Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Celebrating poetry during April, National Poetry Month April 3, 2025

The Riverwalk Steps Poem alongside the Cannon River in the heart of downtown Northfield. (Minnesota Prairie Roots copyrighted file photo)

I FEEL FORTUNATE to live in an area of Minnesota which values poetry. Some 20 minutes away in Northfield, poems imprint upon concrete throughout the city as part of the long-time Sidewalk Poetry Project. Along the Riverwalk, a poem descends steps. In the public library, a poem graces the atrium.

Sidewalk poetry in downtown Northfield carries a powerful message. (Minnesota Prairie Roots copyrighted file photo)

But that’s not all in Northfield. This city of some 21,000 has a poet laureate, currently Russ Boyington, who fosters poetry, organizes and publicizes poetry events, and leads an especially active community of wordsmiths. These are published poets, serious about the craft.

This anthology published in 2024. (Minnesota Prairie Roots copyrighted file photo)

Five seasoned Northfield poets recently collaborated to publish a collection of their work in We Look West. Even if you think you don’t like poetry, you will find something in this anthology which resonates. These poets take the reader through the seasons of life with humorous, sad, nostalgic, reflective and introspective poems. This anthology is especially fitting for anyone closer to the sunset, than the sunrise, of life.

A serene country scene just north of Lamberton in southern Redwood County on the southwestern Minnesota prairie. (Minnesota Prairie Roots copyrighted file photo)

April, National Poetry Month, marks a time to celebrate poets like those in Northfield and beyond. In my own community of Faribault, we have an especially gifted poet, Larry Gavin, a retired high school English teacher and writer. He’s published five collections of his work. Larry writes with a strong sense of place, his poems reflective of his love of nature, of the outdoors. A deep love of the prairie—he attended college, then lived and worked for a while in my native southwestern Minnesota—connects me to this remarkable poet. Plus, Larry has the rich voice of a poet, which makes listening to him read his poems aloud an immersive, joyful experience.

A chamber choir, directed by composer David Kassler, performs artsongs written from poems in 2017, mine included. (Minnesota Prairie Roots copyrighted file photo)

I, too, write poetry and am a widely-published poet, although certainly not as much as many other Minnesota poets. From anthologies to a museum, from the Mankato Poetry Walk & Ride to poet-artist collaborations, billboards and more, my poems have been out there in the public sector. Perhaps the most memorable moment came when a chamber choir performed my poem, “The Farmer’s Song,” during two concerts in Rochester in 2017. David Kassler composed the music for the artsongs.

Two of my rural-themed poems are included in an exhibit, “Making Lyon County Home,” at the Lyon County Historical Society Museum in Marshall. (Minnesota Prairie Roots copyrighted file photo)

Poetry has, I think, often gotten a bad rap for being stuffy, difficult, too intellectual and unrelatable. And perhaps it was all of those at one time. Butt that’s not my poetry. And that’s not the poetry of Larry Gavin or of the five We Look West Northfield poets or most poets today. The poetry I read, write and appreciate is absolutely understandable, rich in imagery and rhythm, down-to-earth connective.

My most recent poem selected for the Mankato Poetry Walk & Ride. Poets must follow character and line limits in writing these poems. This is a competitive process. (Minnesota Prairie Roots copyrighted file photo)

When I write poetry, I visualize an idea, a place, a scene, a memory, an emotion, then start typing. The words flow, or sometimes not. Penning poetry is perhaps one of the most difficult forms of writing. Every word must count. Every word must fit the rhythm, the nuances of the poem in a uniquely creative way.

Not the pancakes Grandpa made, but the pancakes and sausages made at the annual Faribault Lions Club Pancake Breakfast. (Minnesota Prairie Roots copyrighted file photo)

One of my most recent poems, “Pancakes with Grandpa,” was inspired by an exchange between my husband, Randy, and our grandson Isaac, then four. It was printed in Talking Stick 32—Twist in the Road, an anthology published in 2023 by northern Minnesota based Jackpine Writers’ Bloc. It’s a competitive process to get writing—poetry, fiction and creative nonfiction—in this collection.

So, in celebration of National Poetry Month, here’s my pancake poem, penned by a poet who doesn’t particularly like pancakes.

Pancakes with Grandpa

Batter pours onto the hot griddle,

liquid gold spreading into molten circles

molded by the goldsmith.

The collectors eye the coveted coins

that form, bubble, solidify

in the heat of the electric forge.

Appetite fuels imagination

as Grandpa’s coins fire

into golden brown pancakes.

Piled onto a plate, peanut butter spread,

syrup flowing and a nature lesson

in maple tree tapping.

The four-year-old forks the orbs.

“Peanut butter pancakes make me happy!”

he enthuses to the beaming craftsman.

