Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A snapshot of Madison, Wisconsin’s capital city January 27, 2020

Wisconsin’s capitol sits atop a hill in the heart of downtown Madison. Minnesota Prairie Roots file photo October 2019.

 

MADISON, WISCONSIN, is, if anything, a capital city of vast green spaces. At least that’s my observation after visiting several times. Two of my three adult children now live there. So I’m exploring, getting to know this place that doesn’t feel all that much like a large metro area.

 

Downtown Madison, around the capitol, is one busy place on a Saturday morning during the Farmers’ Market. The way some of the streets come together reminds me of the squares in greater Boston. Minnesota Prairie Roots file photo October 2019.

 

I’m comfortable here without skyscrapers defining the cityscape. The lovely domed capitol, set atop a hill, centers the walkable downtown. I’ve been to the Dane County Farmers’ Market there, albeit on a rainy Saturday that didn’t lend itself to lingering. We ducked inside the capitol to avoid the rain.

 

Randy stops to check a photo he took inside the Olbrich Botanical Gardens conservatory. Minnesota Prairie Roots file photo December 2019.

 

Madison edges two lakes. Parks along the lakes and elsewhere make this city feel welcoming to someone like me who prefers open spaces. I’ve already visited Olbrich Botanical Gardens three times.

 

Me, thrilled to see my first Andy Warhol original. Minnesota Prairie Roots file photo by Miranda, December 2019.

 

And last trip here, I toured the massive Chazen Museum of Art where I delighted in Andy Warhol’s depiction of Marilyn Monroe. The museum, on the University of Wisconsin-Madison campus, has no admission fee but a donation box.

 

Minnesota Prairie Roots file photo December 2019.

 

But something else grabbed my eye while out and about—a pedestrian with a bicycle wheel strapped to his back. Madison is a bike-friendly place with trails throughout the city. So seeing this should not have surprised me. But, still, it did and caused me to laugh. As a back seat passenger in my daughter’s car, I didn’t have the best spot to get a good photo. But you get the idea.

 

During an October visit, I walked along this recreational/bike trail near my daughter’s home. Minnesota Prairie Roots file photo October 2019.

 

I love this aspect of Madison, this embracing of bicyclists on a great trail system.

TELL ME: Have you been to Madison? What would you recommend I see next visit? I’ve been to the capitol, dined at several restaurants, patronized a cheese shop, but have yet to visit a brewery.

© Copyright 2020 Audrey Kletscher Helbling

 

In which I discover the art treasures of St. Olaf and Carleton Colleges April 20, 2015

SOMETIMES I FEEL like I am missing out on a whole big wide world of art.

Not because art is absent here in outstate Minnesota. It isn’t. Recent years have seen a renewed effort to bring the arts—visual and performing—to communities like mine outside the Twin Cities metro area. Faribault has the Paradise Center for the Arts. Neighboring Owatonna, Northfield and Waseca also have art centers. Even the community of Zumbrota, population around 3,400, has the thriving Crossings at Carnegie.

So there are plenty of opportunities to engage in the arts at a local and regional level without venturing into Minneapolis or St. Paul, which I really prefer to avoid given my aversion for traffic congestion and big cities in general.

Despite an abundance of wonderful local art, I was still missing that segment of art created by renowned artists or by artists outside of Minnesota.

That is until I recently realized that I can see that type of art, too, right in my backyard.

In the center of this display space outside the Flaten Art Museum is a poster for the "Selma to Montgomery" exhibit on the Civil Rights Movement.

Promotional posters posted in the Dittman Art Center at St. Olaf College show the wide variety of artistic offerings.

Two colleges in Northfield, a 22-minute drive from my Faribault home, both sometimes showcase notable art from their collections in exhibits that are open to the public. They also bring in outside artists and traveling exhibits. Entrance to Carleton’s Perlman Teaching Museum and St. Olaf’s Flaten Art Museum is free. No cost and no traffic are a winning combination for me.

Items from St. Olaf's art collection were displayed in the recent "Interrogating Genders" exhibit.

Items from St. Olaf’s art collection were displayed in the recent “Interrogating Gender” exhibit.

Together, these two prestigious private colleges hold more than 6,500 paintings, fine art prints, photographs, sculptures and more in their collections.

Entering the Flaten Art Museum Atrium, I encountered this mega sculpture just outside the "Selma" exhibit.

Entering the Flaten Art Museum Atrium, I encountered this mega sculpture just outside the “Selma” exhibit.

I discovered Carleton’s gallery space about 18 months ago and St. Olaf’s just recently, when I arrived at the college atop the hill to view Selma to Montgomery: Marching Along the Voting Rights Trail, an exhibition of Stephen Somerstein’s photos.

Walking across the hall from one museum space to another, I found Michon Weeks' "Wheel Within Wheel (#1-44) paintings hung along the atrium wall. The acrylic on paper on wood panel is a visual inventory of items in her Northfield garage.

Walking across the hall from one museum space to another, I found Michon Weeks’ “Wheel Within a Wheel (#1-44) paintings hung along the atrium wall. The acrylic on wood panel paintings are a visual inventory of items in her Northfield garage.

After studying Somerstein’s remarkable images, I strode across the hall to see the Interrogating Gender exhibit, since closed.

Rosa Bonheur's "Cows in Pasture."

Rosa Bonheur’s “Cows in Pasture.”

The 16th Century "Madonna and Child, an oil painting on panel by Adriaen Isenbrandt of Belgium.

The 16th Century “Madonna and Child” by Adriaen Isenbrandt of Belgium.

The angle at which I photographed "Archaic Greek Statue of a Woman" makes it appear as if the Italian terra cotta sculpture is studying the art on display.

The angle at which I photographed “Archaic Greek Statue of a Woman” makes it appear as if the Italian terra cotta sculpture is studying the art on display.

There I marveled in getting close up to photographs taken by Andy Warhol. Yes, the Andy Warhol. I stood in reverent awe before a 16th Century oil painting on panel of Madonna and Child by Adriaen Isenbrandt. I enjoyed art from Africa and Italy and the Cows in Pasture pencil on paper by Rosa Bonheur.

A wood sculpture from Africa, artist unknown, and titled "Seated Maternity Figure."

A wood sculpture from Africa, artist unknown, and titled “Seated Maternity Figure.”

I could have reached out and touched the art, except I didn’t. It was that comfortably accessible and intimate. I didn’t have that feeling I often get in galleries of “be careful and don’t touch,” although I was aware of cameras on the premise.

My husband peruses the art.

My husband peruses the art.

I only wish I’d realized years ago that I could simply walk onto these college campuses and view art by well-known and other artists and students, too.

I got down low to photograph the Greek woman sculpture encased in glass.

I got down low to photograph the Greek woman sculpture encased in glass.

Now that I know, I’ll be back.

FYI: All of the exhibits mentioned in this post are no longer showing. Both colleges will be featuring a Senior Art Show in their exhibit spaces.

Please check back for a story and photos of the Selma to Montgomery exhibit.

© Copyright 2015 Audrey Kletscher Helbling