Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Embracing the writing & art of the Northern Great Plains at SDSU April 19, 2017

“The Prairie is My Garden,” a painting by South Dakota artist Harvey Dunn, showcases the prairie I so love. Here I’ve photographed most of a print which I purchased at a yard sale. I bought the art because I liked it and only learned afterward of its value and prominence. Minnesota Prairie Roots file photo.

 

ONE OF MY FAVORITE PRINTS, “The Prairie is my Garden,” is rooted in South Dakota. The artist, Harvey Dunn, was born in a claim shanty near Manchester, west of Brookings.

I’ve been to Brookings. Once. While in college, I accompanied a roommate to her hometown where her dad owned the John Deere dealership. I don’t remember a lot about that visit except the fancy house in which my roommate’s family lived and our attendance at the annual Hobo Day Parade. That tradition of South Dakota State University, which peaks in a Jackrabbits football game, is going on its 105th year.

As you’ve likely surmised, Brookings is rural oriented, the university known for its ag focused majors. Students, for example, make ice cream and cheese from milk produced at the SDSU Dairy Research and Training Facility. This is a hands-on college that draws many a rural raised student.

 

The cover of Oakwood 2017 features “Dancing with Fire,” the art of Samuel T. Krueger. Promo image courtesy of Oakwood.

 

This university, where students work with farm animals and where the prairie paintings of a noted Plains artist are housed in the South Dakota Art Museum, seems the ideal setting for Oakwood, a literary journal. Featuring the work of SDSU students, staff and alumni and also of greater Brookings artists/writers and others in the Northern Great Plains region, the magazine releases this Thursday. According to the Oakwood website, the journal embraces a regional identity.

I am happy to be part of that identity with the inclusion of my poem, “Ode to my Farm Wife Mother,” inspired by my mom. She raised me and five other children on a dairy and crop farm about 1 ½ hours northeast of Brookings in Redwood County, Minnesota.

 

A gravel road just north of Lamberton in Redwood County. Minnesota Prairie Roots file photo.

 

Most of the poetry I write is based on prairie life. I write with a strong sense of place. The endless open space and wide skies of the prairie lend themselves to creativity. Within the stark setting of rural southwestern Minnesota, I noticed details—the strength of the people, the blackness of the earth, the immensity of the setting sun, the sharpness of a winter wind, the quiet of stillness. I can trace my poetry, my photos, everything I create, to that rural upbringing. I am honored to have my latest poem selected for inclusion in Oakwood 2017 as a writer from the Northern Great Plains.

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FYI: A public reception will be held at 7 p.m. Thursday, April 20, at the SDSU Briggs Library & Special Collections for writers and artists whose work is included in Oakwood 2017. Readings and talks will be featured. Because I live nearly four hours away, I can’t be there. When I can share my poem with you, I’ll do so.

© Copyright 2017 Audrey Kletscher Helbling

 

In Paul Bunyan land: Hackensack hosts art and book fest August 16, 2013

Every Tuesday during the summer months, Hackensack hosts a kids' fishing contest.

Every Tuesday during the summer months, Hackensack hosts a kids’ fishing contest on Birch Lake. Minnesota Prairie Roots file photo.

IT’S A SWEET SMALL TOWN snugged in Minnesota’s northwoods north of Brainerd, half way to Bemidji.

This would be lumberjack Paul Bunyan.

This would be lumberjack Paul Bunyan. Minnesota Prairie Roots file photo.

You’ll find statues of legendary Paul Bunyan here…

Paul Bunyan's sweetheart, Lucette, stands next to the library along Birch Lake.

Paul Bunyan’s sweetheart, Lucette, stands next to the library along Birch Lake. Minnesota Prairie Roots file photo.

and of his bride, Lucette. She stands near Birch Lake, next to an old log cabin that houses a library run by volunteers.

Several summers ago I photographed this log cabin library in Hackensack.

The Hackensack library. Minnesota Prairie Roots file photo.

It’s no wonder Hackensack, home to not quite 300 permanent and who knows how many seasonal residents, will host its 18th annual Northwoods Art & Book Festival from 9 a.m. – 3 p.m. this Saturday, August 17.

I’ll be there. Sort of.

I’ve submitted two poems to the Sixth Annual Poetry Display/Recognition, as I’ve done for several years.