© Copyright 2025 Audrey Kletscher Helbling

 

Happy spring, in poetry! March 20, 2025

My poem about spring, shown here, was part of the 2011 Roadside Poetry Project. (Minnesota Prairie Roots copyrighted file photo 2011)

ON THIS FIRST DAY of spring, I want to share a poem I wrote in 2011. My spring-themed submission for the Roadside Poetry Project seasonal competition won. And, as a result, my poem was printed on billboard-sized signs, then placed along a roadway just off Interstate 94 in Fergus Falls in west central Minnesota. Some 100,000 vehicles a month passed by my poem.

Writing good poetry is not easy. And when you must write within guidelines, the process is even more challenging. Roadside Poetry contest rules called for only four lines of poetry with a maximum of 20 characters per line. The poem needed to fit on the signs and be readable from a distance.

Somehow, my brain managed to create what I consider a succinct and visually-strong poem defining spring. On this first day of spring, enjoy my short seasonal poem. Happy spring!

(Minnesota Prairie Roots copyrighted file photo 2011)
(Minnesota Prairie Roots copyrighted file photo 2011)
(Minnesota Prairie Roots copyrighted file photo 2011)
(Minnesota Prairie Roots copyrighted file photo 2011)

© Copyrights 2011 and 2025 Audrey Kletscher Helbling

 

From Minnesota & Harlem, photographing everyday life February 20, 2025

I recently finished this book about slavery, freedom and abolition. A must-read. (Book cover sourced online)

DURING THIS, BLACK HISTORY MONTH, I’ve intentionally read books about slavery, Black people and the Black experience. It’s important to me that I widen my knowledge and understanding. Many of the stories are heartbreaking, almost unbelievable in the mental and physical cruelty inflicted upon Blacks. This is hard stuff to read. But it is in the hard stuff that we begin to fully comprehend the importance of empathy, kindness, compassion and the need to stand strong against that which is hateful, hurtful and oppressive.

(Book cover sourced online)

This week, though, I read a Black-focused book which inspired and uplifted me. It’s a children’s picture book, Everywhere Beauty Is Harlem: The Vision of Photographer Roy Decarava. The book, written by Gary Golio and illustrated by E.B. Lewis, won the 2025 Coretta Scott King Illustrator Honor Award.

This book resonates with me personally and professionally in telling the story of 1940s world famous photographer Roy DeCarava, unknown to me until I read this book. Trained in the arts and in photography, he would go on to photograph everyday life in his native Harlem via work for the Works Progress Administration Project, fellowships and more. He worked as a photographer for major publications, has/had his photos featured in exhibits and art museums, became an art professor… And he was Black.

But what I love most about this story is that DeCarava aimed to photograph everyday life, everyday scenes, everyday people in the streets of Harlem. He shows life in raw reality. He worked back in the days of film, admittedly much more challenging than shooting with a digital camera. I started with film, too. You often get only one chance to take a photo. No firing off shots. No digital manipulation. Just a single, unedited print.

I took this portrait, one of my favorites, nearly 11 year ago at International Festival Faribault. (Minnesota Prairie Roots copyrighted file photo 2014)

I will never match the talent of DeCarava. But I do share his focus. I also aim to photograph the ordinary, the everyday, right where I live (or mostly in southern Minnesota). Like him, I notice details. The light. The moments. The expressions. The people, scenes, settings and events that define a place. The anything that might make for an interesting photo.

Unlike DeCarava, my roots are rural. I’ve only ever been to New York City once, while in college. I was awed by the skyscrapers, the street vendors, Chinatown and men hurrying along Wall Street in leisure suits. (This was in 1977.) But I have no desire to return to a place that feels too closed in, too busy, too chaotic.

My photo of Jane chalking art on a Faribault sidewalk. (Minnesota Prairie Roots copyrighted file photo August 2020)

Yet, Harlem in Upper Manhattan was DeCarava’s home, where he found the subjects of his photos. Everywhere Beauty Is Harlem gives a snapshot of the images this photographer snapped. A man on the subway. A boy drawing on the sidewalk with chalk. Black and brown children dancing in water spraying from a fire hydrant.

Beyond the visuals, the story in this children’s picture book encompasses the essence of DeCarava’s photographic focus on the everyday and the ordinary. I really ought to buy a copy of this book for my personal library. If you want to understand my photographic work, then read this multi award-winning children’s picture book. But, more importantly, read this book to learn about a world famous Black photographer whose talent for visual storytelling is a gift to all of us. To see the world through his eyes presents life as it is. Real. Raw. Unedited.

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FYI: I encourage you to also check out the photography of New York City photographer Keith Goldstein, whose work I follow on his blog, “For Earth Below.” His street photography has opened my eyes to humanity in a way that I never see here in southern Minnesota. His talent is remarkable. Goldstein, I think, works much like Roy DeCarava did, with his camera focused on the everyday, the ordinary. And therein both have found the extraordinary.

© Copyright 2025 Audrey Kletscher Helbling

 

Valentine’s Day love, my version February 14, 2025

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Vintage valentines from my mom’s collection. (Minnesota Prairie Roots copyrighted file photo)

LOVE. It’s today’s buzzword, the reason behind Valentine’s Day, the universal day of love.

