Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

To the Minnesota northwoods for a book release party September 20, 2017

 

 

TWO READINGS BEFORE MINE, Norma Thorstad Knapp stepped to the microphone to share “How Much She Had Lost.” As she read of her aging mother’s desire to waltz one more time, emotions rose. My throat constricted. Tears seeped from my eyes. Thinking of my 85-year-old mother, I wondered how I could possibly compose myself enough to read my short story.

 

I pose in front of Blueberry Pines Golf Club, setting for The Talking Stick book release party. Photo by Randy Helbling.

 

I signaled my husband for a tissue, then wiped my eyes. I sipped water through a straw. And I struggled to pull myself together before I stood behind the podium in this room full of writers and their supporters gathered at Blueberry Pines Golf Club between Menahga and Park Rapids for the release of Fine Lines, The Talking Stick, Volume 26.

 

 

Too soon, Sharon Harris, co-editor along with her niece, Tarah L. Wolff, introduced me and my story, “Art Obsession.”

 

Reading “Art Obsession.” Photo by Larry Risser Photography, Minneapolis.

 

I was on, reading the words that this year earned an honorable mention in fiction. Four other pieces, among the six I submitted, also published: “Grocery Shopping” (fiction); “A Lot of Prairie and a Little New York” and “The Weekly Phone Call” (both creative nonfiction); and “Not Quite Perfect Penmanship” (poetry).

 

 

 

 

It’s an honor to have my writing published in this outstanding collection of works by Minnesota writers or those with a strong connection to Minnesota. The 2017 anthology includes 152 pieces by 100 writers. I don’t envy the task of The Jackpine Writers’ Bloc editorial board in selecting stories and poems for publication from among 370 submissions by 159 writers. Noted writers LouAnn Shepard Muhm, Marge Barrett and Rochelle Hurt selected the first and second place winners from the board’s top picks.

As I listened to stories and poems for several hours with minimal comprehension of time, I delighted in the talent of these writers. Marlene Mattila Stoehr drew me in with her “Spurned Heirloom” poem that left me pondering whether my family treasures will some day, too, end up as thrift store cast-offs.

I laughed at Charles Johnson’s “Jimmy Gets an Earful” poem that sounded, oh, so Minnesotan to my ears.

 

The book cover photo was taken by Tarah L. Wolff.

 

A strong sense of place, of Minnesota, imprints upon the pages of The Talking Stick. I can relate to the settings, the experiences, the observations and more crafted into so many of the pieces in this exceptional anthology.

 

After the readings, some of us socialized. That’s Randy and me at the end of the table. I am seated next to Sharon Harris. Photo courtesy of Larry Risser Photography, Minneapolis.

 

This book is a labor of love for co-managing editor Sharon Harris. She holds a passion for writing and for this area of Minnesota. After the readings, a group of us gathered in the bar to celebrate and to talk. I’d never met Sharon, although we’ve corresponded and talked via phone many times through the years. Past commitments have kept me from attending previous The Talking Stick release parties. Sharon is as delightful in person as I anticipated. Her appreciation for the craft of writing is evident in her dedication to creating this anthology.

 

 

I felt an energetic vibe and sense of community among all of the writers. We share a love of writing. That passion flowed in words read to an appreciative audience gathered on a grey Saturday afternoon in a sprawling log cabin style building tucked among the jackpines of northern Minnesota.

Updated below at 4:30 p.m. September 20

FYI: I will be signing and selling (limited) copies of the anthology during a Local Authors Fair from 6 – 7 p.m. November 9 at Buckham Memorial Library in Faribault. Fine Lines, The Talking Stick Volume 26 is also available for purchase online. Check amazon.  Or order through The Talking Stick website by clicking here.

Photos by Larry Risser Photography are copyrighted and used with permission here.

Copyright 2017 Audrey Kletscher Helbling

 

Recommended Minnesota reads December 5, 2016

THIS TIME OF YEAR, when daylight fades too early into evening darkness, when I want nothing more than to stay indoors cozied against the Minnesota cold, I find myself gathering books. Stashing, stacking, sequestering them in my home.

