Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

At Buckham Library: Portraits honor Faribault’s founding fathers November 21, 2022

“Faribault’s Founding Fathers,” Alexander Faribault (left to right), Chief Taopi and Bishop Henry Whipple, painted by Dana Hanson. “Yuonihan” means honor or respect. (Minnesota Prairie Roots copyrighted photo November 2022. Art copyrighted by Dana Hanson.)

MY LIBRARY, BUCKHAM MEMORIAL in Faribault, features dozens of art pieces by local artists scattered throughout the building. I’ll admit that I really don’t even notice the art any more in my frequent visits to the library. Like anything, after time, familiarity begets overlooking.

But that all changed recently when I looked across the library to the west by the adult fiction and saw a work of art I hadn’t previously noticed. It’s been there for about a year. Yet, just now, I happened to see Dana Hanson’s original art piece, “Faribault’s Founding Fathers.” I strode across the library toward the high-hanging portrait piece and took pause.

Dana Hanson’s artist statement posted at the 2016 Artgo! art show at Buckham Center. (Minnesota Prairie Roots copyrighted file photo October 2016)

I first met Dana, who specializes in portraits, in 2015 during Faribault’s summer Concerts in the Park weekly outdoor music series at Central Park. Local artists were invited to paint on-site and Dana was among them. She has since moved away from Faribault.

A close-up of Dana’s “The Native Man, His Eagle & His Chanupa,” an oil painting exhibited in Owatonna in 2018. (Minnesota Prairie Roots copyrighted file photo April 2018)

Eventually, her art started showing up in exhibits—at Buckham Center, at the Paradise Center for the Arts and at the Owatonna Arts Center. Her work ranged from faith-inspired to celebrity (like Bob Dylan, Prince and Judy Garland) and Native American portraits and more. In Owatonna, her “Healing the Land” exhibit several years ago focused on the Dakota people.

Up close with Chief Taopi, center, and Bishop Henry Whipple, right. (Minnesota Prairie Roots copyrighted photo November 2022)

So when I saw the recently-donated 2019 painting of Faribault’s founding fathers, I was not at all surprised. Dana holds a heart full of gratitude, love and compassion for Indigenous peoples. That shows in her art, including in these portraits of Chief Taopi, a member of the Little Crow Band of the Mdewakanton Dakota Tribe; town founder Alexander Faribault, “friend and protector” of the Dakota; and Bishop Henry Whipple, “Spiritual Father and Humanitarian” and “Advocate for the Native Americans.”

Another example of Dana’s art, MESSENGERS OF HOPE with the horses subtitled, from left to right, “Light,” “Passion Fire” and “Grace.” These were exhibited at the Paradise Center for the Arts in 2017. (Minnesota Prairie Roots copyrighted file photo March 2017.

Indigenous peoples were the original inhabitants of Faribault, of Rice County, a fact now only beginning to be widely-acknowledged and honored. The Wakpekute, part of the Dakota Nation, placed their dead on scaffolding on the hill just up from my house in today’s current-day Wapacuta (sic) Park, a fact I only learned this fall at an historical presentation. Eventually, they were buried in Peace Park, a triangle of land near the library. There’s so much rich local history I am beginning to learn.

“Protector of the 38 + 2,” an oil on canvas by Dana Hanson and previously displayed in Owatonna. Her art honors the 38 Dakota men who were hung in Mankato following the US-Dakota War of 1862. (Minnesota Prairie Roots copyrighted file photo April 2018)

Chief Taopi, who centers Dana’s portrait trio, was a leader among his people and a member of a Peace Party during the US-Dakota War of 1862. Eventually he landed in Faribault, living on land owned by founder and fur trader Alexander Faribault. Taopi and the Bishop forged a strong friendship also. The Dakota chief died in 1869 and is buried at Maple Lawn Cemetery in Faribault.

Now, to see these three men honored via a painting in a place of learning, a place of connection, a place where history writes onto pages, reminds me of their importance in my community. In the familiarity of the library and during this, Native American Heritage Month, I need to pause, appreciate and respect those who shaped this place I’ve called home for 40 years.

© Copyright 2022 Audrey Kletscher Helbling

 

Varied art by a trio of artists showcased in Owatonna April 25, 2018

A sculpture inside the Owatonna Arts Center Library. The library is a must-see. It also features a vibrant ceiling mural.

 

SEVERAL DAYS REMAIN—until April 29—to view the work of three artists at the Owatonna Arts Center. Their art is notably distinct.

 

A section of “Winter Dreams of Spring.”

