LAST SATURDAY I SHOULD HAVE BEEN in northern Minnesota reading my poem, “Sunday Afternoon at the Auction Barn,” at a book release party.
Should have been mingling with other writers at Blueberry Pines, between Park Rapids and Menahga, at lunch, during a writer’s workshop and during readings from The Talking Stick Volume 23, Symmetry.
But, instead, I was cleaning my mom’s house in preparation for putting it on the market. It’s a matter of priorities and setting aside one’s own desires to do what must be done.
While others were enjoying the fellowship of many fine Minnesota writers, I was scrubbing walls and woodwork and floors and holding back tears.
Oh, yes, I would much rather have been in the Minnesota northwoods reading my prize winning poem. Margaret Hasse, who’s published four collections of poetry, awarded “Sunday Afternoon at the Auction Barn” second place, selected above 89 other poems for that honor.
“I loved how you turned a humdrum occasion of bidding on antiques in an old barn into a closely observed and luminous occasion. The writer John Ciiardi once wrote that close and careful observation can “leak a ghost.” The surprise of your poem was the elevation of a commercial or material enterprise into a spiritual gathering—with a fellowship, liturgy, reverent respect, and people who commune. The ending—visual and concrete—was just right. The poet Franklin Brainerd wrote a poem something to the effect, “in a world of crystal goblets, I come with my paper cup.” There’s something both unpretentious and appealing about “sipping steaming black coffee from Styrofoam cups.”
I can’t publish the actual poem here. To read it, you’ll need to order a copy of The Talking Stick 23, Symmetry. I’d highly recommend doing so. This anthology features 91 poems, 23 pieces of creative nonfiction and 15 works of fiction from some outstanding Minnesota writers or writers with a strong connection to our state.
The Talking Stick, published annually by the Jackpine Writers’ Bloc, holds a strong reputation, evidenced by the more than 300 submissions from 159 writers. Another one of my poems, “The Promised Land,” and a short story, “Eggs and Bread,” also published in this volume.
Last year I earned honorable mention for my short story, “The Final Chapter.” And before that, my poem, “Hit-and-Run,” also garnered honorable mention.
Such awards reaffirm one’s skills as a writer.
And recently, also in northern Minnesota, my poem, “Hope of a Farmer,” was selected as a Work of Merit by judges at the Northwoods Art and Book Festival in Hackensack. That poem I can publish here. Like nearly every poem I pen, this poem is rooted in rural Minnesota.
Hope of a Farmer
In the slight breeze of a July afternoon,
when ninety degrees and humidity press upon me
at the edge of a corn field stretching into forever,
memories rise and shimmer like heat waves.
I see my father’s work laid out before him—
first, seeds dropped into rich black soil,
next, corn rows carefully cultivated,
then fervent prayers for timely rain.
And I remember how he hung onto harvest hope,
to the promise of golden kernels
brimming grain wagons that swayed
and rumbled to the Farmer’s Co-op Elevator.
This the wind-blown corn leaves whisper
while stalks rise toward the prairie sky,
reaching, reaching, reaching
toward the heavens like the faith of a farmer.
Copyright 2014 Audrey Kletscher Helbling