And then I read, snugged into a corner of the reclining sofa that no longer reclines (unless the husband yanks on the redneck handle he’s improvised to replace the broken pull). I tuck into a fleece throw in hues that linger autumn.

Then I read. Of mystery in prose and poetry. Of fictional places. Of memories. Words wrapping stories around me. Writers writing so I can read. Of their experiences. Of their imaginations. Of their struggles and joys and moments.

Often I choose to read local, a subconscious decision tracing to my years writing book reviews for a now-defunct Minnesota magazine. But I am also drawn to Minnesota writers because of the connection I have to them. We are, or were, of this place, of these people.

In honor of Minnesota reads, I direct you to these books:

 

under-minnesota-skies

 

Under Minnesota Skies: John and Dorothy Hondl Family History and Farm Memories, penned by sisters Bernadette Hondl Thomasy and Colleen Hondl Gengler, is promoted as a family memoir of farm life in the 1940s-1960s that reflects on Czech and German heritage. The farm referenced in the book sits near Owatonna and has been in the Hondl family since 1881.

I can relate to much of the book’s content. The hard work and joys of farm life. Making hay. Filling silo. Tending livestock. This memoir, too, prompts long-forgotten memories of licking Gold Bond Stamps, of the South St. Paul Stockyard, of listening to WCCO 8-3-0, of driving tractor, of yearning for books.

Turning the pages of Under Minnesota Skies is like flipping the pages of a photo album detailing rural life. Except in words. Email the authors at kbthomasy at aol.com or dcgeng at frontiernet.net to purchase an autographed copy. Or buy the book at Little Professor Book Center in Owatonna or online at amazon.

 

ts-book-cover-2016

 

Voices: Past & Present, The Talking Stick Volume 25, is an eclectic collection of writing by Minnesota authors, or those with a strong Minnesota tie. Published by the northern Minnesota Jackpine Writers’ Bloc, this anthology includes 139 poems, 26 pieces of creative nonfiction and 20 works of fiction from 118 writers. So a good sampling of Minnesota talent.

Getting published in this book is a competitive process. Two of my poems, “Confessions in a Grocery Store Parking Lot” and “Prairie Garden Memories” are among the works printed in this 25th anniversary edition. Order on amazon.

 

farm-country-christmas

 

Finally, anyone interested in rural life, should read the books penned by prolific husband and wife team Gordon and Nancy Fredrickson of Lakeville. The pair offer children’s picture books in their “A Farm Country” and “If I Were a Farmer” series. They have also written American Farm Heritage and poetry volumes for adults.

The Fredricksons’ books truly are a tribute to the rural way of life. These books can be purchased on the authors’ website, via amazon or at these Minnesota locations: Secret Attic in Northfield; The Old Hotel, New Market; and Bongards Cheese Shop, Bongards.

TELL ME: What local books have you read? What local books are you purchasing as Christmas gifts?

© Copyright 2016 Audrey Kletscher Helbling

 

My prize winning poetry: rooted in rural Minnesota September 19, 2014

LAST SATURDAY I SHOULD HAVE BEEN in northern Minnesota reading my poem, “Sunday Afternoon at the Auction Barn,” at a book release party.

Should have been mingling with other writers at Blueberry Pines, between Park Rapids and Menahga, at lunch, during a writer’s workshop and during readings from The Talking Stick Volume 23, Symmetry.

But, instead, I was cleaning my mom’s house in preparation for putting it on the market. It’s a matter of priorities and setting aside one’s own desires to do what must be done.

While others were enjoying the fellowship of many fine Minnesota writers, I was scrubbing walls and woodwork and floors and holding back tears.

Turek's Auction Service, 303 Montgomery Ave. S.E. (Highway 21), Montgomery, has been "serving Minnesota since 1958." Daniel Turek, Sr., started the third-generation family business now operated by Dan, Jr. and Travis Turek. They sell everything from antique vases to real estate.

Turek’s Auction Service, 303 Montgomery Ave. S.E. (Highway 21), Montgomery, has been “serving Minnesota since 1958.” Daniel Turek, Sr., started the third-generation family business now operated by Dan, Jr. and Travis Turek. They sell everything from antique vases to real estate. Photographing this auction barn last winter inspired my poem.

