Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A brief stop in St. Peter, what I saw & learned November 6, 2024

A stunning historic building anchors a corner in the heart of downtown St. Peter along Minnesota Avenue. (Minnesota Prairie Roots copyrighted photo October 2024)

A COLLEGE TOWN. A river town. A town once destined to become Minnesota’s state capital, except for a stolen legislative bill and a judge’s ruling. A town where Jesse James and his gang rode through en route to robbing the First National Bank of Northfield. A town two-thirds destroyed by a March 29, 1998, tornado. The town is St. Peter, population around 12,000, nestled in the Minnesota River Valley.

I felt right at home inside this picnic shelter with the grain bin roof. (Minnesota Prairie Roots copyrighted photo October 2024)
An eagle soars high above the Minnesota River at Riverside Park. (Minnesota Prairie Roots copyrighted photo October 2024)
The Minnesota River shoreline as photographed from Riverside Park. (Minnesota Prairie Roots copyrighted photo October 2024)

Recently I spent a bit of time in St. Peter while on a fall color drive. Randy and I picnicked at Riverside Park—Mill Pond & Campground. I watched volunteers prepare for a haunted hayride along the park’s trails, nearly twisted my ankle in an unfilled hole in the grass, noted how murky the Minnesota River appeared, observed an eagle soaring, and noticed the roof of the small picnic shelter. It looked like the top of an old grain bin, much to my rural roots delight.

I appreciated that books inside the St. Peter Thrift Store were mostly displayed horizontally, making it easier for me to read the titles. (Minnesota Prairie Roots copyrighted photo October 2024)

Following lunch, we stopped briefly downtown when I spotted a thrift store. I always enjoy poking around second-hand shops. Not that I’m looking for anything in particular. Often I leave empty-handed. But this time I picked up a clutch of greeting cards because I’m one of those people who still sends cards on birthdays and other occasions. Randy found a cassette tape of some radio talk show, nothing that interests me.

Outside the Arts Center of Saint Peter. (Minnesota Prairie Roots copyrighted file photo October 2024)
Inside the arts center, I viewed this and other collages by Mankato artist Holly Dodge. Her exhibit has closed. The gallery space now features the work of artists participating in the BUY-AND-TAKE INVITATIONAL and also Bianaca Wilson’s “SIEMPRE BUSCANDO.” (Minnesota Prairie Roots copyrighted file photo October 2024)

We’d parked along busy Minnesota Avenue/US Highway 169 directly in front of the Arts Center of Saint Peter. So, of course, I had to check out the gallery exhibit—collage art by Mankato artist Holly Dodge. The exhibit has since closed. I meandered, photographing some of her pieces. I’m always impressed by the diversity of art, how creative minds work.

Paul Granlund’s sculpture offers a unique perspective through which to view downtown St Peter. (Minnesota Prairie Roots copyrighted photo October 2024)

Once outside, I aimed my camera lens toward the distinctive bronze sculpture, “Mobius Strip,” crafted by Paul Granlund, a noted Minnesota sculptor, 1952 graduate of Gustavus Adolphus College (across town and up the hill), sculptor-in-residence there from 1971-1996, and much more in an illustrious career. Granlund’s sculpture is an eye-catching identifier of the arts center. Only after I returned home did I learn about the artist and about the many Granlund sculptures gracing the Gustavus campus. A return trip just to see those is now on my must-do list. I also found heron and eagle sculptures tucked into a pocket park in this block of downtown.

The heron sculpture is to the left, the eagle to the right (hidden by the shrub) in this pocket park. (Minnesota Prairie Roots copyrighted photo October 2024)

I discovered, too, Poshinate Kiddos, a beautiful baby and kids gift boutique where I looked, but didn’t buy (not this trip). I loved the merchandise and the friendly, helpful shopkeeper.

A row of historic buildings sits along US Highway 169, where a center island divides the roadway in downtown St. Peter. (Minnesota Prairie Roots copyrighted photo October 2024)

Historic buildings lining Minnesota Avenue drew my interest. About a dozen are on the National Register of Historic Places. Rather than cross the wide, wide street where traffic whizzes by at speeds that make me uncomfortable, I zoomed and photographed. I appreciate historic architecture and when a community cares enough to save it.

