WHEN SOUTHERN MINN SCENE, a regional arts and entertainment magazine in southern Minnesota resumed publication late last year, I reclaimed my column. I’m delighted to be back crafting “Through a SoMinn Lens,” an essay of images and words, but mostly images.
A look back at 2021 themed the recently-published January issue. I titled my piece “Reflections and hope during a pandemic year.” I wrote a reflective essay and then searched my photo files for supporting images.
I encourage you to view my column, which features 26 photos, by clicking here. I aim to tell the story of 2021 in southern Minnesota from an everyday perspective. Through my camera lens as I’m out and about. I focus on words, people, events, nature, art, small town Main Street… This is my world. Perhaps your world, too. Or maybe a place not at all familiar.
Yet, wherever we live, whatever we do, we share the commonality of humanity. We need to remember that as we begin 2022, as we continue pushing through this pandemic with hope.
That’s exciting news for those of us published in this award-winning collection of prose and poetry. This Was 2020: Minnesotans Write About Pandemics and Social Justice in a Historic Yearrecently won the Minnesota Author Project Award in the Communities Create category. That honor recognizes the work of indie publications in the state. Ramsey County Library (led by librarian Paul Lai) coordinated the book project, calling for submissions and then, eventually, publishing the collection.
My poem, “Funeral During a Pandemic,” was selected for inclusion in the anthology. I write about attending my father-in-law’s funeral at a Catholic church in a small central Minnesota town during the pandemic.
I encourage you to borrow or buy a print copy or read the e-version of this important book. It represents the hearts and souls of 51 Minnesotans, most of them published writers. They share their thoughts and experiences on two topics—social justice (connected to the murder of George Floyd in Minneapolis in May 2020) and the COVID-19 pandemic.
My encouragement to read this collection is not motivated by self-promotion. Rather, I want you to read this anthology for the content, the insights, the documentation of history. The writing therein is personal. Deeply personal. These Minnesotans write with honesty, emotion and a rawness that almost hurts. The pain is real, the writing revealing. These poems and prose take readers well beyond the sound bites and headlines and video clips with powerful written words that are sometimes difficult to read.
In an historic time such as this, it’s especially important to gather and share stories in prose and poetry. Through stories we learn, connect, begin to understand, perhaps grow and change…for the better. I hope This Was 2020 prompts respectful discussions and introspection that creates healing. For now, more than ever, we need understanding, compassion and healing.
NOTE: To all of you who have supported my writing and This Was 2020, thank you. I am grateful.
If you opt to buy This Was 2020, here’s the ISBN#: 978-1-0879-6762-2
My poem, “Funeral During a Pandemic,” is among 54 pieces of prose and poetry by 51 Minnesotans published in the collection. In my poem, I write about my experience attending my father-in-law’s funeral in a rural central Minnesota church during the pandemic. To have that poem selected for inclusion reveals just one aspect of how COVID-19 has affected all of us.
As Paul Lai, Ramsey County librarian and lead on this book project states, This Was 2020 “…highlights the voices of people in Minnesota as they remember a difficult year.” And those voices come from across the state, most from the metro, but also from greater Minnesota. The writing, Lai notes, offers glimpses into our communities.
Judges for the award also sing the book’s praises, calling it “a beautiful anthology that memorialized a very difficult year in Minnesota.”
“This book is one small way to help us all grieve, protest, imagine, co-create and empathize so that we build stronger connections rather than more walls between each other,” Lai says in a reflective video. I appreciate that comment, that encouraging insight. (To hear Lai’s comments, forward to around 10 minutes into the video.)
Lai has been so supportive of the writers published in this collection. In a congratulatory email to all of us, he termed our writing “powerful, thoughtful, heartfelt, creative and caring.” I value that appreciation.
The book award comes with a $1,000 cash prize, which will go to the Friends of the Ramsey County Libraries, official publisher of the print book. Those monies will support the library’s collections and programs. Additionally, the award provides access for the e-book version in the national Indie Author Project network and author spotlights promoting the book. More opportunities to be heard.