Oh, yes, I would much rather have been in the Minnesota northwoods reading my prize winning poem. Margaret Hasse, who’s published four collections of poetry, awarded “Sunday Afternoon at the Auction Barn” second place, selected above 89 other poems for that honor.

She wrote:

“I loved how you turned a humdrum occasion of bidding on antiques in an old barn into a closely observed and luminous occasion. The writer John Ciiardi once wrote that close and careful observation can “leak a ghost.” The surprise of your poem was the elevation of a commercial or material enterprise into a spiritual gathering—with a fellowship, liturgy, reverent respect, and people who commune. The ending—visual and concrete—was just right. The poet Franklin Brainerd wrote a poem something to the effect, “in a world of crystal goblets, I come with my paper cup.” There’s something both unpretentious and appealing about “sipping steaming black coffee from Styrofoam cups.”

TS 23

 

I can’t publish the actual poem here. To read it, you’ll need to order a copy of The Talking Stick 23, Symmetry. I’d highly recommend doing so. This anthology features 91 poems, 23 pieces of creative nonfiction and 15 works of fiction from some outstanding Minnesota writers or writers with a strong connection to our state.

The Talking Stick, published annually by the Jackpine Writers’ Bloc, holds a strong reputation, evidenced by the more than 300 submissions from 159 writers. Another one of my poems, “The Promised Land,” and a short story, “Eggs and Bread,” also published in this volume.

Last year I earned honorable mention for my short story, “The Final Chapter.” And before that, my poem, “Hit-and-Run,” also garnered honorable mention.

Such awards reaffirm one’s skills as a writer.

Cornfields snuggle up to one side of Vista's church yard. It's the most beautiful of settings.

Cornfields snuggle up to Vista Evangelical Lutheran Church in southern Minnesota. Minnesota Prairie Roots file photo.

And recently, also in northern Minnesota, my poem, “Hope of a Farmer,” was selected as a Work of Merit by judges at the Northwoods Art and Book Festival in Hackensack. That poem I can publish here. Like nearly every poem I pen, this poem is rooted in rural Minnesota.

Hope of a Farmer

In the slight breeze of a July afternoon,
when ninety degrees and humidity press upon me
at the edge of a corn field stretching into forever,
memories rise and shimmer like heat waves.

I see my father’s work laid out before him—
first, seeds dropped into rich black soil,
next, corn rows carefully cultivated,
then fervent prayers for timely rain.

And I remember how he hung onto harvest hope,
to the promise of golden kernels
brimming grain wagons that swayed
and rumbled to the Farmer’s Co-op Elevator.

This the wind-blown corn leaves whisper
while stalks rise toward the prairie sky,
reaching, reaching, reaching
toward the heavens like the faith of a farmer.

Copyright 2014 Audrey Kletscher Helbling

 

Establishing my voice: Writing rooted in rural Minnesota May 7, 2014

I ARRIVED HOME on a recent Saturday afternoon to the answering machine blinking.

When I reached Sharon Harris of the northern Minnesota based Jackpine Writers’ Bloc a few moments later, I was pleased to hear her news. I’d placed second, she said, in the poetry division of The Talking Stick 23 competition with my poem, “Sunday Afternoon at the Auction Barn.”

Such news could not have come at a better time. Just the day prior, my mother had entered a nursing home. I needed to hear something positive.

TS 19 in which my poem, "Hit-and-Run," received honorable mention.

TS 19 in which my poem, “Hit-and-Run,” received honorable mention.

Getting work accepted into this well-respected literary journal is always an honor. This marks my fifth year in the book in six years of submitting. Twice I’ve earned honorable mentions, for my poem “Hit-and-Run” and for my short story, “The Final Chapter.”

And now this year, I bumped up a spot to get that second place award. Another poem, “The Promised Land,” and a short story, “Eggs and Bread,” will also publish in volume 23.

The Talking Stick editorial team read and considered more than 300 submissions (of poetry, fiction and creative non-fiction) before forwarding their top picks in each of the three divisions to selected “celebrity” judges. Poet Margaret Hasse judged this year’s poetry.

