Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Rural Faribault church continues 55-year tradition with The Last Supper Drama April 7, 2017

St. John’s members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John’s.

 

AS A WOMAN OF FAITH, I appreciate the opportunity to begin Holy Week in a visually memorable and contemplative way by attending “The Last Supper Drama” at St. John’s United Church of Christ, Wheeling Township. The drama begins at 8 p.m. on Palm Sunday, April 9, as darkness falls.

For 55 years now, parishioners past and present, playing the roles of Jesus’ disciples, have presented this interpretation of Leonardo da Vinci’s The Last Supper painting. Each disciple actor stands and speaks of his personal relationship with Christ. It is moving, powerful and emotional to hear these monologues in the darkness of an aged limestone country church.

 

St. John’s 50th presentation of The Last Supper Drama in the sanctuary. Minnesota Prairie Roots file photo 2012.

 

While the actors alternate from year to year, the script and music remain unchanged from the original of 1963. There is comfort in that, in tradition, in the unchanging story, in the reverent respect and in the focused spotlight on Christ.

It’s an inspirational way to start Holy Week, in a mindset of contemplation.

 

The parking lot at St. John’s United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation’s annual performance of The Last Supper Drama. Minnesota Prairie Roots file photo.

 

FYI: Click here to see photos and stories from past performances of this drama.

St. John’s UCC is located east of Faribault at 19086 Jacobs Avenue, a county road off Minnesota State Highway 60.

© Copyright 2017 Audrey Kletscher Helbling

 

Montgomery-based Child’s Play Theatre ignites imagination April 9, 2015

I LEFT MY CAMERA AT HOME. Then I spotted a bald eagle scavenging in an open field. Shot missed.

A few miles later, after reaching our destination, St. Patrick’s Church in Shieldsville, I realized for the second time that I should have hauled my Canon DSLR with me.

But my husband and I were attending a theatrical production. And, as live theatre goes, photography is typically not allowed. Plus, lighting is often insufficient.

Still, I could have gotten some shots afterward of the seven young performers from Child’s Play Theatre Company who presented an impressionable drama on a portable stage in the fairly well lit St. Patrick’s Fellowship Hall.

This photo of "I Never Saw Another Butterfly" is courtesy of Child's Play Theatre and was taken by Chris Vilt.

This cast photo from “I Never Saw Another Butterfly” is courtesy of Child’s Play Theatre and was taken by Chris Vilt. Cast members, left to right, are Dylan Vilt, Ian Hanson, Aimee Ilkka, Amber Simon, Olivia Simon, Carolyn Mikel and Lucia Rynda.

Upon arrival, I had no idea what to expect. I knew only that we would be seeing Child’s Play Theatre’s production of I Never Saw Another Butterfly, an introspective drama about Jewish children temporarily imprisoned in Terezin. Most of the 15,000 children held there eventually were shipped to Auschwitz and thus to a certain death in the gas chambers. Heavy stuff.

I thought an adult theatre troupe would perform the drama, even given the name “Child’s Play.” I wasn’t expecting seven Montgomery-Lonsdale-New Prague area performers ages 11 – 14 to take the stage. But they did. And the performance these youth delivered was deserving of the standing ovation we gave them.

First grader Kyle Ernste of Nerstrand Charter School painted this vivid butterfly which reminds me of Eric Carle's art.

First grader Kyle Ernste of Nerstrand Elementary School painted this butterfly, displayed at the Paradise Center for the Arts, Faribault, 2012 Student Art Exhibit. Image used here for illustration purposes only and does not reflect art produced by Child’s Play Theatre participants. Minnesota Prairie Roots file photo 2012.

Director Andrew (Andy) Velishek wasn’t exaggerating when he suggested, in his introductory remarks, to have a tissue handy. The depth to which these five actresses and two actors played their roles was haunting and memorable. I felt their fear, heard their anger and desperation, experienced their joy in imagining flowers and butterflies. As a poet, I connected with the poetry they read. In Terezin, children’s art and writings were buried and later uncovered.

Art mattered in Terezin. Just like it matters to Velishek, whom I talked with prior to the play. He is passionate about theatre. He’s been involved in more than 80 productions with 25-plus years of acting and 15 years of directing/producing experience.

