Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Through a SoMinn Lens August 27, 2019

 

 

AS A CREATIVE, I always appreciate the opportunity to get my work out to a broader audience. I want to share my images and words. Not because I possess some big ego. But rather I want others to view the world around them through an artful perspective. With joy. With appreciation. Through the creative lens of a writer and photographer who seeks to notice the details within the wider picture, to engage all the senses. I strive for that in my art.

My newest creative endeavor landed me at Southern Minn Scene, a Southern Minnesota arts, entertainment and lifestyle magazine. The publication’s coverage area stretches from just south of the Twin Cities metro to the Minnesota/Iowa border and from the Mississippi River on the east to Mankato on the west (although I aim to stretch that western boundary farther west toward my native prairie).

Each month I’ll craft a photo essay, accompanied by several paragraphs of text, in a column titled Through a SoMinn Lens. If you’ve followed this blog for awhile, you’ll see familiar images. And other photos I haven’t previously published here. All the copy, though, will be new with my column leaning toward poetic prose. As a published poet, I value that art form. Journalistic style writing is reserved for the occasional features I will also pen for Southern Minn Scene.

 

 

My column debuts in the just-published September issue, which you can read online by clicking here. I focus on Wabasha’s SeptOberfest, a two-month celebration of autumn. I love this Mississippi River town any time of year for its natural and historic beauty, but especially during this family-friendly event.

 

 

I also crafted a feature on the annual Germanfest at St. John’s United Church of Christ, Wheeling Township. That’s east of Faribault and near Nerstrand Big Woods State Park. I’ve posted about that ethnic celebration several times here. I love the people of St. John’s. They are friendly, kind, and incredible cooks and bakers. The story proved an ideal fit for this food-themed issue of Southern Minn Scene. Be sure to read other writers’ food-focused stories about tasty desserts in the region to new foods at the Minnesota State Fair.

Beyond that, thank you for valuing art, whether literary, visual or performing. Today, more than ever, we need the arts. They enhance our lives, bring joy, broaden our worlds, our perspectives.

Disclaimer: I am paid for my work published by Southern Minn Scene, but not for this post.

© Copyright 2019 Audrey Kletscher Helbling

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Insights into my blog featured in magazine article March 9, 2019

This photo shows the first page-plus of a feature story published in the spring issue of Fleur-de-lis. Nick Gerhardt photographed me in my dining room. My father-in-law, Tom Helbling, painted the winter scene behind me. The chest of drawers is a refinished Helbling family heirloom. And the chain of folded cranes were crafted and gifted to me by Sunny, a wonderful young woman from Boston. The four books represent a sampling of the many anthologies in which my writing has published.

 

EVERY DAY WE WRITE our stories. By the way we live. By what we say and do and how we act. Or don’t.

We craft our personal stories whether at a computer, working retail, raising a child… Each story differs. Each story matters. Every single person matters.

 

A selfie of Randy and me taken in September 2017 at the walleye statue along Mille Lacs Lake in Garrison. Minnesota Prairie Roots file photo by Randy Helbling.

 

I am honored by the telling of my story in the spring issue of Fleur-de-lis, a lifestyle magazine published by the Faribault Daily News. Freelancer Nick Gerhardt wrote the piece which also features nine of my photos in a six-page spread. Plus Nick’s photo of me. And a selfie Randy took of us by the big walleye statue in Garrison because I am horrible at taking selfies.

Nick got my story right. He captures the essence of me as a person, a writer and a photographer in his focus on my blogging. I appreciate that. When a writer really, truly connects and understands the interview subject, as Nick did with me, it shows.

He spent several hours in my home, not only asking questions, gathering information and taking photos, but also talking shop. Although I haven’t worked in the newspaper field for decades, I can still relate to the profession and its challenges and rewards.

It is clear to me that Nick did his homework, researching my blog in advance of our interview. And it is clear to me that he fully understands my southwestern Minnesota rural background and its influence on my writing and photography. He digs into that in a section tagged “setting the roots.”

 

My husband enjoys his cheeseburger at the North Morristown Fourth of July celebration in 2016. This is one of my favorite close-up images and among those published in Fleur-de-lis. Minnesota Prairie Roots file photo 2016.

 

Nick describes my blog as “a hotdish of Americana through a Minnesota lens.” I love that perspective. It accurately reflects my writing and photography style and the content of my blog. My images and words focus on rural Minnesota—Main Street, grassroots small town events, the Minnesota countryside, country churches, issues that matter to me and much more.