Finishing second, I not only receive a $100 cash prize, but also Hasse’s comments on “Sunday Afternoon at the Auction Barn.” She writes:

I loved how you turned a humdrum occasion of bidding on antiques in an old barn into a closely observed and luminous occasion. The writer John Ciiardi once wrote that close and careful observation can “leak a ghost.” The surprise of your poem was the elevation of a commercial or material enterprise into a spiritual gathering—with a fellowship, liturgy, reverent respect, and people who commune. The ending—visual and concrete—was just right. The poet Franklin Brainerd wrote a poem something to the effect, “in a world of crystal goblets, I come with my paper cup.” There’s something both unpretentious and appealing about “sipping steaming black coffee from Styrofoam cups.”

Hasse gets it. She totally understands my poem, how each well-crafted line defines, as she says, a “spiritual gathering” in a small town auction barn.

If I could share my auction poem with you today, I would. But I’ve signed a contract not to do so for a year.

Suffice to say, this poem, like nearly every other poem I’ve written and/or had published, is rooted in my rural memories, my connection to the land and/or my appreciation for rural Minnesota.

Turek's Auction Service, 303 Montgomery Ave. S.E. (Highway 21), Montgomery, has been "serving Minnesota since 1958." Daniel Turek, Sr., started the third-generation family business now operated by Dan, Jr. and Travis Turek. They sell everything from antique vases to real estate.

Turek’s Auction Service, 303 Montgomery Ave. S.E. (Highway 21), Montgomery, has been “serving Minnesota since 1958.” Daniel Turek, Sr., started the third-generation family business now operated by Dan, Jr. and Travis Turek. They sell everything from antique vases to real estate.

Specifically, a photograph I took this past winter of a Montgomery, Minnesota, auction barn prompted the idea for this winning poem. I also drew on my experiences attending auctions, albeit not in recent years, to pen the 12 lines of verse.

Likewise, “Lilacs,” a poem I will read this coming Saturday evening, May 10, during the Poet-Artist Collaboration XIII reception at Crossings at Carnegie in Zumbrota, was inspired by my rural rooted memories. (Click here to learn more about that poet-artist collab.)

When I consider my poetry, I clearly hear the rural voice in my words. There’s nothing pretentious about me. I remain, as I always have been, rooted to the land in my writing.

FYI: The Talking Stick 23 publishes late this summer with a book release party set for Saturday, September 13, in the Park Rapids area. To purchase past volumes of the anthology, click here.

© Copyright 2014 Audrey Kletscher Helbling

 

Stepping off a fictional cliff & landing on my feet May 8, 2013

TS 19 in which my poem, "Hit-and-Run," received honorable mention.

TS 19 in which my poem, “Hit-and-Run,” received honorable mention.

IMAGINE THE SWEET SURPRISE of learning you earned honorable mention in a writing competition.

That would be reality for me, dear readers.

I received a thick envelope from Sharon Harris of the Menahga-based Jackpine Writers’ Bloc recently announcing that two of my entries, a poem titled “The Farmer’s Song” and a short story, “The Final Chapter,” were accepted for publication in The Talking Stick 22.

Getting my work accepted into this Minnesota anthology of fiction, creative nonfiction and poetry is nothing new; this marks my fourth time in the annual book. I’ve previously had poetry and creative nonfiction published here.

Neither is the award of an honorable mention novel. In 2010 I received honorable mention for my “Hit-and-Run” poem based on the real-life experience of my son being struck by a hit-and-run driver at age 12.

But this year marks my first time submitting a short story. Decades have passed since I penned fiction. I can’t recall ever entering fiction in a contest. So when I submitted “The Final Chapter,” I did so with minimal, if any, confidence.

I labored over every word, every paragraph, of my short story before finally deciding if I didn’t submit, I would never know whether I’d written a piece worthy of publication. Sometimes you just have to step off the cliff.

I would have been content simply getting my story about an 80-year-old woman losing her grip on reality accepted. (Twenty-five pieces of fiction were selected for publication.) But then, to experience that additional affirmation of honorable mention…, well, my confidence level soared.

