Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A look at “Jake’s Women,” on stage at the Paradise April 22, 2026

The program cover for “Jake’s Women,” now playing at the Paradise Center for the Arts, Faribault. (Minnesota Prairie Roots copyrighted photo 2026)

THEATER ENTERTAINS. But often it also makes us think, and think deeply.

That’s the case with Jake’s Women, a play by Neil Simon now unfolding on the stage of the Paradise Center for the Arts in Faribault.

I attended the play on opening night last Friday after volunteering to greet guests at the door. I admit I felt hesitant about watching this drama because I expected the content might unsettle me. It did. But sometimes we need a jumbling of emotions and thoughts in a controlled setting.

CONTROL

Control. Main character Jake, played by Jake Gustine, struggles with control issues, especially in his relationships. He’s a writer, which in itself requires discipline and control. Fiction writers shape characters, stories, dialogue, control the plot. As a writer who’s written short stories, I understand the craft and could, in many ways, relate to what I was hearing from Jake on the stage.

But this play stretches beyond control and Jake’s work as a writer to his relationships with women. He’s struggling in his marriage to Maggie, his second wife. His first wife, Julie, died. I’ve been married for 44 years. That’s enough decades to realize partners won’t always agree—and they shouldn’t. There will be joys, struggles and hard times. But I’ve found through all of it, the good times and the difficult ones, that my husband and I balance one another and that our love for one another has grown and deepened through the years.

COMMUNICATION

Communication is a hallmark in any relationship. That message resounds in Jake’s Women. As a professional communicator/writer, I wanted to walk onto the stage and yell at Jake, “Listen, just listen!” That’s how invested I was in the play. I consider myself to be a good listener, a necessary skill for my previous work as a newspaper reporter with a bachelor of science degree in Mass Communications. Listening seems underrated. But I’m convinced if we all listened more than we talked, we would all get along better.

CRISIS

There are certainly many conflicts between Jake and the other seven characters in this play. But conflict also exists within Jake as he experiences delusions while in the throes of a mental health crisis. He struggles to separate fact from fiction, a mark of psychosis. I appreciate whenever mental health gets a spotlight if for any reasons other than to raise awareness and educate.

Throughout the play, Jake “talks” to the women who have been an important part of his life. Here the play gets interesting. The audience needs to pay close attention to lighting to determine when Jake is living in reality and when he is delusional. The set never changes and Jake never leaves the stage, which is a feat in itself during a play that lasts more than two hours.

I quickly found that I could not allow my mind to wander during this theatrical production directed by Palmer Huff and performed by the Paradise Community Theatre. I had to listen closely to every word spoken by Jake Gustine and performers Brianna Bauernfeind, Linda Anderson, Charli Gomez, Casper Andersen, Kate Southwick, Clair Borgerding and Kris Snow.

Jake’s Women is an intense play. It’s also thought-provoking. And it’s a play I highly-recommend you see.

#

FYI: Upcoming performances of Jake’s Women are set for 7:30 p.m. Friday, April 24, and Saturday, April 25, and at 2 p.m. on Sunday, April 26. Click here for ticket information.

TELL ME: Have you seen Jake’s Women? If yes, what are your thoughts on the play?

© Copyright 2026 Audrey Kletscher Helbling

 

“Charlotte’s Web” on-stage in Faribault, my take on this classic October 18, 2024

The promotional poster for the local production of “Charlotte’s Web.” (Minnesota Prairie Roots copyrighted photo October 2024)

THE CLASSIC CHILDREN’S BOOK, Charlotte’s Web, comes alive at the Paradise Center for the Arts in Faribault beginning Friday evening, October 18. I was among a theater full of guests who attended the final dress rehearsal on Thursday. Tickets are selling quickly for the six performances. That’s no surprise given the popularity of the Newbery Honor book penned in 1952 by E.B. White and illustrated by Garth Williams (of Laura Ingalls Wilder illustration notoriety). The book holds universal, long-lasting appeal.

Children and their families glazed these Wilbur medallions at the Paradise Center for the Arts during a special event with funding from a Faribault Foundation micro community grant. Participating kids also got free tickets to the play. (Minnesota Prairie Roots copyrighted photo October 2024)

To see White’s story about Wilbur the pig, Charlotte the spider and Fern, the young girl who loved them both, played out on stage proved entertaining and enjoyable. Entertaining in how the play was presented by a talented Paradise Community Theatre cast of nearly 30 ranging from newbies to seasoned performers of multiple generations. Enjoyable in that a good retelling of a classic book which sticks to the story line is always a delight.

I found this personalized book plate inside a copy of “Charlotte’s Web” at Buckham Memorial Library, Faribault. (Minnesota Prairie Roots copyrighted photo October 2024)

Sam Temple, himself a seasoned actor, directed the play, assisted by his mom, Linda Temple. As Sam shares the Temple family backstory, Charlotte’s Web is his mom’s favorite book, one she read repeatedly as a farm girl and then later read with students in her classroom. Sam grew up knowing Wilbur, Charlotte and Fern. That personal connection, that love of the book, shows in the performance.