And he’s passionate about helping children, especially, to use their imaginations and to learn and hone the craft of performing. This stay-at-home dad and sometimes substitute teacher has three boys ages nine months to five, the oldest ones already showing an interest in performing.

Child's Play Theatre presented an Improvisation Theatre Workshop

Child’s Play Theatre presented an Improvisation Theatre Workshop through Shakopee Community Education in 2013. That resulted in a 15-minute skit that included vampires, angels, bullies, a wolf and a dragon. Photo by and courtesy of Andy Velishek, Child’s Play Theatre.

Velishek travels from his Montgomery home base to southern Minnesota schools, community centers, libraries and more with his educational theatre company that draws youth on stage. Past productions include plays such as Beauty Is A Beast, The Best Christmas Pageant Ever and Twinderella. He formed the theatre company in 2012 and, he says, is laying the foundation to keep community theatre alive.

Child's Play Theatre - Copy

His focus is on the kids. You won’t find a professional performer in the lead role with youth as just supporting cast, he says. If there are not enough parts in a script for kids, Velishek will write in roles.

You can hear the energy and passion in his voice, see it on-stage in the performances of those he directs. Butterfly even started a bit late because this director was so engaged in telling me about Child’s Play Theatre. Now that’s a man who loves what he does.

He teaches and encourages and celebrates success, noting to the audience that the cast of I Never Saw Another Butterfly was honored for Outstanding Achievement in Acting-Ensemble at the recent Minnesota Association of Community Theatres’ MACT Fest 2015.

When I the congratulated the cast of Butterfly for their performance at St. Patrick’s, their enthusiasm for theatre ran strong. Velishek is encouraging their creativity, building their confidence, teaching them that performing is a gift they can give back to their communities.

They’ve seen the butterflies and the flowers.

Child's Play Theatre includes all facets of a production, including creating and building the set. Photo by and courtesy of Andy Velishek, Child's Play Theatre.

Child’s Play Theatre includes creating and building the set. Photo by and courtesy of Andy Velishek, Child’s Play Theatre.

FYI: Here’s a sampling of upcoming Child’s Play Theatre camps/shows: Twinderella, 2 p.m. and 7 p.m. May 16 at Twin Oaks Middle School (Prior Lake-Savage Schools); Disney’s The AristoCats Kids, 7 p.m. June 5 and 1 p.m. June 6, Tri-City United Schools in the Montgomery Middle School Auditorium; and Twinderella, 6 p.m. June 12, Owatonna Senior High School. For a full schedule, visit Child’s Play Theatre website by clicking here.

All productions include week-long camps for kids K-12 with registration done through local Community Education departments. Show tickets are available at the door and are kept at a family friendly cost, Velishek  says.

Velishek also offers theatrical opportunities to adults through Limelight Theatre Company, a division of Child’s Play Theatre. Limelight debuted at Next Chapter Winery south of New Prague last September with a dinner theatre production of The Complete Works of William Shakespeare Abridged.

© Text copyright 2015 Audrey Kletscher Helbling

Child’s Play Theatre photos are copyright of Chris Vilt and Andy Velishek.

 

For 52 years: A rural Minnesota church prepares for Holy Week with Last Supper Drama April 11, 2014

FOR CHRISTIANS LIKE MYSELF, Holy Week marks a period of reflection and repentance as we remember the final days in the life of Christ before his crucifixion and resurrection.

St. John's members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John's.

St. John’s members portray the disciples in this undated vintage photo, the first record of a photograph from “The Last Supper Drama.” Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John’s.

For St. John’s United Church of Christ, Wheeling Township, rural Faribault, a presentation of  “The Last Supper Drama” has been a long-standing Holy Week tradition. For 51 years, 52 this April 13, this congregation has presented the drama written by long ago pastor, the Rev. W. Rasche, and based on Leonardo da Vinci’s famous painting. It’s truly remarkable that a tradition like this would continue for more than five decades.

Twice, if not thrice, I’ve lost count, I’ve attended this Palm Sunday evening drama at this country church northeast of Faribault.

St. John's 50th presentation of The Last Supper Drama in the sanctuary.

