Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

My award-winning water story publishes April 8, 2017

 

 

“Water Stories from a Minnesota Prairie Perspective” has published in southern Minnesota based River Valley Woman’s April issue. My story won the nonfiction category in the “We Are Water” writing contest sponsored by Plum Creek Initiative with the support of The League of Women Voters and River Valley Woman. That honor includes a $250 prize.

I don’t have a hard copy yet, but I viewed the story online. And so can you by clicking here and advancing to page 50 of the April issue. The piece is lengthy per submission guidelines requiring 5 – 12 pages of copy.

No matter how many times I’ve been published, I still thrill in seeing my words out there for others to read and perhaps appreciate. You can find print copies of the magazine in many locations like Mankato, St. Peter, New Ulm, Redwood Falls and surrounding smaller communities. Click here for a complete list.

In reading my story, you will learn of my growing up years on a southwestern Minnesota dairy and crop farm, the place that shaped me into the person, writer and photographer I’ve become. Farm life as I remember it from the 1960s – 1970s no longer exists. So this story, while written for a competition, was also written for me and my family. There’s an importance in reclaiming memories through written words, in telling the stories that define a place, in sharing my roots with you, my readers.

FYI: Click here to read my first blog post about winning this writing competition.

© Copyright 2017 Audrey Kletscher Helbling

 

In concert from Rochester: “The Farmer’s Song” & six other poems April 1, 2017

 

IT IS MY PLEASURE to present to you a video that includes “The Farmer’s Song,” my poem performed last weekend at two concerts in Rochester.

Click here to listen to a Choral Song Cycle by David Kassler on Texts of Minnesota Poets. I read my poem at about 39 minutes followed by a Chamber Choir singing “The Farmer’s Song” with cellist and pianist accompaniment. This concert was held at Good Shepherd Lutheran Church.

To Rochester composer David Kassler and to all of the musicians, thank you for this gift of an artsong. Fueled by your musical passions and talents, you took my poem and crafted a moving tribute to the Minnesota farmer I remember. To share my rural roots in this way has been a truly joyful experience. And to be in the company of six other gifted poets was also an honor.

Thank you.

The Farmer’s Song

Out of rote he follows the path from house to barn,
from barn to shed, steel-toed boots beating a rhythm
upon the earth, into this land which claims his soul.

He reaches for the paint-chipped handle,
his grease-stained fingers connecting with worn metal
like hammer to nail in the movements of his day.

Farming defines the lyrics of his life written upon hands
that have measured yields, directed tractors, pitched manure,
stroked calves, performed seasons of backbreaking labor.

Inside the shed, as he latches wrench to bolt,
he ponders the final verses of his years, the songs he’ll sing
when age frays his memory, grips his hands in a hallelujah chorus.

 

FYI:  If you are a choral conductor interested in having this music performed by your ensemble. please contact David Kassler. He will work with you. Like Kassler, I would love to see these artsongs reach an even broader audience.

Click here to read my initial blog post about the concert.

A special thank you also to Park Rapids-based The Jackpine Writer’s Bloc for originally publishing “The Farmer’s Song” in the anthology In Retrospect, The Talking Stick, Volume 22.

© Copyright 2017 Audrey Kletscher Helbling

 

Featuring poetry in original songs at a Minnesota concert & I’m in March 28, 2017

 

INSIDE THE SANCTUARY of Good Shepherd Lutheran Church in Rochester, voices rose in poetic song while the composer/director focused with eyes intent, arms rising and falling in a mesmerizing rhythm.

From my aisle seat chair, I watched and listened, swept into details of the concert—the shape of a singer’s mouth, the hands of the cellist gliding bow across strings, the strength of the piano in a place with wonderful acoustics.

 

 

I listened, too, to the strong voices of poets who read or recited poetry with the practice of seasoned writers. I was one of them, reading my poem, “The Farmer’s Song,” selected for inclusion in the weekend world premiere of “A Choral Song Cycle on Texts of Regional Poets” at two concerts in this southeastern Minnesota city.

Rochester composer David Kassler crafted music for seven selected poems written by myself, Jana Bouma, Meredith Cook, Janelle Hawkridge, Robert Hedin, John Reinhard and Michael Waters. Mine was part of a Minnesotan Rondos trio: “The Famous Anoka Potato,” “The Farmer’s Song” and “The Old Scandinavians.”

 

 

To hear my rural-themed poem performed by an impressive and talented Chamber Chorale with accompaniment of an equally gifted cellist and pianist, was humbling and honoring. I am grateful for this unique opportunity as a poet.

