Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Connecting to the past at a Minnesota barn dance, Part III September 30, 2015

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The sun sets behind John and Debbie Becker's rural Dundas, Minnesota, barn.

The sun sets behind John and Debbie Becker’s rural Dundas, Minnesota, barn on the evening of their September 26 barn dance.

THRICE NOW I’VE DOCUMENTED dances in the Becker Farms barn. And what an honor it has been to photograph these 2011, 2012 and now 2015 celebrations in such a bucolic rural setting in southeastern Minnesota. I delight in photos, which combined with words, write family and personal histories.

After guests ate, several tables would be removed for dancing.

After guests ate, several tables were removed for dancing.

I probably will never visit our nation’s capitol or see the Pacific Ocean or tour the Rockefeller Estate or attend a Broadway play or study a Van Gogh painting. But that’s OK. I have danced in a barn, something few Baby Boomers likely have done. I can write “Danced in a Barn” in my life’s story.

Peering out a hayloft door, I shot this scene of a neighboring farm place.

Peering out a hayloft door, I shot this scene of a pond and neighboring farm place.

Dining in the barn.

Dining in the barn.

Playing with the rural version of Jenga blocks.

Playing with the rural version of Jenga blocks.

I appreciate the simple things in life. Sun setting. Great conversation and good music. Satisfying food that’s tasty and uncomplicated. Joy that comes from watching children at play, realizing too many years have passed since I was a kid free-ranging on the farm.

Visiting outside the barn.

Visiting outside the barn.

To my friends John and Debbie Becker, I am grateful for the chances to dance in their 100-year-old barn, to witness the coming together of family and friends in a hayloft.

Guests gathered inside and out on a lovely September evening.

Guests gathered inside and out on a lovely September evening.

There’s something about a barn dance that roots to the rural past in a way that no museum can. As I danced, I could imagine the dances of yesteryear, hayloft empty of loose hay, eager young men and anxious young women eyeing each other from opposite sides of the loft. I could imagine food spread across planks, the scent of animals below mingling with the smell of fried chicken.

Parking vehicles was a major job considering the hundreds of invited guests.

Parking vehicles was a major job considering the hundreds of invited guests.

And outside, horses tethered rather than vehicles parked.

Even this Dekalb sign inside the barn generated memories of Dekalb corn growing in my dad's fields and me detasseling corn for this seed company.

Even this Dekalb sign inside the barn generated memories of Dekalb corn growing in my dad’s fields and me detasseling corn for this seed company.

Grandparents build memories with grandchildren at the barn dance.

Grandparents build memories with grandchildren at the barn dance.

I'm sure the four judges will always remember the difficulty of choosing winners in the homemade pie judging contest.

I’m sure the four judges will always remember the difficulty of choosing winners in the homemade pie baking contest.

Red wagons hold timeless universal appeal to kids.

Red wagons hold timeless universal appeal to kids.

This girl's cowgirl hat reminded me of the straw hats I wore while playing make-believe as a child.

This girl’s cowgirl hat reminds me of the straw hats I wore while playing make-believe as a child.

As this boy pulled a wagon up the incline toward the hayloft, I wondered if he would climb aboard for a wild ride down. Instead, he released the wagon. I would have rode down, gripping the handle.

As this boy pulled a wagon up the incline toward the hayloft, I wondered if he would climb aboard for a wild ride down. Instead, he released the wagon. I would have careened down, gripping the handle.

Whether my imagination matches historic reality, I am unsure. But I am certain of one thing. A barn dance connects folks to the past in a profound way.

I am always comfortably at home on a farm like the Beckers' farm site.

I am always comfortably at home on a farm like the Beckers’ farm site.

For me, a woman from the land, dancing in a hayloft fits me better than gliding across the smoothest of floors in an elegant ballroom. I am comfortably at home in a barn, in a way that’s sweetly familiar. Connected to my rural Minnesota prairie roots.

