Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

From Red Wing: The Equal Rights Meat Market January 14, 2026

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“Stand in the Shadows” public art outside the Salvation Army Thrift Store in Red Wing shares interesting local history. (Minnesota Prairie Roots copyrighted photo October 2025)

Oh, the things you discover when you least expect it. That can be said for the local history highlighted outside the Red Wing Salvation Army Thrift Store. There, imprinted upon the sidewalk, I found these words: I was born as chattel but on this corner I was an owner and bought cattle for The Equal Rights Meat Market—1897.

The Equal Rights Meat Market once stood at this location. (Minnesota Prairie Roots copyrighted photo October 2025)

And that’s how I learned about Red Wing’s first Black-white owned business opened in 1897 at the site of the current-day thrift shop on the corner of Plum and Fifth streets. Jeremiah Patterson, born into slavery, and activist Julia Bullard Nelson co-owned the meat market in this Mississippi riverside community in southern Minnesota.

I love when communities pull hidden history out of the archives and publicly share it in creative ways. If not for this “Stand in the Shadows” public arts project, I would have had no idea that the thrift shop I was about to enter stood on the site of The Equal Rights Meat Market.

That name, oh, that name. Equal Rights. It fits. Nelson was a leader in women’s suffrage. For a white woman and a Black man (freed from slavery) to go into business together in the late 19th century, especially in predominantly white rural Minnesota, speaks to their strength, confidence and courage.

But then again, the two forged ahead on multiple fronts. Nelson taught African Americans in government Freedmen Schools down South when that was not necessarily well-received during post Civil War Reconstruction. Patterson was her student. He eventually moved to Minnesota to manage Nelson’s farm south of Red Wing near Belvidere. Patterson would marry a local white woman, Verna Gaylord, in 1886 with the interracial couple having nine children.

A summary of the story behind The Equal Rights Meat Market is showcased at the thrift shop. (Minnesota Prairie Roots copyrighted photo October 2025)

I considered all of this fascinating as I researched information based on that sidewalk message and on a plaque posted outside the Salvation Army thrift store.

Similar historical info and a sidewalk imprint are also located by Red Wing’s St. James Hotel, although I missed seeing that. That poem reads: Bondage and war behind me/Back and forth, trunks and trolley, from train, from steamboat to the St. James Hotel/I landed here, worked and forged a life. This honors another Black man, Joseph Parker, enslaved in Kentucky and later a porter at the hotel. He is the great grandfather of Seitu Ken Jones, a multidisciplinary artist from St. Paul and lead on the “Stand in the Shadows” public art in Red Wing.

As I searched out the backstory, I learned that the Patterson family eventually left Red Wing, after the Ku Klux Klan became active in the area in the early 1920s. It’s an unsavory part of Minnesota history that some would prefer remain hidden. I’d rather know about such hatred than pretend it never happened.

My shadow falls on the sidewalk as I photograph the words. This art also includes a sidewalk silhouette although I don’t recall seeing it. (Minnesota Prairie Roots copyrighted photo October 2025)

On this day in Red Wing outside the Salvation Army Thrift Store, I learned about two strong individuals who owned The Equal Rights Meat Market. Although the business remained open for only a short time, it leaves a legacy of strength and equality in this community.

This public arts project reminds us that history cannot, should not, be erased, rewritten or hidden. Those words—“born as chattel” to “I was an owner and bought cattle for The Equal Rights Meat Market”—need to be imprinted not only upon a sidewalk, but also upon our collective spirits. Especially now. And in recognition of civil rights leader and activist Dr. Martin Luther King Jr, who is honored annually, this year on Monday, January 19.

© Copyright 2025 Audrey Kletscher Helbling

 

Commentary: Floods, alligators & an email July 7, 2025

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Minnesota Prairie Roots copyrighted file photo used for illustration only)

I HAVE SEVERAL THINGS on my mind today which are roiling my emotions. Not on a personal level. But on a broader, national scale.

First, I feel heartbroken over the loss of lives in Texas following flash flooding. The latest death count I’ve read is eighty-five, 27 of those children. Dozens remain missing. Most heart-rending are the deaths of the young campers at a summer camp. I think many parents, myself included, can relate to dropping a child off at camp with the full expectation that they will be there when we come to pick them up at camp’s end. For too many, a parent’s absolute worst nightmare—that of losing a child—is now reality. I feel for anyone who has lost a loved one in these floods, no matter their age. I am thankful for the 850 rescued thus far.