One of the Embassy signs… (Minnesota Prairie Roots copyrighted photo October 2024)
And then on the other side of the Embassy, this sign. (Minnesota Prairie Roots copyrighted photo October 2024)

Within the single block I walked, I also noticed signage on the Embassy Bar, or Blaschko’s Embassy Bar & Grill, depending on which sign you view. Signs always draws my interest, not only as identifiers but also as works of art.

This and other words tag the windows of the Arts Center of Saint Peter. (Minnesota Prairie Roots copyrighted photo October 2024)

Retracing my steps from River Rock Coffee & Tea, a busy place at the end of the block, I paused at the arts center again. On the second floor I spotted a singular word—writing—spanning a wide window. Now, when you’re a writer like me, you get excited about a word that celebrates your craft. That left a lasting impression on me as we pulled out of St. Peter intent on seeing what we’d come to see, the colorful trees along Highway 169 heading north toward Le Sueur. But the trees weren’t colorful. Not at all. Could have been the timing or the day, which was extremely windy with hazy skies.

I didn’t go into the River Rock. But I looked through the large windows to see the coffee and tea shop teeming with customers. (Minnesota Prairie Roots copyrighted photo October 2024)

Although disappointed, I was not disappointed in the river town, the college town, the historical town of St. Peter. I need to return, devote an entire day to exploring a place that once could have been Minnesota’s state capital…if not for the theft of a legislative bill in 1857 by politician Joseph Rolette and the judicial ruling that followed.

© Copyright 2024 Audrey Kletscher Helbling

 

Holly Dodge’s collage art, inspired by poet Emily Dickinson, a must-see now in St. Peter October 24, 2024

This shows a section of Holly Dodge’s collage titled “Glossolalia.” (Minnesota Prairie Roots copyrighted photo October 2024)

ONLY DAYS REMAIN until an unusual and particularly interesting art exhibit closes at the Arts Center of Saint Peter on October 26. Mankato poet and visual artist Holly Dodge created the nearly 30 collage pieces of “Gorgeous Nothings” inspired by the poetry of Emily Dickinson.

In a corner of the main floor gallery, Dodge also created a mood setting still life fronting her collage art. (Minnesota Prairie Roots copyrighted photo October 2024)

When I returned home from viewing Dodge’s work, I checked out two books of Dickinson’s poetry from the Faribault library to refresh my understanding of this recluse poet’s writing. She wrote most of her poems between 1862-1865. At one time, I really liked her poetry, maybe even understood some of it. Now? I struggled. Yet, I still delight in these words by Dickinson: “Hope” is the thing with feathers/ That perches in the soul/And sings the tune without the words/And never stops at all.

In this collage, a portion shown here. I see Emily Dickinson. It’s titled “And sweetest in the gale is heard; And sore must be the storm.” (Minnesota Prairie Roots copyrighted photo October 2024)

In viewing Dodge’s art, I could assuredly see the influence of Dickinson. In her artist statement, Dodge writes: “Her (Dickinson’s) fragmented, lyrical, elocutionary methods reminded me of the elements I was cutting out of books.” Dodge cut mostly flora, fauna and anatomical images from books to create her collages.

Titled “Oh Magnamity–My Visitor in Paradise.” (Minnesota Prairie Roots copyrighted photo October 2024)
Titled “I know that He exists. Somewhere–in silence.” (Minnesota Prairie Roots copyrighted photo October 2024)
A collage titled “How softly sinks that troubling Sun In Human Nature’s West” incorporates an anatomical bat cut-out. (Minnesota Prairie Roots copyrighted photo October 2024)

It’s the anatomical aspect that pushed my mind toward scary thoughts. I doubt Dodge intended that. But given we are closing in on Halloween and body parts and birds and bats can be the stuff of fright, I leaned into that perspective.