FYI: Click here and here to read my previous posts on the September 26 barn dance in rural Rice County, Minnesota.

© Copyright 2015 Audrey Kletscher Helbling

 

Commemorating a Minnesota barn’s 100th birthday, Part II September 29, 2015

 

A welcoming scene staged next to the barn and attached milkhouse.

An inviting scene staged next to the barn and attached milkhouse.

FROM THE MINUTE I received a verbal invitation to the barn dance, I noted the event on the September 26 square of my kitchen calendar. Not only would I be celebrating the 100th birthday of the Becker family barn. But I would also be celebrating my birthday. How sweet is that?

Posted inside the barn...

Posted inside the barn…

With my deep rural Minnesota roots and appreciation for aged barns restored and maintained, this party suited me. Hosts John and Debbie Becker, Rice County crop farmers, are dear friends, a salt-of-the earth couple who cherish faith, family and farming.

Guests pulled up to tables and dined on hot beef and pork sandwiches, salads and more.

Guests pulled up to tables and dined on hot beef and pork sandwiches, salads and more.

And they know how to throw one heck of a party in their 100-year-old barn, in the Becker family since 1948.

Garden goods provided for great fall decorating.

Garden goods provided for great fall decorating.

One of numerous parking attendants waits for vehicles to arrive.

One of numerous parking attendants waits for vehicles to arrive.

The kitchen crew, and Debbie, prepare for guests to arrive.

The kitchen crew, and Debbie, prepare for guests to arrive.

Posted on the pie table.

Posted on the pie table.

Debbie, the eldest in a family of I’ve lost count how many siblings, could be a professional party planner. She’s that good at food planning, decorating and remembering every single detail of creating a memorable and fun event. John is right there beside her, assuring, too, that everything comes together. They complement one another. And even though they pulled in family and friends—for decorating, parking, kitchen duty, bartending, pie judging and more—ultimately they are the ones who managed to plan for and welcome 300-plus guests to their farm.

The kids all wanted rides on the golf cart.

The kids all wanted rides on the golf cart.

This little guy wouldn't even set down his toy John Deere tractor to stack over-sized Jenga blocks.

This little guy wouldn’t even set down his toy John Deere tractor to stack over-sized Jenga blocks.

The pie table drew lots of kids because...

This farm-themed pie drew lots of kids to look and some to play.

By far the most creatively-staged pie.

By far the most creatively-staged pie.

Lots of visiting inside and outside the barn.

Lots of visiting inside and outside the barn.

One family member flew in from England. And I overheard, mid-evening, young boys protesting their family’s early departure. I watched kids scramble onto a golf cart for rides with the guy giving lifts from parking areas to barn. A smile curved my mouth at the sight of young boys clutching John Deere tractors, a wee sweet girl in pink cowgirl boots peering at pies, and circles of folks visiting in the barn.

The opportunities for sweet portraits in the golden hour of photography were endless.

The opportunities for sweet portraits in the golden hour of photography were endless.

My dear friend Mandy arrives with her pear-gingersnap pie still warm from the oven. It was absolutely delicious as I sampled it after the pie judging.

My dear friend Mandy arrives with her pear-gingersnap pie still warm from the oven. It was absolutely delicious as I sampled it after the pie judging.

My husband tried on this abandoned cowboy hat. But it was several sizes too small.

My husband tried on this abandoned cowboy hat. But it was several sizes too small.

The scenes unfolding before me appeared down-home rural Americana—girls swaying in a weathered porch swing, a guest bearing pie for the pie-baking contest, a straw cowboy hat resting on a picnic table.

I photographed darling Ava at the last barn dance and her mom asked me to photograph her again. Daylight was fading. Yet I managed to snap a cute portrait.

I photographed darling Ava at the last barn dance and her mom asked me to photograph her again. Daylight was fading. Yet I managed to snap a cute portrait.

