Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A look at the arts in Faribault with a focus on visual art November 6, 2025

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A portion of an acrylic on canvas painting, “Crazy Minds,” by Bethlehem Academy senior Payton Eckhardt. (Minnesota Prairie Roots copyrighted photo October 2025)

I LOVE LIVING in a community with a thriving arts center and arts scene. Why? First and foremost, I love the arts. Second, the arts connect and build community. Third, the arts are a form of expression, a source of entertainment, a way to learn more about each other and the world around us. Simply put, we need the arts to feed our spirits, to uplift, encourage and grow us, especially in turbulent times such as these.

“Ducks,” acrylic on hardboard by Julie Fakler. (Minnesota Prairie Roots copyrighted photo October 2025)

I need only grab my camera or put my fingers on my computer keyboard to create. I am driven to create not because it’s something I have to do. Rather I love to create with images and words and I cannot imagine my life without either.

The Paradise Center for the Arts in Faribault recently featured Comedian C. Willi Myles. (Minnesota Prairie Roots copyrighted photo October 2025)

Ask any visual, literary or performing artist and you will likely get similar comments about creativity and the importance of access to the arts. I don’t take for granted that Faribault has a hub for the arts in the Paradise Center for the Arts located in our historic downtown. It’s a gem—a place to attend theater, a concert or a comedy show; take a class; create art; display art; view art; perform art…

An overview of the “I Am Minnesota” exhibit by Kate Langlais in the main gallery. (Minnesota Prairie Roots copyrighted file photo October 2025)

Recently I popped into the Paradise to view four gallery exhibits, including “I Am Minnesota” by Kate Langlais in the main gallery. It features the portraits of first and second-generation immigrants in Faribault and their stories. I wrote about that exhibit in an earlier post. (Click here.)

“St. Olga of Kiev” an acrylic on canvas by Varvara Meshkova, Bethlehem Academy tenth grader. (Minnesota Prairie Roots copyrighted photo October 2025)

In the Paradise’s three other much smaller galleries I found equally impressive art, which will be on display until November 15. Four of the artists participated in the recent Studio ARTour of South Central Minnesota while the rest are students at Bethlehem Academy in Faribault.

A close-up of Kathy Weed’s textile art, “Songflowers” Sunflowers. (Minnesota Prairie Roots copyrighted photo October 2025)

What I saw was a whole lot of talent. From the textile art of Northfielder Kathy Weed to the pet portraits of Paradise Executive Director Julie Fakler to the pottery of Johnnie Walker, visual arts department chair at Shattuck-St. Mary’s School, to the fiber and clay art of Char Johnson to the assorted artworks of high school students, I delighted in it all. To view these collective works is to see an artist’s hand, an artist’s mind, an artist’s spirit and inspiration on display.

A sampling of Kathy Weed’s textile art currently displayed at the Paradise. (Minnesota Prairie Roots copyrighted photo October 2025)

Quilter Weed, for example, clearly loves nature as it themes her textile art recreations of the natural world.

“Happy Goat,” raku clay by Julie Fakler. (Minnesota Prairie Roots copyrighted photo October 2025)

Fakler shows her love for animals in vivid animal portraits done in acrylic and clay. Her art is signature recognizable to me. I’ve often thought Fakler’s colorful animals would be perfect in a children’s picture book or splashed upon a tee shirt. They always make me feel happy.

A mug crafted by Johnnie Walker. (Minnesota Prairie Roots copyrighted photo October 2025)

And then there’s Walker’s pottery, equally as appealing, but in a totally different way. I want to wrap my hands around his pottery, to feel what he felt when he shaped a mug or a bowl from clay. I value such connections to art.

Ceramic necklaces created by Char Johnson. (Minnesota Prairie Roots copyrighted photo October 2025)

Char Johnson brings her love of nature and of animals into her detailed art created in the mediums of clay, animal fiber and photography. I find needle felting particularly intriguing as, in my mind, it hearkens to hardy pioneer women.

“Woohitike Courage” wood intarsia by Lain Kuhlman, Bethlehem Academy sophomore. (Minnesota Prairie Roots copyrighted photo October 2025)

When I walked over to view the wall gallery of Bethlehem Academy student art, I wondered about the stories behind their creations. What of the untitled piece featuring three masks? What of the colorful abstract “Crazy Minds”? What of “St. Olga of Kiev”? Or “Wóohitike ‘Courage’”? I reacted to each. I thought of the masks we all wear, of mental health, of the war in Ukraine, of Indigenous peoples.