 

 

When I consider music, I view it as poetry in the sound of instruments, in the lyrics, in the voices that sing, in the direction of the conductor, in the reaction of the audience. I received numerous positive comments on “The Farmer’s Song,” including that my poem reflects a way of life that is disappearing from rural America. It is. The small family farm and the intense backbreaking labor that once defined agriculture is mostly gone, replaced by automation, equipment and large farms.

 

Audrey Kletscher Helbling reading “The Farmer’s Song.” Photo by Randy Helbling

 

My inclusion in this particular project, funded through a Southeastern Minnesota Arts Council grant, is especially notable for me personally. I cannot read a single note of music. I never had the opportunity as a child growing up on a southwestern Minnesota dairy and crop farm to pursue anything musical. Yet, despite the absence of studied music in my life then, music was a part of the daily rhythm of farm life, expressed today in the poetry I write.

 

A scene from the 2012 Rice County Steam and Gas Engines Show. Minnesota Prairie Roots file photo 2012.

 

The Farmer’s Song

Out of rote he follows the path from house to barn,
from barn to shed, steel-toed boots beating a rhythm
upon the earth, into this land which claims his soul.

He reaches for the paint-chipped handle,
his grease-stained fingers connecting with worn metal
like hammer to nail in the movements of his day.

Farming defines the lyrics of his life written upon hands
that have measured yields, directed tractors, pitched manure,
stroked calves, performed seasons of backbreaking labor.

Inside the shed, as he latches wrench to bolt,
he ponders the final verses of his years, the songs he’ll sing
when age frays his memory, grips his hands in a hallelujah chorus.

 

FYI: The Friday evening “A Choral Song Cycle on Texts of Regional Poets” concert at Hill Theatre, Rochester Community and Technical College, was recorded and will be available soon for viewing online. I will share that link with you when it becomes available.

“The Farmer’s Song” originally published in In Retrospect, The Talking Stick, Volume 22, an anthology produced by Park Rapids based The Jackpine Writer’s Bloc.

© Copyright 2017 Audrey Kletscher Helbling

 

Poetry in Minnesota beyond the classroom, beyond anthologies March 21, 2017

I EXPECT MANY OF YOU dislike poetry. You sat in a high school English class bored to death by the required reading of poems you didn’t understand. Or worse, you had to pen a haiku or a rhyming poem or free verse. And then you had to take a test. You couldn’t wait until the poetry unit was done.

You struggled. You didn’t care. I get it. I felt that way about math. But poetry I’ve always embraced. I am grateful for the educators who taught, and continue to teach, poetry to resistant students.

 

Sidewalk poetry in downtown Northfield. Minnesota Prairie Roots file photo.

 

If you’re one of those non-poetry people, I hope you’ll give this literary art a second chance. Poetry is certainly less rigid and stuffy than years ago. It’s also much more accessible beyond a collection published in a book. Now you’ll find poetry creatively presented in videos such as Minneapolis-based Motionpoems; online in Gyroscope Review, co-founded and co-edited by a Minnesotan; imprinted in sidewalks in cities like Northfield and St. Paul and Mankato; and more.

 

A graphic I created for Mankato Poetry Walk & Ride. Minnesota Prairie Roots file photo.

 

Cardboard walls that once held poetry inside an intellectual box have collapsed and been recycled. The result is poetry that maybe, just maybe, you will find approachable, understandable and enjoyable.

 

My poem, “Bandwagon,” posted in 2014 in Lion’s Park in Mankato as part of the Mankato Poetry Walk & Ride. The poems are changed annually. Each poem must be 18 lines or less with no more than 40 characters per line. They must also be themed to the area. “Bandwagon” was inspired by a Mankato TV show by that name. Minnesota Prairie Roots file photo.

 

Take the 2017 Mankato Poetry Walk & Ride. I’ll join other poets at 7 p.m. Thursday, March 23, at the Emy Frentz Arts Guild Gallery in Mankato for a poetry reading and awards reception. I’ll read my poem, “Cornfield Memories,” which won honorable mention. While that’s an honor, the truly exciting aspect of this project is the public accessibility and visibility of poetry.

Michael Torres, a CantoMundo fellow, creative writing teacher and co-host of art workshops for homeless and at-risk youth in the Mankato area, selected 29 poems from about 70 submissions for inclusion in the Poetry Walk & Ride. The poems will be posted on signs along recreational trails in Mankato and North Mankato. This endeavor brings poetry to people in parks, playgrounds and other outdoor spaces in an unassuming way. What a great idea. Poems cover a broad range of topics from experiencing the outdoors to Minnesota to water, says Erin Dorney, writer and project organizer.