I feel such joy and gratitude. Joy at this accomplishment, not only for myself as a professional writer, but also for my fellow Minnesota writers. This state has incredible literary talent. And I feel gratitude for those who foster writing projects like This Was 2020 and for those who publicly recognize the value of voices expressed in writing.
FYI:To view This Was 2020 online, please click here. I encourage you also to purchase a print copy, perhaps from your favorite indie bookstore. Enjoy. And appreciate. And use what you read to build stronger connections rather than more walls.
Publication of This Was 2020 was made possible by the Minnesota Arts and Cultural Heritage Fund. It was edited by Ramsey County Library and published by Friends of the Ramsey County Libraries. The Minnesota Library Foundation and Biblio Labs sponsored the cash prizes.
While my beloved Uncle Mike is long gone, the memories of the lilac bush which grew on his farm remain. I think of him each May when Randy brings me clutches of lilacs. It’s a sweet tradition. Loving. Appreciated more than a dozen roses, although those are lovely, too.
When Randy walked through the back door a few days ago with lilacs, I was surprised. Not that I should have been. He does this every May. I appreciate his thoughtfulness. I appreciate that he takes the time to gather these flowers for me at the end of a long work day.
There’s something simply sweet and precious about his remembering, his recognition of how much I value this heartfelt gift of love.
Breathing in the heady scent of lilacs each May, I remember my bachelor uncle and the gnarled bushes, heavy with purple blooms, that embraced his front porch and held the promises of sweet love never experienced.
He invited his sister-in-law, my mother, to clip lilacs, to enfold great sweeps of flowers into her arms, to set a still life painting upon the Formica kitchen table, romance perfuming our cow-scented farmhouse.
Such memories linger as my own love, decades later, pulls a jackknife from the pocket of his stained jeans, balances on the tips of his soiled Red Wing work shoes, clips and gathers great sweeps of lilacs into his arms.
Museology Museum Services of Minneapolis also deserves recognition as lead contractor for the project. I was first contacted by Museology in January 2020 about inclusion of my rural-themed poem in this exhibit focusing on Lyon County and also reflective of the surrounding area in southwestern Minnesota. I feel incredibly honored to be part of an award-winning exhibit that connects people to the history of this rural region.
MALHM awards were also given to historical societies in Anoka, Carver and St. Louis counties and to the Minnesota African American Heritage Museum and Gallery. Susan Garwood, director of the Rice County Historical Society in Faribault (RCHS), earned the 2020 Lifetime Achievement Award for 30-plus years of service to organizations across Minnesota, including the RCHS, Northfield Historical Society and the MALHM. The award recognizes individuals who have made outstanding contributions and demonstrated leadership to Minnesota’s history community on a broad scale.
The state-wide Alliance serves some 500-plus local history groups throughout Minnesota with a basic mission “of connecting people to nearby history.” It also provides peer-to-peer support and aims “to raise the quality of work in the local history field in Minnesota.”
A time existed when I didn’t appreciate history or history centers like I do now. My shift in appreciating history came when museum exhibits changed. When they became more personal and interactive. When an artifact was not just something encased in glass, but an object with meaning, purpose, depth. When living history became a standard. When stories became part of the story.
That brings me back to my “Ode to My Farm Wife Mother.” After I posted on Tuesday about the poem’s inclusion in the Lyon County exhibit, my cousin Diane emailed a 1958 photo of my parents. And while I’m not sharing that image here, I will tell you that I was overjoyed to see a different side of my parents other than as, well, simply parents. They were young and clearly blissfully, joyfully in love. Diane also shared that her parents and mine would often attend dances together, leaving the kids with Grandma. As one of the oldest, Diane helped look after the babies, including me. I’d never heard that story or seen that black-and-white snapshot. To receive both now—with my dad long gone and my mom in failing health—was a gift. Such a gift.
I hope my poem, inspired by my mom, yet representative of all the hardworking farm women of the 1950s and 1960s, is also a gift to those who read it. I hope those who read my words, who view the accompanying photos, will reflect and feel gratitude for these strong rural women.