St. John’s 50th presentation of “The Last Supper Drama” in the sanctuary. Minnesota Prairie Roots file photo 2012.

As darkness falls, voices hush, mood-setting music plays and a spotlight shines upon 12 performers role-playing the disciples.

It is a profound performance which presents a personal perspective on the relationships between Jesus and his followers.

I’d encourage you to attend. It’s worth the drive, worth your time.

There’s something about sitting straight-backed in a pew in the darkness of a Palm Sunday evening within the walls of an aged limestone church in the company of believers that comforts me and puts me in the proper meditative mindset for Holy Week. And that reaction is, I expect, exactly as St. John’s intends.

The parking lot at St. John's United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation's annual performance of The Last Supper Drama.

The parking lot at St. John’s United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation’s annual performance of “The Last Supper Drama”. Minnesota Prairie Roots file photo 2012.

FYI: St. John’s is located 10 miles northeast of Faribault. Take Minnesota State Highway 60 east for eight miles and then turn north onto Rice County 24. Drive two miles to 19086 Jacobs Avenue.

The drama begins at 8 p.m. on Sunday, April 13, and is followed by lunch afterward in the fellowship hall.

© Copyright 2014 Audrey Kletscher Helbling

 

Fifty-one years of presenting The Last Supper Drama at a rural Minnesota church March 22, 2013

St. John's members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John's.

St. John’s members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John’s.

THOUSANDS OF MILES from Milan, Italy, in the flat farm fields of Rice County in southeastern Minnesota, Leonardo da Vinci has left his mark on a small congregation.

For 50 consecutive years, St. John’s United Church of Christ, Wheeling Township, has presented The Last Supper Drama, a theatrical interpretation of the master artist’s most famous painting created in 1495 as a mural in an Italian monastery.

St. John's 50th presentation of The Last Supper Drama in the sanctuary.

St. John’s 50th presentation of The Last Supper Drama in 2012.

I penned those two opening blog post paragraphs during Holy Week 2012, shortly after attending the St. John’s performance.

So update that number. The congregation is slated to present its 51st The Last Supper Drama at 8 p.m. on March 24, Palm Sunday.

I’d advise attending because you don’t get more grassroots basic than this in the retelling of Christ’s final meal with his 12 disciples via a script penned by a long ago St. John’s pastor.

Judas grips the bag of silver, his reward for betraying Christ.

Judas grips the bag of silver, his reward for betraying Christ, as seen in the 2012 drama.

Each disciple speaks of his personal relationship to Christ, making this a particularly introspective drama presented by members and former members of St. John’s.

The parking lot at St. John's United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation's annual performance of The Last Supper Drama.

The parking lot at St. John’s United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation’s annual performance of The Last Supper Drama.

Truly, there’s something about slipping inside this rural 1800s limestone church as evening melds into night, settling upon aged pews among those who have worshiped here for generations, that is particularly comforting.

It is good for the soul to sing and pray and listen, to sweep your thoughts into a meditative mindset for Holy Week.

That this country congregation continues with a tradition begun in 1963 impresses me. Such uninterrupted longevity is a testament to faith, an appreciation of history and a clear understanding that still today, perhaps more than ever, The Last Supper Drama needs to be shared.

A view from the balcony before the drama begins shows the spotlight to the left and The Last Supper table below. The actors enter, spotlighted in the dark church, to take their seats at the table. There they "freeze" in place to mimic Leonardo da Vinci's painting.

A view from the balcony before the drama begins shows the spotlight to the left and The Last Supper table below. The actors enter, spotlighted in the dark church, to take their seats at the table. There they “freeze” in place to mimic Leonardo da Vinci’s painting.

FYI: St. John’s United Church of Christ, Wheeling Township, is located 10 miles northeast of Faribault. Take Minnesota State Highway 60 east for eight miles and then turn north onto Rice County 24. Drive two miles to 19086 Jacobs Avenue.

Click here and then here to read my detailed The Last Supper Supper Drama posts from 2012.

Click here to read my post from 2011.

© Copyright 2013 Audrey Kletscher Helbling

 

Do we need to call the fire department? February 6, 2013

Filed under: Uncategorized — Audrey Kletscher Helbling @ 8:18 AM
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“WE NEED TO GET the car out of the garage!” I yell, throwing open the passenger side door as I observe smoke seeping from under the hood. “Do we need to call the fire department?