 

A solo piece of textile art showcases the work of Jan Myers-Newbury in the open space leading into the art center complex. “Winter Dreams of Spring” is a stunning quilted piece by this Pennsylvania artist with a Minnesota connection. She graduated from St. Olaf College in Northfield.

 

A close-up of Dana Hanson’s oil painting, “The Native Man, His Eagle & His Chanupa.”

 

Featured gallery artist Dana Hanson of Faribault focuses on “Healing the Land” in her powerful exhibit on the Dakota people. Through visions and dreams this Christian artist was inspired to create oil paintings that honor the memory and heritage of this Native people.

 

“Protector of the 38 + 2,” an oil on canvas by Dana Hanson.

 

She narrows her subject to the Dakota who were hung in the largest mass execution in US history following the US-Dakota Conflict of 1862. She also highlights an annual memorial ride honoring those 38 men.

 

 

I suggest you visit this exhibit, study the paintings and read Dana’s words about this important, and too often forgotten, difficult chapter in Minnesota history.

 

A portion of the painting “Taking His Licks,” done by Raymond Stuart in 1958.

 

Once you’ve finished that, skirt into the art center hallways to view the whimsical and delightful work of Raymond Stuart, who years ago created calendar art. A native of Illinois, he eventually settled near his wife’s native Meriden (near Owatonna) to set up his home and art studio in a barn. His work seems Midwest Normal Rockwell-type to me. It’s rural, humorous and everyday. Delightful.

 

“Bug Attack” by Raymond Stuart, date of painting unknown.

 

I’m always amazed at the variety of art I can see right here in southeastern Minnesota. How fortunate we are to have places like the Owatonna Arts Center to share and celebrate the arts.

 

I love the expressions in Raymond Stuart’s’ art, like this of the boy in his 1954 painting “Surprised.”

 

FYI: The Owatonna Arts Center is open from 1 – 5 p.m. Tuesday – Sunday and is located at 435 Garden View Lane.

 

UPDATED: 7:30 a.m. Friday, April 27, to correct the last name of the Meriden artist.

© Copyright 2018 Audrey Kletscher Helbling

All artwork was photographed with permission. Copyrights for art belong to the artist or rightful owner of those copyrights.

 

The art of Dana & Judy in the Paradise March 13, 2017

An overview of Judy Saye-Willis’ exhibit, “From Garden to Gallery: Natures Gentle Colors.”

 

EVERY ARTIST, whether a sculptor, painter, wordsmith, photographer or anything in between, brings values and background into his/her work.

 

A section of Dana Hanson’s portrait of Christ, titled “All For You.”

 

For Faribault artist Dana Hanson, faith clearly inspires her art.

 

Nature’s influence is seen both in the subject and in the weld (a plant) dye used in this art by Judy.

 

For Northfield artist Judy Saye-Willis, the natural world seems the most influential.

 

Dana’s “You Are Loved” faith-based painting.

 

They are two diverse artists currently exhibiting at the Paradise Center for the Arts in Faribault. Dana paints with a brush, oil on canvas. Judy works with fabric and dyes as a fiber artist in this particular From Garden to Gallery—Natures Gentle Colors collection.

 

In her One Color Series, Judy dyed each piece in a single color dye bath.

 

Both infuse passion and devotion into their work. Judy uses natural dyes to color fabric. Rhubarb root, black walnut, sumac, goldenrod, prairie wildflowers and more are dye sources for this artist who, like me, grew up on a southwestern Minnesota farm. Judy played in the fields and pastures of the prairie and I can see that in her art. She holds a closeness to the land.

 

This trio of paintings is titled MESSENGERS OF HOPE with the horses subtitled, from left to right, “Light,” “Passion Fire” and “Grace.”

 

Dana’s art sometimes comes to her, she says, in visions—her faith-based horse paintings inspired during worship. There is symbolism in her work, threads of light and hope. Her art is her visual ministry, Dana writes on her website.

 

A close-up of Judy’s panel tagged as “When Life Gives you Lemons make Art.” She used lemon juice for a discharge and dyed in cochineal. The repetition in the art is in the style of Andy Warhol.

 

I appreciate the artistic talents of both artists. I appreciate also their dedication to the craft. I appreciate the strength of their work.

 

“His Light” by Dana.

 

How I interpret their artwork may or may not match their intentions. But that’s the thing about art. We each bring to art our values, our backgrounds, our experiences. When our eyes lock on a piece of art, we react as only we can, with introspection that is uniquely and individually ours.

 

The Paradise Center for the Arts is housed in an historic former theater in downtown Faribault.

 

FYI: Dana and Judy’s exhibits will continue through March 27 in the main floor galleries at the Paradise Center for the Arts, 321 Central Avenue, Faribault. These photos are only a sampling of the artwork in their exhibits.