In the lower gallery, I found the eyeball popping collage, center, among a trio or art pieces hung on a wall. (Minnesota Prairie Roots copyrighted photo October 2024)

I termed Dodge’s collages initially as “ghoulish.” But the more I looked, the more I pondered, the more I connected her creations to Dickinson’s poems, the less I thought unsettling thoughts. Sure there are skulls and a popping eyeball and a chambered heart and bat and birds and such. But intermixed are the loveliness of flowers and plants and even a portrait that could be Emily Dickinson.

Tabletop domed art titled “God gave a loaf to every bird, But just a crumb to me.” (Minnesota Prairie Roots copyrighted photo October 2024)

The thing about art is that it is open to interpretation. We each bring our own experiences, our own biases, our own ideas to any art we view. But then an artist like Dodge, whose talent shines, causes us to pause and look through a clear lens. I could stretch my within to beyond.

Some titles are handwritten on the art. (Minnesota Prairie Roots copyrighted photo October 2024)

Dodge titled many of her pieces directly after the words of Dickinson, who never titled her poems. Titles lend themselves to insights into Dodge’s artwork.

The lower level multi-purpose space where Dodge’s art is also showcased. (Minnesota Prairie Roots copyrighted photo October 2024)
Even the sign directing visitors to the lower level is artsy. (Minnesota Prairie Roots copyrighted photo October 2024)
I didn’t expect to see a grand piano in the lower level gallery space. (Minnesota Prairie Roots copyrighted photo October 2024)

I never tire of viewing art in a gallery like that of the Arts Center of Saint Peter, where Dodge’s collages grace walls on the main level and also downstairs in a space centered by a sitting area and a grand piano. Greater Minnesota is home to some wonderful galleries and to incredible talent.

Another still life by Holly Dodge placed among her framed collages. (Minnesota Prairie Roots copyrighted photo October 2024)

I encourage you, wherever you live, to embrace the art and artists who share their talents in your town, your region. I don’t need to travel to a metro area to see inspiring, thought-provoking art.

Dodge’s piece titled “I could bring you jewels–Had I a mind.” (Minnesota Prairie Roots copyrighted photo October 2024)

In the words of Emily Dickinson, “I could bring You Jewels—had I a mind to.” Holly Dodge has brought us jewels, as have so many other artists who create and share their art here in southern Minnesota.

The Arts Center of Saint Peter is along busy Minnesota Avenue/Highway 169 running through downtown. (Minnesota Prairie Roots copyrighted photo October 2024)

FYI: The Arts Center of Saint Peter gallery hours are 1-5 p.m. Wednesday-Friday, 10 a.m.-5 p.m. Saturday and 1- 5 p.m. Sunday. The center is located at 315 South Minnesota Avenue in the heart of downtown St. Peter.

© Copyright 2024 Audrey Kletscher Helbling

 

Supporting the arts at St. Patrick’s Day Souper Bowl in St. Peter March 15, 2024

Chicken wild rice soup in a hand-thrown pottery bowl at the 2013 Souper Bowl. (Minnesota Prairie Roots copyrighted file photo January 2013)

AS AN ART LOVER who also loves soup, the opportunity to buy a handcrafted bowl filled with soup proved a win-win in 2013. Today the annual Souper Bowl is still going strong at the Arts Center of Saint Peter.

Lots of handcrafted bowls to choose from in 2013. (Minnesota Prairie Roots copyrighted file photo January 2013)

This Sunday from 3-6 pm, the Arts Center fundraiser takes place at The Capitol Room, an event venue at 419 South Minnesota Avenue in the heart of downtown St. Peter. Here attendees can choose from an array of artisan bowls hand-thrown by local potters and then filled with a serving of soup from local vendors. Cost for the soup and bowl, yours to keep, is $20.

My chosen bowl and soup. (Minnesota Prairie Roots copyrighted file photo January 2013)

When I attended 11 years ago, I chose a simple green-with-traces-of-brown bowl for no other reason than I favor simplicity and green, nature’s hue. And I selected chicken wild rice soup because it, too, is a favorite.