“I don’t know. Get out and push,” my husband orders after he has turned off the car and then turned the ignition switch back on and then off, realizing his mistake.

And like that I rocket out the door, lock gloved hands onto the hood and push with all my might to get our 1995 Chrysler Concorde out of our attached garage.

Gas fumes hang heavy in the air. In that adrenalin-charged moment, a visual image of the car bursting into flames, igniting the garage and then catching our house afire flashes before my eyes.

I am scared, but not astute enough to realize that I could be placing myself in danger by staying with the car.

Together we manage to get the Concorde out the garage door and parked on the driveway next to the house, although I am screaming, “We need to push it to the end of the driveway away from the house (and other vehicles).”

Randy isn’t listening, mostly because he knows the car isn’t going to explode now. The danger has passed. He lifts the hood. The “smoke” I’d seen wasn’t smoke at all, but vapors from gas hitting a hot engine. However, I knew the danger had been real and a fire could have erupted. That Randy does not deny.

The Chrysler Concorde, photographed several hours after we pushed it from the garage.

The Chrysler Concorde, photographed several hours after we pushed it from the garage.

My automotive machinist husband diagnoses the problem as a leaky fuel line or valve. A stream of gas drips up the driveway, ending in a puddle at the front of the garage. It is less than a cup, probably, but spilled across the flat concrete floor appears to be more.

The car has dripped fuel all the way from the grocery store several miles away where the problem began. It was there that I first sniffed gas and Randy dismissed the odor as coming from another vehicle. He lifted the hood then, claimed not to smell anything unusual. I claimed otherwise. Perhaps his answer was a white lie designed to reassure me.

When we finished grocery shopping and returned to our car, the stench of gas still permeated the interior, intensifying when the engine fired up. We rolled down windows, expecting the gas odor to dissipate. The smell only worsened as we headed toward home. I could taste gasoline. I felt a bit off-kilter, as if the fumes were getting to me.

When we finally turned into the driveway, I relaxed. But then, once inside the garage, I noticed “smoke” rising from beneath the hood and my instincts kicked in.

Get the car. Out of the garage. Now.

NOTE: If my husband was to share this story, he’d likely present a less dramatic version with no fear or threat of fire involved. The car has now been repaired, the problem being a disconnected fuel line. The line was apparently not properly latched into place the last time Randy worked on the vehicle.

© Copyright 2013 Audrey Kletscher Helbling

 

Rural Faribault church presents 50th annual The Last Supper Drama March 29, 2012

St. John's members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyer, Earl Meese, Victor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin Bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John's United Church of Christ, Wheeling Township.

EVERY LENTEN SEASON since 1963, worshipers and actors have gathered inside the 1870 limestone sanctuary of St. John’s United Church of Christ—Wheeling Township, rural Faribault, for The Last Supper Drama.

It is, says 2012 co-director Pauline Wiegrefe, a moving, emotional Palm Sunday drama that puts participants and attendees “in the mindset of Holy Week.”

Sunday, April 1, marks the 50th anniversary presentation of the drama penned by long-ago St. John’s pastor the Rev. Walter C. Rasche. He wrote the script while serving in an Indiana parish and brought it with him to Minnesota. When Rasche left St. John’s in 1969, The Last Supper Drama tradition continued.

The script, which features 12 men positioned like the disciples in Leonardo da Vinci’s The Last Supper painting and then speaking individually about their relationships with Christ, has remained unchanged in five decades.

Cast members in the 2011 The Last Supper Drama, left to right: Todd Lein, Craig Mueller, Alan Meyer, Grant Meese, Martin Budde, Paul Meyer, Thad Monroe, Kyle Keller, Doug Spike, Keith Keller, Randy Tatge and Brian Little. The white pillow on the empty chair represents Christ.

Likewise, the same hymn, “Here, Oh My Lord, I See Thee Face to Face,” continues as the single participatory musical selection. Craig Keller, drama organist, plays the same taped mood-setting organ music he’s used since 1968. Prior to that, introductory music emitted from a record player stationed behind the altar.