An untitled acrylic on cast plaster by Hannah Miller, Bethlehem Academy senior. (Minnesota Prairie Roots copyrighted photo October 2025)

And I thought, too, of how much I love and value the arts and my access to them.

More pottery by Johnnie Walker. (Minnesota Prairie Roots copyrighted photo October 2025)

TELL ME: What do you love about the arts? Where do you access the arts? Are you a creative? Or simply share your thoughts on the art featured in this post.

Julie Fakler’s animal portraits, painted with acrylics on hardboard.

FYI: The Paradise Center for the Arts, 321 Central Ave. N., Faribault, is open from noon-5 pm Wednesday-Friday and from 10 am-2 pm Saturday. All art featured in this post was photographed with permission of the PCA. Artists own the copyrights to their art.

© Copyright 2025 Audrey Kletscher Helbling

 

Inside the Paradise: So much art to view & experience November 7, 2024

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Yulia Sholomova won first place in the Halloween Group Show for her costumed kitties. The show at the Paradise Center for the Arts in Faribault runs until November 16. (Minnesota Prairie Roots copyrighted file photo October 2024)

TO VIEW VISUAL ART created by others feeds my spirit in a way that I can’t fully explain. Perhaps it’s the kinship I feel as a creative. Perhaps it’s the appreciation I hold for their work. Or maybe it’s simply because of the feelings sparked by viewing a work of art.

Admiration. Joy. Serenity. Chaos. Calm. A myriad of emotions can arise when looking at a painting, a sculpture, mixed media, a photo, whatever the artist creates.

This shows a section of “Melody” done in micron pen and cut paper by Shelley Caldwell. (Minnesota Prairie Roots copyrighted photo October 2024)

Recently I popped into the Paradise Center for the Arts in Faribault specifically to see the Halloween Group Show. But then I was drawn to the other galleries. There I saw “Unfurling,” mixed media drawings and an installation by Shelley Caldwell who creates art from her Faribault County farm near the Iowa border. Her exhibit seemed familiar. And it should have. In October 22, Caldwell’s work was featured in a smaller installation at the Paradise.

Some of Shelley Caldwell’s art, which rings the main gallery walls. (Minnesota Prairie Roots copyrighted photo October 2024)

Then, as now, plants focus her art. She combines drawings of natural subjects with abstract drawings to create art that is signature identifiable as hers. This time Caldwell worked with micron pen and cut paper to craft black-and-white framed pieces rather than artfully staging spider plants.

This shows an overview of Shelley Caldwell’s exhibit, including dangling leaves. (Minnesota Prairie Roots copyrighted photo October 2024)

Real plant leaves, though, dangling and dancing, shape the focal centerpiece suspended from the gallery ceiling. There is movement. Freedom. A certain airiness.

“Stars & I,” an acrylic painting by Angelina Dornquast. (Minnesota Prairie Roots copyrighted photo October 2024)
“Raspberry Cupcake,” an acrylic by Angelina Dornquast. (Minnesota Prairie Roots copyrighted photo October 2024)
Angelina Dornquast’s acrylic, “Peace and Love.” (Minnesota Prairie Roots copyrighted photo October 2024)

From Caldwell’s exhibit, I turned the corner to look at the acrylic paintings of Angelina Dornquast, a recent Waterville-Elysian-Morristown High School graduate. To think that someone this young can be this talented in portraiture impresses me. I thought in my head, “Wow, this girl can paint!” Plus, I sensed the confidence this young artist has in herself and in her work. That shines.

This portrait by Jaclyn Theiss Garlock is part of the Paradise’s permanent art collection. (Minnesota Prairie Roots copyrighted photo October 2024)

As I was about to head to the next gallery, Paradise Executive Director Julie Fakler pointed out an over-sized portrait of a glamorous woman on a stairway wall. The painting is the work of Jaclyn Theiss Garlock of Clear Lake, Iowa, and was a gift to the Paradise, part of its permanent art collection. The woman in the painting exudes strength, sass and attitude. I rather like her.

Two of the horses in Walter Salas-Humara’s trio of paintings which hang in an office at the Paradise. (Minnesota Prairie Roots copyrighted photo October 2024)

Inside Fakler’s office hangs more art in the permanent collection, including a trio of horses by Walter Salas-Humara of the musical group The Silos. The bold, long-legged horses are a signature subject and style of Salas-Humara. I enjoyed getting a peek at the permanent collection not typically seen by the public.