 

An abandoned farmhouse along Minnesota State Highway 19 east of Vesta on the southwestern Minnesota prairie. The image is published in Fleur-de-lis. The house, photographed in 2012, is now gone. Minnesota Prairie Roots file photo.

 

When Nick interviewed me, I stressed to him the importance of noticing details. It is a skill rooted in my childhood. When you grow up on the prairie as I did, you notice details in that stark environment. I’ve always engaged all of my senses—not just visual. I can smell harvest, hear the howling wind, feel the bite of winter, taste sunshine in a garden-fresh tomato, see heat waves shimmering over a cornfield in July. That eye for detail weaves into my writing and my photography.

Through the decades, I’ve honed my craft, found my voice. But I’ve never lost touch with my prairie roots. Everything I write, everything I photograph, is rooted directly or indirectly in my rural upbringing. In my Minnesota prairie roots.

 

The cover of the spring issue of Fleur-de-lis.

 

FYI: Copies of the spring 2019 issue of Fleur-de-lis are available from the Faribault Daily News for $2. The issue also includes republication of my blog post, “Winter’s here, so we may as well embrace it,” illustrated by outstanding winter photos by area photographers. That post, I will note, published on January 2, long before this winter became the longest of cold and snowy winters in Minnesota.

© Copyright 2019 Audrey Kletscher Helbling

 

Published in Oakwood: My latest rural-rooted poem honors my farm wife mom April 28, 2017

An abandoned farmhouse along Minnesota State Highway 19 east of Vesta, my hometown. The house is no longer standing. This image represents my rural heritage and looks similar to the house I called home for the first 11 years of my life. Minnesota Prairie Roots file photo.

 

MORE THAN 40 YEARS removed from the farm, my creative voice remains decidedly rural, especially in the poetry I write.

My latest published poem, “Ode to My Farm Wife Mother,” honors the woman who raised me, alongside my father, on a southwestern Minnesota dairy and crop farm. My parents were of good German stock, a hardworking couple who believed in God, in family and in the land. I carry that heritage with me, ever grateful for my rural upbringing.

 

Dad farmed, in the early years with a John Deere and Farmall and IH tractors and later with a Ford. (Photo by Lanae Kletscher Feser)

A photo of my dad, Elvern, taken in 1980.

 

Life in rural Minnesota in the 1960s and 1970s was hard. I see that now from the perspective of an adult. My dad worked long hard hours in the barn milking cows and equally long hard hours in the fields. Farming was much more labor intensive then.

 

The only photo I have of my mom holding me. My dad is holding my brother, Doug.

 

Likewise, my mom’s job of caring for our family of eight required long hard hours of labor. She tended a large garden, preserved fruits and vegetables to stock the freezer and cellar shelves, baked bread from scratch, washed clothes with a wringer washer, did without a bathroom or telephone or television for many years, and much more.

 

My parents, Vern and Arlene, on their September 25, 1954, wedding day.

 

Sometimes I think how much easier my mother’s life would have been had she not married my dad and stayed at her town job in Marshall.

 

Our family Christmas tree always sat on the end of the kitchen table, as shown in this Christmas 1964 photo. That’s me in the red jumper with four of my five siblings. I write about this red-and-white checked floor in my poem.

 

But then I remind myself of how much family means to my mom and I could not imagine her life without any of her six children. She centered us, grounded us, taught us kindness and gratitude, instilled in us a loving and compassionate spirit.

 

Arlene’s 1951 graduation portrait.

 

She has always been mom to me, a mother now nearing age 85. But there was a time when she was Arlene, not somebody’s wife, somebody’s mother. There was a time when she and my dad danced away a Saturday night in a southwestern Minnesota dance hall. They met at a dance.

 

The promo for Oakwood 2017 features “Dancing with Fire,” the art of Samuel T. Krueger. Promo image courtesy of Oakwood.

 

Those thoughts inspired me to write “Ode to My Farm Wife Mother,” published last week in South Dakota State University’s literary journal, Oakwood. I am honored to have my poem selected for inclusion with the work of other writers and artists from the Northern Great Plains. It’s a quality publication that represents well those of us who call this middle-of-the country, often overlooked place, home.

 

Ode to My Farm Wife Mother

Before my brother,
you were Saturday nights at the Blue Moon Ballroom—
a bottle of Jim Beam whiskey in a brown paper bag,
Old Spice scenting your dampened curls,
Perry Como crooning love in your ear.

