THE JULY FOURTH WEEKEND took me back home, home being my native southwestern Minnesota. There my extended family gathered at my middle brother’s rural acreage near Lamberton for the first time since December 2019. To see so many family members—not all attended—felt wonderful.
Being back in that rural area of our state, in a familiar landscape, felt comforting. No matter where I’ve lived as an adult, Redwood County remains home. The place of my roots. The land and sky and wind imprinted upon me like ink on the pages of a book. Words that thread through my writing even today.
Perhaps my perspective seems too nostalgic. And if it does, I offer no apologies. I value the place which shaped me as a person and as a writer and photographer.
The familiar scenes which appear before me en route from Faribault to southwestern Minnesota welcome me back. The red barns. The vast fields of corn and soybeans. The expansive sky. Even the tractors and farm wagons and pick-up trucks.
All are part of the rural-ness. My rural-ness. The grain elevators and gravel roads and power lines stretching seemingly to infinity.
I could write chapters about the gravel roads I biked as a teen—how the gravel crunched beneath tires, how wild roses flourished in ditches, how vehicles kicked up dust. I could write chapters about barns—how I labored inside ours, feeding cows and calves, and pitching manure. I could write chapters about the ice and snow storms that left our farm without electricity, once for an entire week in the depth of winter.
A trip back to southwestern Minnesota prompts such memories. I remember. I relive. But, most of all, I recognize just how thankful I am to have been raised in this rural region. On the land. In the shadows of silos and grain elevators. Just a softball pitch away from the barn. Within scent of cows, steers and calves. As close to the earth as bare feet or the end of a hoe hacking cockle burrs in a soybean field.
As rural scenes unfold, my memories, too, unfurl. Memories of hard work and challenges balanced by carefree afternoons and prairie sunsets and all the beauty this place holds for me. Still today, some 40-plus decades after I left this land.
YOU DON’T NEED THAT, I remind myself as I covet the vintage mixing bowls, the floral apron, the whatever. I’m at that point in life when I feel the need to declutter, to downsize, to let go. Not acquire more stuff.
While I wandered among tables, pausing to chat with friends I haven’t seen in more than a year, I delighted in the beautiful spring day and the opportunity to be out and about among others.
With camera in hand, I documented some of the merchandise. I recognize that memories and personal interest draw me to certain items. Like the bag of Red Owl charcoal, a reminder of my brief cashier’s job at that grocery chain. Red Owl was also the “go to” grocery store when I was growing up.
An autograph book from the 1890s also drew me to flip through the pages, to read the messages written to Mary. I have an autograph book stashed in a closet somewhere. I ought to find it.
Print items and art and oddities focused my interest, too.
There was so much to take in at the flea market, before I moved on to the farmers’ market.
Given my farming roots, I admire and appreciate those who gather eggs, spin yarn, grow plants, harvest honey, cook jams and jellies, bake sweet treats and more for sale at farmers’ markets. Theirs is a labor of love. To share the bounty, the works of their hands, truly is a gift.
When I peruse market offerings, I also view products from a photographic, artistic and poetic perspective. The dark jewel tone of blackberry jam. The golden hue of honey. Both are beautiful to behold.
My final stop took me to the food vendors and the decision to purchase The Buffaloed Turkey Plate to share with Randy. Other food offerings were standard fair food. I appreciated the opportunity to order more creative, locally-sourced food from The Local Plate.
I love local events like this. They build community. And this year, more than ever, I appreciate local. And I appreciate community.
I feel humbled and honored to have my poem, inspired by memories of my hardworking farm wife mother, in the Lyon County Historical Society Museum’s newest semi-permanent exhibit, “Making Lyon County Home.” The exhibit opened in January. Its purpose, according to Executive Director Jennifer Andries, is “to share stories, artifacts, and photographs from Lyon County after World War II and to inspire residents and visitors to share their memories and experiences of growing up and living in Lyon County and the region.”
I grew up in this prime agricultural region, some 20 miles to the west on a dairy and crop farm near Vesta in Redwood County. I knew Marshall well back then as a shopping destination. A place to buy clothes, shoes and other essentials. But even more, I understood rural life decades ago because I lived it. I witnessed, too, how my mom worked hard to raise six children on our family farm. Before marriage, she attended Mankato Commercial College and then returned to her home area to work an office job in Marshall. Like most women of the 1950s, once she married, she stopped working off the farm.
My poem honors her in a poetic snapshot timeline of life beginning shortly before she married my farmer father. Saturday evening dances. Then rocking babies. Everyday life on the farm. Challenges. And finally, the final verse of Mom shoving her walker down the hallways of Parkview.