A grandma and her grandkids dressed in western attire for the barn dance.

A grandma and her grandkids dressed in western attire for the barn dance.

Many a farmer, including my dad, carried a hankie/bandanna in his pocket.

Many a farmer once carried a hankie/bandanna in his pocket.

Although costumes were not required, vintage or western attire was encouraged. I tied a red bandanna around my neck and called it good. But the kids, oh, the kids. So cute in their cowgirl/cowboy hats and garb. And even some adults dressed western style in flannel shirts and hats, in bibs or with red hankie in pocket. Many sported western boots.

While two girls sway on a swing, another builds blocks.

While two girls sway on a swing, another stacks blocks.

Debbie and John, loving aunt and uncle that they are, assured the kids had plenty to do, passing along to the next generation memories connected to family and the old barn.

 

Barn dance, 108 wheel in front of barn

 

FYI: Click here to read my first post about the barn dance. And check back tomorrow for one final post.

© Copyright 2015 Audrey Kletscher Helbling

 

Celebrating a Minnesota barn’s 100th birthday with an old-fashioned barn dance September 28, 2015

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The band, Downtown Sound, sets up inside the Becker barn for a 10th birthday barn dance.

The band, Downtown Sound, sets up inside the Becker barn for a 100th birthday barn dance.

THE OLD BARN was all decked out with rural décor.

 

Barn dance, 24 Dekalb sign & corn

 

Barn dance, 84 wagon display

 

Barn dance, 30 bouquet

 

Guests gather in a corner near a display of Becker family farm photos.

Guests gather in a corner near a display of Becker family farm photos. The images are displayed on the exterior of the bathroom built into the barn.

Ear corn and seedcorn signs. Washboard and washtubs. Gourds and pumpkins. Fresh-cut zinnias, cosmos and other garden flowers in jars. Red-and-white checked gingham tablecloths. And in a corner, a collection of family and barn photos.

 

Barn dance, 127 Becker barn banner close-up

 

Across the end of the hayloft, just above the section where the band, Downtown Sound, was setting up, and below an American flag, a banner blazed Becker Barn Dance 1915 – 2015.

The sun sets on a perfect September evening on the Becker farm.

Guests gather on the hayloft deck as the sun sets Saturday evening.

John and Debbie Becker purchased the farm from John's dad, Herb, in 1988.

John and Debbie Becker purchased the farm from John’s dad, Herb, in 1988.

John and Debbie Becker purchased the farm from John's dad, Herb, in 1988.

John and Debbie Becker

 

Hundreds gathered on a perfect September Saturday evening at the John and Debbie Becker farm just west of Dundas along Rice County Road 1 to celebrate the birthday of a sprawling 36-foot by 100-foot barn built in 1915. One hundred years ago.

Family arrives for the barn dance and party.

Family arrives for the barn dance and party.

A vintage photo of the Herb and Dorothy Becker family. The current barn owner, John, is the youngest in the family.

A vintage photo of the Herb and Dorothy Becker family. The current barn owner, John, is the youngest in the family.

Family and friends visit before the meal and dance.

Family and friends visit before the meal and dance.

But this party was about more than commemorating this century-old massive barn in the Becker family since Herb and wife, Dorothy (both now deceased), purchased the farm in 1948. It was also about a coming together of family—only one of the elder Beckers’ descendants was missing—and friends to celebrate the land, farming and the rural way of life.

A view of the farmyard and barn dance guests from a hayloft window.

A view of the farmyard and barn dance guests from a hayloft window.

Posted in the barn

Posted in the barn, a photo of the Becker farm and an appropriate saying.

Aunt and nephew at the barn dance.

Aunt and nephew at the barn dance.

As I gazed through an open hayloft window at the crowd mingling in the farmyard below, I considered how thankful I am to have grown up in rural Minnesota, to have this close connection to the land and to extended family. Just like the Becker family.