But let’s look beyond the romantic version of love connected to this day. Let’s look at who and what we love. Be specific. I’ll start. In the process, I expect you will learn a bit more about me.

First, I love my family. Obvious, right? Specifically, those dearest to me are my core family of Randy, Amber, Miranda, Caleb, Marc, John, Isabelle, Isaac and Everett. I should note here that my grandson Everett was born just a month ago, widening the circle of our family. I am happiest when we are all together. That last happened in August. Distance separates us and I’m talking Minnesota to Wisconsin to Massachusetts.

I also love my friends. I won’t name them. There are too many. But I feel grateful for friendship, including those who have become friends via the blogging world.

A positive message on a SCRABBLE board at LARK Toys, Kellogg, Minnesota. (Minnesota Prairie Roots copyrighted file photo)

TRAITS I LOVE IN PEOPLE

As long as we’re talking people, here are the traits I love, or most value, in individuals. Empathy, compassion and kindness. Honesty. And the ability to listen. I can’t even begin to tell you how often people turn a conversation around to focus on themselves. Just don’t.

Cheesecake. (Minnesota Prairie Roots copyrighted file photo)

FOODS I LOVE

When it comes to food, I love the following, in no particular order: cheesecake, thin crust spicy Italian sausage pizza from Basilleo’s 2.0 or the Signature Bar & Grill in Faribault, dark chocolate, peaches, homemade soup, cave-aged blue cheese from the Caves of Faribault (a division of Prairie Farms), s’mores, Minnesotan Amy Thielen’s Classic Chicken and Wild Rice Hotdish (not casserole; yes, I make this hotdish), treats from a bakery, garden-fresh tomatoes…and potlucks.

Autumn leaves in the Cannon River at the Cannon River Wilderness Park, Rice County, Minnesota. (Minnesota Prairie Roots copyrighted file photo)

LOVIN’ GREEN, NATURE & MORE

I love the color green. Always have. My eyes are green, a rarity in eye color. Green is also the hue of nature, another reason to like it.

I love when spring pops green in a shade that is indescribably vibrant. But I also love autumn, my favorite season actually, with its flaming treelines, its cobalt skies, its crisp air, its cooler days. I can bring out the flannel shirts then. I love flannel. Fashionista I am not. I could care less if my clothes are “in style” or not. I go for comfort. Flannel and boot-cut blue jeans, which I hear are now back in vogue due to a certain rapper performing during half-time of the Super Bowl. (Did anyone understand what he was saying? I didn’t.)

Rap is definitely not my style. But I love oldies music, oldies meaning songs from the 1970s by groups like Chicago, Bread and the Eagles. I also enjoy listening to contemporary Christian music on Twin Cities-based KTIS radio.

I typed a message on a vintage typewriter in a Hastings, Minnesota, antique shop many years ago. (Minnesota Prairie Roots copyrighted file photo)

FOR THE LOVE OF CREATIVITY

I prefer quiet, though, to music. Quiet allows me to write, which I absolutely love. No surprise there. I love the process, the way words flow and meld into something that becomes something. Something that holds meaning, entertains, fills me with a sense of purpose and accomplishment. I feel the same about photography. I love to read, too, especially mysteries or books that enlighten me.

A serene country scene just north of Lamberton in southern Redwood County in my native southwestern Minnesota. (Minnesota Prairie Roots copyrighted file photo)

LOVIN’ A WHOLE LOT MORE IN LIFE

This list of “loves” is getting lengthy, so here are some other random things I love: country drives along back gravel roads, visiting small towns, garage sales and thrift shops, art, time at the Horseshoe Lake cabin (not ours, but belonging to family), campfires, water rushing over rocks, vintage tablecloths and drinking glasses, the prairie, the woods, lilacs and zinnias.

Zinnias, a great cut, easy-to-grow-from-seed colorful flower that reminds me of Mom. (Minnesota Prairie Roots copyrighted file photo)

Whatever and whomever you love (feel free to share a few of your “loves” here), may you feel embraced by love, especially today. Happy Valentine’s Day!

© Copyright 2025 Audrey Kletscher Helbling

 

The craft of writing creatively, from idea to story February 11, 2025

My fiction, creative nonfiction and poetry has published in all these volumes of The Talking Stick, plus volumes 32 and 33 not pictured here. (Minnesota Prairie Roots copyrighted file photo)

WITH ONLY WEEKS until the deadline for an annual writing contest, I am stretching my mind to come up with short stories and poetry that will please not only me, but also the editors of a Minnesota-based literary anthology. It’s not easy, this creative writing. Yet, I enjoy the challenge.

I can’t always explain from whence my fictional stories spring. I’ve written some really dark stuff that has landed me publication and sometimes prizes. Stories with undertones of darkness and violence. Nothing like I’ve experienced in real life, although certainly I’ve faced plenty of dark and trying days.

