“Ashley,” portrait by Kate Langlais.
“GO BACK TO WHERE YOU CAME FROM. GO BACK TO MEXICO AND NEVER COME BACK!”
A snippet of Ashley’s story, as posted with her portrait.
I intentionally capitalized and boldfaced those angry words spoken to a 5-year-old by a “mean girl.” Can you imagine hearing such awful, horrible words directed at you? Yet, they are all too common. If not spoken, then thought.
Kate Langlais, painting at a recent concert in Faribault’s Central Park as part of “Art in the Park.” Minnesota Prairie Roots file photo August 2020.
Ashley, the subject in an art exhibit, “I Am Minnesota,” by Faribault portrait artist Kate Langlais, experienced that hatred. She reported the insult to her mom and her principal. I’m thankful she called out the bully, because no one should have to endure such disrespect, especially a kindergartner.
“Faysel” up close by Kate Langlais. He fled war in Somalia.
And I’m thankful to Kate, the artist, for taking on this project which features portraits of first and second-generation immigrants living in Faribault and their stories. Her portraits are currently exhibited at the Paradise Center for the Arts in historic downtown Faribault through September 12.
The title of each portrait is simple. The subject’s name.
Kate invites viewers to “recall what they know about their family’s immigration stories.”
Parker, four months, the son of an immigrant who arrived here at about the same age. Portrait by Kate Langlais.
But she pushes beyond that to prompt thought about problems immigrants must overcome—language barriers, cultural differences, acceptance (or not) by neighbors.
An overview of a portion of the Escape Artists exhibit.
After viewing Kate’s thought-provoking portraits and accompanying life summaries, I walked over to a larger gallery featuring art by the Escape Artists. Right away, I connected the two. Not because the art is at all alike. But because of the word “escape.” The subjects in Kate’s portraits escaped oppression, war, poverty and more for life in America. The Escape Artists are a group of artist friends who, 30-plus years ago, began escaping together to create art.
A section of “On the Ragged Edge” by Theresa Harsma.
As I meandered through the gallery, I considered the Escape Artists’ art with the imprint of Kate’s portraits on my mind. For example, Theresa Harsma writes in her artist’s statement for “On the Ragged Edge” of sorting through her collection of found objects and choosing those that seemed to want to be part of the piece. Just like immigrants want to be part of the piece that is America.
“1938 Church Wedding” by Linda Van Lear is based on The Holy Innocents Episcopal Church located at the Rice County Fairgrounds/Historical Society Museum Grounds.
I expect LInda Van Lear’s painting of “1938 Church Wedding” includes immigrants among wedding guests, probably even in the bridal party.
“Lasso the Moon” by Susanne Crane.
And I interpreted Susanne Crane’s “Lasso the Moon” as lassoing dreams. Dreams of a better life for those who came to America, including my forefathers, and probably yours.
This photo shows part of “Streams of Consciousness, Rivers of Green” by Theresa Harsma.
“Maria” by Kate Langlais.
Back to artist Theresa Harsma, another work, “Streams of Consciousness, Rivers of Green,” struck me in its connection to one story in “I Am Minnesota.” Three times Maria attempted to cross the river from Mexico into the U.S. The determination, the exhaustion, the despair—they’re all woven into her story. No matter how you feel about immigration issues, at the very core is a human being, now a Minnesotan, with struggles, hopes and dreams.
An overview of the Cash-Elvis exhibit.
Julie M Fakler created this piece, “You ain’t nothin’ but a hound dog,” inspired by Elvis’ song.
A close-up of Dan Rathburn’s “A Man in Black” (aka Johnny Cash).
Once I finished touring the Escape Artists’ exhibit, I shifted my focus to a Johnny Cash and Elvis pop-up show in a small corner gallery. In some ways, these two musicians were escape artists, too, escaping through their music.
“Tree of Life with Mother Nature’s Daughters” by Susanne Crane.
I love when art, from a divergence of artists, connects. We are all different. Yet alike in our humanity.
The Paradise Center for the Arts marquee.
FYI: The Paradise Center for the Arts, 321 Central Avenue North, Faribault, is open Thursday-Saturday from noon to 5 p.m. The above exhibits close on September 12.
© Copyright 2020 Audrey Kletscher Helbling