The sun spotlights machine sheds. Vehicles parked in every nook and cranny on the farm.

The sun spotlights machine sheds. Vehicles parked in every nook and cranny of the farm.

Wagons rolled.

Wagons rolled.

A vintage swingset proved a popular spot.

A vintage swingset proved a popular spot.

Playing games...

Playing games…

Here, on this evening when the sun set a brilliant gold across ripening corn fields and edged shadows around silos, kids rumbled wagons across gravel, pumped legs high on an aged swingset, covered eyes in an old-fashioned game of hide-and-seek. It was like a flashback to yesteryear for me, back to simpler days when kids played with imagination and folks took time to visit.

 

Barn dance, 28 interior barn overview 2

 

Nostalgia prevailed on this September evening of a near full moon. Host John Becker briefed guests on the history of the barn, known long ago for its neighborhood barn dances. In his youth, long before he bought this farm, John’s father attended dances here, where men sat on one side of the hayloft, women on the other. On this evening, all generations mingled in the hayloft and John reminded them to be thankful to the Lord for the harvest.

 

Barn dance, 36 barn dance sign outside barn

 

I was thankful to be here, sitting on a bench on the newly-constructed deck off the hayloft. Gazing at the peak of the barn toward the evening sky scattered with stars. Inside the band played Sweet Caroline as the autumn breeze cooled me.

 

Barn dance, 268 dark barn interior band area

 

Later I would twirl, in my husband’s arms, across the cornmeal slicked plywood floor to a polka, flap my elbows to the chicken dance and rock it out to I Fought the Law (and the law won) and many more tunes. I danced until my muscles ached. And I smiled, oh, how I smiled. It’s been a long time since I’ve had this much fun, since I’ve forgotten the worries of life and immersed myself in the joy of a memorable evening with friends.

 

Barn dance, 131 plate of food

 

Barn dance, 148 family in food line

 

Barn dance, 118 fall themed pie close-up

 

Judging pies.

Judging pies.

The food was equally as memorable with savory beef and pork sandwiches from Nerstrand Meats, baked beans and an assortment of salads and bars brought by guests. Later, after judges sampled pies in the pie-baking contest, plated pies presented a dessert smorgasbord. And if that wasn’t enough, sausage and cheese, chips and dip and other snack foods were available for grazing later.

The side entry into the hayloft.

The side entry into the hayloft.

Some six hours after we arrived, Randy and I descended the steep walk-way into the hayloft and followed the gravel drive past the grain dryer (next to the yard light) toward vehicles parked on the lawn. We threaded our way toward our car, music fading as the distance widened between us and the 100-year-old barn.

FYI: Check back for more photos from the barn dance in additional posts tomorrow and thereafter.

© Copyright 2015 Audrey Kletscher Helbling

 

Minnesota Faces: Boys at a barn dance September 25, 2015

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Portrait #41: Boys at a barn dance

 

Minnesota Prairie Roots file photo 2011

Minnesota Prairie Roots file photo 2011

 

Several years ago when my dear friends John and Debbie hosted a dance in their rural Dundas barn, I photographed these two boys. To this day, it remains one of my favorite portraits. Such sweetness in those faces.

I didn’t ask the boys to pose as they did. The cowboy just slung his arm around the other boy. They may be cousins or brothers or simply friends. I don’t recall. But it’s obvious they enjoy each other and were having a good time.

Maybe I’ll see the pair again this weekend, all grown up, perhaps sporting cowboy hats, maybe not. John and Debbie are celebrating the 100th birthday of their barn with an old-fashioned barn dance. I can’t wait to kick up my heels to live music, chow down on great food (including meat from Nerstrand meats and pie from the pie-baking contest), mingle with party-goers, and simply delight in the ambiance of dancing in the hayloft.

And, yes, I’ll have my camera in hand to document the event.

