Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Celebrating the 30th anniversary release of “Grumpy Old Men” February 6, 2023

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The “Grumpy Old Men” DVD I checked out from my library. (Minnesota Prairie Roots photo February 2023)

The film “Grumpy Old Men” is undeniably one of the best films ever made in Minnesota. Why? Because it’s so Minnesota. The movie starring Walter Matthau, Jack Lemmon and Ann-Margret celebrates our winter, our small towns and our culture. And those are reasons enough for me to sing its praises. If you didn’t understand Minnesota before watching this film, you will afterwards.

This year marks the 30th anniversary of the movie’s 1993 release by Warner Brothers.

I recently re-watched “Grumpy Old Men,” checking the DVD out from my local library. Surprisingly, or maybe not surprisingly because I was a busy young mom three decades ago, I didn’t remember much of the movie. Two long-feuding friends in small town Wabasha, Minnesota, focus the storyline. When an attractive woman, Ariel Truax (Ann-Margret), moves in across the street from John Gustafson (Lemmon) and Max Goldman (Matthau), the two compete for her affections. The result is conflict, humorous and tender moments, and a focus on the sport of ice fishing in Minnesota.

A bench in Wabasha, featuring actors from the film “Grumpy Old Men.” (Minnesota Prairie Roots copyrighted file photo October 2011)

This is truly a Minnesota film. Mark Steven Johnson, who was born in Hastings (just up the Mississippi River from Wabasha) and who attended Winona State University (just down the river from Wabasha and mentioned in the film) wrote the script and the sequel, “Grumpier Old Men.” Interestingly enough, although the movie is set in Wabasha, it was not filmed there, but at numerous other locations in Minnesota.

These tracks lead to the Rock Island Depot in Faribault. (Minnesota Prairie Roots copyrighted file photo August 2018)

FILMED IN “THE FROZEN NORTH,” INCLUDING FARIBAULT

Those sites include my community of Faribault. The opening scene features a train roaring past a depot bannered with a Wabasha sign. In reality, this is the Rock Island Depot in Faribault, long-time home to the popular Depot Bar & Grill. At the beginning of the movie, the Congregational Church and adjacent parish house are shown.

The Poirier name (far right) remained on this building when I photographed it in 2013. It housed a pawn shop then and still today. That’s a portable red fish house outside the business. (Minnesota Prairie Roots copyrighted file photo December 2013)

Other Faribault scenes show our historic downtown, including a Coca Cola ghost sign, businesses along Central Avenue, and the exterior and interior of Poirier Pharmacy (now a pawn shop). Lemmon, Matthau and Ann-Margret performed a scene inside the vintage drugstore with built-in shelves stretching high. Several locals played extras.

Other film locations around Minnesota include houses in the Lake Phalen neighborhood of St. Paul, Half Time Rec (a bar) in St. Paul, Lake Rebecca in Rockford, Chisago Lake Lutheran Church in Center City, a park and overlook in Red Wing, and sound stages at Paisley Park (of Prince fame).

John Davis wrote in his production notes that shooting on-location in “The Frozen North” brought out the best in the team and end product. I agree. The outdoor scenes are authentic with snow piled high; icicles hanging from roof edges; snow and ice layering sidewalks; snowplows barreling down streets; a snowmobile buzzing through a neighborhood; windshield ice scraping; snow shoveling; making snow angels… No need to truck in snow during the Minnesota winter of 1993.

Fish houses create a mini village on frozen Lake Mazaska in Shieldsville (west of Faribault) in January 2013. (Minnesota Prairie Roots copyrighted file photo)

ICE FISHING, FLANNEL-WEARING AUTHENTIC MINNESOTAN

And then there is the ice fishing. Many comedic scenes unfold on the frozen lake, inside and outside the fish houses of lead characters Gustafson and Goldman. Writer Johnson tapped into memories of ice fishing with his grandpa to pen the script. As I watched the movie, I delighted in the polka music (Liar’s Polka, Oira Oira Polka…) that played as the anglers headed to the frozen lake. The upbeat tempo infuses an energy into the film that takes me back to long ago wedding dances in small town Minnesota community halls.

There’s so much Minnesota in “Grumpy Old Men.” Flannel shirts and ear flapper caps. Walleye mounts and crappies strung on a line. Supper, not dinner. Splitting wood with an ax. An air conditioner lodged in a second story window in winter. Red Wing boots and a six-pack of Schmidt beer and Minnesota-made SPAM (the meat). I noticed all of these details in my second viewing of this film. I appreciate that I watched the movie with a more discerning eye, appreciating the, oh, so many authentic Minnesotan aspects of a movie that celebrates life and winter in Minnesota.