(Book cover image sourced online)

The part that really stood out for me is the incorporation of digital technology with pages from the book projected onto a screen behind the performers. Those pages, sometimes text only, other times illustrations only, drew me into the book as did occasional narrated excerpts. This truly was literary, visual and performing arts melding to create a unique, immersive experience. Add in the superior surround sound (complete with chirping crickets) and performers sometimes acting in the theater aisles, and I felt very much a part of the story. I was there in the barn, at the county fair, the settings for the two-act, nearly 90-minute play.

A section of the PCA window display promoting the local production. (Minnesota Prairie Roots copyrighted photo October 2024)

The story of Charlotte’s Web, at its core, is about friendship. Charlotte spins words into her webs in an effort to save Wilbur, her new barn friend, from slaughter. The word-filled webs become a local attraction and Wilbur’s life is eventually spared.

The handcrafted medallion depicts the friendship between Wilbur and Charlotte. (Minnesota Prairie Roots copyrighted photo October 2024)

Words. As I, a wordsmith, sat in my theater seat listening to the words spoken/read on stage, jotting some in my notebook, I contemplated how much words matter. Charlotte wove “Some pig,” “terrific,” “radiant,” “humble” into her webs. Powerful words. Words with depth. Words worth pondering. Especially today, when negative and degrading words often fly too easily. I couldn’t help but note the arrogance of self-centered Uncle, a pig vying against Wilbur for a blue ribbon at the county fair. He was decidedly full of himself.

For a while, I thought the same of Templeton, a main character in the book and play. But then I changed my mind, considering the barn rat more confident than self-centered. I found myself really liking this outspoken, sly, even funny, character who assisted Charlotte by finding words for her to weave into her webs. Friendships developed inside the barn, home to pig and spider, rat and geese, lamb and sheep.

Mostly, this play is about friendship. At show’s end, Fern calls Charlotte “a true friend and a good writer” who taught her bravery. But this play is also about acceptance. When Charlotte experienced an adverse reaction to revealing that she eats flies, she stood up for herself. “That’s the way I’m made,” Charlotte told her friends. “I can’t help it.” How wise that spider.

And then this line from Charlotte resonated: “People are not as smart as bugs.”

This play by the Paradise Community Theatre really does appeal to all ages. Kids may not catch everything we adults do. But that’s OK. Perhaps they shouldn’t. They have their entire lives to figure out that life is much more complicated than simply a story about a spider, a pig and the girl who loved them.

© Copyright 2024 Audrey Kletscher Helbling

 

The simple joys of life with kids on a spring day in rural Minnesota May 8, 2018

Filed under: Uncategorized — Audrey Kletscher Helbling @ 5:00 AM
Tags: , , , , , , ,

 

IT TOOK TWO SWEET KIDS to remind me just how joyful the early days of spring on a rural Minnesota acreage.

 

My favorite photo of Evelyn and Landon as my great niece celebrated her birthday on Sunday.

 

On Saturday, Randy and I watched our great niece and nephew while their parents celebrated their wedding anniversary with an all-day date. We were happy to do so. We love these two little ones who live within miles of our home. The family moved here a few years ago, our only family so close. The kids call Randy “Papa Two.” I’m just Audrey.

 

 

With sunshine and summer-like weather, we spent the entire day outdoors. Roaming. Playing. Running (the kids, not us). By mid-afternoon, the pair had successfully exhausted us. By then, Grandma and Grandpa arrived as our tag-team replacement.

 

 

It was a busy and adventurous day. I’m more cautious in my approach to caring for children than my husband. So when I observed Randy allowing the two to climb among the branches of a lilac (I think) bush, I advised against it. “You gotta let ‘em be kids,” he said. OK, but I wanted them safe and uninjured. Other than a slight slip from a branch and resulting tears, they were just that. OK.

 

 

 

 

I played side-by-side with Landon and Evelyn in the sandbox, pushed them in swings, supervised the watering of greenhouse plants.

 

 

 

We petted goats and watched chickens.

 

 

And we paused, too, to smell the perfume of apricot blossoms.

 

 

Landon told us that he wants to work on tractors when he grows up. No surprise there. He’s crazy about John Deere. And after observing his barbering skills on his little sister’s hair, I advised against that as a career.

Evelyn wants to be a horse girl, whatever that means. She already has the cowgirl boots, which I pulled on and off her feet multiple times. She prefers bare feet to the trappings of socks and shoes.

I love that these siblings would rather be outdoors than anywhere. I love that they have such good imaginations. We sat on the front stoop and in lawn chairs and “fished” with tiki torches, landing five tuna and past-our-limit walleyes from the front lawn “lake.”

 

 

We picked up sticks and loaded them into Landon’s mini gator which he steered like a seasoned farmer across the yard to the campfire pit. His efforts, though, to convince us to start a fire failed. While he and Evelyn can persuade us to do a lot, starting a fire on a hot and windy afternoon was not one of them.

 

 

Piggyback (or maybe horseyback for Evelyn) rides and tiny hands clasped in ours…such sweet moments. I’ll take them. Kids remind us that we need to pause in life, to take a day just to delight in the sunshine, the great outdoors, the carefree days of childhood.

 

© Copyright 2018 Audrey Kletscher Helbling