When I read my second place winning fictional story, “Dear Mother,” at last fall’s Talking Stick 33—Earth Signs book launch party in northern Minnesota, I qualified my reading with “I don’t know where this dark story came from.” It was implied that the main character killed her abusive mother. The writer who followed me as the first place winner in fiction also wrote a dark story. I don’t recall if Tara or some other writer explained that, in order to reach the light, we need to go through darkness. That resonated with me.

The beginning of “Barbershop Prompt,” published in Talking Stick 31–Escapes. (Minnesota Prairie Roots copyrighted file photo)

I’ve completed the initial draft of my first piece of fiction for this year’s contest. It, too, includes some dark elements. The community calendar in my local newspaper prompted the story, which I realize may seem rather odd. But, hey, inspiration can strike in the most unlikely of places. A previous work prompted by a sign at Bridge Square Barbers in Northfield earned me a second place in creative nonfiction in 2022.

Now three years later, with the printed community calendar of events lying on my office desk, I glanced from newspaper to computer screen as the idea of a story began to take shape. Once I finished the intro, words began to fly (OK, admittedly not always) from my brain to the keyboard to the screen. The draft is saved, awaiting a second look in a few days.

This sharing library in Pine River is inspiring my next creative work. (Minnesota Prairie Roots copyrighted photo July 2024)

Now I’m on to my next piece of writing. A photo I took of a sharing library (like a Little Free Library) in Pine River is serving as my inspiration for a story that has yet to unfold. But I see the possibilities in the many love-themed/titled books shelved inside that library adorned with a Peace/Love/Books sticker.

Romeo and Juliet by Shakespeare. Lunkers Love Nightcrawlers, author unknown to me. Tuesdays with Morrie by Mitch Albom, packed with life lessons, including that of love. Sin Killer by Larry McMurtry, a book of adventure, humor and romance on the American frontier. And then Absolute Power by David Baldacci, about a President “caught” with a billionaire’s wife. That title seems so relatable to today. Absolute power. But writing contest rules call for no political or religious rants, meaning I will need to steer clear of politics.

And so I’ll see where this idea goes. If a plot develops in my mind, if a story flows into something that may, or may not, be dark.

© Copyright 2025 Audrey Kletscher Helbling

 

Even scarier than Halloween October 31, 2024

A Halloween mask and costumes for sale at Something for All, a thrift shop in Lonsdale, MN. (Minnesota Prairie Roots copyrighted photo October 2024)

OCTOBER 31. Halloween, the one day when scary is celebrated in a big way. But October 31 also marks another notable day, the final day in Domestic Violence Awareness Month. Domestic violence is far scarier than any ghoulish, frightening, unsettling costume or event. Domestic violence and abuse are real. Real scary.

Warning signs of relationship abuse from an event held in Faribault many years ago.

Abuse can be physical, psychological/mental and/or emotional. Death, injuries, scars, trauma and so much more result from abuse which is, at its core, all about manipulation, power and control. Those can be insidious or blatant.

My fictional story, “Evidence,” is published in this anthology.

With that brief background, I am sharing a fictional story printed in Talking Stick 32—Twist in the Road, a literary anthology published by northern Minnesota based Jackpine Writers’ Bloc. I wrote “Evidence,” which won an honorable mention in the 2023 Talking Stick writing competition. Please read my story and then my comments following.

Some victims of domestic abuse/violence flee with minimal belongings in a single bag or suitcase. Some leave with nothing at all. Leaving marks the most dangerous time period when exiting an abusive relationship. (Minnesota Prairie Roots copyrighted file photo)

Evidence

She waited inside the bus station, body molded into a hard plastic chair, battered suitcase at her feet nudging shoes that needed a good polishing. Beverly felt restless, lost, as if at any moment she would awaken from her nightmare of a life. She pressed her right thumb into her sweaty left palm, a soothing habit that sometimes helped calm her. But not today.

Only hours earlier she’d fled to this place after tossing several changes of clothing alongside her diary in the bag now resting on the sticky, worn floor soiled by a thousand feet, a thousand stories. Today her story.

Her mind drifted to those first years when she wrote in flowery script, embellishing her writing with hearts. Love, so much love. He cherished her, loved her, embraced her with words and flowers and praise. Until he didn’t.

It was all so subtle, how Thomas, not Tom, chose to slip hurtful words into conversations, wearing her down. Day by day. Complaints of undone laundry and cold dinner and dirty dishes. And then the accusations flew. Where were you? Why were you speaking to him? Why can’t you ever do anything right? Then he slapped her. Repeatedly. Often.

She felt beaten. Weak. Exhausted. Trapped. Her writing reflected that, emotional words looping across the lined paper. Uneven and running together and sometimes nearly unreadable. Tears traced through the ink and wrinkled the pages.

For the longest time, she endured, pulled inside herself, determined she could do better, be better, love him more. Yet, it was never enough. Thomas continued to berate her, to find fault in everything she said and did. And she recorded it all in the journal zippered inside the suitcase stuffed in the back of their closet, the suitcase now at her feet. Evidence.