Whenever I write poetry, especially about life in rural Minnesota, I find myself deep within memory. Visualizing, tasting, smelling, hearing, even feeling. Although I took some creative license in penning “Ode to My Farm Wife Mother” (I don’t know that Mom ever drank whiskey or danced at the Blue Moon Ballroom in Marshall), it is primarily true. She met my dad at a dance in southwestern Minnesota. She washed laundry in a Maytag, baked bread every week, made the best peanut butter oatmeal bars…
I expect many who lived in this rural region in the 1950s-1970s can relate. Says LCHS Director Andries of my poem: “It is a good fit for the exhibit and fits with the agriculture section and the role of farm wives and mothers. The poem itself goes beyond just the agriculture area. I feel many people can resonate with the poem with the sense of being carefree while we are young but at some point we all have responsibilities but that doesn’t mean we lose our carefree spirit.”
Those sentiments were echoed by Tom Church, former managing director of Minneapolis-based Museology Museum Services, lead contractor for the “Making Lyon County Home” exhibit. Church first contacted me more than a year ago about using my poem. He said then that the poem “offers a nice snapshot of the era and setting we’re trying to evoke in several places within the exhibit and will fit well with our story.”
I appreciate stories rooted in a strong sense of place. The new exhibit features themes of natural landscape, agriculture, education, industry and community. For example, the devastating and deadly June 13, 1968, F5 tornado in Tracy centers a display with information and oral histories. How well I remember that disaster. The 1980s farm crisis focuses another section. A late 1950s era kitchen fits the beginning time period of my poem.
Although I have yet to view the exhibit, I hope to do so this summer. And even more, I want my mom to know how she, and other farm women of the era, are honored via my poem. I want them to see themselves in my words, to understand the depth to which I value them. My mom, through her selflessness, her hard work, her kindness, her love, her faith, helped shape me. Today, as Mom lives out her final days in hospice, her memory and cognition diminished, I feel a deep sense of loss, of grief. But I hold onto the memories of a mother who read nursery rhymes, gardened, and, before I was born, enjoyed carefree Saturday evenings out with friends. Dancing. Laughing, Delighting in life.
FYI: The Lyon County Historical Society Museum, 301 West Lyon Street, Marshall, is open from 11 am – 4 pm Monday – Friday and from noon – 4 pm Saturdays. The “Making Lyon County Home” exhibit was partially funded by a Minnesota Historical and Cultural Heritage grant. The exhibit is semi-permanent, meaning artifacts and stories can be rotated to fit within the themes.
Ode to My Farm Wife Mother
Before my brother,
you were Saturday nights at the Blue Moon Ballroom—
a bottle of Jim Beam whiskey in a brown paper bag,
Old Spice scenting your dampened curls,
Perry Como crooning love in your ear.
Then motherhood quelled your dancing duet.
Interludes passed between births
until the sixth, and final, baby slipped into your world
in 1967. Thirteen years after you married.
Not at all unlucky.
Life shifted to the thrum of the Maytag,
sing-song nursery rhymes,
sway of Naugahyde rocker on red-and-white checked linoleum.
Your skin smelled of baby and yeasty homemade bread
and your kisses tasted of sweet apple jelly.
In the rhythm of your days, you still danced,
but to the beat of farm life—
laundry tangled on the clothesline,
charred burgers jazzed with ketch-up,
finances rocked by falling corn and soybean prices.
Yet, you showed gratitude in bowed head,
hard work in a sun-baked garden,
sweetness in peanut butter oatmeal bars,
endurance in endless summer days of canning,
goodness in the kindness of silence.
All of this I remember now
as you shove your walker down the halls of Parkview.
in the final set of your life, in a place far removed
VACATED. That word best describes my assessment of the Rice County Fairgrounds in Faribault during a recent walk there.
In the absence of people, the absence of animals, the absence of a carnival, the absence of exhibits, the place feels empty. No pulsating lights on the Midway. No smell of grilling burgers. No taste of sugary mini donuts. No shouts of kids. No feel of a prize stuffed animal clutched in arms.
If everything works out COVID-wise, this fairgrounds will teem with people come late July. Animals will fill barns. Ribbons will mark prize-winning 4-H entries. Greasy cheese curds will satisfy those who crave fair food. The sounds of music and clustered conversations and happy kids will create a steady buzz of noise. Little hands will grasp adult hands and teenage hands will lock in fair love. People will reconnect. Celebrate. Experience that which was lost last summer, during the height of the pandemic.
This is the fair I imagine as I walk past shuttered buildings, as I pause to photograph buildings and signs and expanses of open space.
And then I pause outside the 4-H building, Curtis Hall, to photograph the row of barn swallow nests mudded under the eaves. So many. Thirty-two. Too many. If there’s one bird I dislike, it’s the barn swallow. We have a history. As a child, I endured barn swallows swooping over me as I did farm chores. The swallows built their nests on beams above the barn aisle, my direct work route. I felt threatened by them as I shoveled manure into gutters, pushed a wheelbarrow full of ground feed down the aisle. My feelings for the swallow have not changed. Even though they eat mosquitoes, I still don’t like this bird.