I shall forever feel grateful to my mom and to the rural region which shaped me and continues to inspire me today in my writing and photography.
I feel humbled and honored to have my poem, inspired by memories of my hardworking farm wife mother, in the Lyon County Historical Society Museum’s newest semi-permanent exhibit, “Making Lyon County Home.” The exhibit opened in January. Its purpose, according to Executive Director Jennifer Andries, is “to share stories, artifacts, and photographs from Lyon County after World War II and to inspire residents and visitors to share their memories and experiences of growing up and living in Lyon County and the region.”
I grew up in this prime agricultural region, some 20 miles to the west on a dairy and crop farm near Vesta in Redwood County. I knew Marshall well back then as a shopping destination. A place to buy clothes, shoes and other essentials. But even more, I understood rural life decades ago because I lived it. I witnessed, too, how my mom worked hard to raise six children on our family farm. Before marriage, she attended Mankato Commercial College and then returned to her home area to work an office job in Marshall. Like most women of the 1950s, once she married, she stopped working off the farm.
My poem honors her in a poetic snapshot timeline of life beginning shortly before she married my farmer father. Saturday evening dances. Then rocking babies. Everyday life on the farm. Challenges. And finally, the final verse of Mom shoving her walker down the hallways of Parkview.
Whenever I write poetry, especially about life in rural Minnesota, I find myself deep within memory. Visualizing, tasting, smelling, hearing, even feeling. Although I took some creative license in penning “Ode to My Farm Wife Mother” (I don’t know that Mom ever drank whiskey or danced at the Blue Moon Ballroom in Marshall), it is primarily true. She met my dad at a dance in southwestern Minnesota. She washed laundry in a Maytag, baked bread every week, made the best peanut butter oatmeal bars…
I expect many who lived in this rural region in the 1950s-1970s can relate. Says LCHS Director Andries of my poem: “It is a good fit for the exhibit and fits with the agriculture section and the role of farm wives and mothers. The poem itself goes beyond just the agriculture area. I feel many people can resonate with the poem with the sense of being carefree while we are young but at some point we all have responsibilities but that doesn’t mean we lose our carefree spirit.”
Those sentiments were echoed by Tom Church, former managing director of Minneapolis-based Museology Museum Services, lead contractor for the “Making Lyon County Home” exhibit. Church first contacted me more than a year ago about using my poem. He said then that the poem “offers a nice snapshot of the era and setting we’re trying to evoke in several places within the exhibit and will fit well with our story.”
I appreciate stories rooted in a strong sense of place. The new exhibit features themes of natural landscape, agriculture, education, industry and community. For example, the devastating and deadly June 13, 1968, F5 tornado in Tracy centers a display with information and oral histories. How well I remember that disaster. The 1980s farm crisis focuses another section. A late 1950s era kitchen fits the beginning time period of my poem.
Although I have yet to view the exhibit, I hope to do so this summer. And even more, I want my mom to know how she, and other farm women of the era, are honored via my poem. I want them to see themselves in my words, to understand the depth to which I value them. My mom, through her selflessness, her hard work, her kindness, her love, her faith, helped shape me. Today, as Mom lives out her final days in hospice, her memory and cognition diminished, I feel a deep sense of loss, of grief. But I hold onto the memories of a mother who read nursery rhymes, gardened, and, before I was born, enjoyed carefree Saturday evenings out with friends. Dancing. Laughing, Delighting in life.
FYI: The Lyon County Historical Society Museum, 301 West Lyon Street, Marshall, is open from 11 am – 4 pm Monday – Friday and from noon – 4 pm Saturdays. The “Making Lyon County Home” exhibit was partially funded by a Minnesota Historical and Cultural Heritage grant. The exhibit is semi-permanent, meaning artifacts and stories can be rotated to fit within the themes.
Ode to My Farm Wife Mother
Before my brother,
you were Saturday nights at the Blue Moon Ballroom—
a bottle of Jim Beam whiskey in a brown paper bag,
Old Spice scenting your dampened curls,
Perry Como crooning love in your ear.