For original cast member and life-long St. John’s member Luverne Hafemeyer, 84 of Northfield, the drama is, he says, an emotional and inspirational experience that prepares him for Easter.

As a young farmer, Luverne jumped at the opportunity to join the original 1963 cast. During his high school years, except for an annual Youth Fellowship play presented in the nearby Nerstrand Town Hall, he had never acted. Farm work and gas rationing during WW II kept him from participating in high school activities.

But once Luverne joined The Last Supper Drama cast, he stayed on for 15 – 20 performances, finally relinquishing his role as James just five years ago. (Casts alternate from year to year.) He still helps sometimes with lighting and the post performance coffee hour.

His lines, however, remain engrained in his memory: “I am James the son of Zebedee, the elder brother of John…”

Like Luverne 50 years ago, all of today’s actors at this rural church come from a farm background. Co-director Pauline remembers her father, Arnold Keller, and her brother Keith practicing their lines while milking cows.

Actors, past and present, will be recognized during the 50th anniversary presentation set for 8 p.m. this Sunday inside the old stone church.

FYI: St. John’s United Church of Christ is located eight miles east of Faribault on Minnesota Highway 60 and then two miles north on Rice County Road 24 at 19086 Jacobs Avenue.

Visit the church website by clicking here.

To read a blog I posted about last year’s The Last Supper Drama, click here. You’ll find many more images of the drama posted here.

© Copyright 2012 Audrey Kletscher Helbling

 

Presenting Leonardo da Vinci’s The Last Supper at a Minnesota church April 19, 2011

The parking lot at St. John's United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation's annual performance of The Last Supper Drama.

AS THE FINAL wisps of daylight dissipate into darkness, the church windows glow with the subtle warmth of welcome on this Palm Sunday evening.

Inside, worshippers are already gathering in the tightly-knit pews, eyes focused on the long table before them.

As I wait, seated in a pew tucked under the rim of the balcony, I study the stained glass windows, the suspended ceiling lights where lady bugs cling, the golden cross high above the altar.

Then, shortly after 8 p.m., after the hymn and the invitation and recitation of The Lord’s Prayer, the drama begins unfolding—for the 49th consecutive year.

St. John’s United Church of Christ, Wheeling Township, is presenting its annual The Last Supper Drama.

The Rev. Lora Sturm provides brief historical background on Leonardo da Vinci’s The Last Supper painting, the visual basis for the evening’s drama.

Leonardo da Vinci's painting of The Last Supper inspired the dramatic presentation at St. John's. This print was donated to the church in memory of Arnold Keller.

And then the lights fade, slowly, until a spotlight shines only on the cross. Soon that light and the organ light are extinguished, plunging the sanctuary into near darkness save for the remnants of daylight filtering through the stained glass windows.

A quiet reverence, a sense of anticipation, falls upon the congregation in the moments of silence and darkness before the actors begin filing into the church. Small clusters of men, seemingly engaged in conversation, without words to be heard, walk toward the table set with bread and a chalice and a bag of silver, although I am not sure whether the betrayal money was there initially or was carried in by Judas, the betrayer.

In darkness, these actors, these 12 disciples, pose themselves, replicating the positions da Vinci painted into his famous The Last Supper painting. But no one plays the role of Jesus, represented instead by an empty chair draped in white cloth.

The actors position themselves to replicate da Vinci's The Last Supper, except for Jesus, who is represented by the empty white chair in the middle of the table setting.

When the lights flick on, the frozen scene catches me off guard, even though I’ve previously seen the performance. The stillness fills me with a certain sense of peace, yet uneasiness.

I know what is coming. Words from Scripture that will tell of Jesus’ forthcoming death. The accusation that one of the 12 will betray Christ. It is the moment da Vinci depicts in his art—that moment when the disciples learn that one of them will give up their Lord to death.

Yet, in this script penned by a St. John’s pastor, Walter Rasche, 49 years ago, it is the depth of faithfulness that causes me to pause and look inside. Would I be so faithful as to become a martyr, to die, like the disciples, by stoning or crucifixion or beheading?

In their monologues, each disciple speaks honestly of his struggles, his lack of faithfulness, his travels to preach the gospel, and, then, the blessed words of a better and more abundant life found in following Christ.