Titles of two photos in the “Testify” exhibit I saw. (Minnesota Prairie Roots copyrighted file photo April 2025)

ALLIGATORS

Secondly, I’m deeply-troubled by the gloating and hype about “Alligator Alcatraz,” a deportation detention facility in Florida. Those in power have been flaunting the name, stating quite clearly what will happen to anyone who tries to escape. There’s nothing remotely “funny” about alligators attacking and devouring human beings. There’s nothing “funny” either about placing people in cages. But neither seems to bother those who are vocally promoting this facility in such a vile way.

As soon as I heard the words “Alligator Alcatraz,” I was reminded of a traveling exhibit, “Testify—Americana Slavery to Today,” that I saw at my local library in April. Within that exhibit was a studio portrait of nine unclothed Black babies and toddlers sitting or standing in one long line. The circa 1897 image by a photography studio was simply titled “ALLIGATOR BAIT.” I remember standing there, my jaw dropping in disbelief. The photo was right above another image, that one of the African-American 9th Calvary Regiment, ca. 1939.

Then I read the text below the two photos: The juxtaposition of photos heightens the irony of being hawked as unwanted, or “alligator bait,” while at the same time being drafted into a calvary regiment to serve in the name of the United States’ highest ideals. Historians have actually investigated to determine if African-American children were indeed used by hunters to lure alligators. The results were somewhat inconclusive, but the fact that research was needed is telling.

I wondered when I saw the “ALLIGATOR BAIT” photo how humans can be so cruel? I wonder the same today.

Hands of an octogenarian used for illustration only. (Minnesota Prairie Roots copyrighted file photo)

A TROUBLING EMAIL

Lastly, a few days ago I received an email from the Social Security Administration, which I initially thought to be phishing given the title, “Social Security Applauds Passage of Legislation Providing Historic Tax Relief for Seniors.” Turns out this was legit. I’m sure many of you got the same email.

As I read on, I couldn’t quite believe what I was reading—a clearly partisan piece of propaganda from an agency I thought was non-partisan. Not only that, the content was not complete or accurate.

Whoever crafted this email and thought it was OK to mass-send, it is not OK.

LET’S DO BETTER

There you go. This is what’s on my mind today, just days after celebrating the Fourth of July in a country I love, even with all its faults, atrocities, injustices and troubles. But we can, and must, do better. I believe we can.

© Copyright 2025 Audrey Kletscher Helbling

 

“Testify,” an enlightening & unsettling exhibit focused on Black history April 18, 2025

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The first panel explains the “Testify” exhibit. (Minnesota Prairie Roots copyrighted photo April 2025)

THE IMAGES AND WORDS left me feeling simultaneously unsettled, uncomfortable, disturbed, enlightened, impressed, angry and incredibly sad. My emotional reaction is not surprising after viewing the traveling exhibit, “Testify—Americana Slavery to Today,” at my local public library.

The 16 “Testify” panels stretch along the hallway connecting the library and community center in Faribault. (Minnesota Prairie Roots copyrighted photo April 2025)

The exhibit features photos of select African American art and artifacts from The Diane and Alan Page Collection. Alan Page, who is Black, was a Minnesota Supreme Court justice and, in the 1970s, a defensive lineman for the Minnesota Vikings. He’s in the NFL Hall of Fame. Diane, who was White, worked in marketing and was a businesswoman and notable philanthropist. She led the way in securing the art and artifacts in the couple’s collection.

This 1864 banner may have been carried by freedmen at a rally or march. During the 1864 election of Abraham Lincoln, both political parties came together to reject slavery. (Minnesota Prairie Roots copyrighted photo April 2025)

I’m grateful Buckham Memorial Library (through SELCO, the regional library system) brought this exhibit to Faribault for the public to see. We can all learn from history, deepening our understanding. We begin to recognize perspectives and biases and can then move toward change and healing.

The last five panels cover a span of topics. (Minnesota Prairie Roots copyrighted photo April 2025)

As I walked my way along the 16 towering photo panels paired with text, I began to more fully appreciate the suffering, the abuse, but also the fortitude, of African Americans. Despite everything, they retained strength and resilience.

