Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A look at “Jake’s Women,” on stage at the Paradise April 22, 2026

The program cover for “Jake’s Women,” now playing at the Paradise Center for the Arts, Faribault. (Minnesota Prairie Roots copyrighted photo 2026)

THEATER ENTERTAINS. But often it also makes us think, and think deeply.

That’s the case with Jake’s Women, a play by Neil Simon now unfolding on the stage of the Paradise Center for the Arts in Faribault.

I attended the play on opening night last Friday after volunteering to greet guests at the door. I admit I felt hesitant about watching this drama because I expected the content might unsettle me. It did. But sometimes we need a jumbling of emotions and thoughts in a controlled setting.

CONTROL

Control. Main character Jake, played by Jake Gustine, struggles with control issues, especially in his relationships. He’s a writer, which in itself requires discipline and control. Fiction writers shape characters, stories, dialogue, control the plot. As a writer who’s written short stories, I understand the craft and could, in many ways, relate to what I was hearing from Jake on the stage.

But this play stretches beyond control and Jake’s work as a writer to his relationships with women. He’s struggling in his marriage to Maggie, his second wife. His first wife, Julie, died. I’ve been married for 44 years. That’s enough decades to realize partners won’t always agree—and they shouldn’t. There will be joys, struggles and hard times. But I’ve found through all of it, the good times and the difficult ones, that my husband and I balance one another and that our love for one another has grown and deepened through the years.

COMMUNICATION

Communication is a hallmark in any relationship. That message resounds in Jake’s Women. As a professional communicator/writer, I wanted to walk onto the stage and yell at Jake, “Listen, just listen!” That’s how invested I was in the play. I consider myself to be a good listener, a necessary skill for my previous work as a newspaper reporter with a bachelor of science degree in Mass Communications. Listening seems underrated. But I’m convinced if we all listened more than we talked, we would all get along better.

CRISIS

There are certainly many conflicts between Jake and the other seven characters in this play. But conflict also exists within Jake as he experiences delusions while in the throes of a mental health crisis. He struggles to separate fact from fiction, a mark of psychosis. I appreciate whenever mental health gets a spotlight if for any reasons other than to raise awareness and educate.

Throughout the play, Jake “talks” to the women who have been an important part of his life. Here the play gets interesting. The audience needs to pay close attention to lighting to determine when Jake is living in reality and when he is delusional. The set never changes and Jake never leaves the stage, which is a feat in itself during a play that lasts more than two hours.

I quickly found that I could not allow my mind to wander during this theatrical production directed by Palmer Huff and performed by the Paradise Community Theatre. I had to listen closely to every word spoken by Jake Gustine and performers Brianna Bauernfeind, Linda Anderson, Charli Gomez, Casper Andersen, Kate Southwick, Clair Borgerding and Kris Snow.

Jake’s Women is an intense play. It’s also thought-provoking. And it’s a play I highly-recommend you see.

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FYI: Upcoming performances of Jake’s Women are set for 7:30 p.m. Friday, April 24, and Saturday, April 25, and at 2 p.m. on Sunday, April 26. Click here for ticket information.

TELL ME: Have you seen Jake’s Women? If yes, what are your thoughts on the play?

© Copyright 2026 Audrey Kletscher Helbling

 

“Charlotte’s Web” on-stage in Faribault, my take on this classic October 18, 2024

The promotional poster for the local production of “Charlotte’s Web.” (Minnesota Prairie Roots copyrighted photo October 2024)

THE CLASSIC CHILDREN’S BOOK, Charlotte’s Web, comes alive at the Paradise Center for the Arts in Faribault beginning Friday evening, October 18. I was among a theater full of guests who attended the final dress rehearsal on Thursday. Tickets are selling quickly for the six performances. That’s no surprise given the popularity of the Newbery Honor book penned in 1952 by E.B. White and illustrated by Garth Williams (of Laura Ingalls Wilder illustration notoriety). The book holds universal, long-lasting appeal.