The actors freeze as they role-play the disciples.

Five of the six disciples sitting to Jesus right with Christ represented by the empty white chair.

The disciple/actors to Christ's left, including first-time actor, 13-year-old Kyle Keller, the youngest cast member.

Judas’ words—that he regrets betraying Christ with a kiss, turning him over to the authorities for 30 pieces of silver—sting.

Judas, front, betrays Jesus with a kiss and 30 pieces of silver.

But the pastor’s prayer afterward encourages and uplifts me: “…hear your voice calling us to follow you…you call us to simply follow…”

And then her benediction blesses me with peace: “The Lord bless thee and keep thee…”

As the actors exit, as the worshipers file out of the sanctuary, I linger, waiting for the opportunity to shoot photos, which weren’t allowed during the performance. The men return, pose at the table, some of them telling me how they watched this drama as boys and now role-play as men.

This year a boy-becoming-a-man, 13-year-old Kyle Keller, plays the part of Philip, standing behind his father, Keith, who has assumed the role of Matthew. The seventh grader is the youngest participant ever in the St. John’s re-enactment. He was talked into playing the part, but says now that he’ll be back.

With two casts, the actors (most of them) return every other year to assume the same character roles. Some travel from the Twin Cities back to this, their home church near Nerstrand Big Woods State Park. They speak and gesture like seasoned actors, some growing beards for the occasion, others sporting fake, glued-on facial hair. Sharon Meyer jokes that she has the shaver charging at home, ready to shave off her dairy farmer husband’s beard. Alan Meyer has played the part of Andrew in the evening’s performance.

Occasionally, a new cast member like Kyle is recruited. He’s the grandson of Elsie Keller, who stands after the service next to a print of The Last Supper angled onto an easel in the church narthex. The Keller family gave the print to the church in memory of Elsie’s husband, Arnold, who died in 1999. On Palm Sunday the print is moved from its usual spot in the fellowship hall to this place of honor.

Elsie Keller, 85, stands next to The Last Supper painting given to St. John's in honor of her husband, Arnold.

The evening takes on special significance for this 85-year-old as she watches Thomas and thinks of her husband. Arnold played Thomas in the debut performance at St. John’s and continued with that role for many decades thereafter. Elsie, who was baptized, confirmed and married at St. John’s, as was her husband, hasn’t missed a single performance of The Last Supper Drama.

Her son, Craig Keller, the church organist, tells me that the drama originally was staged on a Wednesday during Lent. At one time there were two evening performances and even an afternoon presentation with the windows covered in black plastic to block out the light.

On this evening, some half-dozen church pews remain empty and I wonder why this place is not packed with a standing-room only crowd.

I’ve been deeply impressed with so many facets of the drama—by the level of commitment within this country congregation to continue a nearly 50-year tradition, by the professionalism of the actors, by the words they’ve shared that make the painting and Scripture and apostles come to life and, certainly, by the actors’ ability to freeze without barely an eye blink or a twitch. How do they do it?

The congregation's original chalice is used each year in the drama.

"Take eat, this is my body..." bread on the table during The Last Supper Drama.

FYI: Next year plan to attend the 50th presentation of The Last Supper at 8 p.m. on Palm Sunday. St. John’s United Church of Christ, Wheeling Township, is located about a 15-minute drive east of Faribault on Minnesota Highway 60 and then north on Rice County Road 24. At this point, I expect organizers may add activities to commemorate the 2012 anniversary production.

Credit goes to the following for their parts in presenting this year’ production: directors Shirley Little and Kelly Dahl; co-director Pauline Wiegrefe; organist Craig Keller; narrator Don Katra; prompter Steve Wille; lighting, Ben Heil; greeters Steve and Deb Wille; the youth fellowship ushers; the church council coffee hour servers; pastor Lora Sturm; and actors Alan Meyer, Grant Meese, Craig Mueller, Kyle Keller, Todd Lien, Thad Monroe, Keith Keller, Doug Spike, Marty Budde, Brian Little, Randy Tatge and Paul Meyer.

Thank you all for this exceptional gift during Holy Week.

© Copyright 2011 Audrey Kletscher Helbling