Then motherhood quelled your dancing duet.
Interludes passed between births
until the sixth, and final, baby slipped into your world
in 1967. Thirteen years after you married.
Not at all unlucky.

Life shifted to the thrum of the Maytag,
sing-song nursery rhymes,
sway of Naugahyde rocker on red-and-white checked linoleum.
Your skin smelled of baby and yeasty homemade bread
and your kisses tasted of sweet apple jelly.

In the rhythm of your days, you still danced,
but to the beat of farm life—
laundry tangled on the clothesline,
charred burgers jazzed with ketch-up,
finances rocked by falling corn and soybean prices.

Yet, you showed gratitude in bowed head,
hard work in a sun-baked garden,
sweetness in peanut butter oatmeal bars,
endurance in endless summer days of canning,
goodness in the kindness of silence.

All of this I remember now
as you shove your walker down the halls of Parkview.
in the final set of your life, in a place far removed
from Blue Moon Ballroom memories
and the young woman you once were.

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Four generations: Great Grandma Arlene, Grandma Audrey, mother Amber and baby Isabelle, all together for the first time in July 2016 in rural southwestern Minnesota. Minnesota Prairie Roots file photo 2016.

 

I took some liberties with my poem. I doubt my mom ever drank whiskey. But back in the day, folks brought booze bottles in brown paper bags to dances for set-ups. She didn’t dance in the Blue Moon Ballroom, although one once stood in Marshall. Arlene went to dances in Ghent, in a dance hall whose name eludes me. Blue Moon sounds more poetic. But the rest of the poem is factual right down to the Naugahyde rocker and my mom shoving her walker down the hallways of Parkview.

FYI: You can view my poem on page 78 of Oakwood, found online by clicking here. My bio is published on page 89, listed among the other 40 contributors’ bios. I am grateful to SDSU in Brookings for the opportunity to be part of this magazine which showcases the creative voices of Plains writers and artists. I shall always feel proud of my rural upbringing, the single greatest influence on me as a poet, a writer, a photographer.

Copyright 2017 Audrey Kletscher Helbling

 

Embracing the writing & art of the Northern Great Plains at SDSU April 19, 2017

“The Prairie is My Garden,” a painting by South Dakota artist Harvey Dunn, showcases the prairie I so love. Here I’ve photographed most of a print which I purchased at a yard sale. I bought the art because I liked it and only learned afterward of its value and prominence. Minnesota Prairie Roots file photo.

 

ONE OF MY FAVORITE PRINTS, “The Prairie is my Garden,” is rooted in South Dakota. The artist, Harvey Dunn, was born in a claim shanty near Manchester, west of Brookings.

I’ve been to Brookings. Once. While in college, I accompanied a roommate to her hometown where her dad owned the John Deere dealership. I don’t remember a lot about that visit except the fancy house in which my roommate’s family lived and our attendance at the annual Hobo Day Parade. That tradition of South Dakota State University, which peaks in a Jackrabbits football game, is going on its 105th year.

As you’ve likely surmised, Brookings is rural oriented, the university known for its ag focused majors. Students, for example, make ice cream and cheese from milk produced at the SDSU Dairy Research and Training Facility. This is a hands-on college that draws many a rural raised student.

 

The promo for Oakwood 2017 features “Dancing with Fire,” the art of Samuel T. Krueger. Promo image courtesy of Oakwood.

 

This university, where students work with farm animals and where the prairie paintings of a noted Plains artist are housed in the South Dakota Art Museum, seems the ideal setting for Oakwood, a literary journal. Featuring the work of SDSU students, staff and alumni and also of greater Brookings artists/writers and others in the Northern Great Plains region, the magazine releases this Thursday. According to the Oakwood website, the journal embraces a regional identity.

I am happy to be part of that identity with the inclusion of my poem, “Ode to my Farm Wife Mother,” inspired by my mom. She raised me and five other children on a dairy and crop farm about 1 ½ hours northeast of Brookings in Redwood County, Minnesota.

 

A gravel road just north of Lamberton in Redwood County. Minnesota Prairie Roots file photo.

 

Most of the poetry I write is based on prairie life. I write with a strong sense of place. The endless open space and wide skies of the prairie lend themselves to creativity. Within the stark setting of rural southwestern Minnesota, I noticed details—the strength of the people, the blackness of the earth, the immensity of the setting sun, the sharpness of a winter wind, the quiet of stillness. I can trace my poetry, my photos, everything I create, to that rural upbringing. I am honored to have my latest poem selected for inclusion in Oakwood 2017 as a writer from the Northern Great Plains.