Beverly pulled herself back to reality, checked the time on the massive clock inside the bus station. Soon the Greyhound would roll in. She grabbed the worn handle of the battered bag, rose from the uncomfortable chair, and headed toward the boarding area. The momentum of hurrying passengers, their shoes slapping against the speckled linoleum, carried her. The bus doors pulsed open. Beverly stepped inside, handing her ticket to the driver. Her mood shifted, lightened with each step down the aisle until she saw him through the window, face flashing anger, fists clenched at his sides.

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This text was published in a book, “She Stays,” by Eric Staab-Absher, director of HOPE Center in Faribault. (Text copyright of Erica Staab-Absher)

COMMENTS: If you recognize yourself or someone you love in my fictional story, first know that you are not alone. Help is available through organizations that will support you and/or your family. That may be a shelter or an advocacy/outreach organization focused on preventing domestic violence, providing education and resources, and simply being there for you. If you’re not ready for that step, talk to a trusted friend or family member. Seek help.

Leaving an abuser is not easy. It’s scary and difficult. Even dangerous. But you (or someone you love) are so worth living a life free from manipulation, control, abuse and/or violence.

VIOLENCE FREE MINNESOTA has released its “2023 Homicide Report: Relationship Abuse in Minnesota.” In 2023, there were 40 confirmed victims of intimate partner and domestic violence-related homicides in the state. That’s the highest number since tracking began in 1989. Gunshot is the leading cause of deaths. This report honors victims across Minnesota with photos and information. It’s packed with statistics and other valuable information and is well worth your read. Click here to read the full report or a summary of it.

To learn more, start by clicking here to reach the National Domestic Violence Hotline.

© Copyright 2024 Audrey Kletscher Helbling

 

Celebrating community journalism during National Newspaper Week & my backstory October 8, 2024

I am a down-to-earth writer who focuses on writing about people, places and events primarily in Minnesota. Here I’m pictured outside Jack Pines Resort, rural Osage. I was there attending a book launch party for an anthology in which my writing published. (Minnesota Prairie Roots copyrighted file photo by Randy Helbling, September 2024)

I’VE ALWAYS LOVED WRITING. From early on, my love of language, of words, of grammar, of, yes, even spelling, defined me. Give me a book to read. Give me a spelling test. Give me a pen and a notebook. And then a computer. Words, words and more words. I will find them, use them, create stories with them.

At one time, I wanted to pursue a degree in German. But, after a year in college, I changed direction because I didn’t want to teach. I decided to study journalism. It was absolutely the right decision for me, my interests and my skills.

With that intro, I join the many writers who are celebrating National Newspaper Week October 6-12. That includes journalists from my local paper, The Faribault Daily News, in which my writing publishes each weekend and sometimes more. I no longer consider myself a full-fledged journalist as much as a writer. These days I write from a personal perspective, more as a columnist, rather than as an objective reporter. I write fiction, creative nonfiction and poetry, too.

MY JOURNALISM EXPERIENCE

But I did work as a full-time newspaper reporter and photographer after graduating with a mass communications degree (news/editorial emphasis) in 1978 from Minnesota State University, Mankato. I worked for newspapers in Gaylord, Sleepy Eye, Mankato, Owatonna and Northfield. Eventually I gave up journalism when I started a family. The long and odd hours are not conducive to family life.

Today my three kids are long grown and gone, and I’ve found my way back to writing with an added focus on photography. What makes a good writer, a good newspaper reporter? Topping my list are the abilities to listen and focus on detail. I’ve always considered myself a good listener, a necessity for any newspaper reporter. I developed the skill of taking notes while actively listening. Organization also factors in. There’s always a bit of homework involved in prepping for an interview. Research the subject. Prepare questions, but be open to asking more as the interview progresses. Focus on details. Tell a story.

I worked in journalism before the days of cellphones, so I filled notebooks with pages of notes. I also studied and worked in the profession before computers and digital cameras. My first job out of college, I typed all of my stories on a manual typewriter, shot all my photos on film. I would never want to go back to either. Give me a computer and a digital camera. It’s much easier to create with those.

FOCUS ON LOCAL STORIES

I love sharing stories and photos of people, places and events that weave into my life, that I discover. I find joy in following a gravel road, in discovering interesting signage, in exploring small towns, in meeting ordinary people following their passions… People often tell me I find the most interesting things. I agree. And then I tell them it’s right here in their own backyard if only they pause to look, and see.

Therein lies the value of community journalism, which I want to highlight and honor during National Newspaper Week. Our local newspapers are all about local. Local reporters cover and write about the people, places and events that are happening locally. They write stories ranging from features to hard news. I covered all of those, too, while working as a full-time reporter. It’s not an easy job. People are quick to criticize, slow to praise. So I want to state right now that I appreciate our local news team. They work long, odd hours, just as I did, to gather and write the news. They care.

Everyone ought to care that freedom of the press thrives, that these journalists are covering our government meetings, writing about our neighbors, highlighting ordinary people who do extraordinary things and much more. We need newspapers as much today as ever before, perhaps even more.