Children and their families glazed these Wilbur medallions at the Paradise Center for the Arts during a special event with funding from a Faribault Foundation micro community grant. Participating kids also got free tickets to the play. (Minnesota Prairie Roots copyrighted photo October 2024)

To see White’s story about Wilbur the pig, Charlotte the spider and Fern, the young girl who loved them both, played out on stage proved entertaining and enjoyable. Entertaining in how the play was presented by a talented Paradise Community Theatre cast of nearly 30 ranging from newbies to seasoned performers of multiple generations. Enjoyable in that a good retelling of a classic book which sticks to the story line is always a delight.

I found this personalized book plate inside a copy of “Charlotte’s Web” at Buckham Memorial Library, Faribault. (Minnesota Prairie Roots copyrighted photo October 2024)

Sam Temple, himself a seasoned actor, directed the play, assisted by his mom, Linda Temple. As Sam shares the Temple family backstory, Charlotte’s Web is his mom’s favorite book, one she read repeatedly as a farm girl and then later read with students in her classroom. Sam grew up knowing Wilbur, Charlotte and Fern. That personal connection, that love of the book, shows in the performance.

(Book cover image sourced online)

The part that really stood out for me is the incorporation of digital technology with pages from the book projected onto a screen behind the performers. Those pages, sometimes text only, other times illustrations only, drew me into the book as did occasional narrated excerpts. This truly was literary, visual and performing arts melding to create a unique, immersive experience. Add in the superior surround sound (complete with chirping crickets) and performers sometimes acting in the theater aisles, and I felt very much a part of the story. I was there in the barn, at the county fair, the settings for the two-act, nearly 90-minute play.

A section of the PCA window display promoting the local production. (Minnesota Prairie Roots copyrighted photo October 2024)

The story of Charlotte’s Web, at its core, is about friendship. Charlotte spins words into her webs in an effort to save Wilbur, her new barn friend, from slaughter. The word-filled webs become a local attraction and Wilbur’s life is eventually spared.

The handcrafted medallion depicts the friendship between Wilbur and Charlotte. (Minnesota Prairie Roots copyrighted photo October 2024)

Words. As I, a wordsmith, sat in my theater seat listening to the words spoken/read on stage, jotting some in my notebook, I contemplated how much words matter. Charlotte wove “Some pig,” “terrific,” “radiant,” “humble” into her webs. Powerful words. Words with depth. Words worth pondering. Especially today, when negative and degrading words often fly too easily. I couldn’t help but note the arrogance of self-centered Uncle, a pig vying against Wilbur for a blue ribbon at the county fair. He was decidedly full of himself.

For a while, I thought the same of Templeton, a main character in the book and play. But then I changed my mind, considering the barn rat more confident than self-centered. I found myself really liking this outspoken, sly, even funny, character who assisted Charlotte by finding words for her to weave into her webs. Friendships developed inside the barn, home to pig and spider, rat and geese, lamb and sheep.

Mostly, this play is about friendship. At show’s end, Fern calls Charlotte “a true friend and a good writer” who taught her bravery. But this play is also about acceptance. When Charlotte experienced an adverse reaction to revealing that she eats flies, she stood up for herself. “That’s the way I’m made,” Charlotte told her friends. “I can’t help it.” How wise that spider.

And then this line from Charlotte resonated: “People are not as smart as bugs.”

This play by the Paradise Community Theatre really does appeal to all ages. Kids may not catch everything we adults do. But that’s OK. Perhaps they shouldn’t. They have their entire lives to figure out that life is much more complicated than simply a story about a spider, a pig and the girl who loved them.

© Copyright 2024 Audrey Kletscher Helbling

 

Believing in the magic of Santa and of community theatre December 11, 2013

ALTHOUGH I’VE TRAVELED TO NEW YORK, albeit only once and in the late 1970s, I’ve never been to Macy’s.

I’ve watched the Macy’s Day parade, though, on television and this year heard a brief first person account from my 19-year-old son. He attends college in the Boston area and spent his Thanksgiving break in the Big Apple.

