centered today at the Paradise Center for the Arts. Yet, the visual arts extend well beyond the walls of the Paradise to stained glass windows in our historic churches, an art collection at Buckham Memorial Library, sculptures, architecture, home-grown shops, historic-themed murals and even the graceful curves of the historic viaduct.
You can see Faribault’s newest addition to the outdoor art scene from that viaduct, which offers a sweeping view of the downtown area.
The Upper East Side mural, a project of owner Suzanne Schwichtenberg and Jarvis, is more modern and graphic with strong lines. Less detailed. Bold. With unexpected pops of color. I find the zipper painted into the mural to be especially creative—the unzipping of history, of stories, of past and present. The mural invites introspection rather than simple reflection on an historic place or memory.
That’s my take. Not as someone with an art education, but rather as a creative who has grown to appreciate the arts in her community and beyond.
FYI: Suzanne Schwichtenberg leads paint-and-sip events and other painting sessions at The Upper East Side and also takes painting/social gatherings on the road. Jarvis is a third-generation artist specializing in historical sketches and scenes from everyday life. He is passionate about local and regional history, authoring a book on the area’s mill history.
Do you hold sweet childhood memories of May Day like me? I remember elementary school days of weaving baskets from strips of colored paper and crafting paper flowers to arrange inside. And then gifting the basket to Mom.
And then, a few years back, hearing my doorbell ring on May 1 to find bags and baskets crafted by the children of friends. Homemade chocolate chip cookies and Puppy Chow were tucked inside. Candy centered flowers on another. Their thoughtfulness brought me such joy.
The gifts of May Day had come full circle. Perhaps today you can drop a May Day basket on a front stoop, ring the doorbell and run away before being spotted. Or walk if you can’t run.
Or you can give the gift of time, if you live in my area. The Rice County Fair Board is seeking volunteers to dismantle the aged swine barn today. Just show up with your gloves and hammer (and other demo tools) at 9 a.m. at the Rice County Fairgrounds in Faribault. Many hands make light work. The building will eventually be replaced with a new barn.
At the end of the day, you can kick back and enjoy The Kentucky Derby. Typically, the Paradise Center for the Arts in Faribault holds a watch party, Big Hats & Big Hearts. But, because of the pandemic, that won’t happen this year.
But in my mom’s southwestern Minnesota care center, they’ll host a Derby party for residents, including hats crafted especially for the ladies. I’m thrilled. My mom has always loved The Kentucky Derby. The big hats and finery. Watching the race. If this party sparks memories, brings happiness into her day, then I am grateful. It’s been a difficult past year-plus for our seniors, their families and those who care for them. They need this escape to Kentucky, to watch horses with names like Known Agenda, Midnight Bourbon, and Soup and Sandwich (what kind of name is that?) compete.
One more interesting event in the region rounds out the weekend, this one beginning at 10 a.m. Sunday in Owatonna. It’s the 25th annual Owatonna Bike Blessing at the Steele County Fairgrounds. Motorcycle riders and others will gather for music (by the Roadside Redemption Band), a guest speaker, food (available from 10 vendors) and blessings.
To you, my dear readers, whatever you do this weekend, may you be blessed. Happy May Day!
Museology Museum Services of Minneapolis also deserves recognition as lead contractor for the project. I was first contacted by Museology in January 2020 about inclusion of my rural-themed poem in this exhibit focusing on Lyon County and also reflective of the surrounding area in southwestern Minnesota. I feel incredibly honored to be part of an award-winning exhibit that connects people to the history of this rural region.
MALHM awards were also given to historical societies in Anoka, Carver and St. Louis counties and to the Minnesota African American Heritage Museum and Gallery. Susan Garwood, director of the Rice County Historical Society in Faribault (RCHS), earned the 2020 Lifetime Achievement Award for 30-plus years of service to organizations across Minnesota, including the RCHS, Northfield Historical Society and the MALHM. The award recognizes individuals who have made outstanding contributions and demonstrated leadership to Minnesota’s history community on a broad scale.
The state-wide Alliance serves some 500-plus local history groups throughout Minnesota with a basic mission “of connecting people to nearby history.” It also provides peer-to-peer support and aims “to raise the quality of work in the local history field in Minnesota.”
A time existed when I didn’t appreciate history or history centers like I do now. My shift in appreciating history came when museum exhibits changed. When they became more personal and interactive. When an artifact was not just something encased in glass, but an object with meaning, purpose, depth. When living history became a standard. When stories became part of the story.
That brings me back to my “Ode to My Farm Wife Mother.” After I posted on Tuesday about the poem’s inclusion in the Lyon County exhibit, my cousin Diane emailed a 1958 photo of my parents. And while I’m not sharing that image here, I will tell you that I was overjoyed to see a different side of my parents other than as, well, simply parents. They were young and clearly blissfully, joyfully in love. Diane also shared that her parents and mine would often attend dances together, leaving the kids with Grandma. As one of the oldest, Diane helped look after the babies, including me. I’d never heard that story or seen that black-and-white snapshot. To receive both now—with my dad long gone and my mom in failing health—was a gift. Such a gift.