Notice of an 1833 slave auction in Charleston, South Carolina. (Minnesota Prairie Roots copyrighted photo April 2025)

Yet, how hard it must have been at times to hold hope, especially from slavery to the time of Jim Crow laws. When I read a Public Sale of Negroes notice from 1833, I read words of degradation. I cannot imagine being that “valuable Negro woman,” that “very valuable blacksmith,” the slaves in “miscellaneous lots of Negroes” who were auctioned off like so much property. What humanity does to one another seems unimaginable, unfathomable. Yet, it still happens today, just in different ways.

A description of a slave to be sold at the 1833 auction. (Minnesota Prairie Roots copyrighted photo April 2025)

As disturbing as that slave bill of sale was, a group photo of nine unclothed Black toddlers in a professional studio portrait titled “Alligator Bait” proved profoundly disturbing to me. So much so that I can’t bear to show this 1897 image to you. The accompanying text states that historians researched whether hunters actually used African American children as alligator bait. Results were inconclusive, which is telling.

An unwelcoming 1942 sign from the Lonestar Restaurant Association in Dallas, Texas. (Minnesota Prairie Roots copyrighted photo April 2025)
A 1920s spring-loaded Jim Crow sign. (Minnesota Prairie Roots copyrighted photo April 2025)
Protest art from the Civil Rights Movement. (Minnesota Prairie Roots copyrighted photo April 2025)

A sign banning “dogs, Negroes and Mexicans” and another pointing Whites one way and “Colored” people the other prompted thoughts of, well, things have not changed all that much. Of course, they have, but not really if you dig deep or, conversely, read today’s headlines.

A brick crafted by slaves for the White House. (Minnesota Prairie Roots copyrighted photo April 2025)

I want to backtrack for a minute to the first photo I saw in the exhibit. It was of a single brick, circa 1792-1798. This singular object drove home the point that this country was built on the backs of slaves, like those who molded and laid the bricks for government buildings in Washington DC. That includes the White House and many U.S. Capitol buildings, according to the exhibit text. Unpaid slave labor. Think about that for a minute or ten.

“Only on Thursdays,” a 1940 painting by Burr Singer. (Minnesota Prairie Roots copyrighted photo April 2025)

There’s lots to contemplate in the “Testify” exhibit. That includes the watercolor art of Burr Singer titled “Only on Thursdays.” If you just looked at the art without the title and context, you might think it was simply a depiction of African Americans swimming. But it’s not. Thursday was the only day Blacks could use the Pasadena public pool. This painting makes a statement.

This 1991-1992 plate in Carrie Mae Weems’ Sea Island Series honors the creative survival strategies of African Americans. (Minnesota Prairie Roots copyrighted photo April 2025)

This exhibit makes a statement. Through images and words, it shines a light on the past, on Black history, on the atrocities of slavery and segregation and racism (both subtle and overt). Through “Testify,” truth-telling emerges for all to view and contemplate.

The panel to the far left shows a photo of the board game GHETTO. Social workers in training used the game to understand issues facing marginalized communities. (Minnesota Prairie Roots copyrighted photo April 2025)

FYI: “Testify—Americana Slavery to Today” is on display until April 23 in the corridor linking Buckham Memorial Library to the Faribault Community Center. The photos and information included in this story are only a sampling of what you will see in the exhibit. The Mabel Public Library hosts the exhibit from April 25-May 7.

© Copyright 2025 Audrey Kletscher Helbling

 

Celebrating my birthday with history & art September 27, 2024

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(Minnesota Prairie Roots copyrighted file photo)

NOT EVERYONE WOULD CELEBRATE a birthday by exploring historic ruins and then capping the day by creating art within an historic context. But then I am not everyone.

This week, on my closing-in-on-seventy birthday, I took a day trip to Wasioja and neighboring Mantorville. Randy and I packed our picnic lunches and then hit the road east in late morning. No need to rush and get going too early at our ages.

After a brief stop at a Kenyon thrift shop, which smelled strongly of natural gas, we made a quick exit. But not before warning the shopkeeper that he needed to check on the odor immediately. And don’t turn on a light switch, although the lights were already on, we advised. (The shop was still standing on our return route home.)

Blueberry pie. not from County Seat Coffee Shop. I didn’t photograph that pie piece. (Minnesota Prairie Roots copyrighted file photo)

GOING BACK IN TIME

I digress. In Wasioja, we discovered aged ruins and historic buildings, many connected to Minnesota’s involvement in the Civil War. I was aware of the Civil War recruiting station, but not some of the other sites. I’ll write more on our visits to Wasioja and Mantorville in future posts.