A promo for the Fireside Chat with “Grumpy Old Men” script writer Mark Steven Johnson. (Graphic credit: Grumpy Old Men Festival Facebook page)

LET THE ANNIVERSARY PARTY BEGIN

Wabasha celebrates its 30th annual Grumpy Old Men Festival on February 24 and 25. There’s a lengthy list of events, including a Grumpy Old Men Fishing Tournament, a Grumpy Best Dressed Contest, a Hot Dish (Minnesota lingo for casserole) Luncheon, Grumpy Old Men Ice Bar at Slippery’s Bar and Grill (referenced, but not seen, in the film), a fireside chat with script writer Mark Steven Johnson and much much more. Click here for a complete list of festival events.

Chisago Lake Lutheran Church in Center City will hold a “Grumpy Old Men” Worship Service at 9 am on Sunday, February 12. The service is open to anyone, not just men, and not just grumpy men. Attendees are invited to wear their favorite flannel shirts and jeans and to put a fishing lure in their hats. Click here for more information.

Copyright 2023 Audrey Kletscher Helbling

 

Nebraska the movie, not the place January 27, 2023

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An edited photo of the DVD cover. (Minnesota Prairie Roots photo January 2023)

IT TAKES A LOT for a movie to hold my interest. I’d rather read a book. But the 2013 film “Nebraska” certainly grabbed, and held, my interest.

By self-admittance, I seldom watch movies. I can’t recall the last movie I saw inside a theater. Or rather, I should clarify, the last time I watched a movie in its entirety in a theater. I walked out on a “John Wick” film not even an hour in. That was on a rainy Memorial Day weekend in 2019 when, for lack of anything better to do, Randy, Caleb and I decided to go to the movies. I knew nothing of “John Wick” or the level of violence portrayed in this series. I watched for awhile, fidgeted, closed by eyes, then walked out, demanded a refund and got one. I haven’t been inside a movie theater since.

Yes, I acknowledge ignorance about movies, about the film industry, about actors and actresses and nearly anything Hollywood-related. I mostly dislike the obsessive hype and adoration. Certainly, talented creatives exist in the field. But often the attention and praise heaped on Hollywood seem excessive.

Faribault’s vacated Family Video, closed in February 2021. (Minnesota Prairie Roots copyrighted photo December 2021)

But then along comes a film like “Nebraska,” which Randy found at our local library while I was browsing for books. Buckham Memorial Library is our source for DVDs since the closing of Faribault’s Family Video about a year ago. Not that we frequented the video rental store much, but occasionally. Just like we occasionally check out movies from the library. Our kids laugh that we still watch DVDs. But, hey, we still get our television reception from a rooftop antenna and don’t stream anything. We are old school that way and I’m OK with that. Like I said, I prefer reading a book.

Back to the 10-year-old film “Nebraska.” Although it didn’t win any of the six Academy Awards for which it was nominated, it should have. I loved everything about the movie which tells the story of Woody Grant (Bruce Dern) on a road trip from Billings, Montana, to Lincoln, Nebraska, with his son David (Will Forte). The plot revolves around the aging Woody’s belief that he’s won a mega sweepstakes prize. You know, the kind of “prize” announced in a mailing to unsuspecting folks who, like Woody, fail to read the fine print.

The storyline premise is basic and believable, the characters realistic. As the plot progresses and word gets out about Woody’s presumed wealth, family and friends appear, wanting a share of the money. Greed emerges, just as in real life when families squabble over inheritances and possessions.

This shot of Main Street in Belview in my home county on the prairie looks similar to scenes in “Nebraska.” (Minnesota Prairie Roots copyrighted & edited file photo)

Set in rural America—from small town Main Street (Woody’s hometown) to corner bar to rural cemetery—the scenes in “Nebraska” look a lot like the southwestern Minnesota prairie where I grew up. No surprise given the Nebraska filming locations. I felt comfortably at home in the landscapes of this movie while settled in my Minnesota home.

That the film shows totally in black-and-white strips the scenes, allowing characters and dialogue and setting to shine without distractions. At first I thought this was a Coen brothers (of “A Serious Man” and “Fargo” fame) movie. It’s not. Alexander Payne directs “Nebraska.” The music reminds me of the music in “Sweet Land,” another all-time favorite film.

“Nebraska” mixes drama and comedy to create a movie that is simultaneously entertaining, sad, funny, insightful and every day ordinary. Kate Grant (June Squibb), the strong and opinionated woman married to Woody, delivers some of the film’s most powerfully honest and comedic moments.