© Text copyright 2017 Audrey Kletscher Helbling
Artwork copyrighted by the artists and photographed with permission.

 

Beyond violence, two artists show that hope rises March 7, 2017

A portrait of Barb Larson by Faribault artist Dana Hanson.

A portrait of Barb Larson by Faribault artist Dana Hanson.

TUCKED INTO TWO CORNERS in two galleries are two tributes by two artists.

Both honor Barb Larson, murdered on December 23, 2016, in an act of domestic violence. She was a long-time friend to artist Judy Saye-Willis and an acquaintance to artist Dana Hanson. Both chose to remember Barb in their exhibits currently showing at the Paradise Center for the Arts in historic downtown Faribault.

Dana painted an oil on canvas portrait of Barb, the Faribault Area Chamber of Commerce & Tourism employee who stopped occasionally to place orders at the bakery where Dana works. “I just wanted to do something positive to remember…she was genuine and very nice,” Dana said. The result is her “In Memory of Barb Larson” painting, based on a photo.

This series of fiber art pieces by Northfield artist Judy Saye-Willis also honors Barb Larson. The pieces, from left to right, are titled "Darkness of Death 1", "Darkness of Death 2", "Destruction", "Hope", "Hope Rising" and "The Light of Hope".

This series of fiber art pieces by Northfield artist Judy Saye-Willis focuses on death and hope. The pieces, from left to right, are titled “Darkness of Death 1,” “Darkness of Death 2,” “Destruction,” “Hope,” “Hope Rising” and “The Light of Hope.”

Judy’s artwork themed on death and hope spans half a wall and includes six pieces. Three framed works were already completed prior to Barb’s murder. They are an expression of “what’s happening in our culture today,” she said, specifically citing ISIS and the violence in Aleppo, Syria, as inspiring the art. But, once the events of December 23 unfolded locally, Judy created three more related fiber art pieces using natural dye materials. The result is a compelling series of framed art and panels focusing on death and hope.

I angled my camera up to photograph "Darkness of Death 2."

I angled my camera up to photograph “Darkness of Death 2.” When Judy created this scene with blood dripping and an executioner’s mask, she was thinking of ISIS and the violence/situation in Aleppo.

“…I was feeling raw, emotional with nowhere to go with it,” Judy said. “It (Barb’s murder) was senseless. I went to my studio and started the first piece. I tried three times to dye the piece black, unsuccessfully. I called it “The Darkness of Death 1.”

Simply titled: "Hope."

Madonna and child, simply titled: “Hope.”

Once she finished the black panel, Judy transitioned into the theme of hope. That was prompted by a Catholic church official she heard talking about faith and hope on the morning of December 23 (the day of Barb’s murder) on CBS This Morning. The result is two more hope-inspired fiber art panels.

As I viewed both artists’ tributes to Barb Larson, I could see the emotion within the artwork. Dana succeeds, through the strokes of her brush and the paint colors she chose, to portray the woman described as vivacious and friendly by those who knew her. Genuine warmth glows in Dana’s painting of Barb. I can see Barb’s personality in that portrait.

Judy’s art differs significantly, leaving more open to interpretation, more room for the viewer to insert his/her experiences, emotions and reactions. In the first three darker pieces, beginning with the length of black-dyed cloth, there is no ignoring the darkness of a violent death. That Judy chose to confront and share that in her work makes a powerful visual public statement whether considering the violence in Aleppo or the violence in Faribault.

"Hope Rising," says Judy Saye-Willis, "is about moving forward from tragedy."

“Hope Rising,” says Judy Saye-Willis, “is about moving forward from tragedy.”

Equally as important are the three hope-inspired pieces that follow. Those, too, make a powerful visual public statement.

A close-up of "The Light of Hope," which Judy calls her strongest piece.

A close-up of “The Light of Hope,” which Judy calls the strongest piece in this series.

Through their art, Judy and Dana have opened the conversation about domestic and other violence in a deeply personal, emotional and introspective way.

Dana’s exhibit includes a trio of horse paintings titled MESSENGERS OF HOPE. They are, left to right, subtitled “Light,” “Passion Fire” and “Grace”

And any time we begin to think and talk about these difficult issues, hope rises.

FYI: At noon today, HOPE Center and the Faribault Chamber are rallying at the Chamber office (where Barb Larson was murdered) as part of a statewide effort, “It Happens Here: A Statewide Day to End Domestic Violence.”

© Copyright 2017 Audrey Kletscher Helbling

Artwork photographed with permission of the artists.