However, I should note now that Randy and I enjoyed slices of homemade blueberry and strawberry/rhubarb pie at County Seat Coffeehouse in Mantorville. It was, after all, my birthday. No sweet treat awaited me at home.

Back home by late afternoon with me feeling a bit tired after being on my feet all day (remember that broken right toe, which makes walking a tad more challenging), I put my feet up. Randy napped.

A promo for a 2022 talk by Mica Anders at the RCHS. (Promo credit of RCHS)

STEPPING BACK IN TIME WITH MICA ANDERS

And then, less than two hours later, we were off to the Rice County Historical Society for an interactive historical presentation by St. Paul genealogist and artist Mica Lee Anders. She was presenting on early (1850-1900) African American residents of Rice County. I’m always up to learning more about the history of this place I’ve called home for 42 years.

Anders made the entire event hands-on engaging by asking attendees to create flower mosaics that will honor the legacies of early African Americans. The flowers will be installed as public art at gravesites in Faribault and Northfield.

Not being especially artistic beyond creating with a camera and with words, I felt initially tentative about the whole idea. But Anders quickly put me at ease, explaining how to go about the process of creating mosaic flowers from glass tiles. We grabbed cupcake tins then scooped tiles in assorted shapes (mostly round) and colors (blues, greens, oranges and yellows) into individual holders. From there, we designed within a donut shape printed on paper. Later, we would transfer our designs onto sticky mesh.

As a perfectionist, I sorted my tiles by size and color before beginning to create. Part of me wanted to pause and take notes on everything Anders was sharing. But art won over being a journalist for the evening. I created. I listened. I asked questions. But I didn’t jot down a single word.

I heard about the success of those early African Americans who lived here. The barber. The young man who would become a doctor. The college grad. But I learned, too, of efforts to hide racial identity. Yet, races intermarried. And, said, Anders, Faribault was a welcoming place to those African Americans who settled here early on. To hear that pleased me greatly. Faribault has not always been a welcoming place for people of color.

The flower mosaic I created. Anders will finish the work. (Minnesota Prairie Roots copyrighted photo September 2024)

CONNECTING HISTORY & ART

Anders’ passion for history, genealogy and honoring the legacies of African Americans in southeastern Minnesota via her research and now her public art project coursed through the meeting room where a small group of us created colorful mosaics. It felt good to be part of something like this, a tangible way to honor those who came before us, who likely faced more struggles than I will ever know.

My mosaic was well thought out. I don’t usually randomly do anything. I used orange and yellow tiles in the outer two rings of my flower to represent the sun. The next ring featured blue round tiles representing the sky—dark blue for stormy days, lighter shiny blue for happier days. I finished my flower with an inner ring of green tiles representing the earth, growth, place.

The birthday cards I received, displayed on a vintage family dresser in my dining room. (Minnesota Prairie Roots copyrighted photo September 2024)

THANKFUL

Thus I began another year of life. Learning. Creating art. Honoring. Celebrating. And feeling incredibly thankful for all the people who care about me. From greeting cards to an audio message, from texts to emails to calls (including a singing of “happy birthday”), I feel cherished and loved.

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FYI: Mica Anders will host more workshops in Rice County (including in Northfield) to talk about early African Americans in southeastern Minnesota and to create flower mosaics. I encourage you to participate. Her project was made possible in part by Springboard for the Arts’ Rural-Urban Solidarity Initiative.

© Copyright 2024 Audrey Kletscher Helbling

 

Thoughts on slavery & race on Juneteenth June 19, 2022

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Photographed in August 2018 in a storefront window of a business in downtown Faribault, Minnesota. (Minnesota Prairie Roots file photo 2018)

AS A WHITE WOMAN and writer living in rural Minnesota, writing on the topic of Juneteenth isn’t easy or comfortable. Yet, it’s important for me to do so, to publicly recognize the federal holiday commemorating the emancipation of enslaved African Americans.

Why? Simply put, I care. I care that African Americans were treated with such disrespect, that they were “owned,” for no one should “own” anyone. Yet, these men, women and children were owned, used and abused by White slave owners who worked them, controlled them, imprisoned them, built our country’s early economy on their hardworking backs.