Joel Moline and Thalia Taylor kneading clay during my visit to the arts center’s Clay Studio in March 2012. (Minnesota Prairie Roots copyrighted file photo March 2012)

In the years that have passed since that pottery purchase, I have used my Saint Peter soup bowl hundreds of times. I love the shape, the feel, the heft of this original piece of usable art. This isn’t just any soup bowl, but rather one made and shaped by the hands of an artist. And that means something to me. I appreciate the work of creatives.

Diners line up for soup or chili at the 2013 Souper Bowl. The event is first-come, first-serve. (Minnesota Prairie Roots copyrighted file photo January 2013)

And I value events like the Souper Bowl, which expose people to the arts, bring people together, build community. Sunday will be a busy day in St. Peter as this southern Minnesota city celebrates St. Patrick’s Day in a big way with a parade at 3 pm.

The Arts Center of Saint Peter, 315 South Minnesota Avenue, St. Peter, Minnesota.
The Arts Center of Saint Peter, 315 South Minnesota Avenue, photographed on a visit there in March 2012. (Minnesota Prairie Roots copyrighted file photo March 2012)

With a cooldown expected on Sunday along with gusty winds, afternoon temps in the 30s will feel like the 20s, according to local forecasters. Seems an ideal day to warm up with a bowl of soup served in an artisan bowl.

© Copyright 2024 Audrey Kletscher Helbling

 

Saint Peter’s version of the Super Bowl January 29, 2013

IN THIS WEEK of Super Bowl XLVII, at least one Minnesota community has already tapped into the super sporting event hype to benefit the local arts community. And that happened in a way you likely would not expect, via Souper Bowl VII.

The hand-thrown pottery bowl I chose at the Souper Bowl for my chicken wild rice soup.

The hand-thrown pottery bowl I chose at the Souper Bowl for my chicken wild rice soup.

Saturday afternoon, my husband and I joined arts-loving diners at the St. Peter Community Center for soup served in hand-thrown pottery bowls. And the bowls were ours to keep at a cost of $12 each (or $8 per kid) for the art and the meal.

Six local potters gave of their time and talents to create 240 soup bowls for the luncheon of donated breads and soups—tomato basil, chicken wild rice and chili—cookies and beverages.

Joel Moline and Thalia Taylor kneading clay during a visit to the Clay Center in March 2012..

Joel Moline and Thalia Taylor kneading clay during a visit to the Clay Center in March 2012..

While I really do like soup, a lot, I appreciate even more the whole Souper Bowl concept. What a creative way to expose the arts to the general public while raising monies for the Arts Center of Saint Peter Clay Center programming. (Read a previous post about the Clay Center by clicking here.) The goal is to keep arts center activities “accessible, affordable and vibrant to the St. Peter community and surrounding region,” according to promotional information.

The selection of bowls remaining when we arrived at noon, an hour after doors opened.

The selection of bowls remaining when we arrived at noon, an hour after doors opened.

Choosing a bowl added a fun  element to the event. Here’s how the process worked for me: I narrowed my selection to my favorite color, green. But with only a few green bowls on the table and the hue I liked best in the hands of a debating diner, I faced a dilemma. Should I pick my second favorite green bowl or wait for this woman to decide between the two bowls she balanced in her hands?

A few green bowls sat among the mostly brown and blue ones.

A few green bowls sat among the mostly brown and blue ones.

I opted to wait, to hover, but not so close as to call attention to my interest in the green bowl. My game plan paid off when the woman finally set the green bowl down and walked away. I moved in for the fumble, snatching up the coveted prize. Touchdown.

Diners line up for soup or chili. Seconds could be had for a freewill donation.

Diners line up for soup or chili. Seconds could be had for a freewill donation.

My ever patient spouse waited nearby as I took a few photos before we entered the dining area and washed our bowls which were then filled, his with chili, mine with chicken wild rice. A volunteer behind the serving counter even heated my soup in the microwave when I told her it wasn’t hot enough. How’s that for Saint Peter nice? And Randy was invited to return for more soup since his bowl was somewhat small; he tried tasty tomato basil in the second quarter.