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FYI: A public reception will be held at 7 p.m. Thursday, April 20, at the SDSU Briggs Library & Special Collections for writers and artists whose work is included in Oakwood 2017. Readings and talks will be featured. Because I live nearly four hours away, I can’t be there. When I can share my poem with you, I’ll do so.

© Copyright 2017 Audrey Kletscher Helbling

 

My award-winning water story publishes April 8, 2017

 

 

“Water Stories from a Minnesota Prairie Perspective” has published in southern Minnesota based River Valley Woman’s April issue. My story won the nonfiction category in the “We Are Water” writing contest sponsored by Plum Creek Initiative with the support of The League of Women Voters and River Valley Woman. That honor includes a $250 prize.

I don’t have a hard copy yet, but I viewed the story online. And so can you by clicking here and advancing to page 50 of the April issue. The piece is lengthy per submission guidelines requiring 5 – 12 pages of copy.

No matter how many times I’ve been published, I still thrill in seeing my words out there for others to read and perhaps appreciate. You can find print copies of the magazine in many locations like Mankato, St. Peter, New Ulm, Redwood Falls and surrounding smaller communities. Click here for a complete list.

In reading my story, you will learn of my growing up years on a southwestern Minnesota dairy and crop farm, the place that shaped me into the person, writer and photographer I’ve become. Farm life as I remember it from the 1960s – 1970s no longer exists. So this story, while written for a competition, was also written for me and my family. There’s an importance in reclaiming memories through written words, in telling the stories that define a place, in sharing my roots with you, my readers.

FYI: Click here to read my first blog post about winning this writing competition.

© Copyright 2017 Audrey Kletscher Helbling

 

Minnesota Prairie Roots needs your nomination July 11, 2015

Best of Southern MN 2015 logo

ONCE AGAIN, I INVITE YOU to nominate Minnesota Prairie Roots as the best local blog in southern Minnesota, this time for 2015. But nominate my blog only if you consider me worthy of the honor bestowed by SouthernMinn Scene, a regional arts/entertainment/lifestyle magazine.

 

Minnesota Prairie Roots has been voted the best in southern Minnesota.

Minnesota Prairie Roots was voted the best local blog in southern Minnesota in 2014.

 

Last year, because of your support, my blog was chosen as the best in southern Minnesota. Thank you.

To nominate Minnesota Prairie Roots, click here to reach the miscellaneous section of the ballot and scroll to the bottom. You are allowed one nomination per category per email address. You can vote for lots of other southern Minnesota favorites, too. Nomination deadline is July 31.

Top nominees will then move on to the official ballot with voting beginning August 3.

Thank you for your consideration and for reading Minnesota Prairie Roots. I am grateful.

 

Creativity unleashed at Bethany, my alma mater January 14, 2013

TYPICALLY, COLLEGE ALUMNI magazines hold my interest only long enough to thumb to the section where class updates are printed. I read those and then toss the publication into the recycling bin.

But recently, the bold, artsy cover of the November issue of the Bethany Report, the alumni magazine of Bethany Lutheran College, caused me to take a closer look at an article detailing the school’s new media arts program. I’m a Bethany grad, which in 1976 offered only a two-year associate arts degree to undergraduates.

Today this scenic hilltop campus in Mankato offers an array of four-year degrees, including one in communications, my eventual major at Minnesota State University, Mankato. Oh, how I wish majors and minors had been available back in my Bethany years, because I loved that small Christian college.

All of that aside, today’s Bethany students with an interest in communications, the fine arts and technology can enroll in the media arts major. I don’t pretend to know how Bethany’s program compares to that of other colleges.

I did my own editing on this recent photo of a Bethany billboard along U.S. Highway 14.

I did my own editing on this recent photo of a Bethany billboard along U.S. Highway 14.

But when I saw that magazine cover design emphasizing the media arts program and then an equally vivid, eye-catching billboard along U.S. Highway 14 near Janesville recently, I was impressed enough to visit the BLC website.

There I clicked onto a portfolio showcasing the creations of current and former students.

I’m no expert on the fusing of art, technology and communication. But I liked what I saw. And perhaps that uninformed spontaneous reaction counts for more than the dissected opinion of anyone in academia.

© Copyright 2012 Audrey Kletscher Helbling