The historic Paradise Center for the Arts in downtown Faribault.

The historic Paradise Center for the Arts in downtown Faribault.

Saturday evening, thanks to the Paradise Community Theatre’s production of Miracle on 34th Street, The Musical, I visited the aforementioned New York department store and watched (imaginatively speaking) a portion of the parade.

Plus I was swept into the holiday spirit by songs such as “It’s Beginning to Look a Lot Like Christmas” and by the acting of 31 gifted performers. The cast includes a lot of dedicated young actors and actresses who bring abundant energy and talent to the stage.

With the exception of a cold theater (due to furnace problems), a not-so-good seat (I waited too long to reserve my ticket), and occasional difficulty hearing the singers above the orchestra, I thoroughly enjoyed the performance.

Malia Hunt as Susan Walker and Jerry Fox as Kris Kringle. Photo by Betsy Cole Photography and courtesy of the Paradise Center for the Arts.

Malia Hunt as Susan Walker and Jerry Fox as Kris Kringle. Photo by Betsy Cole Photography and courtesy of the Paradise Center for the Arts.

This classic Christmas story, which was unfamiliar to me (I know, I know), thrusts you right into the magic of the holiday season. Do you believe in Santa Claus? Do you believe in love? You will after viewing this splendid performance of Miracle on 34th Street in which Kris Kringle claims that he truly is Santa Claus. Northfield resident Jerry Fox portrays as convincing of a Santa Claus as you’ll ever see, both in appearance and demeanor.

And adorable 10-year-old Malia Hunt of Faribault exudes absolute confidence in her main character role as Susan Walker, the little girl who wants a father for Christmas, along with a farmhouse, a swing in the backyard and a cow.

The sets are constantly changing in the performance. This set shows the Macy's Department Store desk of Doris Walker (Sydney Place-Sallstrom), left, and Doris and Susan Walker's apartment, center stage.

The sets are constantly changing in the performance. This set shows the Macy’s Department Store desk of Doris Walker (Sydney Place-Sallstrom), left, and Doris and Susan Walker’s apartment, center stage.

My favorite line in the entire show comes from Jackson Hemann of Medford, who plays Thomas Mara, Jr., the young son of a New York district attorney determined to prove Kris Kringle is not Santa.

When Kringle’s attorney, Fred Gaily (Mickey Morstad), asks Thomas why he believes in Santa, the young boy replies: “My mommy told me so.”

Ah, to possess such child-like faith.

“Faith,” Kris Kringle declares during the performance, “is believing in something when your common sense tells you not to.”

An artistic interpretation of Miracle on 34th Street graces a front window at the Paradise Center for the Arts, which reflects some of downtown Faribault's historic buildings.

An artistic interpretation of Miracle on 34th Street graces a front window at the Paradise Center for the Arts with some of downtown Faribault’s historic buildings reflected on the glass.

When the show ended at 10 p.m., children clustered around Fox. Don’t try telling them he isn’t really Santa Claus.

They believe in the magic of Santa Claus, just like I believe in the magic of theatre to transport me from Central Avenue in Faribault, Minnesota, to 34th Street in New York City.

FYI: Additional performances of Miracle on 34th Street are set for 7:30 p.m. this Thursday – Saturday, December 12 – 14, and at 2 p.m. on Sunday, December 15, at the Paradise Center for the Arts, 321 Central Avenue in historic downtown Faribault. Click here for more information. As of early Tuesday afternoon, only limited seating remained for the Friday and Saturday shows with the Sunday afternoon performance nearly sold out.

My husband and I attended Miracle on 34th Street compliments of an event hosted by South Rice County Chapter of Thrivent Financial for Lutherans. This did not influence my decision to review the performance nor the content of my review.

© Copyright 2013 Audrey Kletscher Helbling

Photo of Jerry Fox and Malia Hunt by Betsy Cole Photography and courtesy of the Paradise Center for the Arts.