Fest-goers can peruse the poems inside the Union Congregational Church and vote for their favorites for the six Popular Choice awards. The poetry committee will also select six Works of Merit. Poets will read their poems beginning at 1:30 p.m. with award winners announced afterward. Local newspapers will publish the winning poems.

A collection of works by eight Minnesota writers.

A collection of works by eight Minnesota writers.

But there’s more. Twenty-plus Minnesota authors and poets will sign and sell their books throughout the day. Sweet. Any event that promotes Minnesota writers and artists gets my support. Among the literary offerings is Bards of a Feather Write Together—A Collection. It features the poetry, fiction and memoirs, some previously published, of eight Minnesota writers, all members of the writing group Bards of a Feather. I am currently reading this debut anthology and thoroughly enjoying the variety of voices and content therein.

Visual artists will also be part of the Hackensack fest, selling their original artwork. Original and created by the artist. No resale items. Splendid.

No Minnesota festival is complete without food, which you’ll find in the food court.

I wish I could join this celebration of Minnesota writers and artists. But distance and previous commitments won’t allow me to be there. My poems will have to do. For this year.

FYI: For more information, click here to reach the Northwoods Arts Council website. The council is the festival sponsor.

DISCLAIMER: I received a complimentary copy of Bards of a Feather Write Together for review purposes.

Copyright 2013 Audrey Kletscher Helbling

 

Gaining confidence as a poet October 19, 2011

I THINK ALL WRITERS, if we’re honest with ourselves, face insecurities about writing.

Can we write? Is our writing “good enough” to publish? Will anyone read, or even care about, what we write?

I’ve long overcome any issues I faced about journalism style writing. I’m confident in my abilities to pull together a good feature story or another journalistic piece given my educational background in mass communications and my years of experience in journalism. And with several years of blogging to my credit, I’m also confident in that writing style.

It’s poetry which has challenged my confidence. Although I’ve written poetry off and on since high school—which stretches back nearly four decades—I’ve never written much poetry, at least not enough to consider myself a true poet. Until now.

Finally, this year, with the publication of two poems in two Minnesota literary journals and winning the spring Roadside Poetry contest, I’m comfortable adding “poet” to my writing credentials.

Getting to the point of feeling comfortable with the term “poet” really began 11 years ago with publication of a poem in Poetic Strokes, A Regional Anthology of Poetry from Southeastern Minnesota, Volume 2. I considered that a stroke of good fortune. But when four more poems published in the next two volumes, I began to think that maybe, just maybe, I could write poetry. After all, I had competed against other writers to get into the Poetic Strokes anthologies.

Then I had a poem accepted for publication in The Lutheran Digest.

Next, I earned an honorable mention for my poem, “Hit-and-Run,” published last year in The Talking Stick, Forgotten Roads, Volume 19.

Finally, this year, I had an official poet epiphany when I entered three poetry competitions and was subsequently published on Roadside Poetry billboards, in The Talking Stick, Black & White, Volume 20 and Lake Region Review.

Although I don’t know how many poets I competed against in Roadside Poetry, I do have the numbers for the two literary journals. The Talking Stick this year published 140 pieces of poetry, creative nonfiction and fiction from 99 writers, me being one of them with my poem, “Abandoned Barn,” and my creative nonfiction, “Welcome Home.” That’s out of 326 submissions from 171 writers.

Look at the list of writers, and you may recognize a few names like Marge Barrett, Tim J. Brennan, Charmaine Pappas Donovan, Jerry Mevissen, Candace Simar…

It’s quite a process to get into The Talking Stick with five members of The Jackpine Writers’ Bloc reading all of the entries and then an editorial board meeting to vote and discuss. The top four to seven favorites in each category are then forwarded to celebrity judges—this year Kris Bigalk, Kevin Kling and Alison McGhee—to choose first and second place winners in each division.

As for Lake Region Review, the process of selecting the works for publication is equally as rigorous. Co-editors Mark Vinz—author, professor emeritus of English at Minnesota State University Moorhead and first coordinator of MSUM’s Master of Fine Arts in Creative Writing—and Athena Kildegaard—author and lecturer at the University of Minnesota Morris—worked with a staff of 10. They read more than 200 submissions before narrowing the field to 27 established and emerging writers.

I’m one of those 27.

And so is Leif Enger, author of the 2001 New York Times best-seller Peace Like a River, which happens to be a favorite book of mine. It’s nice to be in the company of someone who, like me, writes with a strong sense of place.