Please, support your local newspaper by subscribing. And thank a newspaper reporter for their dedication to the profession. They deserve to be recognized, especially during National Newspaper Week.

© Copyright 2024 Audrey Kletscher Helbling

 

Autumn searches for water, at least in Minnesota September 30, 2024

Parched, cracked earth by the Turtle Pond, River Bend Nature Center. (Minnesota Prairie Roots copyrighted file photo August 2021, used for illustration only)

IN AN AUTUMN WHEN RAIN REMAINS elusive and drought once again settles upon Minnesota, I am reminded of a poem I penned 14 years ago for a competition. “In which Autumn searches for Water” was among 28 pieces of prose and poetry published in “It’s All One Water,” a collaboration between the Zumbro Watershed Partnership and Crossings at Carnegie in Zumbrota.

The invitation to the 2012 “It’s All One Water” reception and group show in Zumbrota.

The winning entries were printed in a beautiful 55-page booklet that paired the writing with submitted photos, all themed to water. I opted to pen a poem personifying Autumn as a woman searching for water upon the parched land. To this day I still love that strong visual, inspired by my long ago observations at River Bend Nature Center in Faribault.

And if I were to tap further into my visual memory, I would also see a semi trailer full of hay parked in a southwestern Minnesota farmyard in the summer of 1976. That was a year of severe drought, when my dad bought a boxcar full of hay from Montana so he could feed his cows and livestock. It was the year that nearly broke him as a farmer.

A REALLY DRY & WARM SEPTEMBER IN MINNESOTA

Here we are, 48 years later, settling once again into drought/abnormally dry weather conditions in Minnesota after a winter of minimal snow followed by an excessively wet spring, a dry-ish summer and now a record warm and dry September. This September, the Twin Cities recorded only 0.06 inches of rain and the most days of 80-degree or warmer high temps in any September. It doesn’t feel like fall in Minnesota, more like summer. But at least temperatures cool overnight.

Areas of western and central Minnesota are under a Red Flag Warning today, code words for a high fire danger, due to dry, windy conditions and dropping relative humidity. We are experiencing “near critical fire weather conditions” here in the southern part of the state.

AND THEN THERE’S TOO MUCH WATER

Contrast this with the weather my friends in western North Carolina and other areas affected by Hurricane Helene are experiencing. One is OK (as is her house). But she expects to be without power for a week and is relying on limited cell service at the local firehall. Another friend, a native Minnesotan, lost his car and may lose his home in Hendersonville after a creek swelled, flooding his garage (with four feet of water) and house (30 inches of floodwaters). A foundation wall “blew out” of his home. He is currently staying with family in Florida.

So, yes, even though the lack of rain and abnormally warm weather in Minnesota concern me, I feel a deeper concern for the folks dealing with loss of homes, businesses, infrastructures and, especially, deaths of loved ones. The devastation is horrific. It will take months, if not years, to recover.

RESPECT FOR WATER & MY POEM

In 2012, the following statement published in the intro to “It’s All One Water”: It is our hope to inspire respect, protection, preservation and awe in honor of water, our most precious of Natural Resources. How one views water right now depends on where they live. But I think we can all agree that water is “our most precious of Natural Resources.”

Autumn leaves in the Cannon River, Cannon River Wilderness Park. (Minnesota Prairie Roots copyrighted file photo 2021)

In which Autumn searches for Water

Water. The wayward word rises in a faint rasp,

barely a whisper above the drone of buzzing bees

weaving among glorious goldenrods.

I strain to hear as Autumn swishes through tall swaying grass,

strides toward the pond, yearning to quench her thirst

in this season when Sky has remained mostly silent.

But she finds there, at the pond site, the absence of Water,

only thin reeds of cattails and defiant weeds in cracked soil,

deep varicose veins crisscrossing Earth.

She pauses, squats low to the parched ground and murmurs

of an incessant chorus of frogs in the spring,

of Water which once nourished this marshland.

Autumn heaves herself up, considers her options

in a brittle landscape too early withered by lack of rain.

Defeat marks her face. Her shoulders slump. She trudges away, in search of Water.

© Copyright 2024 Audrey Kletscher Helbling

© Copyright 2012 “In which Autumn searches for Water” by Audrey Kletscher Helbling

 

Latest “Talking Stick” anthology publishes & I’m in, again September 19, 2024

I couldn’t resist posing with Paul Bunyan at Jack Pines Resort following a book launch party there on September 14. (Photo credit: Randy Helbling)

FOR 33 YEARS NOW, a writing group in northern Minnesota has published Talking Stick, a literary anthology packed with poetry, fiction and creative nonfiction. It features not only the writing of well-known Minnesota writers, but also that of emerging writers. And that says a lot about this book published by the Jackpine Writers’ Bloc based in the Park Rapids area.

Getting published in this anthology is a competitive process with blind-judging. The judges—this year a university English professor and writer, a writer who moved to Minnesota for a rural artist-in-residency, and the author of a cozy mystery series—have no idea whose work they are considering for honors. The Jackpine editorial team chooses their top pieces to pass along to the judges for review and awards.

