WHEN I RESERVED Theo of Golden through my regional library system, I ranked as number 300 on the waiting list for this New York Times bestseller by Allen Levi. I don’t think I’ve ever been on a longer reserve list.
But within about two months I had the book, recommended by my dear friend Valerie, in hand. She read it in four days. I finished this fictional story in 10 days, primarily because I took notes to write this review.
One would not necessarily expect a novel published in 2023 to still be so popular. But, after reading Theo of Golden, I understand its ongoing appeal. This is one of those books everyone needs to read. Let me repeat. Every. Single. Person. It’s that good.
EVERYONE HAS A STORY
Goodness, kindness and generosity center the story of octogenarian Theo who arrives in Golden, Georgia, from New York City. He soon settles in, slowly connecting, building friendships, bestowing blessings. He does that by purchasing portraits of locals displayed in a coffee shop and then arranging to meet the subjects beside a central fountain.
And that is where this story takes root. Theo looks into the eyes of the people he meets, draws out their stories, their sadness, their strengths in one-on-one conversations. He listens. He cares. He encourages. He gifts them with their portraits drawn by local artist Asher Glissen.
What’s important to emphasize here is that none of this is about Theo. He intentionally doesn’t reveal his last name. He artfully dodges questions about himself. The focus is always on the individual before him, the face he sees. Theo wants to hear the stories behind each face in every portrait.
THE IMPORTANCE OF LISTENING
That is one of the “lessons” that threads through this novel. How often do people try to one-up a story, shift a conversation onto themselves and away from the storyteller? Happens all the time. Theo values every individual, gives them grace, gives them voice. He listens intently, not with the ear of someone waiting to interject his own story.
He listens to Tony, Vietnam veteran and owner of the Verbivore bookshop. He listens to Ellen, who is experiencing homelessness but who is brilliant, artistically-gifted and worthy of hearing. He listens to Simone, a gifted student of the cello. He listens to Minnette with her own secrets and dream of becoming a mother. He listens indirectly to the story of Mateo Mandez, an illegal immigrant from Guatemala. Yes, this book is relevant to today.
Theo tells every person he meets during his bestowals of portraits that they are capable of saintliness. Imagine if you heard that. And when he encounters individuals while out and about and engages in “sidewalk chats,” he listens with genuine, not surface, interest.
RELATABLE, EMOTIONAL
I cried several times while reading this novel. The book is not without heartache, tragedy, cruelty, violence, meanness, disappointments and suffering. The stories therein are real. Often relatable. But it is a book which, at its core, centers on treating others with respect, kindness, goodness and love.
“DO UNTO OTHERS…”
As I read page after page, story after story in this remarkable first novel by Allen Levi, my mind kept returning to the title, Theo of Golden. Why “Golden?” The answer that repeatedly popped into my thoughts was “The Golden Rule” of “do unto others as you would have them do unto you.” The author quotes Scripture, the influence of Levi’s faith clear in his writing, but not in a preachy sort of way.
Today, more than ever, we need a book like Theo of Golden to remind us to be kind, loving, forgiving. To listen. To encourage. To uplift. To think before we speak or write. To be like Theo, the mysterious stranger who showed up in Golden, Georgia, and forever changed a community with his kindness.
THOUGHTS? I’d like to hear your thoughts on Theo of Golden, whether you’ve read the book or just read my, or another, review.
© Copyright 2026 Audrey Kletscher Helbling
Minnesota Prairie Roots 
“Anonymous mother” & a call to action November 5, 2025
Tags: "I Am Minnesota", art, commentary, Faribault, immigrants, immigration, Kate Langlais, Martha Brown, Minnesota, Paradise Center for the Arts, portraits, stories
I ALMOST MISSED IT. “Anonymous Mother’s Story” positioned next to “The Young Mother” charcoal portrait in the “I Am Minnesota” exhibit by Faribault artist Kate Langlais. But there it was, tucked in the corner near the light switches in the Paradise Center for the Arts main gallery.
The exhibit features some 20 portraits and stories of first and second-generation immigrants from my community. None is more relevant than that of the young mother who now faces deportation and separation from her infant. Here are key words in her story: young mother. here legally. green card. application suddenly canceled. awaiting deportation. ankle bracelet. cruel and inhumane.
We’ve all heard countless media reports of people snatched from the streets and elsewhere by masked agents of the federal government, unlawfully detained without due process, separated from family, deported… That is, indeed, cruel, inhumane, heartbreaking and wrong. Even when immigrants are following all of the rules, all of the laws to legally live here, they find themselves targeted.
To read the story of this young mother from my area, to see the faceless portrait, and then to also view a photo taken by Martha Brown, candidate for Minnesota House District 19a, deeply touched me. Brown photographed only the young woman’s legs and the wheels of her baby’s stroller. That was absolutely the right and compassionate thing to do.
The intentionally-framed image is more effective and powerful than if Brown had photographed the woman’s face. Every single person who sees this image should understand the reasons for anonymity. In a statement with the photo, Brown urges southern Minnesotans to reach out to their U.S. congressman “to stop this cruel and inhumane treatment.”
Langlais’ inclusion of the anonymous mother’s portrait and story, along with Brown’s photo and words, is perhaps the most important part of the “I Am Minnesota” exhibit. And to think, I nearly missed it there in a corner of the gallery. Don’t miss this exhibit, which closes on November 15 at the Paradise Center for the Arts. It’s located in historic downtown Faribault, a place many immigrants call home.
FYI: The Northfield Public Library is hosting “Bridging Communities: A Celebration of Somali Culture” from 1-4 p.m. Saturday, November 8. The event features interactive dance workshops led by the Somali Museum of Minnesota Dance Troupe; a performance by the Faribault Middle School Choir; and a participatory sing-along of Somali songs. Other activities include henna art, face painting, bilingual Somali storytelling, a scavenger hunt with prizes and more. The library is collaborating with Somali community partners and St. Olaf and Carleton colleges to bring this event to Northfield.
NOTE: I photographed the “I Am Minnesota” exhibit with permission of the Paradise. I also received permission from Martha Brown to include her photo in this post.
© Copyright 2025 Audrey Kletscher Helbling