I wish I’d viewed this movie in a theater rather than horizontally elongated on a TV screen. I know for certain that I would have sat there focused, fully-engaged, eyes wide open until the very end.

TELL ME: Have you seen “Nebraska”? If yes, what are your thoughts on the film? Any movies you recommend I check out from my local library or view in a movie theater?

© Copyright 2023 Audrey Kletscher Helbling

 

From $221K for Ukrainian kids to top film awards April 5, 2022

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The promo for the final owl art auction. (Source: International Owl Center Facebook page)

IN THE MIDST OF WAR and pandemic, inflation and everyday struggles, I want to pause and focus on two recent bits of good news. One comes from the tiny town of Houston in southern Minnesota. The other comes from the glitz and glamour of the entertainment world. Two complete opposites, yet notable in how important each is in this vast connected world of ours.

Let’s start with Houston, where the International Owl Center just concluded its third online “Ukrainian Art Auction for Ukrainian Kids.” The final auction of art created by Ukrainian youth for the center’s annual International Kids’ Owl Art Contest raised $48,893 for UNICEF, designated specifically for kids in Ukraine.

All three auctions raised a whopping $221,353. That’s an incredible amount generated from the sale of 190 pieces of original owl art, limited edition prints and direct donations. The giving spirit of those wanting to help youth in war-town Ukraine stretched well beyond Houston, population around 1,000, to a wide world of caring and generous souls. I am heartened by this show of love and support.

And I am heartened to read on the Owl Center Facebook page that staff connected with some of the young artists and learned that they have fled Ukraine with their families and are safe.

Promo for “Summer of Soul” from the “Summer of Soul” Facebook page.

Now the other bit of positive news has nothing to do with war, but rather with film and music. The documentary, “Summer of Soul,” just won the 2022 Grammy Awards Best Music Film. And a week earlier, it landed an Oscar for the Best Documentary Feature.

Generally, I pay no attention to these awards because, well, they don’t interest me. That’s not to diminish the hard work of these artists because their creativity enriches our lives and world. But I cared about “Summer of Soul” Oscar and Grammy nominations after watching a public television airing of the documentary by filmmaker Ahmir “Questlove” Thompson. His film focused on the Harlem Cultural Festival in the summer of 1969. Six concerts over six weeks brought 300,000-plus people together in Harlem to celebrate the Black culture, specifically music. Performers included the likes of Stevie Wonder, Nina Simone, Gladys Knight and the Pips… But Thompson’s film was about more than the music. It was about the issues facing Black people, highlighted in interviews woven into concert footage. Many of these same issues remain today.

There’s more to this story. Although produced 53 years ago, “Summer of Soul” was only recently released. In promos for the film, it’s titled as “Summer of Soul (Or, When the Revolution Could Not Be Televised)” on ABC. I encourage you to view this enlightening documentary. Experience the music, the culture. And then reflect. For in opening our hearts and minds, we expand our understanding of each other in a world that needs to connect and care.

The International Owl Center, located in downtown Houston, Minnesota. (Minnesota Prairie Roots copyrighted file photo)

To the creatives behind “Summer of Soul” and to the creatives behind the “Ukrainian Art Auction for Ukrainian Kids,” thank you for sharing your talent and for your generosity of spirit. I am grateful.

FYI: The International Owl Center is taking a pause from its “Ukrainian Art for Ukrainian Kids” auctions to prepare for the International Festival of Owls April 30 – May 1. I will update you if/when more fundraisers happen. Or check the International Owl Center Facebook page to stay posted.

© Copyright 2022 Audrey Kletscher Helbling

 

Black lives matter times three February 22, 2022

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SAY THEIR NAMES NORTHFIELD INTERVENTION #32 chalk art activism at Bridge Square, Northfield. (Minnesota Prairie Roots copyrighted photo February 2022)

SUNDAY PROVED ENLIGHTENING, educational and reflective. And that’s a good thing because ongoing learning often makes us more informed, compassionate and caring individuals.

The scene from the Riverwalk along the Cannon River in downtown Northfield Sunday afternoon. (Minnesota Prairie Roots copyrighted photo February 2022)

The focus of my learning was not intentional, but rather a coming together of several elements. That began with a decision to follow the Riverwalk in Northfield on a rare February afternoon of sunshine and warmth in southern Minnesota. At 40-plus degrees, it was simply too nice to stay indoors. Northfield, only about a 25-minute drive, is a beautiful progressive river town, home to St. Olaf and Carleton Colleges, a thriving downtown historic business district, an active arts scene and more, including community activism.