A grouping of animal portraits in clay by Julie Fakler. (Minnesota Prairie Roots copyrighted photo October 2024)
“Miro Turquoise Circles” created in clay by Julie Fakler. (Minnesota Prairie Roots copyrighted photo October 2024)
More animal portraits in clay created by Julie Fakler. (Minnesota Prairie Roots copyrighted photo October 2024)

Fakler is a gifted artist, too, not unexpected from someone who leads an arts center. She specializes in animal portraits done primarily in clay. I’d recognize Fakler’s dogs, cats, goats, chickens, cows, pigs anywhere. They are bold, with personality. I could easily envision them on tee shirts, tote bags, greeting cards. They are uncomplicated and folksy in a way that reconnects me to my farm upbringing. And they are currently on exhibit in another Paradise gallery along with the work of those in a creative aging class.

There’s so much to see, experience and feel when viewing all of this art inside the Paradise galleries. Current art will be up until November 16, after which the works of more creatives will go on display beginning November 18. To have access to all this art in my community sparks gratitude within me. I had only minimal access to the arts as a child. Now I see, and experience, the arts often, much to my delight.

© Copyright 2024 Audrey Kletscher Helbling

 

The art of Halloween in Paradise October 29, 2024

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This shows part of “Roach Motel,” mixed media art by Sara Caron. (Minnesota Prairie Roots copyrighted photo October 2024)

DARK, FRIGHTENING, CREEPY, unsettling and even sweet. That’s the mix of art you’ll see in a Halloween-themed gallery exhibit at the Paradise Center for the Arts in Faribault.

A list of the Halloween Group Show artists hangs in the gallery. (Minnesota Prairie Roots copyrighted photo October 2024)

Eleven artists participated in the Halloween Group Show. This collection shows how these creatives took a theme and created a diversity of art with mixed media, stained glass, acrylic, intagio, clay… The results are as varied as Halloween costumes. And I loved it, even if a bit creeped out by some of the artwork.

“Hand of the Beholder” by Sara Caron. (Minnesota Prairie Roots copyrighted photo October 2024)

Take Sara Caron’s “Roach Motel” mixed media piece featuring a flower-potted mannequin crawling with roaches. Or her “Hand of the Beholder” broken fingers on a hand nestled in netting, presumably a bridal veil. There’s definitely some underlying meaning going on here as implied by the title.

“Smile” by Taylor Sterling. (Minnesota Prairie Roots copyrighted photo October 2024)

Taylor Sterling’s blood-dripping, eye-popping, cracked skull acrylic painting titled “Smile” also taps into Halloween’s ghoulish side.

This shows a portion of Breanna Adams’ piece, “Lady Dina and Dark Horse.” (Minnesota Prairie Roots copyrighted photo October 2024)

Likewise Breanna Adams’ “Lady Dina and Dark Horse” reminded me of an unnerving performer I saw on the television show “America’s Got Talent.” Not that the AGT contestant was half pumpkin-head like Adams’ girl whose face is mostly veiled by long, dark hair. But that’s where my mind went…back to AGT. The uneasiness I felt then and in viewing the “Lady Dina” painting were the same.

“Johnny Cash as Frankenstein,” a stained glass mosaic by Sushila Anderson. (Minnesota Prairie Roots copyrighted photo October 2024)

How we see and react to art is part of the artistic experience. Only the artist truly knows why they created what they did, how they did. As a writer, I was recently asked about the ending of a short story, an award-winning dark piece I wrote within the constraints of word count limits. It intentionally leaves the reader hanging. I couldn’t tell my sister-in-law how “Dear Mother” ends, because even I don’t know. Sometimes creativity simply flows without understanding of its root source or conclusion. I expect that can apply to both literary and visual art.

Yulia Sholomova’s trio of costumed kitty paintings titled, left to right, “Bedtime Tales,” “Warm mug,” and “Favorite Doll.” (Minnesota Prairie Roots copyrighted photo October 2024)

Or maybe the 11 artists featured in the Paradise Halloween show can tell you exactly what inspired them. Perhaps memories of trick-or-treating or fears or going through a haunted house or a long ago Halloween costume party.