Then motherhood quelled your dancing duet.
Interludes passed between births
until the sixth, and final, baby slipped into your world
in 1967. Thirteen years after you married.
Not at all unlucky.
Life shifted to the thrum of the Maytag,
sing-song nursery rhymes,
sway of Naugahyde rocker on red-and-white checked linoleum.
Your skin smelled of baby and yeasty homemade bread
and your kisses tasted of sweet apple jelly.
In the rhythm of your days, you still danced,
but to the beat of farm life—
laundry tangled on the clothesline,
charred burgers jazzed with ketch-up,
finances rocked by falling corn and soybean prices.
Yet, you showed gratitude in bowed head,
hard work in a sun-baked garden,
sweetness in peanut butter oatmeal bars,
endurance in endless summer days of canning,
goodness in the kindness of silence.
All of this I remember now
as you shove your walker down the halls of Parkview.
in the final set of your life, in a place far removed
THE OFFICIAL ARRIVAL OF SPRING today seems reason to celebrate, especially here in Minnesota, the land of long winters. Or, as my California-raised son-in-law once thought, Almost Canada.
From here on, daylight lengthens. And, after this past pandemic year, I’m thankful for the seasonal transition into more sunlight and resulting warmth and melting of snow. That said, this is still March and in Minnesota that likely means more cold and snowy days.
But, as we ease into spring, I feel a sense of renewal. Warm days with temps in the 50s and near 60, like those predicted for this weekend, are freeing, uplifting and promising.
Farmers, I expect, are itching to get into the fields, although it’s way too early for that. I still think like the farm-raised woman I am, connecting seasons to the cycle of planting, growing and harvesting. That will always remain an important part of my identity and continues to influence my writing and photography.
Flash back to 10 years ago and you can read that influence in a poem I penned and submitted to the Roadside Poetry Project. In four lines, each with a 20 character limit, I wrote a spring-themed poem that bannered on four billboards in Fergus Falls. It’s the most unusual spot my poetry has ever published.
Designed “to celebrate the personal pulse of poetry in the landscape,” according to then Project Coordinator Paul Carney, my poem truly fit that mission. I wrote from experience, from a closeness to the land, from a landscape of understanding.
While the Roadside Poetry Project, funded by the Fergus Falls College Foundation, no longer exists, my poem endures in the legacy of my writing. To have written about spring from the perspective of a farmer’s daughter celebrates my rural Minnesota prairie roots. And spring.
PHOTOGRAPHING MINNESOTA COMMUNITIES remains a focal point of my photography. I love to document people, places and events with my camera.
My photos present visual stories. I suppose you could say I am both the writer and the editor. I choose what to photograph and how. I decide, in the moment, whether to show you a detailed up-close subject or whether to cover a broader area. Both are important in storytelling. I also decide the perspective from which I will photograph. Down low. Eye level. Or some other angle.
During a recent visit to Northfield, one of my favorite Minnesota communities about a 20-minute drive away, I had exactly 10 minutes to photograph before our food order was ready for pick up on the other side of town. I asked Randy to act as time-keeper. When I’m photographing, I lose all track of time, so engaged am I in the creative process.
We parked near Bridge Square, the heart of downtown Northfield and a community gathering spot. On this late January afternoon with the temp not quite 20 degrees and with COVID-19 reducing the number of visitors to this typically busy downtown, I observed only a few people out and about. Often finding a place to park proves challenging. Not so on this Saturday.
We walked toward Bridge Square, adjacent to the Cannon River. Turning the corner off Division Street, the wind sliced cold across my face. I knew that exposing my fingers to snap the shutter button of my camera would be numbing. My mittens, which open to finger-less gloves, help. I’d highly recommend these if you work a camera in a cold weather environment like Minnesota.
For the next 10 minutes, while Randy walked ahead of me—I always lag when I’m photographing—I concentrated on the half-block square area around me. The signs. The buildings. A woman and her dog. The river.