There were 280 submissions from 121 Minnesota writers or writers with a strong connection to our state in the 2024 writing competition. Of those, 113 works from 72 writers were published. That includes 63 poems, 22 creative twist pieces, 15 creative nonfiction stories and 13 fictional stories.

Me with author and fiction judge Jeanne Cooney, right. (Photo credit: Randy Helbling)

My short story, “Dear Mother,” earned second place in fiction as decided by author Jeanne Cooney. She’s written “A Hot Dish Heaven Mystery” series and has launched a new “It’s Murder” series. Did my mention of Hamburger Noodle Hotdish and red Jell-O salad in my story influence Cooney’s decision? I’d like to think not, but I suppose subconsciously it could have. When I wrote my short story, though, I had no idea who would be judging the fiction category. Hotdish simply fit into the storyline.

The beginning of my prize-winning fictional story, “Dear Mother.” (Minnesota Prairie Roots copyrighted photo September 2024)

Cooney called “Dear Mother” a “Very good story. But needs to be clearer.” She was right. Her comments helped me shape a stronger, better piece of writing. Dark writing. Mine is a story that begins seemingly ordinary enough, wrapping up in a surprise ending. Or rather an inferred dark ending.

Congratulations to everyone whose work published in “Talking Stick 33.” Those include readers of this blog. Thanks also to Managing Editors Sharon Harris and Tarah L. Wolff for their ongoing dedication to the craft of writing. (Minnesota Prairie Roots copyrighted photo September 2024)

Last Saturday afternoon, I gathered with other writers and supporters for a party launching publication of Talking Stick 33—Earth Signs at Jack Pines Resort (no connection to the writers’ group) in rural Osage, a four-hour drive from Faribault. The event included a writing workshop (which I did not attend), book reading and socializing.

I’m not especially comfortable reading to a roomful of people, even though I’ve done so many times. But I practiced and then read “Dear Mother” with dramatic inflections and soft tones in just the right spots, managing to convey exactly what I wrote. There’s something to be said for hearing a poem or story read aloud. The piece comes alive via the voice of the writer.

As I listened to all these writers, I felt a strong sense of community. I felt encircled by a group of incredibly talented and supportive creatives. People who care about language and emotion and damn good writing.

My collection of “Talking Stick” books. I’ve been published in 15 of these 16 volumes. (Minnesota Prairie Roots copyrighted photo September 2024)

This marks the 15th consecutive year my writing has published in Talking Stick. A poem, “Misunderstood,” and a work of creative nonfiction, “Lessons Inside the Dome,” were also selected for publication in the 2024 volume. Both are Faribault-rooted. My poem focuses on the connection between the Wahpekute and today’s homeless population living in woods along the Straight River. In “Lessons,” I write about walking inside the Shattuck-St. Mary’s School dome during the winter and lessons I learned there.

My writing is often rooted in experiences, in observations, in overheard conversations, in memories. I’ve covered everything from farming, to aging to domestic abuse, trauma, Minnesota Nice and more. Writing prompts have come from a vintage family photo, a sign on a barbershop window in Northfield, a painting by Andy Warhol… There are stories everywhere.

I’m grateful to the Jackpine Writers’ Bloc for repeatedly choosing my work for publication in Talking Stick. That includes 15 poems, 10 short stories, nine creative nonfiction stories and two creative twist stories (written using a list of pre-selected words). I’ve thrice been awarded second place (poetry, fiction and creative nonfiction). I’ve also earned eight honorable mentions (four for fiction, two for creative nonfiction, and one each in poetry and creative twist). Winning those awards is validating to me as a writer.

But just as validating is being among other writers. Writers who appreciate the craft of writing and the hard work it takes to shape a poem or a short story. Writers who understand the importance of word choice. Writers who recognize the power of words. Writers who don’t settle for the mundane, the cliché, the everyday. Writers who will spend several hours together on a glorious September afternoon in the northwoods celebrating the release of Talking Stick, a stellar literary anthology. We have much to celebrate in Minnesota, in this place that produces a remarkable number of talented writers.

FYI: To purchase a copy of “Talking Stick,” click here. Thank you for supporting Minnesota writers.

© Copyright 2024 Audrey Kletscher Helbling

 

Oh, the places my photos go, including into a vets home in Bemidji August 19, 2024

This photo, taken at the Grant Wood Rest Area along I-380 south of Cedar Rapids, Iowa, was published in a book about architecture. It was converted to black-and-white in the book. (Minnesota Prairie Roots copyrighted file photo)

THROUGHOUT MY 15 YEARS of blogging, I’ve sold rights to dozens of images sourced from Minnesota Prairie Roots. My photos have published on websites, in tourism guides, on album covers, on packaging for a toy company, in magazines and newspapers, on business promotional materials, on signs and banners, on the cover of a nonprofit’s annual report, in books…

Three of my photos published in this book. (Book cover sourced online)

I’m especially proud of the three photos published in The World of Laura Ingalls Wilder—The Frontier Landscapes that Inspired the Little House Books by New York Times bestselling author Marta McDowell. I grew up only 25 miles from Walnut Grove, Wilder’s childhood home. Wilder inspired me as a writer and photographer with her detail-rich creative style. I’m also proud of my two Grant Wood-themed Iowa rest stop photos printed in the book Midwest Architecture Journeys. I have copies of both books.