That’s my sidebar from the fairgrounds, perhaps one you can relate to if you did farm chores like me.
Fairs are rooted in agriculture. Prize animals. Prize vegetables. A once-a-year opportunity to showcase the best of barns and of gardens. But today’s fair is much more. Entertainment. Creativity. And, above all, a place for communities to come together once a year in one place. To celebrate. To connect.
EAST OF FARIBAULT, the land stretches long and flat. Wide open. Fields punctuated by farm sites.
Gravel and asphalt roads divide farmland into grids. Orderly. As if a ruler was laid across the earth and straight lines inked thereon.
Sunday afternoon, after a hike at Falls Creek County Park, Randy and I took a country drive. We are farm-raised, decades removed from the farm, but with an enduring connection to the land.
On the cusp of spring planting time in Minnesota, the draw back to the land, to the familiarity of fields, calls. For me, there’s this deep yearning, this need to lay my eyes on the bare earth or the residue of last year’s crops.
At times my heart aches for missing the land. I want to smell the scent of soil, to touch the cold earth, to remember all those springs back on the farm. The steady rhythm of the tractor, the corn kernels pouring into the planter and then the faint hint of green lining the black fields.
Much about farming has changed since my leaving of the land in the early 1970s. But the basics remain. The planting, the growing and harvesting.
And even though I’ve lived in town far more decades than on a farm, my rural upbringing roots me to the land and takes me back each season. To honor my hardworking farmer dad. To equally appreciate my mom who gardened and fed and raised six children on the land. My hardworking parents instilled in me a love of the land, a connection to place and the innate need to follow gravel roads into the countryside.
This post is dedicated in loving memory of my farmer father, Elvern Kletscher, who died on April 7, 2003. Thank you, Dad, for raising me to appreciate the land, for teaching me the value of hard work. for instilling in me a love of God and of family. I am grateful. And I miss you.
THE OFFICIAL ARRIVAL OF SPRING today seems reason to celebrate, especially here in Minnesota, the land of long winters. Or, as my California-raised son-in-law once thought, Almost Canada.
From here on, daylight lengthens. And, after this past pandemic year, I’m thankful for the seasonal transition into more sunlight and resulting warmth and melting of snow. That said, this is still March and in Minnesota that likely means more cold and snowy days.
But, as we ease into spring, I feel a sense of renewal. Warm days with temps in the 50s and near 60, like those predicted for this weekend, are freeing, uplifting and promising.
Farmers, I expect, are itching to get into the fields, although it’s way too early for that. I still think like the farm-raised woman I am, connecting seasons to the cycle of planting, growing and harvesting. That will always remain an important part of my identity and continues to influence my writing and photography.
Flash back to 10 years ago and you can read that influence in a poem I penned and submitted to the Roadside Poetry Project. In four lines, each with a 20 character limit, I wrote a spring-themed poem that bannered on four billboards in Fergus Falls. It’s the most unusual spot my poetry has ever published.
Designed “to celebrate the personal pulse of poetry in the landscape,” according to then Project Coordinator Paul Carney, my poem truly fit that mission. I wrote from experience, from a closeness to the land, from a landscape of understanding.
While the Roadside Poetry Project, funded by the Fergus Falls College Foundation, no longer exists, my poem endures in the legacy of my writing. To have written about spring from the perspective of a farmer’s daughter celebrates my rural Minnesota prairie roots. And spring.
WHEN I WAS GROWING UP on the southwestern Minnesota prairie in the 60s and 70s, locally sourced meant harvesting vegetables from the garden, dipping milk from the bulk tank and pulling our own farm-raised beef from the freezer. Our farm family of eight was basically food self-sufficient, with the exception of fresh fruit (a rare treat) and staples like flour and sugar.
With that background, you’ll understand why I appreciate the efforts of businesses like Sleepy Eye Brewing and Sleepy Eye Coffee Company, which work with local farmers to source products. Bison meat. Milk. Honey. Eggs. It’s a win-win for everyone, including customers who value fresh, local and direct farm-to-table.
The brewery and coffee/bakery/sandwich/salad shop are housed in the historic former PIX Theatre in the heart of downtown Sleepy Eye. My first and only visit happened a year ago, just before COVID-19 changed everything, including my interest in dining out or imbibing at a craft brewery.
But I’ll be back once life returns to normal because I appreciate the former movie house setting, the beer and the small town friendliness. I intend also to sample a homemade sweet treat from the bakery. Or maybe a sandwich or salad.
I love how some small towns are seeing a revival of sorts via businesses like craft breweries. Hometown bakeries also add to the draw.