Artist Susan Griebel crafted this quilted art from fabric her mother-in-law, Margaret Griebel, acquired in Africa. Margaret’s husband served as a missionary in Nigeria. (Minnesota Prairie Roots copyrighted file photo)

I don’t pretend to be any sort of expert on slavery. But the very thought of it shakes me to the core. I can only imagine the emotions felt by those whose ancestors worked in servitude—in cotton and tobacco fields, in homes, in barns, on vast plantations…

Taking time on one June day to reflect on the freeing of slaves seems the least I can do. June 19th marks the date in 1865 when federal troops arrived in Galveston, Texas, to ensure the freedom of all enslaved people.

One of many hearts incorporated into a sculpture, “Spreading the Love” by Geralyn Thelen and Dale Lewis, located in downtown Northfield, Minnesota. (Minnesota Prairie Roots copyrighted file photo 2022)

Beyond reflecting on this date in history, I’ve tried to educate myself by reading, a skill most slaves were denied. Reading, whether stories written by reliable media, nonfiction or even fiction rooted in history, opens my mind to understanding. And with understanding comes compassion and an unwillingness to remain silent.

Too many times during my 60-plus years of life I’ve seen (think Confederate flags) and heard the animosities expressed toward people of color. And while this doesn’t apply specifically to Black people and slavery, I will speak up if someone starts bashing our local immigrant population with false claims and other unkind words. I fully recognize that, because my skin is colorless, my life is likely easier without preconceived ideas/prejudices/denied opportunities.

Love this uplifting message posted along a recreational trail in the Atwood Neighborhood of Madison, Wisconsin. (Minnesota Prairie Roots copyrighted file photo)

I appreciate that thoughts in this country are shifting, that we as a people are acknowledging past wrongs, that we’re trying. On the flip side, I see, too, hatred rising in ways I would never have imagined possible.

I admit that I grew up in a household where my father occasionally used the “n” word. It hurts to write that. The “n” word was part of his rural vocabulary, of the time, of growing up among others just like him. White. I grew up similarly, totally surrounded by those of Scandinavian, German, Polish, Irish and other descent, none with roots in Africa.

But I moved away, grew my knowledge and experiences, grew my exposure to new ideas and people and places. I’ve also gained insights into the challenges Blacks face from a biracial son-in-law. Today I live in a diverse neighborhood of Americans who are White, Latino, African…and I’m thankful for that. They carry, in their family histories, struggles and joys, the imprints of those who came before them. Today I honor those African Americans in Texas who 156 years ago first celebrated their freedom from slavery with “Jubilee Day” on June 19, 1866. And I honor all those slaves forced into lives not of their choosing, without freedom, but determined to be free.

© Copyright 2022 Audrey Kletscher Helbling

 

History talk focuses on early African American residents of our area March 31, 2022

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Promo courtesy of Rice County Historical Society.

WHAT DO WE REALLY know about the people and places we call home? Do we know the full story, the full history? Likely not.

This evening the Rice County Historical Society in Faribault hosts a History Talk, “Early African Americans in Southeast Minnesota,” by professional genealogist, lecturer and oral historian Mica Anders. She will share stories about some early African American residents of Rice County and more.

Anders researched African Americans who settled in southeastern Minnesota early on via a history fellowship. The result is her touring history talk and an exhibit, “Early African Americans of Southeast Minnesota,” on display until July 31 at the Minnesota African American Heritage Museum and Gallery in Minneapolis.

Her efforts will certainly enlighten and expand our knowledge of the African Americans who helped shape (and continue to shape) this place, this southeastern Minnesota.

 

Black lives matter times three February 22, 2022

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SAY THEIR NAMES NORTHFIELD INTERVENTION #32 chalk art activism at Bridge Square, Northfield. (Minnesota Prairie Roots copyrighted photo February 2022)

SUNDAY PROVED ENLIGHTENING, educational and reflective. And that’s a good thing because ongoing learning often makes us more informed, compassionate and caring individuals.

The scene from the Riverwalk along the Cannon River in downtown Northfield Sunday afternoon. (Minnesota Prairie Roots copyrighted photo February 2022)

The focus of my learning was not intentional, but rather a coming together of several elements. That began with a decision to follow the Riverwalk in Northfield on a rare February afternoon of sunshine and warmth in southern Minnesota. At 40-plus degrees, it was simply too nice to stay indoors. Northfield, only about a 25-minute drive, is a beautiful progressive river town, home to St. Olaf and Carleton Colleges, a thriving downtown historic business district, an active arts scene and more, including community activism.