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Minnesota Faces is featured every Friday on Minnesota Prairie Roots

© Copyright 2015 Audrey Kletscher Helbling

 

Touring Minnesota’s “other” basilica, St. Stan’s in Winona September 24, 2015

The Basilica of Saint

The Basilica of Saint Stanislaus Kostka, named after a popular saint from Poland, is so massive I could not get the entire basilica in a photo. It’s located at 625 East Fourth Street in Winona, Minnesota.

UNOFFICIALLY, PARISHIONERS CALL the basilica St. Stan’s. I like that. It seems fitting in an age when the current pope, Pope Francis, has connected in an everyday sort of way with the faithful, Catholic or not.

I am Lutheran. But denominational affiliation matters not when touring a beautiful house of worship. Or appreciating a man who oversees with a blessed sense of ordinariness. Several weeks ago my husband, a Catholic turned Lutheran, and I visited the Basilica of Saint Stanislaus Kostka, aka St. Stan’s, in Winona. Touring churches interests us from multiple perspectives.

Students from the basilica's school file in for morning Mass.

Students file in for morning Mass.

An altar boy prepares for Mass.

An altar boy prepares for Mass.

The stained glass windows are incredible in their sacred symbolism and beauty.

The stained glass windows are incredible in their sacred symbolism and beauty.

We arrived at St. Stan’s shortly before a children’s Mass, leaving us to observe from the balcony the reverent holiness of an altar boy lighting a candle, the filing of elementary students into pews, the light of a sultry summer morning filtering through stained glass windows.

Beautiful morning light filters through stained glass onto the curving balcony railing.

Lovely morning light filters through stained glass onto the curved balcony railing.

A statue is tucked into a corner below stations of the cross.

A statue is tucked into a corner below stations of the cross.

The paintings inside the dome are exquisite in their detailed beauty.

The paintings inside the dome are exquisite in their detail.

The bread and the wine before it is carried to the front of the sanctuary.

The bread and the wine before they are carried to the front of the sanctuary.

Polish words on a stained glass window translate to

Polish words on a stained glass window translate, according to Google translate, to “”Association of the Children of Mary.”

I stood there in awe, swinging my camera lens toward marble pillars and stained glass, statues and crucifixes, curving wood and paintings, Communion wafers and words in Polish.

The upper portion of the basilica at its main entry.

The upper portion of the basilica at its main entry.

This is a church of Polish immigrants. Built in 1894 – 1895 of brick and stone in Romansque style (in the form of a Greek cross) by the Winona architectural firm of Charles G. Maybury & Son, the basilica is on the National Register of Historic Places.

With its designation as a basilica, St. Stan's also received a crest symbolic of important events in its history. Click here to learn about the crest.

With its designation as a basilica, St. Stan’s also received a crest symbolic of important events in its history. Click here to learn about the crest.

Not knowing the difference between a regular Catholic church and a basilica, I learned from online research that a basilica has received special privileges from the pope. St. Stan’s rates as a minor basilica , the 70th in the U.S. and only one of two in Minnesota. (The other is the Basilica of Saint Mary in downtown Minneapolis.) The title ties to the extraordinary architectural quality of the building and to the congregation’s significant Polish heritage, according to a 2011 press release from the Roman Catholic Diocese of Winona announcing the designation by the Vatican.

I'm certain the scenes in each stained glass window hold religious significance.

The stained glass windows truly are religious works of art.

The stairway to the balcony features incredible craftsmanship.

The stairway to the balcony features incredible craftsmanship.

Massive marble pillars impress.

Massive marble pillars impress.

Terminology and privileges aside, this is one impressive house of worship. It’s artful and splendid. Reverent and meaningful. Personal, yet powerful in its sheer size.

I expect many a worshiper has found comfort in these stained glass windows.

I expect many a worshiper has found comfort in these stained glass windows.

This massive place holds generations of family history. Imagine the sins confessed and forgiven here, the blessings bestowed, the holy water sprinkled, the families who’ve grieved and celebrated within the walls of St. Stan’s.