A soup server heated my soup in the microwave and then placed the hot bowl on a plate.

A soup server heated my soup in the microwave and then placed the hot bowl on a plate.

A few more photos later and we were dining, in the fine company of arts center board member Harry Hunt and his wife, Bonnie. Harry, who works in financial services, shared that he isn’t an artist, seeming even a bit apologetic about his lack of artistic talent. But I was quick to tell him he could certainly contribute to the arts board with his financial expertise.

The Arts Center of Saint Peter, 315 South Minnesota Avenue, St. Peter, Minnesota.

The arts center in downtown St. Peter, photographed on a visit there in March 2012.

Eventually, I turned our table talk to the March 1998 tornado in St. Peter which caused an estimated $300 million in property damage and claimed one life. I wanted to know if the Hunts had been affected by the tornado.

Bonnie recalled how they had been visiting family in the metro when they learned of the bad weather in southern Minnesota. “Well, let’s see if we have a home left,” she joked as the couple drove back toward St. Peter, unaware that a tornado had ravaged their community. They arrived to find their home on the edge of town destroyed. The Hunts rebuilt.

Today they laugh at an incident shortly after the disaster. Harry was working in the basement of their destroyed home when someone called down to announce the arrival of then Minnesota Governor Arne Carlson. Harry emerged from the basement and greeted the Governor: “Welcome to our open house.”

You can bet Randy and I appreciated the winning company and humor of the Hunts as much as the soup and the hand-thrown pottery bowls we took home from Saint Peter’s Souper Bowl.

Potter Missy Wood created this teapot for the Souper Bowl silent auction.

Potter Missy Wood created this teapot for the Souper Bowl silent auction.

HAVE YOU ATTENDED a fundraiser like this? Please share your experiences, thoughts and ideas. We can all learn from one another.

© Copyright 2013 Audrey Kletscher Helbling

 

Musings in the Clay Center March 9, 2012

This sculpture sits in front of the Arts Center of Saint Peter along South Minnesota Avenue/U.S. Highway 169 in St. Peter. The downtown is graced by historic buildings like these across the street from the Arts Center.

MY HUSBAND AND I are nearly through the Arts Center of Saint Peter front doors when she waves us in—she being Thalia. Not a Greek goddess, mind you, rather the Greek “muse of comedy.”

She’s not Greek either, but Mexican, this Thalia will tell you and smile as she slaps a hunk of clay, working out the air, mixing the clay just like Joel Moline across the table.

At only four feet seven inches tall, she should be manipulating clay on a table half the height, living in a world where everything is lower, shorter, Thalia Taylor surmises in a voice laced with humor.

“You should see her husband,” Joel says.

“He’s seven-two,” Thalia says and my jaw drops picturing this petite woman next to a towering man.

Then this muse of comedy laughs and corrects her mistake. “He’s six-two.”

Joel Moline and Thalia Taylor knead hunks of clay.

That is my introduction to the two artists, who on this Sunday afternoon are in the Clay Center working mud-hued clay like two bakers kneading dough. When I verbalize the comparison, Joel says he’s a baker.

He also enjoys writing letters, taking on a recent challenge to write a letter daily for 30 days. He collects fountain pens. You would rightly guess that he’s penning his letters the old-fashioned way.

An example of Joel's graceful writing on the Clay Center blackboard. He could teach penmanship. Remember that forgotten art which some of us were taught in grade school?

I tell him I seldom hand-write a letter any more, instead typing correspondence on my computer.

Then we—my husband, the baker/potter/letter writer and the potter/muse—bemoan the inability of today’s young people to write by hand. Joel laments how youth are losing that physical connection to writing, to individual letters and words. We are in agreement on this topic, that the youth of today should be able to write and read cursive.

After we’ve discussed that topic, I slip two business cards onto the table where Thalia and Joel continue to pound clay.

As I walk away, Joel hints at sending me a letter scribed with a fountain pen. I tell him I would welcome such a gift. Then I shoot a few more photos before exiting the Clay Center, leaving the baker/potter/letter writer and the potter/muse to their musings.

