WHEN A PACKAGE LANDED on my front doorstep some 10 days ago, I wondered about its content. I hadn’t ordered anything. But inside I found a newly-released book, The World of Laura Ingalls Wilder: The Frontier Landscapes That Inspired The Little House Books.
Ah, yes, I had been expecting this. Sort of. But I’d forgotten about the book by bestselling author Marta McDowell that includes three of my photos. More than a year had passed since Marta and I connected.
Now I was holding the results of this New Jersey writer’s intensive research, multi-state visits and hours of writing. It’s an impressive book for the information and the art published therein on the places and plants in the life of author Laura Ingalls Wilder.
I have not yet read the entire book. But I am sharing this new Timber Press release now because Marta will be at Magers & Quinn Booksellers, 3038 Hennepin Avenue, in Minneapolis from 7 – 8 this evening (September 21) to present The World of Laura Ingalls Wilder. I expect the book to be enthusiastically received here in Minnesota and by Laura fans world-wide.
I am among those fans with the added bonus of having grown up only three townships north of the Charles and Caroline Ingalls’ North Hero Township home near Walnut Grove in Redwood County, Minnesota. Long before the Little House TV show, long before I realized the popularity of Laura’s book series, I loved her writing. A teacher at Vesta Elementary School read the books aloud to me and my classmates during a post-lunch reading time. That story-time instilled in me a deep love for the written word and a deep connection to The Little House books.
With that background, you can understand my enthusiasm for Marta’s book which focuses on the landscapes and specific plants that surrounded Laura and her family. Laura writes with a strong sense of place, a skill I’ve often considered may trace to her blind sister, Mary. Laura became her sister’s “eyes.”
Marta writes of specific plants and places in her book, taking the reader from Wisconsin to Minnesota to Missouri and in between—wherever Laura lived. In the section on Walnut Grove, she notes the wild plums, the morning glories and the blue flags (iris) that Laura writes about in On the Banks of Plum Creek. I’ve walked that creek and creekbank, seen the Ingalls’ dug-out, wildflowers and plums. I am of this rich black soil, these plants, this land. There’s a comfortable familiarity in reading of this land the Ingalls family eventually left because of a grasshopper infestation and resulting crop failures.
To be part of Marta’s book on Laura Ingalls Wilder is an honor. The vintage botanical illustrations, original artwork by Garth Williams, historic photos, maps, ads, current day photos like my three and more make this volume a work of art.
There is much to learn therein, much to appreciate. So for all of you Laura fans out there, take note. You’ll want to add The World of Laura Ingalls Wilder: The Frontier Landscapes That Inspired the Little House Books to your collection.
DISCLAIMER: I received a complimentary copy of this book and was paid for publication of my three photos.
© Copyright 2017 Audrey Kletscher Helbling