Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Lost somewhere among the jack pines of northern Minnesota September 23, 2024

Once we got west of Pine River, we were driving in unfamiliar territory. (Minnesota Prairie Roots copyrighted photo September 2024)

I FOLLOWED THE PRINTED directions as the phone squawked them aloud. We were about 15 miles west of Pine River, turning off County Road 2 (in whatever county) onto Minnesota State Highway 64.

My eyes moved down the paper, scanning for the next turn after three miles on the state highway. Take a left onto 12th St SW, Randy had written. He jotted the directions just for me because he knows I like the route mapped on paper.

“I hope it’s not gravel,” I said, noting the street, not county road, wordage

No sooner had the words popped from my mouth than the phone directed us left onto 12th Street. Randy steered off the highway. Onto gravel. Then the phone ceased barking. Our cell service had dropped.

Randy stopped the van after I protested. “I don’t want to drive on 7.3 miles of gravel.” I’d read ahead on the directions, noted the distance and noted the next two turns, onto Huntersville and Hubbard Roads. Probably more gravel.

If only we’d gone old school and relied on an atlas or a paper map. (Minnesota Prairie Roots copyrighted photo September 2024)

“Let’s just look at a map and figure out where to go,” I said, reaching for the glove box. No map. Randy had failed to transfer maps from our old van into the new-to-us used van we bought earlier this summer. I asked about an atlas, which we sometimes carry with us. Nope, that would be in my office.

So there we were, in the middle of nowhere in an unfamiliar area of northern Minnesota. No cell service. No map. No atlas. No anything except understanding that we needed to head northwest to reach our destination, Jack Pines Resort a mile outside of Osage. By that time I was feeling stressed. I had a book launch party to reach by 1 pm. I can’t even tell you what time it was at that point, except time to get moving.

Randy swung the van around, got back onto the northbound state highway, then took the next westbound asphalt road. I thought we were back on track…until the road began to curve, then straighten, then curve. Mile after mile after mile for perhaps 20-plus miles. Speeds dropped, sometime as low as 25 mph. We were not making good time. I was not a happy wife. Or a happy writer.

Eventually we reached our destination, Osage, shown here in the center of an atlas map. (Minnesota Prairie Roots copyrighted photo September 2024)

Eventually, spotty cell service returned, long enough to open my email and read directions to the resort sent by the book event organizer. I felt my body relax. We might make it on time. And we did. With 10 minutes to grab name tags, pee and settle onto comfy chairs in the back row.

So what did we learn? You cannot rely on cellphone directions, especially in a no-cell-coverage-middle-of-nowhere-location. Always write down directions. Check that the planned route does not include gravel. And carry a paper map in your glove box. Had we done all of those things, I would not have been a stressed wife who was mad at her husband. But at least I wasn’t a stressed writer worried about reading her work aloud at the book launch party. I was too distracted by the stress of being lost.

© Copyright 2024 Audrey Kletscher Helbling

 

The Beat: “In Minnesota, poetry matters” September 27, 2012

WHY DID IT TAKE ME until recently to determine that poetry is meant to be read aloud, preferably by the poet, and not just silently to one’s self?

I came to that realization in April after reading my poem, “Her Treasure,” to an audience gathered in an historic Zumbrota theater for Crossings at Carnegie’s “Poet-Artist Collaboration XI.”

That poetry-inspired art celebration proved pivotal for me, prompting a personal recognition that poetry is as much performance art as it is an intimate experience.

The Beat logo

And now the independent, nonprofit Northern Community Radio, with studios in Grand Rapids and Bemidji, Minnesota, recognizing the importance of poetry read aloud, is bringing poetry to the public via The Beat, broadcasting a poem a day by a poet with a Minnesota connection.

The Beat, according to NCR’s website is “Northern Community Radio’s daily reminder that, in Minnesota, poetry matters, and Minnesota poets are proving that every day.”