I hope my poem, inspired by my mom, yet representative of all the hardworking farm women of the 1950s and 1960s, is also a gift to those who read it. I hope those who read my words, who view the accompanying photos, will reflect and feel gratitude for these strong rural women.
I shall forever feel grateful to my mom and to the rural region which shaped me and continues to inspire me today in my writing and photography.
With trees, a variety of other plant life, waterfowl, songbirds and the rare occasional sighting of wildlife, this makes for an interesting place to walk. Especially for a photographer. Even though I’ve been here many times, I enjoy the challenge of finding new ways to photograph a familiar setting.
As I followed the roadways, a theme emerged. Remnants. And reawakening.
Everywhere I looked, I saw remnants of seasons past.
Bare branches. Dried berries. Grey milkweed pods. Fluffs of cattails.
April marks the transition from dormancy to reawakening. Spring bursts into the landscape in tree buds, in green grass, in the reddening of dogwood.
I noticed, too, when photographing the on-site wind turbine, the scuttle of white clouds against blue sky.
After months of grey everything, the sky looks bluer, the new green greener.
I don’t know if this is a Minnesota thing, this seeing spring colors through an especially vivid lens, or whether this is universal as seasons shift. Or perhaps it’s the photographer in me.
Yet, as much as I credit myself for environment awareness, I missed the chipmunk camouflaged among rocks along the creek.
I missed, too, the muskrat rippling away from the shoreline into the pond. And the dead fish lying on its side near water’s edge. Randy saw all three and drew my attention to them. Then he wondered why I would photograph a dead fish. “Because I want to show what I saw,” I say. Yes, even the unappealing. Life isn’t always pretty.
Yet, we can choose to focus on the beauty in life—in the remnants and reawakening. And we can choose to shut out the noise that threatens to silence the sounds of joy.
My heart hurts for Briana’s family and friends. Her obituary and the comments therein, describe a vibrant and artsy young woman who enjoyed photography, crafts, sewing and music. She was also tagged as a passionate activist.
Briana’s friend Corrina writes: Briana was the most fieriest, artistic, and admirable person I knew. She inspired me to protest and we walked together through the streets fighting for justice. She made the world a better place.
She made the world a better place. I think we would all like to be remembered in that way.
As I watch and read media coverage of the COVID situation in India, my heart also breaks at the overwhelming number of new cases—some 350,000 in a single day—and the resulting deaths. It’s difficult to see film of people suffering, of bodies wrapped in blankets and lying in the streets, of oxygen masks clamped onto faces and hear the pleas for oxygen, medicine, PPE. Pleas, too, for vaccines.
I feel thankful that the US and other countries are offering help to the people of India in this overwhelming health crisis. Yet, I can’t help but think how people in the US are turning down vaccines, not wearing face masks, living like there’s no pandemic…
Monday evening I watched “The Virus That Shook the World,” a two-part FRONTLINE public television documentary featuring people from around the world in the first year of COVID-19. A doctor. Filmmakers. Dancers. It was heart-wrenching to listen, to watch. But necessary to document. Important to view. I felt my grief building as the film progressed. And then, when a daughter in Iceland shared the story of her mother’s death from COVID, all the grief and pain I’ve felt during the past year-plus erupted. I couldn’t stop crying as I observed this family’s loss and pain. I felt like I was crying the grief of the world. Crying for Briana and her family. Crying for the family of that first grader and the entire community of Marshall. Crying for those in my circle who have lost loved ones (seven thus far) to COVID.
In all this grief and suffering and pain and death, I hold onto hope. Hope that we can overcome. Hope that we can heal. Hope that we can set aside politics and misinformation and me-attitudes to do what is right. To care about others and to act like we care. To understand the importance of health and science in defeating this virus. To cry tears of joy rather than tears of unending grief.
I feel humbled and honored to have my poem, inspired by memories of my hardworking farm wife mother, in the Lyon County Historical Society Museum’s newest semi-permanent exhibit, “Making Lyon County Home.” The exhibit opened in January. Its purpose, according to Executive Director Jennifer Andries, is “to share stories, artifacts, and photographs from Lyon County after World War II and to inspire residents and visitors to share their memories and experiences of growing up and living in Lyon County and the region.”
I grew up in this prime agricultural region, some 20 miles to the west on a dairy and crop farm near Vesta in Redwood County. I knew Marshall well back then as a shopping destination. A place to buy clothes, shoes and other essentials. But even more, I understood rural life decades ago because I lived it. I witnessed, too, how my mom worked hard to raise six children on our family farm. Before marriage, she attended Mankato Commercial College and then returned to her home area to work an office job in Marshall. Like most women of the 1950s, once she married, she stopped working off the farm.
My poem honors her in a poetic snapshot timeline of life beginning shortly before she married my farmer father. Saturday evening dances. Then rocking babies. Everyday life on the farm. Challenges. And finally, the final verse of Mom shoving her walker down the hallways of Parkview.