 

My poem initially printed in In Retrospect, The Talking Stick, Volume 22, an anthology published by The Jackpine Writers’ Bloc based in northern Minnesota, has been crafted into a song by Rochester, Minnesota composer David Kassler. Minnesota Prairie Roots file photo.

 

The next day, at 7:30 p.m. Friday, March 24, poetry will also be showcased publicly, this time at a concert. My poem, “The Farmer’s Song,” is among seven being sung by a chamber choir at the Hill Theater at Rochester Community and Technical College. Admission is $7.50. The same concert will be presented for a free-will offering at 3 p.m. Sunday, March 26, at Good Shepherd Lutheran Church in Rochester. I’ll attend that Sunday concert and read my poem. A reception follows the Sunday concert.

I appreciate that Rochester composer David Kassler invested considerable time in creating choral settings for selected poems. It’s just one more way to bring poetry to the people of Minnesota in an inviting public way. Please join me and other Minnesotans in celebrating poetry at either or both events.

TELL ME: What’s your attitude toward poetry?

© Copyright 2017 Audrey Kletscher Helbling

 

Promoting Faribault March 10, 2017

A snippet of Faribault’s just-published 2017 tourism guide cover shows Faribault’s signature angled name graphic overlaid on a photo taken along Central Avenue.

 

NEARLY 35 YEARS AGO, I moved to Faribault, relocating to this southeastern Minnesota city after my May 1982 marriage. My husband had the more secure job in an area with more employment opportunities.

I’ve grown to love this community and its people. I can go almost anywhere in town and run into a friend or acquaintance. While Faribault, with a population of around 23,000 still seems big to me in comparison to my rural southwestern Minnesota hometown of under 400, I feel here the closeness of a small town. Paths cross at events and in churches, schools, grocery stores, shops, restaurants, parks and more. That creates a sense of community.

Among events fostering community closeness is the monthly May – August Car Cruise Night along Central Avenue in our historic downtown. The well-kept aged buildings in Faribault’s central commercial district are among our strongest assets and provide an ideal backdrop for car enthusiasts to gather.

For a blogger like me, Car Cruise Night presents an abundance of photographic opportunities. I enjoy the challenge of coming up with new and creative ways to photograph the car show, showcased many times on Minnesota Prairie Roots.

 

My July 2016 Car Cruise Night photo is the cover of the 2017 Faribault tourism guide.

 

Now my car shoots have extended beyond this space to tourism. A photo I shot at the July 2016 Car Cruise Night graces the cover of the just-released 2017 Visit Faribault Minnesota tourism guide published by the Faribault Daily News in collaboration with the Faribault Area Chamber of Commerce and Tourism. I am delighted and honored to have my work chosen by a committee for this placement.

In a single photo, potential visitors get a snapshot of Faribault. In the backdrop architecture, they see the history and the care Faribault has taken to preserve historic buildings. In the people and cars, they see a fun event. In the green Faribault banner and lush, hanging flower basket, they see community pride.

 

My original photo from the July 2016 Car Cruise Night. The left side of this photo is printed on page 22 of the tourism guide in the section titled “Explore historic downtown.” Minnesota Prairie Roots file photo.

 

But there’s more to this photo than seen in the vertical tourism guide cover. I shot the image in a horizontal format, my view stretching along nearly the entire length of the 200 block (west side) of Central Avenue. The 1884 Fleckenstein building, beautifully renovated and restored by Faribault-based Restoration Services, Inc., anchors the image on the right. But just look at all those buildings beyond. I cannot say enough about how lovely the historic architecture in downtown Faribault.

Of course, Faribault is about much more, so much more. I’ve also had the opportunity recently to pen pieces on River Bend Nature Center and the historic murals in our downtown for the tourism website. I’m proud to promote Faribault, pronounced fair-uh-boh. That would be French in a community that’s today culturally diverse.

#

TELL ME: What would you like to know about Faribault? Or, what do you know about Faribault? Or, what do you love about Faribault?

FYI: In addition to my cover photo, my Midway photo from the Rice County Fair is printed in an ad on page 20 and a photo I took of Twiehoff Gardens & Nursery is published on page 30.