The priest is about to proceed up the aisle to begin Mass.

The priest is about to proceed up the aisle to begin Mass.

To witness the next generation in worship on a Friday morning in God’s house reaffirms for me that the faith of our fathers remains strong. Just like this aged basilica in the Mississippi River town of Winona.

BONUS PHOTOS of the exterior:

A back view of St. Stan's.

A back view of St. Stan’s.

Angel art atop a tower.

Angel art atop a tower.

Roof details.

Roof details.

The main entrance.

The main entrance.

And the landmark dome.

And the landmark dome.

© Copyright 2015 Audrey Kletscher Helbling

 

Traveling art September 23, 2015

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Art car, entire view of #89

 

I’VE SEEN THIS CAR tooling around Faribault and parked at the local library. It’s memorable. One-of-a-kind. Definitely photo-worthy. But I never had my Canon DSLR with me when I spotted it. On a recent Saturday I did.

 

Art car, front of

 

I practically flew from the van with my camera upon sighting the colorful car parked along Central Avenue in front of the Paradise Center for the Arts. And then, bonus, the owner strode across the street toward his vehicle as I was snapping frames.

 

Art car, Michael in photo

 

He is Michael. No last name given. I didn’t ask. We chatted briefly, enough for me to learn that this former travel industry professional “works to travel.” His words, not mine. He’s been to about 100 countries.

 

Art car, close-up side

 

A close examination of the national flags and words pasted onto Michael’s Saturn reveals those destinations: Bangkok, Vienna, Zurich, Barcelona, Hawaii, Paris, Delhi…

“Try to see it all,” the message adhered to the trunk advises.

 

Art car, horse on roof

 

Art car, elephant on roof

 

Art car, helicopter

 

And Michael has, via some interesting, and ordinary, modes of transportation—car, plane, train, helicopter, horse and elephant—documented by toys attached to the car’s roof. He rode the elephant in Laos or Cambodia. I can’t remember which.

 

Art car, front side close-up #90

 

Michael, though friendly, seemed reticent to engage in a more in-depth conversation. Maybe he was, like me, on a tight schedule. Or simply reserved, choosing to maintain a level of mystery about himself and his travels. That’s OK.

 

Art car, Frank Zappa quote

 

I asked if there was anything specific on his car that I should photograph. He directed me to a Frank Zappa quote on the windshield: “Progress is not possible without deviation from the norm.”

 

Art car, rear back close-up

 

Perhaps that reveals more about Michael than anything he could have spoken.

 

Art car, hood close-up

 

As does this question, posted on the Saturn’s hood: “Where to next Michael?”

FYI: To read another post about an art car I’ve photographed in Faribault, click here. Then click here to view one I photographed in Northfield. And to view a photo of another art car, photographed by one of my favorite Minnesota documentary photographers, Dan Traun of Red Wing, click here and check out the Sept. 14 entry.

© Copyright 2015 Audrey Kletscher Helbling

 

Facing the fowl September 22, 2015

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MY MOM PAUSED in our conversation. She wondered if she was hearing me right. I had just stated that I thought the chickens beautiful. Not all chickens. But these chickens.

 

Chickens, rooster

 

She had reason to question my observation. Ever since I was tormented and pecked at and chased by a rooster while growing up on our Minnesota farm, I have disliked chickens. I am afraid of them, of their flapping wings and sharp beaks and talons.

 

Chickens, patterned chicken

 

But these chickens were different. They are not plain white. And the rooster did not chase me.

 

Chickens, buff colored chicken

 

I was able to stand within feet of uncaged multi-colored fowl and appreciate their beauty. Sheen of blue in black feathers. Patterns of black and white. A beautiful buff. Chickens that were actually cute, if a chicken can be truly cute.