Most of my poetry connects to the southwestern Minnesota prairie, where I grew up on a dairy and crop farm. Specifically, the barn on the home place inspired my two distinct barn poems which published in The Talking Stick and Lake Region Review.

I don’t know what moved the editors of either publication to select my poems for inclusion in their literary journals. But I did incorporate lines such as “hot cow pee splattering into her gutters” and “rusty hinges creaking like aged bones.”

According to Co-editor Kildegaard at Lake Region Review, editors chose pieces that were “fresh, creative, lively, interesting. We were looking for writing that has something new to say.”

Apparently I had something new to say about the old barn.

The early 1950s barn on the Redwood County dairy farm where I grew up today stands empty of animals.

WRITERS FEATURED in the recently-published 212-page The Talking Stick, Black & White, Volume 20, are from, or have a strong connection to, Minnesota. Those published in the 138-page debut of Lake Region Review live primarily in west central Minnesota. Eight writers have been published in both collections.

The cover of Lake Region Review is a detail of an original landscape painting, “Christina Lake: View from Seven Sisters,” by American impressionist painter Stephen Henning of Otter Tail County.

IF YOU’RE A WRITER, specifically of poetry, did you/do you struggle with confidence issues? At what point did you/will you call yourself a poet?

FYI: For more information or to purchase copies of either literary journal featured here, click on the appropriate link below:

www.lakeregionreview.net

www.thetalkingstick.com

And click here for more information about Roadside Poetry.

© Copyright 2011 Audrey Kletscher Helbling

 

My unforgettable “road” poem publishes in The Talking Stick, Forgotten Roads September 15, 2010

TYPICALLY WHEN I write poetry, I turn to my past, to childhood memories.

That’s evident by my poems published in three volumes of Poetic Strokes, A Regional Anthology of Poetry from Southeastern Minnesota:  “Abandoned Farmhouse,” “Prairie Sisters,” “Walking Beans,” “Saturday night baths,” and “A school without a library.”

Occasionally I deviate from that trip down memory lane. “Lord, My Rock” published in the fall 2004 issue of The Lutheran Digest and “Tribute to a Korean War Veteran” published in the May/June 2009 issue of Minnesota Moments magazine.

My latest in-print-poem also detours from my typical subject of childhood days, although it stays on the road of memories, albeit this one a heart-wrenching, emotional recent memory.

“Hit-and-Run” has just published in The Talking Stick, Forgotten Roads, Volume Nineteen, debuting this Saturday at a Book Release Party in the Northwoods Bank Community Room in Park Rapids.

The poem looks back to May 12, 2006, the day my then 12-year-old son was struck by a hit-and-run driver while crossing the street just a short distance from our home. Thankfully, my boy was not seriously injured. But the driver was never found and the memories of that horrible incident still linger. Now I’m sharing, in poetic verse, how that morning unfolded emotionally for me. Certainly, I have not forgotten this road.

Apparently my words resonated with the editors who reviewed the 200-plus poems submitted in this literary competition. “Hit-and-Run” was among the top seven poems selected by the editorial board for prize consideration by noted Minnesota poet Heid Erdrich. My poem earned an honorable mention.

“A terrifying imagery/memory,” Erdrich partially wrote in her evaluation.

Indeed.

If you would like to read my poem, the other winning poems and the fiction and creative non-fiction published in this latest collection by writers with a connection to Minnesota, check out the online purchasing options at The Jackpine Writers’ Bloc. The Park Rapids/Menahga-based group annually publishes The Talking Stick, which is sold by the Writers’ Bloc and several northern Minnesota bookstores.

I’ve read two of the past anthologies and I promise that you will enjoy some top-notch writing by emerging and established Minnesota writers. The Talking Stick has an excellent, long-standing reputation and I’m proud to be published in it.

If you’re a writer, consider entering the 2011 The Talking Stick competition. Submissions call for the 20th volume goes out in December with a March 1, 2011, submission deadline.

Finally, if you’re in the Park Rapids area this weekend, consider attending the book release party, which begins at 1 p.m. Writers published in The Talking Stick, Forgotten Roads, will read their works beginning at 2 p.m. No, I won’t be there as I have another commitment. But you’ll meet plenty of other Minnesota writers anxious to sell their books or compare notes on this journey we call writing.

© Copyright 2010 Audrey Kletscher Helbling