I proved that on September 17 with the reading of my poem, “Her Treasure.” Because traveling hundreds of miles up north from southern Minnesota was neither practical nor cost effective for me, The Beat producer Steve Downing, himself a published poet, read my poem. You can listen to Downing’s fine rendition of “Her Treasure” by clicking here.

Minnesota’s 2011 Poet Laureate, Joyce Sutphen of Chaska.

Since early July, an assortment of about three dozen poets—from the well-known John Berryman, James Wright, Joyce Sutphen, Louis Jenkins, Will Weaver and Sean Hill—to the complete unknowns have been featured on The Beat.

Poet Sean Hill recently moved from Bemidji to Alaska where he is teaching creative writing at a university in Fairbanks. Milkweed Editons will publish his second collection of poetry in 2014.

The show airs weekdays between 7:30 – 8 a.m. and then again between 3:30 – 4 p.m. on 91.7 FM in north-central and northeastern Minnesota, 90.5 FM in north-central and northwestern Minnesota and on 89.9 FM in the Brainerd area. With 150,000 listeners under the NCR signal, coverage extends from Grygla on the north to Pierz on the south to Fertile on the west and Hermantown on the east.

And for those outside the coverage area, like me, The Beat can be heard via audio streaming from kaxe.org or via the KAXE online archives.

“Reaction from poets and listeners, including folks who thought they hated poetry, has been unconditionally affirmative, making us think this was a success story waiting to happen,” says producer/poet Downing, also a former high school English teacher, published essayist, arts administrator and lifelong musician.

Steve Downing, poet and producer of The Beat

He and two others—NCR’s program director, who interviews writers for her long-standing RealGoodWords show, and a design-artist NCR staffer who is also a poet and has taught English at the college level—have been evaluating the hundreds of poetry submissions coming in from across the state.

“We didn’t know what to expect, but no one thought we’d be swamped, which we are,” Downing says. “It’s a nice problem to have but a problem nevertheless.”

The three-person jury meets every Friday to look at/listen to submissions. “The jury looks for creative work that, first, sparks a positive ‘gut’ response; that demonstrates originality; that makes smart word choices; and that’s provocative, in the best sense of the word,” Downing explains.

He advises submitting poets to avoid the topics of partisan politics, religion and lost love and to remember that the Federal Communications Commission is listening.

The range of topics is “all over the place,” Downing says, although some poems are somewhat “Minnesota-centric,” covering subjects like family farms, old barns, and the state’s flora, fauna and weather.

Broadcasting these poems on its community-based public radio stations helps fulfill NCR’s overall mission “to build community in northern Minnesota by way of radio programming, cultural events and interactive media.”

The Beat is currently funded by a one-year $30,000 allocation from the Minnesota Arts & Cultural Heritage Fund.

The history of The Beat, however, stretches back several years to The Beat Cafe, a live-on-air pledge drive program which, among other Beat content, featured Downing reading his poems, with live bass and percussion accompaniment. The success of that first show prompted discussion on how to make this happen again. So come spring 2013, The Beat Cafe fundraiser will be back with live-on-air poetry and music.

Says Downing: “Think berets, dark glasses, shawls, candles in wine bottles…”

Between now and then, though, Downing will continue to air selected poetry by Minnesota poets, known and unknown, and will apply again for state funding to continue the popular poetry program, The Beat.

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FYI: If you’re a Minnesota poet and would like your writing considered for The Beat, email text or, preferably, audio versions (e.g. MP3) of your poetry to Downing at this address: sdowning@kaxe.org

A poem should take three minutes or less to read.

Once accepted for The Beat, poets have recorded their poems at KAXE in Grand Rapids, KBXE in Bemidji and at KFAI in Minneapolis or on their own devices. NCR also offers the option of Downing or others reading a selected poem if the poet cannot record his/her work.

I contacted Downing about writing this post after my poem was selected by the jury for airing on The Beat.

© Copyright 2012 Audrey Kletscher Helbling
Artwork and photos courtesy of Northern Community Radio