 

Chickens, black chicken

 

Even I surprised myself. I was not terrified. I did not scamper away. I drew the line, though, at cuddling the chickens belonging to friends Steve and Joy. Or at being inside a shed with a hen, gentle as she might appear. My trust is not quite that secure.

 

Chickens, flying chicken

 

And when a chicken flew onto a fence top, I ended the photo session. She was flapping a little too close for my comfort. I have memories of unhappy hens in the chicken coop who did not like their eggs stolen.

 

Chickens, coop

 

I will never really like chickens. But I am at least beginning to tolerate them. The pretty ones.

HOW ABOUT YOU? What’s your experience with chickens?

FYI: I first observed my friends’ chickens when they were running around the yard. I did not have my camera with me. But when I visited again, I had my camera. These images were taken then.

© Copyright 2015 Audrey Kletscher Helbling

 

In Faribault: When music inspires art September 21, 2015

"The Music Nut," a ceramic sculpture by Tami Resler.

“The Music Nut,” a ceramic sculpture by Tami Resler

I AM A PERSON WHO DELIGHTS in art, like the devoted sports fan loyal to a team.

"The Music Man," oil on canvas by Dana Hanson

“The Music Man,” oil on canvas by Dana Hanson

Perhaps it is the absence of access to the arts in my formative years that causes me to so appreciate art today. I can’t recall ever visiting an art gallery while growing up in rural southwestern Minnesota. If there were any galleries, I was unaware. Art, for me, was limited to school art projects. Life was about the basics, not the arts.

"Central Park Notes," an oil on canvas by Pat Johnson

“Central Park Notes,” oil on canvas by Pat Johnson

I especially celebrate occasions when the arts are brought to folks in an unpretentious way. For years, Faribault, my home of 33 years some 120 miles from my prairie hometown, has offered free weekly outdoor summer concerts in Central Park. This year, visual art was added, much to my delight. It’s important, I think, to expose people to art in a relaxed setting, where they feel comfortable approaching artists, watching them create and asking questions.

A snippet of Linda Van Lear's "Girl & Violin" watercolor pencil

A snippet of Linda Van Lear’s “Girl & Violin” watercolor pencil

Local artists set up their easels, pulled out their supplies and created music-themed art as musicians performed. It was perfect, this melding of music and art in the park.

A poster posted at the initial exhibit.

A poster posted at the initial exhibit.

And then, to honor the participating artists, a several-day “Nature of Music” exhibit was staged in a connecting space between the library and community center to showcase selected pieces. I missed that event. But the en plein air art will be exhibited again, this time from September 22 – November 10 in the Lois Vranesh Boardroom Gallery at the Paradise Center for the Arts in historic downtown Faribault. An artists’ reception is slated for 5 – 7 p.m. on Friday, September 25. Other gallery openings are also set for that evening.

This shows one of the many faces in Irina Mikhaylova's "Faces in the Crowd" done in soft pastels.

This shows one of the many faces in Irina Mikhaylova’s “Faces in the Crowd,” done in soft pastels.

The Paradise is a wonderful center for the arts. Sometimes I can’t believe how lucky I am to live in a community with an arts center and a library. You see, I also grew up in a town without a library…although today Vesta has a Little Free Library.

"At the Bandshell" in soft pastels by Barbara Bruns

“At the Bandshell” in soft pastels by Barbara Bruns

Murphy's face in "Murphy at Central Park," acrylic on hardboard by Julie Fakler

Murphy’s face in “Murphy at Central Park,” acrylic on hardboard by Julie Fakler

A section of Nicole Volk's "Camelot Calls," inktense on watercolor paper

A section of Nicole Volk’s “Camelot Calls,” inktense on watercolor paper

© Copyright 2015 Audrey Kletscher Helbling
Artwork was photographed with permission of Jeff Jarvis, Faribault Park & Rec Enrichment & Communications Coordinator, who organized the en plein air program.

Note that unavoidable glare on glass shows up on some of the photos. That is the reason I sometimes did not photograph an entire work of art. But sometimes I wanted only to show you a snippet peek at the entire piece.