It gets even better, dear readers. After members of the Jackpine Writers’ Bloc read all of the submissions, they forwarded their top picks to published writers in each category. St. Paul author John Reimringer, who won the 2011 Minnesota Book Award in novel and short story for his book, Vestments, chose and critiqued the top three short stories, including mine.

Rare is the opportunity to receive such personal, professional feedback. Until you read “The Final Chapter,” you will not fully understand Reimringer’s comment. But, here’s what he wrote:

I like the economical, unsentimental sketch of Clara’s life, and the way she chose third person narrative in the last few paragraphs keeps us in Clara’s pov (point of view) even as it’s clear she’s losing her grasp on reality.

OK, then, basically Reimringer likes my story, just as I enjoyed Vestments when I read, and then reviewed, his award-winning book several years ago for Minnesota Moments magazine. Little did I know then that I would connect with him several years later.

I was hopeful I could meet Reimringer at The Talking Stick book release party in late September. But that won’t happen. My eldest daughter is getting married the same weekend. And that wedding, dear readers, easily trumps honorable mention.

FYI: To learn more about The Talking Stick, which publishes for the 22nd time late this summer, click here. And click here to learn more about The Jackpine Writers’ Bloc.

© Copyright 2013 Audrey Kletscher Helbling

 

Support regional writing this Christmas via the gift of words December 6, 2012

WITH ALL THE “SHOP LOCAL” buzz this time of year, have you ever considered how that applies to the printed word?

Are you supporting local and regional authors, writers from within your state?

Allow me to show you two Minnesota publications that would make ideal Christmas gifts for anyone who appreciates regional based writing. Both feature collections of fiction, creative nonfiction and poetry.

Lake Region Review, volume two, with cover art by  Charles Beck

Lake Region Review, volume two, with cover art by Charles Beck

Lake Region Review, a literary magazine centered in Battle Lake in the northwestern part of our state, showcases work by writers from Minnesota and the eastern Dakotas selected in a competitive process. This year 34 pieces were culled from some 430 submissions for publication in volume two.

In their introduction to this 160-page soft-cover book-style collection produced by the Lake Region Writers Network, co-editors Athena Kildegaard and Mark Vinz write in part:

Our aim in selecting writing for this issue is simply to look for the best writing that engages and enlightens through attention to language. In these pages you’ll find characters challenged by circumstances (and weather), poems charged with vitality (and weather), and essays that will provoke and move you.

How true. With topics like polio and Alzheimer’s, installing a satellite dish on a snowy rooftop and falling through the ice, unemployment and death, and even some stories—“Norwegian Love” and “Julebukking”—of Scandinavian influence, you are certain to find writing that entertains and evokes emotional reactions.

The writers themselves range from beginners to seasoned.

Visitors to the Kaddatz Galleries in downtown Fergus Falls peruse the art of Charles Beck.

Visitors to the Kaddatz Galleries in downtown Fergus Falls peruse the art of Charles Beck. Minnesota Prairie Roots file photo.

A bonus to both volumes of Lake Region Review is the original regional-based cover art. This year’s cover features “Cardinals,” a wood print by well-known Minnesota artist Charles Beck of Fergus Falls.

Stephen Hennings painting on the cover of Lake Region Review, volume one.

Stephen Henning’s painting on the cover of Lake Region Review, volume one.

Last year a detail of an original landscape painting, “Christina Lake: View from Seven Sisters,” by nationally-renowned artist Stephen Henning of Evansville graced the cover of volume one.

Like Lake Region Review, The Talking Stick produced by the Jackpine Writer’s Bloc based in Menahga (near Park Rapids) offers a quality selection of works in a book-style collection.

The cover of The Talking Stick, Volume 21, Nightfall, also has a Minnesota bend with a stock photo of loons on a lake from iStockphoto.com.

The cover of The Talking Stick, Volume 21, Nightfall, also has a Minnesota bend with a stock photo of loons on a lake from iStockphoto.com.

According to the Jackpine website, “…we publish to encourage solid writing that shows promise, creativity and brilliance.”

Especially heavy in poetry (94 poems), volume 21 of this literary journal features 130 pieces (chosen from 278 submissions) by writers from Minnesota or with a Minnesota connection.