For someone like me who grew up with home-grown/home-raised food on premises, the current trend of locally sourced brings me full circle back to my roots. That’s 45 miles to the northwest of Sleepy Eye in rural Vesta.
But on this stop, we’d just come from neighboring Redwood County, where we saw my mom in the nursing home. We didn’t know it then, but this would be our last in-person visit before COVID-19 closed care center doors to visitors and changed everything.
By the time we reached Sleepy Eye well past the noon hour, I was hungry. It’s a running joke in our family that I need to eat on time or I get crabby. It’s the truth, not a joke.
We ended up at The Railway Bar & Grill, appropriately named given its location near the train tracks. Next to the grain elevator. I don’t recall what I ordered other than a sandwich. Nothing memorable, but sustenance.
In a pandemic year that’s been especially difficult for bars and restaurants, The Railway apparently struggled. The business—complete with bar, two dining areas, private conference room, an outdoor patio, 12 tappers and more—is now for sale. For $165,000.
I’m not familiar with dining options in Sleepy Eye. But I know one thing about small towns—cafes and bars and grills are community gathering places. Spots to meet with family and friends. After a ball game. On a Saturday night. To shoot the breeze. To celebrate. To get out of the house on a cold winter evening. To BS over a beer or two. From all indications, The Railway filled that need in Sleepy Eye.
When Randy and I finished our sandwiches on that early March Saturday afternoon in 2020, I stepped outside to photograph the neighborhood while he paid the bill. I focused my lens on three houses crammed together.
And then I aimed toward the towering grain elevators next to the bar & grill. Vintage elevators always draw my eye for their architectural interest (as cathedrals of the prairie), historical importance and connection to my farming past. Silo style grain storage units will never hold the same appeal as these rectangular grey elevators soaring high above small towns. Too many of these have vanished, including in my hometown of Vesta where a local farmer moved the elevators onto his farm.
On this Saturday, I delighted in reconnecting with my rural roots outside The Railway. In my memory, I heard the rumble of a train, saw grain trucks lining up at the elevator, smelled the earthy scent of harvest…
RURAL MINNESOTA. For Randy and me, that represents our upbringing, the place of our roots, the land that is part of our personal geography.
We both grew up on farms, in large families—his three kids larger than mine at nine. We both picked rock—he more than me as Morrison County in central Minnesota sprouts more rocks than Redwood County. We each labored in fields and barns and understood the value of hard work and our importance in the farming operation. Even at a young age. That carries through in our strong work ethics and our strong link to the land.
And, though we left our rural communities at age 17, we still hold dear the small towns—Buckman and Vesta—that were such an important part of our upbringing. Both have changed with familiar businesses long gone. Society changed and locals began driving farther for groceries and other necessities.
It’s easy to get caught in the memories, of the back then, of wishing nothing had changed. But it has and it does. And life goes on.
Returning to our hometowns, our home areas, causes me to reflect while simultaneously appreciating that which remains. Cafes and churches and hardware stores. Post offices and bars and grain elevators. These are the community gathering spots that still mark many of Minnesota’s smallest communities, those towns that span only blocks from east to west, north to south.
But more than buildings, people form community. Even in Faribault, where Randy and I have lived since 1982, we’ve found our small town in a city of around 25,000. That’s in our faith family at Trinity Lutheran Church, the “town” that centers our lives. An uncle and I discussed this recently. He lives in Minneapolis. His neighborhood is his community, his small town.
No matter where you live, whether in rural Minnesota or New York City, the mountains of Idaho or the plains of Nebraska, I hope you’ve found your community and place of joy.
AS I VIEW THE LANDSCAPE layered in snow and consider the unseasonably cold temp of 12 degrees, I reflect that only 11 days ago, southern Minnesota looked and felt much different. Like the season of autumn rather than winter.
Today I take you back to October 18, to photos from a Sunday drive that started in Faribault and continued east through Kenyon, Zumbrota, Mazeppa, Oronoco and Pine Island, then back home.
As farm-raised kids, Randy and I enjoy these rural drives that transport us back in time and also give us a much-needed break from the realities of COVID-19, of politics, of life stressors. I never tire of seeing cornfields and farm sites, especially during the harvest.
There’s something about immersing myself in the countryside, about simply being in a rural landscape, that comforts me. That soothes and calms. I need that now more than ever.
We all have, I think, those places which offer us such a respite. Perhaps yours is a room in your house, a place in nature, maybe even within the pages of a book. I’ve been reading a lot lately and highly-recommend Susan Meissner’s A Fall of Marigolds.
Fall. It’s my favorite season, cut too short this year by an early significant snowfall. I’m not happy about it and I doubt many Minnesotans are. We often boast about our hardiness. Yet, we grow weary, too, of our long, cold winters. Most of us, anyway.
Yet, we choose to live here. This is home. And always will be for me. No matter the season.