Bridge Square with its monument and fountain, framed by a mosaic. Minnesota Prairie Roots copyrighted photo February 2022)
A statement by the artist activists. (Minnesota Prairie Roots copyrighted photo February 2022)
Spread out before the Civil War Monument, Black Lives Matter message and names. (Minnesota Prairie Roots copyrighted photo February 2022)

On this Sunday, activism and engagement focused my initial attention as Randy and I exited the van across from Bridge Square, a mini middle-of-the-downtown park next to the Cannon River. As I pulled my camera strap over my neck, I noticed a group of young people chalking the sidewalk leading to and around the Civil War Monument and center fountain. I decided in that moment not to photograph them writing their messages as part of SAY THEIR NAMES INTERVENTION #32. I remembered the controversy over such chalk art at Bridge Square. I believe the City of Northfield enacted an ordinance banning the chalking of the public space, although I could not confirm that information online.

From the SAY THEIR NAMES NORTHFIELD Facebook page: “In honor of Amir Locke and many other Black persons killed by police.” (Minnesota Prairie Roots copyrighted photo February 2022)

Later, after we walked along the river and then along Division Street, we paused to read the messages printed by SAY THEIR NAMES NORTHFIELD participants who had now left the square. As in previous “interventions,” their words repeated that BLACK LIVES MATTER. All too familiar names were chalked onto the cement—George Floyd, Breonna Taylor, Philando Castile, Jamar Clark, Daunte Wright… And new to the list, Amir Locke.

Too many names… (Minnesota Prairie Roots copyrighted photo February 2022)

As I photographed the names and messages, I felt an overwhelming sense of sadness at the injustices, the fact that this is 2022 and we are still grappling with racism and social injustice and many other issues related to race.

Promo for “The Summer of Soul.” (Photo credit: “Summer of Soul” Facebook page)

That evening, the same response repeated as I watched filmmaker Ahmir “Questlove” Thompson’s newly-released documentary “The Summer of Soul (…Or, When the Revolution Could Not Be Televised)” on ABC. The film documents the Harlem Cultural Festival which brought some 300,000-plus people together in Harlem in the summer of 1969 for six concerts over six weeks. Stevie Wonder, Nina Simone, Gladys Knight and the Pips, and other mostly Black musicians performed before a primarily Black crowd. The film, interspersed with concert footage and follow-up interviews with those who participated or attended, is a remarkable historic documentation of not only the music, but also of Black people, their culture, their connections in the community of Harlem and also the issues they faced in 1969. Issues which remain today.

I was especially moved by the joyful performance of “Aquarius/Let the Sunshine In” by Fifth Dimension, complete with audience participation and by the singing of “Take My Hand, Precious Lord,” Martin Luther King Jr’s favorite hymn sung at his funeral. All were performed against a stage backdrop collage of vibrant squares, rectangles and L shapes. (I’d love to have a poster of that artsy 1969 graphic.)

I felt a mix of sadness and concern that here we are, 53 years later, and just now this film footage has been released. Woodstock, the Apollo moon landing and more overshadowed the Harlem Cultural Festival in 1969. I appreciate the release of this film nominated for a 2022 Academy Award for Best Documentary Feature and a 2022 Grammy Award for Best Music Film. It’s important I watched it for, among many reasons, the insights and perspectives gained.

A must-read book of historical fiction.

Before “The Summer of Soul” aired on TV Sunday evening, I’d begun reading Under the Tulip Tree, a historical novel by Michelle Shocklee set in Nashville following the stock market crash of 1929. Only a third into the book, I found it fitting of my unexpected Sunday focus on Black lives The main character is a young White writer interviewing a former slave. And, yes, although fictional, real-life stories weave into the book.

BROWN LIVES FOR BLACK LIBERATION is the message leading to the list of names. (Minnesota Prairie Roots copyrighted photo February 2022)

I feel grateful for all the elements—chalk art, a documentary and a book—which came together on a February Sunday in Minnesota to educate and enlighten me about many aspects of Black lives. To learn is to grow in understanding and compassion.

FYI: Activism and art will theme an event on Thursday, March 3, offered through St. John’s Women, a Northfield-based group in its fourth year of sponsoring “Courageous Conversations” via monthly speakers and book studies. Carleton College Professor Cecilia Cornejo, an artist and also leader of the local SAY THEIR NAMES group, will talk about “Anti-Racism Activism Through Community-Engaged Art” at 7 pm via Zoom. Click here for more information.

© Copyright 2022 Audrey Kletscher Helbling