With titled works like “Bologna Sandwich,” “Memories of Duluth,” “And a Bier for Dad,” “January Snow,” “Iceout,” “Blueberry Woods Symphony,” and more, the Minnesota influence presses deep into the 192 pages of this volume, subtitled Nightfall.

Therein lies the beauty of buying local in the printed word: a strong regional imprint.

That local connection also ties into the financial support provided to these two literary collections. Otter Tail Power Company, an energy company servicing western Minnesota and the eastern Dakotas, provided “generous support” to Lake Region Review. And a grant from the Region 2 Arts Council with funding from the Minnesota Legislature financed, in part, volume 21 of The Talking Stick.

HAVE YOU PURCHASED/or will you buy local books or literary collections as Christmas gifts this year? If so, please share your recommendations.

FYI: To learn more about the two literary collections highlighted here and how to purchase them, click here for the Lake Region Review. Then click here for The Talking Stick.

Some of the writers published in Lake Region Review, volume two, will read from their works beginning at 2 p.m. this coming Sunday, December 9, at Zandbroz Variety, 420 Broadway Avenue, in downtown Fargo, N.D. (If only I was going to be in Fargo this weekend. But I will read some of my poetry beginning at 6:00 p.m. Thursday, December 6, in the Great Hall at Buckham Memorial Library, Faribault.)

Disclaimer: My work has been published in both volumes of Lake Region Review and in several volumes of The Talking Stick. However, I received no monetary compensation for that or for this review, nor was I asked to pen this post.

© Copyright 2012 Audrey Kletscher Helbling

 

A Minnesota arts collage, from theater to poetry September 15, 2012

FOR A FEW SECONDS THERE, I searched the dictionary of my brain for that word which temporarily eluded me. Collage. That would be it.

Remember when that art form was especially popular, when, as a school assignment, you had to scrounge up ten zillion magazines and then snip out images themed to a specific subject and glue it all in a jumbled mess onto a piece of paper?

Today I present a collage—not a jumbled mess, though—of art.

Let’s take the biggest focal piece first. A Hudson.

A Hudson, like this one I photographed several years ago at a Faribault car show, centers “The Car.” Do not expect, though, to see a real Hudson on stage, only the shape of one.

The Hudson centers the stage at the Paradise Center for the Arts during a production of The Car by Carol Wright Krause. My husband and I saw this play by the Faribault-based The Paradise Community Theatre Friday evening. I’d rate it as one of the best I’ve ever seen performed locally.

Here’s a summary of the play written by director Gabe Talamantes:

The Car is about a family’s car, which as Ed (a character in the five-person drama) puts it “is a miracle of modern American engineering.” This miracle car is a character in itself, a highly theatricalized version of a 1954 Hudson. It takes us on a journey into the lives of the Banners and the challenges an all American family faces as they struggle through two decades of change at home and abroad. We will see how they choose to overcome such difficulties.

Now, why am I so enthusiastic about The Car? Because it moved me to tears. When a theatrical performance can evoke such a strong emotional reaction from me, I will embrace it with unbridled enthusiasm.

That break-down moment for me came near the end of the play, when Vietnam War veteran Hal Banner (played by Todd Ginter), broke down in the arms of his father, Ed Banner (Chuck Larsen). He was no hero, Hal said, pointedly telling his father that he (Ed) would never understand the horrors of war. And then Hal got specific, talking about seeing the eyes of those he killed.

That’s when the tears trickled down by cheeks and I struggled mightily to keep from sobbing. In that moment, I heard my Korean War veteran father, not Hal/Todd. My dad, too, spoke of seeing the eyes of those he killed on the front lines in Korea.

Later, when I congratulated Todd on his performance, he told me that he had talked to several veterans in preparation for his role. And it was the eyes which they spoke of and which he knew he needed to emphasize in that heartrending father-son conversation. It is easily the most powerful moment in the play.

I wondered how many audience members might be veterans and at that moment suppressing war memories and feelings, as my father did.