Stacked pottery in the Clay Center.

CLICK HERE for information about the Clay Center at the Arts Center of Saint Peter, 315 South Minnesota Avenue, St. Peter.

As any inquisitive writer would do, I googled Joel Moline’s name just to learn more about this man who once lived in Faribault (where I live) and taught art at the Minnesota State Academy for the Deaf. Turns out Joel, a retired St. Peter art teacher, is also a print maker. If only I’d known that when we met, but we didn’t have enough time to discuss everything… Click here to read a story about Joel  published six years ago in The Faribault Daily News.

© Copyright 2012 Audrey Kletscher Helbling

 

Perspectives on life presented in Saint Peter galleries March 6, 2012

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:53 AM
Tags: , , , , , , ,

The Arts Center of Saint Peter, 315 South Minnesota Avenue, St. Peter, Minnesota.

The Arts Center of Saint Peter, 315 South Minnesota Avenue, St. Peter, Minnesota.

LIKE BLACK AND WHITE, night and day, the artwork of Pamela Bidelman and Kay Herbst Helms, at first glance, holds no comparison.

Pam, of St. Peter, is a painter, working in the more abstract in her current exhibit, “lamina,” installed at the Arts Center of Saint Peter Moline Gallery.

Kay, of Mankato, is a photographer, grounded in the earth with her black-and-white, rural-themed images in “What Sustains Us: considering the hands and the land of rural south central Minnesota.” Her art is showcased in the Lower Level Gallery of the Arts Center.

Both artists distinguish themselves in their individual approaches to art. Therein lies the essence of art—the ability to create and express one’s self in a truly personal style that emerges from the heart and soul of the artist.

I am more of a down-to-earth appreciator of art, meaning abstracts puzzle and challenge my mind to consider what the artist is attempting to convey.  I don’t have to think so hard to understand real-life art.

Yet, it’s good for me to view more abstract art like that created by Pam and to talk with her and learn that she is trying to show, in her exhibit, “the quality of skin as a container…deconstructing the body parts…the fragility of life.”

Three almost ghost-like faces, with undefined, haunting eyes, created by Pam Bidelman.

I expect that her artistic expression connects to her former profession as a clinical social worker. One can only imagine the experiences she drew on while creating her current exhibit.

There’s a certain translucency to Pam’s pieces that I interpret as a sense of vulnerability.

A series of suspended faces, again with that vulnerable quality.

In Kay’s work, vulnerability also exists, in the primarily close-up black-and-white images she’s shot, mostly of hands, and in the accompanying short stories she writes about her subjects. I know rural people. It is not always easy for them to open up, to allow introspective photos and insights into their lives.

Kay gained their trust and shares her discoveries in art that is as honest as a hard day’s work on the farm.

For example, she writes in her interview with Sharon Osborne:

Sharon tells the story of her uncle, a retired farmer. Her aunt has answered the phone and the caller asked, “What’s your husband doing on this cold, blustery, snowy day?”

Her aunt replied, “What else do farmers do on a cold winter’s day other than crack walnuts down the basement?”

Viewing Kay Herbst Helms' photos in "What Sustains Us." She focuses primarily on hands in her images.

With other photos, Kay pairs poetry by Paul Gruchow and the poetic words of additional writers.

She is, says Kay, connecting the elements of hands, land, photographs and words in her exhibit.

Kay accomplishes that with the spirit of an artist rooted deep in her appreciation of rural life and the rural landscape.

Both exhibits are distinctly different. Yet each can be appreciated for the unique perspectives they offer on life.

Several of Kay's images include cattle, following the exhibit's rural theme.

FYI: Both artists’ projects were supported by grants from the Prairie Lakes Regional Arts Council with funding provided by the McKnight Foundation. Their exhibits run through March 18.

Kay created a previous, similar project, “Blessed Are the Hands That Have Served,” focusing on photos of 13 retired School Sisters of Notre Dame.

Click here for more information about the Arts Center of Saint Peter.

Check back for another post from the art center wherein you will meet two more artists.

© Copyright 2012 Audrey Kletscher Helbling