Bridge Square with its monument and fountain, framed by a mosaic. Minnesota Prairie Roots copyrighted photo February 2022)
A statement by the artist activists. (Minnesota Prairie Roots copyrighted photo February 2022)
Spread out before the Civil War Monument, Black Lives Matter message and names. (Minnesota Prairie Roots copyrighted photo February 2022)

On this Sunday, activism and engagement focused my initial attention as Randy and I exited the van across from Bridge Square, a mini middle-of-the-downtown park next to the Cannon River. As I pulled my camera strap over my neck, I noticed a group of young people chalking the sidewalk leading to and around the Civil War Monument and center fountain. I decided in that moment not to photograph them writing their messages as part of SAY THEIR NAMES INTERVENTION #32. I remembered the controversy over such chalk art at Bridge Square. I believe the City of Northfield enacted an ordinance banning the chalking of the public space, although I could not confirm that information online.

From the SAY THEIR NAMES NORTHFIELD Facebook page: “In honor of Amir Locke and many other Black persons killed by police.” (Minnesota Prairie Roots copyrighted photo February 2022)

Later, after we walked along the river and then along Division Street, we paused to read the messages printed by SAY THEIR NAMES NORTHFIELD participants who had now left the square. As in previous “interventions,” their words repeated that BLACK LIVES MATTER. All too familiar names were chalked onto the cement—George Floyd, Breonna Taylor, Philando Castile, Jamar Clark, Daunte Wright… And new to the list, Amir Locke.

Too many names… (Minnesota Prairie Roots copyrighted photo February 2022)

As I photographed the names and messages, I felt an overwhelming sense of sadness at the injustices, the fact that this is 2022 and we are still grappling with racism and social injustice and many other issues related to race.

Promo for “The Summer of Soul.” (Photo credit: “Summer of Soul” Facebook page)

That evening, the same response repeated as I watched filmmaker Ahmir “Questlove” Thompson’s newly-released documentary “The Summer of Soul (…Or, When the Revolution Could Not Be Televised)” on ABC. The film documents the Harlem Cultural Festival which brought some 300,000-plus people together in Harlem in the summer of 1969 for six concerts over six weeks. Stevie Wonder, Nina Simone, Gladys Knight and the Pips, and other mostly Black musicians performed before a primarily Black crowd. The film, interspersed with concert footage and follow-up interviews with those who participated or attended, is a remarkable historic documentation of not only the music, but also of Black people, their culture, their connections in the community of Harlem and also the issues they faced in 1969. Issues which remain today.

I was especially moved by the joyful performance of “Aquarius/Let the Sunshine In” by Fifth Dimension, complete with audience participation and by the singing of “Take My Hand, Precious Lord,” Martin Luther King Jr’s favorite hymn sung at his funeral. All were performed against a stage backdrop collage of vibrant squares, rectangles and L shapes. (I’d love to have a poster of that artsy 1969 graphic.)

I felt a mix of sadness and concern that here we are, 53 years later, and just now this film footage has been released. Woodstock, the Apollo moon landing and more overshadowed the Harlem Cultural Festival in 1969. I appreciate the release of this film nominated for a 2022 Academy Award for Best Documentary Feature and a 2022 Grammy Award for Best Music Film. It’s important I watched it for, among many reasons, the insights and perspectives gained.

A must-read book of historical fiction.

Before “The Summer of Soul” aired on TV Sunday evening, I’d begun reading Under the Tulip Tree, a historical novel by Michelle Shocklee set in Nashville following the stock market crash of 1929. Only a third into the book, I found it fitting of my unexpected Sunday focus on Black lives The main character is a young White writer interviewing a former slave. And, yes, although fictional, real-life stories weave into the book.

BROWN LIVES FOR BLACK LIBERATION is the message leading to the list of names. (Minnesota Prairie Roots copyrighted photo February 2022)

I feel grateful for all the elements—chalk art, a documentary and a book—which came together on a February Sunday in Minnesota to educate and enlighten me about many aspects of Black lives. To learn is to grow in understanding and compassion.

FYI: Activism and art will theme an event on Thursday, March 3, offered through St. John’s Women, a Northfield-based group in its fourth year of sponsoring “Courageous Conversations” via monthly speakers and book studies. Carleton College Professor Cecilia Cornejo, an artist and also leader of the local SAY THEIR NAMES group, will talk about “Anti-Racism Activism Through Community-Engaged Art” at 7 pm via Zoom. Click here for more information.

© Copyright 2022 Audrey Kletscher Helbling

 

Moving through grief January 31, 2022

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My Grandma Josephine holding her baby daughter, my mom Arlene, in 1932.