But this play is about so much more than war. It also addresses the issue of prejudice when Hal brings home a Japanese wife, portrayed by Carrie Jendza whose mother came here from Korea some 40 years ago. Carrie presents a stunning performance as do Susan Dunhaupt as Ed’s wife, Geneva, and Faribault High School sophomore Emily Remmey as Beth Banner, Hal and Sumiko’s daughter.

The prejudice starts right away when Ed Banner insists on calling Sumiko the Americanized “Sue.” He slides in references to “slant eyes” (there’s the “eye” thing again) and other derogatory comments.

In real-life, prejudice is an issue in Faribault, home to many Latino, Somali and Sudanese family. It is no secret that prejudice exists in my community. You can read about it in a previous post by clicking here.

I didn’t spot a single minority in the audience Friday evening,  not unusual despite Faribault’s sizable minority population.

There, that’s all I’m telling you about The Car, other than to advise you to see this powerful and memorable production. It’s community theater at its best for the superb acting and the unforgettable messages delivered.

Faribault artist Vivian Jones created this watercolor, “It Was Grandma’s Car,” for the current “car pARTS” show.

Additional performances of The Car at the Paradise, 321 Central Avenue, Faribault, are set for 7:30 p.m. on September 15, 20, 21 and 22 and at 2 p.m. September 16. Call (507) 332-7372 or click here to reach the Paradise website. According to info published in the theater program, production of The Car is made possible through a Minnesota State Arts Board Operating Support Grant.

While you’re at the play, be sure to check out the exhibit, “car pARTS,” in the Carlander Family Gallery.

The Beat logo.

NOW LET’S PLACE another piece in that art collage. On-air poetry.

In July, Northern Community Radio began airing poetry on its weekday morning show during a segment called The Beat.

On Monday my poem, “Her Treasure,” will air on 91.7 KAXE (89.9/Brainerd) and on 90.5 KBXE. Now I won’t be able to listen to whomever reads my poem between 7:30 a.m. – 8 a.m. and again between 3:30 p.m. – 4 p.m. Faribault is well outside the coverage area which extends from Thief River Falls to Hermantown to Pierz. Eventually, though, I’ll be able to listen to the reading of my poem online.

You can listen to The Beat via online streaming. (I’m not smart enough to figure that out and my former in-house techie now lives at NDSU in Fargo.)

I’m in the company of some mighty fine poets, from novices to Minnesota’s 2011 poet laureate, Joyce Sutphen, to well-known Minnesota writer Will Weaver. You can check out the current listing of The Beat poems/poets by clicking here.

The poems chosen for airing were selected through a juried process.

Connie Ludwig, right, and I pose for a photo with her watercolor, “Pantry Jewels” (above my head) inspired by my poem, “Her Treasure.” This photo was taken in April at Crossings at Carnegie in Zumbrota.

Just, FYI, “Her Treasure” is the same poem featured in “Poetry Artist Collaboration XI” at Crossings at Carnegie in Zumbrota last April. To read my poem, click here.

I love this whole concept of The Beat, of Northern Community Radio’s “daily reminder that, in Minnesota, poetry matters, and Minnesota poets prove that every day.”

You can expect a forthcoming detailed post from me on this project funded by Minnesota’s Arts & Cultural Heritage monies.

The cover of last year’s The Talking Stick 20.

NEXT, LET’S PLACE the third piece in this arts collage. More poetry, plus fiction and creative nonfiction.

Today I’m missing out on a book release party for The Talking Stick 21 in the Park Rapids area. This anthology, published by The Jackpine Writers Bloc, represents some fine writing by Minnesota writers. You can, referencing back to The Beat, listen to the poetry of Sharon Harris, a Jackpine member and one of the key producers of the collection.

I’ve been published in two previous volumes of The Talking Stick (including receiving an honorable mention for my poem, “Hit-and-Run,” in volume 19) and will be published again in this newest volume. My poem, “Broken,” was chosen from among 275 submissions for publication.

To learn more about The Talking Stick, click here. To learn more about The Jackpine Writers’ Bloc, click here.

THAT’S IT. Now, go ahead, add your own pieces to this art collage via your comments.

© Copyright 2012 Audrey Kletscher Helbling