Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

So many reasons to value the arts in southern Minnesota & beyond October 26, 2022

“Rain” by Ivan Whillock priced at $3,000 and exhibited at the Paradise Center for the Arts in Faribault. (Minnesota Prairie Roots copyrighted photo October 2022)

TO HAVE ACCESS TO THE ARTS, whether visual, literary or performing, here in southern Minnesota is such a gift. The arts enrich our lives, open our minds to new ideas and experiences, feed our souls, entertain us and, for me, also inspire.

As someone who grew up in rural southwestern Minnesota with minimal exposure to the arts, I especially value galleries, theaters, libraries, and any place that gives me access to creativity. Creating with images and words is my passion and my life’s work. I embrace the work of fellow creatives, who, like me, must create.

Woodcarvings fill the main gallery at the Paradise. (Minnesota Prairie Roots copyrighted photo October 2022)

Recently, I stopped by the Paradise Center for the Arts in historic downtown Faribault. The PCA centers the arts in my community with four galleries, theater, music, art classes and more. Here in this space, creatives converge. And we as a community are the better for that. I hope those in neighboring Northfield, Owatonna, Waseca and even small town Montgomery, feel the same gratitude for their arts centers.

“Eileen” by Ivan Whillock, priced at $1,500. (Minnesota Prairie Roots copyrighted photo October 2022)

The arts broaden our perspectives, make us think, laugh, cry, ponder… When I write and photograph, I feel a sense of purpose and fulfillment if my work resonates, prompts emotions, stirs interest and more. I expect the artists currently exhibiting at the Paradise feel the same. There is joy in getting art out there into the community, joy in connecting.

Marv Kaisersatt specializes in caricatures such as “Portrait of a Pig,” displayed but not for sale. (Minnesota Prairie Roots copyrighted photo October 2022)

As I meandered through the Paradise’s current exhibits, I observed incredible talent and variety in the art displayed. Inside the largest gallery, I meandered among woodcarvings by three Faribault artists, two carving for more than 40 years. Ivan Whillock and Marv Kaisersatt, are award-winning long-time carvers, nationally and internationally-recognized. Their work is decidedly different, but their creative skills decidedly the same—excellent. Both are quiet, humble men.

“Wood Spirit” by Chris Whillock, priced at $40. (Minnesota Prairie Roots copyrighted photo October 2022)

Chris Whillock, Ivan’s son, is a talented carver in his own right. The pair create at Whillock Studio in Faribault and operate the Whittling Shack, source for woodcarving supplies, their art and more.

The plant-filled installment by Shelley Caldwell. (Minnesota Prairie Roots copyrighted photo October 2022)

In one of the most unusual installments I’ve ever seen is the art of Shelley Caldwell who lives in rural Faribault County near the Iowa border. Her artistic use of plants to shape art left me standing temporarily immobile, wowed by her imaginative creativity. Peace comes in connecting with nature and I felt that in the scene before me—all that green interspersed with light, air and a sense of movement. Her exhibit also includes mixed media drawings.

Photos of Autumn Carolynn line a gallery wall at the Paradise Center for the Arts. (Minnesota Prairie Roots copyrighted photo October 2022)

The images of Minneapolis-based travel photographer and writer Autumn Carolynn are displayed in another gallery. Studying the work of other photographers, especially one as talented as Autumn, helps me grow my skills, even if I’m not a world traveler. Her images take me to places I have never seen and never will. She expands my world through her photos and that, too, is an artful purpose.

This is an untitled acrylic and latex on canvas by Bethlehem Academy senior Tyler Hogate. (Minnesota Prairie Roots copyrighted photo October 2022)

In the final gallery, the art of selected students from Bethlehem Academy in Faribault is highlighted. I never fail to be impressed by the talent of these young people. I feel gratitude to their teachers, the PCA and others who support them in their creative pursuits. Now, more than ever, students need the arts as an outlet, a way to express themselves, a way to connect.

This shows a snippet of Ivan Whillock’s “He’s Late,” priced at $6,000. (Minnesota Prairie Roots copyrighted photo October 2022)

And now, more than ever in these unsettled times, we as a community, a state, a country, a world, need the arts.

FYI: The exhibit by artists featured here continues until November 12.

TELL ME: What do you appreciate about the arts?

© Copyright 2022 Audrey Kletscher Helbling

 

Carv-Fest brings together novices to pros in Faribault August 13, 2012

I WONDER WHAT THE ODDS ARE, that a community of some 22,000 would be home to two internationally-known, award-winning woodcarvers.

That would be Faribault. And they would be Marvin Kaisersatt and Ivan Whillock.

Woodcarvers, from novice to pros, participated in Carv-Fest 2012. Here are students and instructors in a Saturday morning session.

The carvings of these two gifted Minnesota artists, and gifted doesn’t even seem to begin to fit their talent, were among art displayed at the August 9 – 11 Carv-Fest 2012 which drew woodcarvers, from beginners to seasoned carvers, to Faribault.

The intricate chip carving of Marty Leenhouts of Garden City, Minnesota.

It may be summer, but Santa showed up in a woodcarving and classes at the festival.

Imagine if this had been a hand instead of a glove…

I roamed the fest on Saturday, seriously impressed by the intent concentration of the attending woodcarvers, the intricacies of the carvings, the variety of art created and the fearlessness in putting sharp tools to wood. No wonder they wear gloves.

Marv Kaisersatt sketched out the character he was teaching his students to carve on Saturday.

I didn’t know any of the carvers, except Marv, whom I interviewed in 2009 for a short magazine article which certainly should have been much longer had space allowed. He impressed me then for the simple life he lives in an upstairs apartment in downtown Faribault, carving caricatures. I can’t even describe talent of his level. But I can describe a man who is humble and funny, engaging and content with the creative process of sketching, shaping clay models and carving.

This retired math teacher also impressed me in that interview with the fact that he doesn’t sell his woodcarvings, choosing instead to occasionally donate his caricatures, carved from blocks of basswood, to nonprofit fundraisers.

Marv Kaisersatt assists a student in his class.

On Saturday, Marv circulated among his students, advising them on carving a Minnesotan (I presume) dressed for winter in stocking cap and chopper mittens, oversized boots weighing down his feet.

Marv gave me a polite nod and then it was all business teaching the students lucky enough to learn under his guidance.

A snippet of Ivan Whillock’s incredible, detailed and realistic carving.

Whillock, whose woodcarvings are the polar opposite of Marv’s work, wasn’t teaching. But given his woodcarving family organizes Carv-Fest, I expect he had more than enough to keep him busy. He carves religious and secular sculptures and reliefs, works of art that grace places like churches (including mine, Trinity Lutheran) and libraries (including Buckham Memorial Library in Faribault).

Whillock and his family are the key organizers of Carv-Fest which draws woodcarvers from all over.

A stunning, three-dimensional carving by Ivan Whillock.

Both men teach at Ivan Whillock Studio. They’ve written books and created patterns and developed an appreciative following of admirers across the world.

And if you saw their work, you would understand why they are so beloved among woodcarvers and those of us who wouldn’t dare pick up a knife for fear of slicing away a fingertip.

A carver brought his handcarved toolbox to a class on Saturday morning.

Just another example of the woodcarvings on display during the festival.

These students were hammering and chiseling away during a class, making quite a racket in the ice arena/fest site.

The step-by-step process to woodburn a wolf as taught by Nancy Dardis of  Dardis Designs, Bloomington.

A pheasant in wood, foreground, and students in class, background.

Learning the art of chip carving.

© Copyright 2012 Audrey Kletscher Helbling