AMAZING GRACE, how sweet the sound…

The lyrics brought me to tears. Sobbing. A week after I followed family into the St. John’s Lutheran Church sanctuary, behind Mom’s casket, and settled onto a pew only feet from her coffin.

On that January 22 morning, with “Amazing Grace” as the funeral processional, tears did not fall. Nor did they in the immediate days thereafter. But a week later, while watching the movie, I Can Only Imagine, grief bubbled over. I cried as I listened to “Amazing Grace” in a funeral scene. Actor J. Michael Finley, playing Christian musician/vocalist Bart Millard of MercyMe, sat in a pew at his father’s funeral. When the camera shifted from Finley to his father’s casket, my own new grief erupted.

Me with my mom during a January 2020 visit. (Minnesota Prairie Roots file photo January 2020 by Randy Helbling)

It is a process, this grieving. For me, the process began years ago as Mom’s health declined. Every time I saw her, which was not often in the past two years due to COVID-19, I felt like it would be my last. And so I savored each visit—the moments of connection, the glimpses of recognition, the slightest of smiles. I hoped my presence comforted her, brought her a bit of joy, reassured her of my love. This was about her, not me.

A portion of a photo board I created of my mom and with her parents and siblings.

And so here I am, approaching three weeks since her death, only now feeling the depth of my mother’s forever absence on this earth. On Sunday I removed pictures from photo boards I crafted. Storyboards which highlighted her life. Photo collages intentionally focused on her. Not me or others. But on her and the story of her life.

Mom’s “The Good Shepherd” art. (Minnesota Prairie Roots copyrighted photo January 2022)

On my dining room wall hangs a framed print, “The Good Shepherd,” a wedding gift to my parents in 1954. It always hung in their bedroom and then on my mom’s care center wall until the end. Now I have this cherished art, this visual reminder of Mom’s faith. For 67 years, that image of Jesus, “The Good Shepherd,” reassured and comforted her, just as it does me today. In my grief, especially in my grief.

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TELL ME: Dear readers, do you have a special piece of art, a song, something that reminds you of a dear loved one now departed? I’d like to hear what touches your spirit/comforts/uplifts you when you think of a loved one (s) now gone.

© Copyright 2022 Audrey Kletscher Helbling

 

Czech film coming to New Prague April 26, 2019

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Singin in the Grain promo photo from Minneapolis St. Paul International Film Festival website.

 

A DOCUMENTARY FOCUSING on 45 years of Czech culture and heritage in my region of southern Minnesota is coming to Czech country next weekend.

 

Source: New Prague Area Community Education Facebook page.

 

The film, Singin’ in the Grain—A Minnesota Czech Story, shows at 1:30 p.m. on Sunday, May 5, at the New Prague High School Auditorium. General admission tickets for the event offered through New Prague Area Community Education went on sale earlier this week.

For more background on the film co-produced and co-directed by noted Minnesota filmmaker Al Milgrom and Daniel Geiger, click here to read my previously published post on the documentary.

Also click here for more info, including ticket info.

© Copyright 2019 Audrey Kletscher Helbling

 

“Singin’ in the Grain” documentary celebrates southern Minnesota’s Czech heritage April 2, 2019

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Singin’ in the Grain promo photo from Minneapolis St. Paul International Film Festival website.

 

HERITAGE. WHAT’S YOURS? German? Irish? French? Scandinavian? How about Czech?

 

Clarence Smisek, photographed at the August 2011 Veseli Ho-Down. Minnesota Prairie Roots file photo.

 

The heritage, history, stories and music of the Czech people of southern Minnesota focus a documentary, Singin’ in the Grain—A Minnesota Czech Story, debuting on April 6 at the Minneapolis St. Paul International Film Festival. I spoke recently with noted Minnesota filmmaker Al Milgrom who co-directed and co-produced the film with Daniel Geiger.

 

Mary Ann Kaisersatt, left, and Jule Franke make prune-filled kolacky at Franke’s Bakery in Montgomery, a small town which calls itself the Kolacky Capital of the World. Minnesota Prairie Roots file photo.

 

In our 45-minute interview, Milgrom shared his excitement about this documentary with filming spanning from 1974 until just weeks ago and centering on the communities of Montgomery, New Prague, Lonsdale and Veseli. All hold a strong Czech heritage well known in this area of Minnesota, but not necessarily elsewhere in the state. Milgrom calls this regional Czech culture a hidden treasure and wants others to expand their knowledge of Minnesota’s cultural identity by viewing his film.