Three top honors were given in the exhibit as judged by artist Tami Resler. (Minnesota Prairie Roots copyrighted photo October 2024)

Yulia Sholomova’s trio of costumed sweet ghost kitties done in acrylics certainly lends itself to warm, cozy feelings. Her “Favorite Doll” painting earned first place in the group show. Sushila Anderson got second place for her “Johnny Cash as Frankenstein” stained glass mosaic. And Caron earned third place for that bug-infested mannequin.

“Cat with Pumpkins 1” by Julie Fakler. (Minnesota Prairie Roots copyrighted photo October 2024)

Julie Fakler, who creates animal portraits and is the executive director of the Paradise, brings her talent to the show in clay, including the cutest cat nestled between pumpkins.

This shows a section of Aaron Dawley’s “Trick or Treat” artwork. (Minnesota Prairie Roots copyrighted photo October 2024)

There are many other pieces to be seen and appreciated, including art by Alison Albright, Aaron Dawley, Justin Delesha, Char Johnson and Sue Leech. It’s a real treat to view this Halloween Group Show, which runs until November 16.

Just inside the gallery door, a creepy clown holds this sign promoting the Halloween bar crawl. Chel Mattson created the poster art. (Minnesota Prairie Roots copyrighted photo October 2024)

FYI: The Paradise Center for the Arts is hosting a Fari “Boo” Bar Crawl fundraiser from 7-11 pm Friday, November 1, at the center and at four downtown Faribault bars. The event includes a costume contest, optional tarot card and psychic readings (for an additional fee), a horror movie, music, snacks and costume awards ceremony. For details, click here.

© Copyright 2024 Audrey Kletscher Helbling

 

Musings in the Clay Center March 9, 2012

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This sculpture sits in front of the Arts Center of Saint Peter along South Minnesota Avenue/U.S. Highway 169 in St. Peter. The downtown is graced by historic buildings like these across the street from the Arts Center.

MY HUSBAND AND I are nearly through the Arts Center of Saint Peter front doors when she waves us in—she being Thalia. Not a Greek goddess, mind you, rather the Greek “muse of comedy.”

She’s not Greek either, but Mexican, this Thalia will tell you and smile as she slaps a hunk of clay, working out the air, mixing the clay just like Joel Moline across the table.

At only four feet seven inches tall, she should be manipulating clay on a table half the height, living in a world where everything is lower, shorter, Thalia Taylor surmises in a voice laced with humor.

“You should see her husband,” Joel says.

“He’s seven-two,” Thalia says and my jaw drops picturing this petite woman next to a towering man.

Then this muse of comedy laughs and corrects her mistake. “He’s six-two.”

Joel Moline and Thalia Taylor knead hunks of clay.

That is my introduction to the two artists, who on this Sunday afternoon are in the Clay Center working mud-hued clay like two bakers kneading dough. When I verbalize the comparison, Joel says he’s a baker.

He also enjoys writing letters, taking on a recent challenge to write a letter daily for 30 days. He collects fountain pens. You would rightly guess that he’s penning his letters the old-fashioned way.

An example of Joel's graceful writing on the Clay Center blackboard. He could teach penmanship. Remember that forgotten art which some of us were taught in grade school?

I tell him I seldom hand-write a letter any more, instead typing correspondence on my computer.

Then we—my husband, the baker/potter/letter writer and the potter/muse—bemoan the inability of today’s young people to write by hand. Joel laments how youth are losing that physical connection to writing, to individual letters and words. We are in agreement on this topic, that the youth of today should be able to write and read cursive.

After we’ve discussed that topic, I slip two business cards onto the table where Thalia and Joel continue to pound clay.

As I walk away, Joel hints at sending me a letter scribed with a fountain pen. I tell him I would welcome such a gift. Then I shoot a few more photos before exiting the Clay Center, leaving the baker/potter/letter writer and the potter/muse to their musings.

Stacked pottery in the Clay Center.

CLICK HERE for information about the Clay Center at the Arts Center of Saint Peter, 315 South Minnesota Avenue, St. Peter.

As any inquisitive writer would do, I googled Joel Moline’s name just to learn more about this man who once lived in Faribault (where I live) and taught art at the Minnesota State Academy for the Deaf. Turns out Joel, a retired St. Peter art teacher, is also a print maker. If only I’d known that when we met, but we didn’t have enough time to discuss everything… Click here to read a story about Joel  published six years ago in The Faribault Daily News.

© Copyright 2012 Audrey Kletscher Helbling