In this short segment of time, I composed a short story, or at least the beginning of one. With these minimal images, I show you history, nature, voices. A glimpse in to the heart and soul of Northfield. This brings me joy, this ability to follow my passion, to share with you these visual stories through my photography.
FOG TRANSFORMS THE LANDSCAPE, sometimes in to an unfamiliar place that leaves us feeling disoriented, lost. But other times, like last week here in Minnesota, fog layered trees with rime ice, creating an enchanting, almost magical world. Despite the grey that pressed heavy upon the land day after day.
Photographing a world covered in frozen fog droplets proved difficult for me. My camera cannot convey the beauty the human eye sees. Yet, I managed a few images that attempt to show the other worldly qualities of a rime ice shrouded landscape.
I find that in winter here in southern Minnesota, I must look harder to notice nature’s beauty. It’s there, but toned down, converted to black-and-white. Grey. Colorless. Yet present.
Still, I take fewer photos. Not only because I see less to document, but because the very act of exposing my fingers to the cold is uncomfortable. (I’m thankful for mittens that open to fingerless gloves, a thoughtful gift from Randy many years ago.)
I’m also cautious about icy surfaces, lest I fall and break another bone. A broken shoulder and wrist in recent years, one of which resulted in surgery, fuel that cautiousness.
And then there’s COVID, which has certainly affected my photographic opportunities. Still, if I determine to look closely at the world around me, decide that my fingers can handle brief cold exposure, I can continue to document, to create, to pursue my passion for photography.
This week brought sunshine to Minnesota, a welcome break from all that dreary grey. We, or at least I, needed it, if anything, as a symbol of hope during these truly difficult times in our country.
TODAY I CONTINUE my photo review of 2020, selecting one image from each month, July – December, to highlight here.
In JULY, our family escaped into the peace and natural beauty of the central Minnesota lakes region, staying in a guest lake cabin on property owned by a sister-in-law and brother-in-law. Our eldest and her family and our son joined Randy and me. There, among the towering pines and next to a lake, we delighted in watching loons and the resident eagles. We played in and on the water, dined lakeside, sat around the campfire, made smores and so much more. The first evening, when the 4-year-old granddaughter declared she was “too excited to sleep,” Randy and I took her outside in her pajamas to view the star-studded night sky. Love-filled moments like these imprint upon my memory, reminding me how important my family is to me.
Spring and summer brought voices rising in protest, in strong strong words that resonated with so many, including me. In the small town of Dundas in AUGUST, I photographed banners posted on the windows of an aged stone house. Thoughtful. Powerful. Necessary.
SEPTEMBER took Randy and me back to the family lake cabin for a second short stay, this time just the two of us. While en route, we stopped at Grams Regional Park in Zimmerman for a picnic lunch and hike through the woods. There I photographed a cluster of leaves. Autumn is my favorite season with its warm days, crisp evenings, earthy scents and hues of red, brown, orange and yellow. I never tire of looking at and photographing leaves.
In OCTOBER, the grandchildren stayed overnight with us and we took them to River Bend Nature Center. To walk, and sometimes run (with the grandparents trying to keep up). Again, it is the memories of time spent with those I love most that caused me to choose this image as a favorite.
A lovely afternoon in NOVEMBER drew Randy and me to the Cannon River Wilderness Area between Faribault and Northfield. With camera in hand, as always, I photographed leaves in the Cannon River, an image that holds the beauty of the season, of the outdoors.
Closing out the year, I photographed a line of decorated Christmas trees showcased in Faribault’s Central Park as part of the Drive-by Tree Display in DECEMBER. The trees later went to families in need. As the sun set, I aimed my camera lens toward tree toppers. I chose this photo because to me this shining star represents hope. Hope that comes in the new year as we leave behind a truly challenging 2020.
I want to leave you with one final message: You are loved. I discovered this message posted along a bike trail in the Atwood Neighborhood of Madison, Wisconsin, near our son’s apartment. When life gets difficult, overwhelms and threatens to take away your joy, remember that you are valued, that others care, that you are not alone.