 

The Most Holy Trinity Catholic Church photographed during the August 2011 Veseli Ho-Down. Minnesota Prairie Roots file photo.

 

The Eddie Shimota Band performs at the 2011 Veseli Ho-Down. Minnesota Prairie Roots file photo August 2011.

 

The film’s storyline follows the Eddie Shimota, Sr., Polka Band and three generations of the Shimota family. But this documentary is about much more than a single family or a single band. The filmmakers showcase the Czech culture and heritage via the Veseli Ho-Down, an annual event at Most Holy Trinity Catholic Church; Montgomery’s Kolacky Days; New Prague’s Dozinky Festival; St. Paul’s Sokol (Czech-Sloval Protective Society) Hall; music from groups like the Czech Concertina Club; and much more. Even via an interview with two bachelor farmers from Union Hill.

 

Kolacky, a fruit-filled Czech pastry, were among the many ethnic baked goods sold at the 2011 Veseli Ho-Down. Minnesota Prairie Roots file photo.

 

Although I’ve not seen the film, I am familiar enough with the area’s Czech culture to understand the background of this film. I recognize Czech surnames. I’ve eaten more than one kolacky, attended the Veseli Ho-Down complete with polka mass, heard area Czech bands, visited Franke’s Bakery in Montgomery…

 

Photographed at the August 2011 Veseli Ho-Down, Minnesota Prairie Roots file photo.

 

Milgrom’s film covers the Czech heritage, efforts to continue traditions, generational assimilation, symbolic ethnicity and more. He noted, too, the evolution of Czech music from polka/folk to more gypsy-like with a beat differing from Old Country style Czech.

 

The New Prague Czech Singers perform in their mother tongue at the August 2011 Veseli Ho-Down. Minnesota Prairie Roots file photo.

 

Music is integral to Singin’ in the Grain, a take on Gene Kelly’s Singin’ in the Rain. Milgrom describes a scene of locals working in cornfields, polka music pulsing in the background. That visual and audio alone are enough to interest me in the film.

 

The New Prague Czech singers perform at the August 2011 Veseli Ho-Down. Minnesota Prairie Roots file photo.

 

Milgrom’s interest in this culture sparked when he was a child growing up in Pine City among many, as he calls them, Bohemian kids. His high school band played Czech folk songs. And when his interest in photography and then filmmaking developed, so grew his appreciation of Czech filmmakers with their unique take on filmmaking that included a wry humor, he says.

 

A sign several miles from Veseli directs motorists to the Ho-Down. Minnesota Prairie Roots file photo 2011.

 

It’s easy to embrace this experienced—he’s pushing age 97 with more film ideas in the works—documentarist’s enthusiasm for Singin’ in the Grain. Audiences, he says, will have a lot of fun watching this film packed with music and dancing. From Veseli, which he calls “a hidden little town somewhere in the hills,” to New Prague and places in between, Milgrom has spent nearly 50 years working on this film, gathering 100 hours of footage now condensed into this 109-minute documentary.

 

A mural in downtown Montgomery, Minnesota. Minnesota Prairie Roots file photo.

 

While the film debuts this Saturday at the Minneapolis St. Paul International Festival at St. Anthony Main Theater, Milgrom hopes to eventually bring the documentary to rural southern Minnesota, to communities of strong Czech heritage.

 

FYI: The April 6 showing of Singin’ in the Grain is sold out, but tickets may still be available for a 4:15 p.m. Wednesday, April 17, screening at St. Anthony. The documentary also screens at noon on Thursday, April 18, at the Rochester International Film Festival in Rochester, Minnesota.

Milgrom’s credentials include founding and serving as artistic director of U Film Society and co-founding the Minneapolis St. Paul International Film Festival and much more.

Daniel Geiger also has an extensive film background with work on feature films such as Fargo, North Country, Purple Rain and more.

CLICK HERE to watch a short clip from Singin’ in the Grain.

CLICK HERE and then click here to read posts I wrote on the 2011 Veseli Ho-Down.

© Copyright 2019 Audrey Kletscher Helbling

 

No need to wonder about the power of this movie December 14, 2017

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IF EVER THERE’S a current movie everyone should see, it’s “Wonder.”

And for me to state that is noteworthy. “Wonder” is the first movie I’ve viewed in a theater since 2011. Yes, I really have not been inside a cinema since I last saw “The Help,” another memorable movie, six years ago. Most movies don’t interest me. Too much violence and genres that don’t appeal to me. I prefer movies with a message, with a purpose other than to simply entertain and with content that moves me.

“Wonder” fits those criteria.