© Copyright 2017 Audrey Kletscher Helbling

 

Weaving memories and thoughts into a winning water story March 2, 2017

AS SOON AS I READ the first six words of the email—I am so pleased to announce—from Plum Creek Initiative, I knew I had won.

I finished reading the good news, then burst out the kitchen door into the garage. “I won! I won! I won!” I shouted. My husband gave me a questioning look. “I won the contest.”

 

From the Plum Creek Initiative Facebook page.

From the Plum Creek Initiative Facebook page.

 

And then I explained. My nearly six-page “Water Stories from a Minnesota Prairie Perspective,” was selected as the winning entry in the nonfiction division of a contest sponsored by Plum Creek Initiative and the League of Women Voters. The placing earned me a $250 prize and publication in a New Ulm-based magazine, River Valley Woman.

 

I photographed these"We Are Water MN" pins in a jar at an exhibit last summer at the Treaty Site History Center in St. Peter.

I photographed these pins in a jar at an exhibit last summer at the Treaty Site History Center in St. Peter. “We Are Water MN,” telling the story of Minnesota water, accompanied a “Water/Ways” exhibit from the Smithsonian Institution’s Museum on Main Street Program. I participated in a “When Water Dreams: A Celebration” by reading my poem, “In which Autumn searches for Water.” Mankato photographer Kay Herbst Helms invited me and other poets to read our water poems, connecting with her photo exhibit, “Water Rights.” Minnesota Prairie Roots file photo 2016.

 

Tasked to write on the theme of “We are Water,” I tapped into my growing up years for water memories, weaving in my relationship with water and the importance of water. It worked. I felt really good about the story when I submitted it. But when I read that the sponsors were “overwhelmed with the participation and quality of the submissions,” I doubted myself. I shouldn’t have.

 

The Straight River churns at the Morehouse Park dam in Owatonna.

The Straight River churns at the Morehouse Park dam in Owatonna. Minnesota Prairie Roots file photo 2016.

 

Here’s what nonfiction judge Renee Wendinger wrote in part about my story: …noted your ability to “retain a balance of idea, craft, and theme resonant to water…[she] reminds us that water is an integral component, making the processes of life possible, a resource we too often take for granted.”

As a writer, I appreciate such specific feedback. This judge, herself a noted author of orphan train fiction and historical nonfiction books, understood and valued my story. That’s reaffirming.

 

Water rushes over limestone ledges in Wanamingo's Shingle Creek.

Water rushes over limestone ledges in Wanamingo’s Shingle Creek. Minnesota Prairie Roots file photo.

 

Writing about water proved much easier than I expected. My stories flowed one into the other, including a reference to Plum Creek. I grew up only 20 miles from Walnut Grove, where author Laura Ingalls Wilder lived along the banks of that rural waterway. I’ve waded in that creek to the Ingalls’ dugout site.

 

The water runs clear in the North Branch of the Zumbro River in Pine Island. Minnesota Prairie Roots file photo.

The water runs clear in the North Branch of the Zumbro River in Pine Island. Minnesota Prairie Roots file photo 2016.

 

Plum Creek Initiative, a long-term water quality improvement and women’s leadership program focusing on water quality in southern Minnesota, draws its name from Plum Creek. The organization has launched a pilot program in my native Redwood County to address water quality issues. That pleases me.

 

The Zumbro River in Pine Island. Minnesota Prairie Roots file photo.

The Zumbro River in Pine Island. Minnesota Prairie Roots file photo.

 

I am pleased, too, with this opportunity to write on the subject of water in a way that will perhaps make a difference. Two North Mankato residents won the other divisions—Holly Ahlbrecht with her fictional “Weaving the Water” (selected by judge Nicole Helget) and Laura K. Murray with a collection of poetry (selected by judge Gwen Westerman).

FYI: Click here to learn more about Plum Creek Initiative. Read the official contest winners’ announcement on the Plum Creek Facebook page.

© Copyright 2017 Audrey Kletscher Helbling

 

The music of poetry comes to Rochester February 15, 2017

Stoney End Music Barn, 920 State Highway 19, Red Wing, Minnesota

Poetry on Stoney End Music Barn, 920 State Highway 19, Red Wing, Minnesota. Minnesota Prairie Roots file photo.

POETRY. Do you throw a mental roadblock the instant you encounter that word? Or do you embrace poetry? And, yes, you can be honest. I realize poetry isn’t for everyone. Just like science fiction or fantasy. I don’t read either. But I do read and write poetry.

The most unusual place my poetry has been published, on billboards as part of the Roadside Poetry Project in Fergus Falls.

