Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A look at “Jake’s Women,” on stage at the Paradise April 22, 2026

The program cover for “Jake’s Women,” now playing at the Paradise Center for the Arts, Faribault. (Minnesota Prairie Roots copyrighted photo 2026)

THEATER ENTERTAINS. But often it also makes us think, and think deeply.

That’s the case with Jake’s Women, a play by Neil Simon now unfolding on the stage of the Paradise Center for the Arts in Faribault.

I attended the play on opening night last Friday after volunteering to greet guests at the door. I admit I felt hesitant about watching this drama because I expected the content might unsettle me. It did. But sometimes we need a jumbling of emotions and thoughts in a controlled setting.

CONTROL

Control. Main character Jake, played by Jake Gustine, struggles with control issues, especially in his relationships. He’s a writer, which in itself requires discipline and control. Fiction writers shape characters, stories, dialogue, control the plot. As a writer who’s written short stories, I understand the craft and could, in many ways, relate to what I was hearing from Jake on the stage.

But this play stretches beyond control and Jake’s work as a writer to his relationships with women. He’s struggling in his marriage to Maggie, his second wife. His first wife, Julie, died. I’ve been married for 44 years. That’s enough decades to realize partners won’t always agree—and they shouldn’t. There will be joys, struggles and hard times. But I’ve found through all of it, the good times and the difficult ones, that my husband and I balance one another and that our love for one another has grown and deepened through the years.

COMMUNICATION

Communication is a hallmark in any relationship. That message resounds in Jake’s Women. As a professional communicator/writer, I wanted to walk onto the stage and yell at Jake, “Listen, just listen!” That’s how invested I was in the play. I consider myself to be a good listener, a necessary skill for my previous work as a newspaper reporter with a bachelor of science degree in Mass Communications. Listening seems underrated. But I’m convinced if we all listened more than we talked, we would all get along better.

CRISIS

There are certainly many conflicts between Jake and the other seven characters in this play. But conflict also exists within Jake as he experiences delusions while in the throes of a mental health crisis. He struggles to separate fact from fiction, a mark of psychosis. I appreciate whenever mental health gets a spotlight if for any reasons other than to raise awareness and educate.

Throughout the play, Jake “talks” to the women who have been an important part of his life. Here the play gets interesting. The audience needs to pay close attention to lighting to determine when Jake is living in reality and when he is delusional. The set never changes and Jake never leaves the stage, which is a feat in itself during a play that lasts more than two hours.

I quickly found that I could not allow my mind to wander during this theatrical production directed by Palmer Huff and performed by the Paradise Community Theatre. I had to listen closely to every word spoken by Jake Gustine and performers Brianna Bauernfeind, Linda Anderson, Charli Gomez, Casper Andersen, Kate Southwick, Clair Borgerding and Kris Snow.

Jake’s Women is an intense play. It’s also thought-provoking. And it’s a play I highly-recommend you see.

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FYI: Upcoming performances of Jake’s Women are set for 7:30 p.m. Friday, April 24, and Saturday, April 25, and at 2 p.m. on Sunday, April 26. Click here for ticket information.

TELL ME: Have you seen Jake’s Women? If yes, what are your thoughts on the play?

© Copyright 2026 Audrey Kletscher Helbling

 

The Merlin Players deliver an evening of laughter in Faribault via “Barefoot in the Park” February 24, 2018

 

MORE THAN EVER, I need laughter. I need to sequester myself in a place without media, without any hint of what’s happening outside weather-wise or world-wise. I need to laugh in bursts of untethered delight.

That happened Friday evening inside the darkened historic theatre at the Paradise Center for the Arts, 321 Central Avenue, in downtown Faribault.

There, The Merlin Players opened “Barefoot in the Park,” a romantic comedy by Neil Simon set in a New York City brownstone in February 1963. There I found the delight I craved, I needed, I longed for in recent days. I laughed. Free. Full. Joyous.

This six-person cast presented a stellar performance of this story about newlyweds settling into their apartment and into married life. A drop-in mother-in-law, a quirky and friendly neighbor, a telephone repairman and a delivery man round out the cast.

What most impressed me, besides the acting, was observing just how much these performers love working together. In one scene, mother-in-law Ethel Banks (played by Susan Dunhaupt) and neighbor Victor Velasco (played by Carter Martin) started laughing. Not as part of the script, but at lines in the play and the audience reaction. It was one of those moments that drew us all in. Unscripted. Pure and full laughter rolling through the theatre. Until the pair could pull themselves together enough to continue.

After the show, at an opening night reception, Martin was overheard saying he didn’t expect they would have a “Carol Burnett moment.” He was referencing the superstar comedian who sometimes also laughed so hard she paused in performing.

Faribault is fortunate to have a semi-professional theater company based in our community and one which draws such talented performers—like the leads in this play, professional actor Paul Somers and Sydney Place Sallstrom. Matt Drenth (the phone repairman), in his buffalo plaid shirt, also brought plenty of humor to the performance as did Gary Hoganson with his minor delivery man role.

All in all, “Barefoot in the Park” gave me exactly what I needed on a February evening in Minnesota. Laughter. And a few hours secluded in the darkness of a theater, away from the real world, real life.

FYI: Other performances are set for 7:30 p.m. February 24 and March, 1, 2 and 3. A matinee showing is at 2 p.m. February 25.

© Copyright 2018 Audrey Kletscher Helbling