Based on the New York Times bestselling book by R. J. Palacio, “Wonder” tells the story of 10-year-old Auggie Pullman, born with facial deformities and entering school for the first time after being homeschooled. As you would expect, Auggie faces incredible challenges, including bullying.

This film shows the real-life psychological harm of peer pressure and bullying to individuals and to families and then presents multiple ways people address it. And not always in good ways, just like in real life.

“Wonder” should be required viewing for every child, teen and adult. The book was assigned reading at my eighth grade great nephew’s Minnesota school, followed by a class field trip to see the movie. I applaud educators like those in Tristan’s school who realize the value in this film as a teaching tool and as an opportunity to open up conversations on differences, bullying, peer pressure, kindness, compassion and more.

As a survivor of junior high school bullying and even bullying as an adult, I understand this issue all too well. I refuse to tolerate bullying (and abuse) on any level. “Wonder” champions strength to rise and to overcome, making it one powerful movie.

 

FYI: If you haven’t read about the recent bullying of a young boy in a Tennessee school, then click here and read Keaton’s story. It breaks my heart. Decades ago, this was me. Crying. Suffering. Unable to stop the bullying. I was not bullied in the same ways as Keaton. But the bullying I experienced in junior high school hurt me. Deeply. Just like Keaton. This behavior needs to stop.

© Copyright 2017 Audrey Kletscher Helbling

 

Honoring the legacy of Burkhartzmeyer Shoes through film October 20, 2017

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Burkhartzmeyer Shoes opened in 1949, starting first as a shoe and harness repair shop. Minnesota Prairie Roots file photo 2015.

 

ON A STREET CORNER in downtown Faribault, local icon Burkhartzmeyer Shoes still stands strong after nearly 70 years in business. That’s remarkable really considering the many chain and other shoe sources in today’s marketplace.

But the family members running this business through three generations also rate as remarkable, assuring its success. I know first-hand as I’ve shopped for foot wear at Burkhartzmeyer since moving to this community 35 years ago. I brought my kids here, too, leaving with shoes or boots tucked inside boxes tied with cotton string and an added bonus sucker.

 

Boots purchased at Burkhartzmeyer Shoes last year and ready for another Minnesota winter.

 

Burkhartzmeyer owners and employees understand the importance of great customer service—measuring feet, fitting shoes properly and always always treating each consumer with welcoming respect and kindness. Like a friend.

I know these shoe people—second-generation owner Buck; third-generation owners Bruce and Brian; and current and former employees Lanny, Dee, Sharon, Larry and Kaylyn. They greet me by name, ask about my family, form relationships that connect me to them and this place.

 

High school students and filmmakers Logan Ledman, left, and Samuel Temple. Photo courtesy of Samuel Temple.

 

Buck and cousins Bruce and Brian emphasize their warm relationships with customers and more in a recently-released film about the Burkhartzmeyer family legacy produced by area teens Samuel Temple and Logan Ledman. This also remarkable pair craft “1855: A Faribault History Series on FCTV.” Via research and interviews, they present insights into local businesses, people and places that broaden my appreciation for Faribault.

Samuel and Logan nailed it in their Burkhartzmeyer film, taking the viewer through the progression of the family business starting with original owners Ferdie and Martha Burkhartzmeyer to second-generation owners, brothers Al, Putz and Buck, to current owners, Bruce and Brian. While the longevity impresses, the stories impress even more.

 

I pulled this shoe box from my closet with the Burkhartzmeyer Shoes label attached.

 

A common thread of hard work, adaptability and outstanding customer service—the business also offers shoe repair and pedorthics services—weaves through the storyline. But so does the kindness. Brian, son of the only remaining third-generation owner, honors his father, Buck, with these words: “He has the gift of caregiving…and kindness.” Specifically, Brian references his dad’s visits to care center residents, including family matriarch Martha, who died weeks short of 108 years. Buck still makes these daily visits, now to friends.

My family, too, experienced Burkhartzmeyer kindness, in 2004. At the time, Buck’s Faribault High School class awarded a scholarship to a graduating high school senior. When my eldest daughter didn’t receive the scholarship, Buck felt so bad he asked her to stop by the store for a new pair of athletic shoes. He wanted her to have good shoes when she left for college. Buck was there waiting, fitting my daughter’s feet. I’ll always remember that kind and caring gift to my family.

 

Al Burkhartzmeyer, known locally as “Mr. Downtown” for his welcoming spirit in the community (especially downtown), was instrumental in getting this historic 1915 clock restored on the Security State Bank Building. Following Al’s 2012 death, significant memorial monies were directed toward the restoration in a project undertaken by the local Rotary.  A devoted Rotarian, Al was once honored for 50 years of never missing a Rotary meeting. Minnesota Prairie Roots file photo.