The most unusual place my poetry has been published, on billboards as part of the Roadside Poetry Project in Fergus Falls in 2011. This is the fourth billboard with the posting of my poem: Cold earth warmed/by the budding sun/sprouts the seeds/of vernal equinox. Minnesota Prairie Roots file photo 2011.

My poems have been published in newspapers, magazines, anthologies, in poet/artist collaborations, on signs along recreational trails and on billboards. I’ve also read my poetry at events and for radio. But now my poetry will be showcased in another way—in a song to be performed at two concerts.

My poem initially published in In Retrospect, The Talking Stick, Volume 22, an anthology published by The Jackpine Writers' Bloc based in northern Minnesota.

My poem initially published in In Retrospect, The Talking Stick, Volume 22, an anthology published by The Jackpine Writers’ Bloc based in northern Minnesota.

Rochester, Minnesota, composer David Kassler selected my poem, The Farmer’s Song, for inclusion in a project that pairs his original music with poetry by seven regionally and nationally-recognized poets. In other words, my poem became the lyrics for his song. It’s part of a set, Minnesota Rondos.

I nearly flipped when I saw this toy accordion, just like one I had as a child. I loved my accordion and it is the only musical instrument I've ever played.

The only instrument I ever learned to play was a toy accordion exactly like this one, photographed several years ago in a Mankato antique shop. I received the accordion one childhood Christmas.  Minnesota Prairie Roots file photo.

The irony in all of this is my inability to read a single note. I never had the opportunity growing up to take piano lessons, to participate in band or anything musical. I ad libbed my way through required school music classes. So to now have my rural-themed poem set to music is, well, remarkable for me personally. I am honored.

Connie, right, and I posed for a photo after a 90-minute presentation in which poets read their poems and artists talked about how their art was inspired by the poem. Note Connie's "Pantry Jewels" painting just above my head to the left. If I could buy this $490 watercolor on aqua board, I would in a snap.

Connie Ludwig, right, created a painting, Pantry Jewels, based on my poem, Her Treasure, as part of a 2012 Poet-Artist Collaboration at Crossings at Carnegie in Zumbrota. Minnesota Prairie Roots file photo 2012.

I am especially honored to be in the company of poets with incredible resumes of teaching, leadership, advanced degrees, publication of their own poetry collections and more. Featured poets include Jana Bouma of Madison Lake, Meredith Cook of Blue Earth, the late Janelle Hawkridge of Winnebago, Robert Hedin of Red Wing, John Reinhard of Owatonna and Michael Waters of New Jersey.

Randy has enough musical knowledge to play a short tune.

In downtown Mason City, Iowa, home of The Music Man, pianos sit outdoors for anyone to use. Here my husband plays a simple tune during a visit several years ago. Minnesota Prairie Roots file photo.

Kassler, who teaches music at Rochester Community and Technical College and is the music director at Good Shepherd Lutheran Church in Rochester, received a $5,000 established artist grant from the Southeastern Minnesota Arts Council to help fund the project that includes two concerts. A 30-member chamber choir of collegiate and professional musicians conducted by Kassler with piano and cello accompaniment will perform the choral works.

I attended and read my poem, "Wednesday Night Bingo at the Legion," at an invitation only Poetry Bash at The Rochester Civic Theater on Tuesday evening.

Two years ago I read my poem, Wednesday Night Bingo at the Legion, at a Poetry Bash at The Rochester Civic Theater. Two of my poems published that year in an anthology compiled by my regional library system. Minnesota Prairie Roots file photo.

I am excited to hear the music my poem inspired. Concerts are set for 7:30 p.m. Friday, March 24, at Rochester Community and Technical College. Tickets are $7.50 and will be sold at the door; Kassler needs to recoup an additional $2,000 of his own monies invested in the project. He’s that dedicated to this.

The second concert, and the one I plan to attend, is set for 3 p.m. Sunday, March 26, at Good Shepherd Lutheran Church in Rochester. A free-will offering will be taken.

A lone musician performs.

A Shattuck-St. Mary’s student plays the cello at the Faribault school’s annual Christmas Walk. Stephen Pelkey will play the cello at the Kassler concerts in Rochester. Minnesota Prairie Roots file photo December 2016.

If you’re so inclined, attend either concert. Please seek me out if you come on Sunday. But, most of all, enjoy this opportunity to hear poetry set to music. Because really, when I consider it, all music is poetry.

© Copyright 2017 Audrey Kletscher Helbling