Whenever I write poetry, especially about life in rural Minnesota, I find myself deep within memory. Visualizing, tasting, smelling, hearing, even feeling. Although I took some creative license in penning “Ode to My Farm Wife Mother” (I don’t know that Mom ever drank whiskey or danced at the Blue Moon Ballroom in Marshall), it is primarily true. She met my dad at a dance in southwestern Minnesota. She washed laundry in a Maytag, baked bread every week, made the best peanut butter oatmeal bars…
I expect many who lived in this rural region in the 1950s-1970s can relate. Says LCHS Director Andries of my poem: “It is a good fit for the exhibit and fits with the agriculture section and the role of farm wives and mothers. The poem itself goes beyond just the agriculture area. I feel many people can resonate with the poem with the sense of being carefree while we are young but at some point we all have responsibilities but that doesn’t mean we lose our carefree spirit.”
Those sentiments were echoed by Tom Church, former managing director of Minneapolis-based Museology Museum Services, lead contractor for the “Making Lyon County Home” exhibit. Church first contacted me more than a year ago about using my poem. He said then that the poem “offers a nice snapshot of the era and setting we’re trying to evoke in several places within the exhibit and will fit well with our story.”
I appreciate stories rooted in a strong sense of place. The new exhibit features themes of natural landscape, agriculture, education, industry and community. For example, the devastating and deadly June 13, 1968, F5 tornado in Tracy centers a display with information and oral histories. How well I remember that disaster. The 1980s farm crisis focuses another section. A late 1950s era kitchen fits the beginning time period of my poem.
Although I have yet to view the exhibit, I hope to do so this summer. And even more, I want my mom to know how she, and other farm women of the era, are honored via my poem. I want them to see themselves in my words, to understand the depth to which I value them. My mom, through her selflessness, her hard work, her kindness, her love, her faith, helped shape me. Today, as Mom lives out her final days in hospice, her memory and cognition diminished, I feel a deep sense of loss, of grief. But I hold onto the memories of a mother who read nursery rhymes, gardened, and, before I was born, enjoyed carefree Saturday evenings out with friends. Dancing. Laughing, Delighting in life.
FYI: The Lyon County Historical Society Museum, 301 West Lyon Street, Marshall, is open from 11 am – 4 pm Monday – Friday and from noon – 4 pm Saturdays. The “Making Lyon County Home” exhibit was partially funded by a Minnesota Historical and Cultural Heritage grant. The exhibit is semi-permanent, meaning artifacts and stories can be rotated to fit within the themes.
Ode to My Farm Wife Mother
Before my brother,
you were Saturday nights at the Blue Moon Ballroom—
a bottle of Jim Beam whiskey in a brown paper bag,
Old Spice scenting your dampened curls,
Perry Como crooning love in your ear.
Then motherhood quelled your dancing duet.
Interludes passed between births
until the sixth, and final, baby slipped into your world
in 1967. Thirteen years after you married.
Not at all unlucky.
Life shifted to the thrum of the Maytag,
sing-song nursery rhymes,
sway of Naugahyde rocker on red-and-white checked linoleum.
Your skin smelled of baby and yeasty homemade bread
and your kisses tasted of sweet apple jelly.
In the rhythm of your days, you still danced,
but to the beat of farm life—
laundry tangled on the clothesline,
charred burgers jazzed with ketch-up,
finances rocked by falling corn and soybean prices.
Yet, you showed gratitude in bowed head,
hard work in a sun-baked garden,
sweetness in peanut butter oatmeal bars,
endurance in endless summer days of canning,
goodness in the kindness of silence.
All of this I remember now
as you shove your walker down the halls of Parkview.
in the final set of your life, in a place far removed
THE RIVER RUNS THROUGH. Behind businesses, over the dam by the aged mill, under bridges…
In Northfield, the Cannon River always draws me. There’s something about water. About the power of a river, the mesmerizing movement, the rise and fall thereof, the sense of peace which flows through me when I view water. Or watch fire. Or hear wind.
On a recent Sunday, Randy and I headed toward the Riverwalk in the heart of historic downtown Northfield. We passed, and paused, at Bridge Square, the community’s gathering place. Every town should have a spot like this for folks to meet, to center causes, to converse or to simply sit.
We stopped to watch the Cannon spill over the Ames Mill Dam next to the 1865 Malt-O-Meal (now Post Consumer Brands) mill that still produces hot cereal, the scent often wafting over the city.
I delighted in a blossoming tree and the spring-themed art painted on the front window of the Northfield Area Chamber of Commerce and Tourism office. Seemingly small things like this add an artsy vibe to Northfield. Details matter. Art matters. Nature matters.
When we reached the riverside back of the Contented Cow, I noticed for the first time the Holstein painted retaining walls and tables. Why had I not previously seen this? It appears to have been here for awhile.
I find backs of buildings bare bones interesting, like nouns without adjectives.
That’s the thing about slowing down. Noticing. Sometimes we fail to walk at a pace that allows us to see, truly see, the world around us. The backs of buildings. The flow of the river. To take it all in, starry-eyed at the beauty which surrounds us.