 

I expect many others can share similar stories about the Burkhartzmeyers. They are a generous family, rooted in faith and hard work and a strong sense of community. They have swept floors, stocked shelves, put shoes away, measured feet. Through their care and compassion, they have made Faribault a better place and us, their customers, better people.

 

TELL ME: Do you have a similar long-standing business in your community that offers quality products and outstanding customer service?

FYI: Click here to watch the 1855 film on Burkhartzmeyer Shoes.

© Copyright 2017 Audrey Kletscher Helbling

 

“Sweet Land, the musical” proves as memorable & moving as the film October 13, 2017

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The program cover from Thursday evening’s performance of “Sweet Land, the musical.”

 

SEATED ONLY ROWS from the intimate stage in an historic Faribault theater, I felt part of the set, part of the scene, part of the story that unfolded before me in “Sweet Land, the musical.”

What a gift to see this St. Paul-based History Theatre performance right here in my community, in the late 1800s Newhall Auditorium on the campus of Shattuck-St. Mary’s School. I appreciate that History Theatre, through a grant from the Minnesota State Arts Board, is touring this show in Greater Minnesota. Even though I live only an hour from the Twin Cities metro, I don’t attend theater there due to cost and, well, the hassle of driving and parking. Tickets for the Faribault performance were only $20.

 

A promo from the “Sweet Land” film website.

 

I walked into Newhall Auditorium with high expectations. Ali Selim’s independent film “Sweet Land,” upon which the musical is based (and rooted in Minnesota writer Will Weaver’s short story, “A Gravestone Made of Wheat”), rates as one of my all-time favorite movies. Filmed in my native southwestern Minnesota prairie, the setting of wide skies and land, naturally draws me in.

But it is the challenges faced by German immigrant Inge Altenberg, come to America in 1920 to marry Norwegian farmer Olaf Torvik, that make this story memorable and especially relevant today. As I listened to character Pastor Sorenson warn, “She (Inge) is not one of us,” I reflected on how we welcome, or don’t welcome, immigrants to Minnesota.

 

Faribault native Ann Michels in the lead role of Inge Altenberg alongside Robert Berdahl as Olaf Torvik on-stage at the History Theatre. While the movie was filmed in the Montevideo area of southwestern Minnesota, the musical sets the story farther north in the Park Rapids/Hubbard County area. Photo courtesy of the History Theatre.

 

I was especially pleased that the History Theatre performance did not deviate from the film storyline, following it right down to the cup of coffee brewed by Inge and which the pastor declared too strong for his liking. Details like these are important because they connect with the audience in a relatable way.

Performers also connected via music. A musician even stroked a cello (or maybe it was a bass; I’m uncertain) to mimic the moo of a cow during a barn scene. Music from a violin, piano and, surprise, an accordion, and more followed the storyline plot from fast-paced and dramatic to soulful and reflective.

I felt the intensity of emotions in Inge as she struggled to learn English, in Pastor Sorenson as his voice boomed suspicion from the pulpit, in Olaf as he battled to hold his feelings in check.

My nearness enhanced my experience, especially during a softball game when actors moved off the stage, so close their gloved hands nearly touched audience members. As the musical progressed, I saw sweat sliding down performers’ faces.

During an apple pie making scene, I almost expected the scent of cinnamon to waft through the theater. While it didn’t, I caught the nuances of the interaction between Inge and her neighbor. When Inge called the pie strudel, Brownie corrected her. “No, apple pie.”

That’s the thing about this story, this film, this musical—seemingly subtle exchanges prompt the audience to think, to ponder whether the coffee someone brews really is too strong or whether it is our reactions that run too strong.

 

FYI: “Sweet Land, the musical” is showing at the Sheldon Theatre in Red Wing at 7:30 p.m. on Saturday, October 14, and at Memorial Auditorium Performing Arts Center in Worthington at 7 p.m. on Sunday, October 15, closing out the tour to communities in Greater Minnesota.

The lead actress role of Inge is played by Faribault native Ann Michels, who gave an outstanding performance to an appreciative hometown audience. The musical is part of the Fesler-Lampert Performing Arts Series offered at Shattuck-St. Mary’s School. This marks my first time attending a show here and you bet I’ll be back. The Vienna Boys Choir comes to the historic Faribault theater at 7:30 p.m. on November 16.

Special thanks to my husband, Randy, for gifting me with tickets to “Sweet Land” for my birthday.