
AS SUMMER COZIES INTO AUTUMN and temps drop, I pull out the fleece, flannel and sweaters, wrapping myself in warmth. And in the evening, when I settle in to read a book, I snuggle under a throw or an afghan.
Those images came to me as I meandered recently around Bridge Square in Northfield where crocheted art wraps the rough bark of tree trunks.

This is the “Friendship Trees” project, an effort of the local Hispanic community to share beauty and friendship, according to Mar Valdecantos, director of Rice County Neighbors United, the lead on this artistic endeavor. Grants from the Southern Minnesota Initiative Foundation and the Southeastern Minnesota Arts Council funded the project.

But these crocheted pieces created by 39 individuals rooted in nine countries is about much more than beauty and friendship. This is also about healing, specifically recovering from the trauma of federal immigration enforcement in Minnesota last winter. Although dubbed Operation Metro Surge, the lengthy, targeted Immigration and Customs Enforcement operations in my state impacted communities far beyond the metro area, including Northfield.

If you’ve ever crocheted, you understand that rhythmically working a crochet hook through yarn calms and soothes. Gathering to crochet in the arts space at Northfield’s Mercado Local helped ease the anxiety many in the Hispanic community were feeling, and continue to feel, over immigration enforcement, Valdecantos noted in an email.



As I wandered among the many artsy trees, I thought of all those fingers manipulating yarn to create something beautiful and meaningful from emotional trauma. I expect every artist intentionally crocheted art with meaning.

Some intent seems obvious to me. Flags hugging a highly-visible tree along Division Street show pride in country of origin and in America.

Monarch butterflies on another tree are symbolic of migration, solidarity, hope and resilience. Monarchs became a national symbol of resistance against ICE.

Likewise, I spotted a frog, that, too, a form of resistance with a humorous take.

A lion, I expect, is meant to stand for bravery, fierceness, the power of standing strong.

All around Bridge Square, which centers Northfield’s downtown along the Cannon River, these crochet-wrapped trees represent the strength, courage and resilience of the local Hispanic community. I saw that in the designs, in the bold and bright colors, and felt it simply by seeing.

Art is powerful.

These inter-generational crocheters continue to meet at Mercado Local, pulling crochet hooks through yarn, crafting not only for themselves, but also for the greater Northfield community. Connecting. Creating. Calming anxieties, building and strengthening community through art.

FYI: “Friendship Trees” is a temporary two-month art installation. I photographed the art in early September, shortly after it was installed.
© Copyright 2026 Audrey Kletscher Helbling

























Reflecting from Minnesota on the killing of Renee Good, wife, mom, writer & poet January 8, 2026
Tags: Academy of American Poets, commentary, death, fatal shooting, Immigration and Customs Enforcement, Minneapolis, Minnesota, news, Old Dominion University, opinion, poet, poetry, Renee Nicole Good, trauma
ALL OF THIS is beyond belief, yet it isn’t.
I texted that to a friend today. “This” refers to the fatal shooting of Renee Good by an ICE agent in south Minneapolis on Wednesday morning. The governor of Minnesota, the mayor of Minneapolis, the police chief of Minneapolis all publicly predicted several weeks ago that something like “this” could happen during ICE’s ramped up immigration enforcement here.
I’m not surprised either. Tensions have been building, not only in Minnesota but across the country, as ICE swarms cities and communities. ICE tactics seem unnecessarily aggressive and sometimes violent. I see zero humanity. Zero compassion. Zero care. I wonder about the vetting, the training, the actions, the accountability of these ICE agents.
Now in the aftermath of Renee’s killing, the FBI, which originally agreed to work with the Minnesota Bureau of Criminal Apprehension on investigating the fatal shooting, has backtracked. The FBI will be the sole investigator and will not provide any investigative information to the BCA. It is impossible for me to trust the process since, shortly after the shooting, Renee Good was tagged “a domestic terrorist” by the feds. Judgment was already made.
Nothing I’ve read or heard indicates to me that Renee was anything but a wife, mom, writer and poet. Recently-moved to Minneapolis, the 37-year-old was young enough to be my daughter. She had a full life ahead of her.
Because I am also a wife, mom, writer and poet, I relate personally and professionally to Renee. I am grieving the senseless loss of not only a human being, but of another creative. In 2020, Renee won an Academy of American Poets Prize for her poem, “On Learning to Dissect Fetal Pigs.” That’s quite an accomplishment for a then-undergrad at Old Dominion University. She graduated with an English degree in 2020. Today I think of all the poems this poet will never write, all the hugs and kisses this mom will never give to her three children.
I appreciate a three-paragraph statement released by Old Dominion President Brian O. Hemphill. It reads in part:
“…May Renee’s life be a reminder of what unites us: freedom, love, and peace. My hope is for compassion, healing, and reflection at a time that is becoming one of the darkest and most uncertain periods in our nation’s history.”
I think, as a creative, that Renee would have appreciated those well-crafted words. I do. In continuing to process this tragedy, I feel uplifted by those of you who have encouraged not only me, but Minnesotans as a whole. Your solidarity, your supportive actions, your caring words all matter while we work through this collective trauma. Thank you.
© Copyright 2026 Audrey Kletscher Helbling