My Laura Look-Alike Contest photo displayed in a Chicago museum. My friend Laurel happened upon the photo while touring the museum and snapped this image for me. (Minnesota Prairie Roots copyrighted photo by Laurel Engquist)

Likewise, I had the honor of selling rights to photos displayed in a temporary Laura Ingalls Wilder exhibit at the American Writer’s Museum in Chicago, at the Minnesota Children’s Museum in St. Paul and at the National WWII Museum in New Orleans. Atherton Pictures purchased rights to a southwestern Minnesota farm site photo for a WWII video created for the museum. I’ve never visited any of the three museums.

The Minnesota Veterans Home, Bemidji, which can house 72 veterans, recently opened. (Photo courtesy of Minnesota Veterans Home, Bemidji)

Seldom do I see how my photos are used once I email the original high resolution digital images to the buyer. But this summer I had the joy of seeing my framed photos displayed in hallways of the new Minnesota Veterans Home in Bemidji. I was in town to bring my son, who lives in Boston and was in Bemidji for the international unicycling convention, home to Faribault. I knew I had to make time for a stop at the veterans home.

Me with two of my photos, a scene from the Northfield Area Veterans Memorial on the left and the other at the Rice County Veterans Memorial. (Photo courtesy of Minnesota Veterans Home, Bemidji)

So in between Unicon 21 events, Randy and I headed to the vets home in hopes of seeing my six framed art prints. We found four, thanks to Maryhelen Chadwick, public affairs/volunteer coordinator at the Veterans Home. When we showed up unexpectedly, Chadwick graciously led us through the sprawling Town Center in search of my photos. There, in the hallways of this public space, which includes a multipurpose room, theater, club room, learning studio, family dining room, therapy gym and meditation room, we located four of my photos.

This photo, converted to black-and-white, hangs in the Bemidji veterans home. (Minnesota Prairie Roots copyrighted file photo)
My photo of the Traveling Vietnam Memorial Wall also hangs in the vets home. (Minnesota Prairie Roots copyrighted file photo)

Curated by a St. Paul art company, the selected images are all veteran-themed. Oversized photos of veterans’ memorials in Faribault and Northfield anchor a hallway wall. Elsewhere in the public space are two more images shot in Faribault—a veteran playing taps at a Memorial Day program and a photo of items placed at the Traveling Vietnam Memorial Wall. Chadwick later found my photos of sculptures at the county memorial in Faribault and the Rock County Veterans Memorial, Luverne, in the residential wing of the veterans home.

My father, Elvern Kletscher, on the left with two of his soldier buddies in Korea. (Minnesota Prairie Roots copyrighted photo)

To see four of my six photos showcased in a public space where veterans, their families and friends, staff, and others can view my work is humbling. I am the daughter of a Korean War veteran. My dad, Elvern Kletscher, fought on the front lines in Korea as a foot soldier. He experienced the worst of war. The injuries. The killing. Atrocities so awful, so horrific that he was forever changed by his time in combat. He suffered from Post Traumatic Stress Disorder (unrecognized at the time of his discharge). He endured much pain, heartache, trauma. Nightmares. Flashbacks.

My photo of a sculpture at the Rock County Veterans Memorial, lower right, is showcased in a group of images in the Beltrami Household. (Photo courtesy of Minnesota Veterans Home, Bemidji)

But, in his later years of life, Dad found solace among other veterans in a support group through the Redwood County Veterans Service office. I remember how hard officials worked to secure the Purple Heart that Dad finally got 47 years after he was wounded on Heartbreak Ridge. I was there for that emotional public ceremony.

My photo of a dove and eagle at the Rice County Veterans Memorial in Faribault graces a hallway of the Beltrami Household. (Photo courtesy of Minnesota Veterans Home, Bemidji)

Today emotions swell again as I think of my framed photos hanging in the Minnesota Veterans Home—Bemidji. To me these are not just veterans-related images procured as art. They are a photographic “thank you” to every person who has served our country. Because of individuals like my dad, I live in a free country, in a democracy. I never take that for granted. To be able to express my gratitude via my photos is truly an honor, a joy and deeply meaningful.

I hope my photo of a dove sculpture, symbolizing peace, and an eagle, symbolizing freedom, conveys my gratitude to the veterans living in the Minnesota Veterans Home, Bemidji. (Minnesota Prairie Roots copyrighted file photo)

NOTE: Maryhelen Chadwick kindly found and photographed my eagle/dove and soldier sculpture photos per my request after I visited the home. They hang in the Beltrami Household, one of four 18-room residential areas, a space I could not tour due to privacy.

© Copyright 2024 Audrey Kletscher Helbling