 

Minnesota Faces: September bridal couple September 18, 2015

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Portrait #40: Carlyn & Jared

 

Portrait 40, Jared and Carlyn

 

Aside June, September is the most popular month for weddings in Minnesota. That’s according to my unofficial, brief online research. I believe it.

My parents were married in September. So was my eldest daughter. And last September, my niece Carlyn married Jared.

They were wed in Walnut Grove, childhood home of Laura Ingalls Wilder. It was a stunning autumn day, a reason September proves popular for weddings. The church was packed, the flower girls and ring bearers restless and cute.

And I was there with my camera, in an unofficial capacity. I’ve photographed weddings for family in the past, but won’t any more. I can do without the drama, emotions and challenges. I much prefer to shoot journalistic style images without the pressures of portrait photography.

Which brings us to this photo, taken as Carlyn and Jared’s wedding guests tossed birdseed at them. I love everything about this frame—the light, the motion of the seed showering the couple, the blur of the crowd, Jared’s loving glance at his bride, Carlyn’s smile. It captures a moment of celebration and love. On a beautiful September afternoon in southwestern Minnesota.

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Minnesota Faces is featured every Friday on Minnesota Prairie Roots.

© Copyright 2015 Audrey Kletscher Helbling

 

A message about domestic violence in the unlikeliest of places September 17, 2015

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THE POSTER CAUGHT MY ATTENTION. As much for its powerful message as its location.

I had just closed the door on a stall in the women’s bathroom at a toy store in rural southeastern Minnesota when I saw the sign:

 

Domestic violence, rural campaign view 1

 

My reaction was one of thankfulness. To Praxis International, a nonprofit corporation which created this rural public awareness campaign about domestic violence. And to Lark Toys for posting this message in a bathroom stall. Brilliant.

I want you to read and reread the words. Read them until you understand. Read them until they are imprinted upon your mind. Read them until you realize that, by failing to speak up or by looking the other way or by not trusting your gut, you are likely enabling an abuser.

Care.

Refuse to remain silent.

Understand, though, that you cannot “rescue” someone who is being verbally, mentally, emotionally and/or physically abused, controlled and manipulated. But you can educate yourself and perhaps subsequently help. You can connect with those who can offer professional advice.

 

Domestic violence, rural campaign view 2

 

On the poster posted in the Lark Toys bathroom in Kellogg, readers are directed to Rochester-based Women’s Shelter, Inc. That organization provides outreach, advocacy and housing to battered women and their children. The shelter has satellite offices in four rural counties outside of Rochester, home to the world-renowned Mayo Clinic.

In the “Who We Serve” portion of the shelter’s website is this statement:

We have served families from around the world, due to our close proximity to the Mayo Clinic. Domestic Violence can happen to anyone regardless of their educational background, financial status, race, or country of origin.

That was demonstrated in Minnesota just last week when a company CEO murdered his wife and three teenage children in their $2 million home in an upscale west metro neighborhood.

This violence must stop. With the Short family’s murder, the number of those killed as a result of domestic homicide in Minnesota this year stood at twenty. That’s 20 too many. 

Domestic violence can happen anywhere. In a farmhouse. In a mansion. In an apartment. In your home. Next door. Down the street. To anyone. Anywhere.

Care.

Refuse to remain silent.

Help your neighbor. Or a loved one, friend or stranger. Help yourself.

FYI: Click here to learn more about domestic violence.

If you are in an abusive relationship, call the National Domestic Violence hotline at 1-800-799-7233 or a local shelter/crisis line in your community.

If you are in immediate danger, call 911.

Click here to read a story posted yesterday on Minnesota Public Radio about domestic violence.

You can order educational materials, including the rural-themed poster I saw on the toy store bathroom door, by clicking here.

© Copyright 2015 Audrey Kletscher Helbling