Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

“Anonymous mother” & a call to action November 5, 2025

An anonymous mother’s story and commentary as written by Kate Langlais for her “I Am Minnesota” project. (Minnesota Prairie Roots copyrighted photo October 2025)

I ALMOST MISSED IT. “Anonymous Mother’s Story” positioned next to “The Young Mother” charcoal portrait in the “I Am Minnesota” exhibit by Faribault artist Kate Langlais. But there it was, tucked in the corner near the light switches in the Paradise Center for the Arts main gallery.

The exhibit features some 20 portraits and stories of first and second-generation immigrants from my community. None is more relevant than that of the young mother who now faces deportation and separation from her infant. Here are key words in her story: young mother. here legally. green card. application suddenly canceled. awaiting deportation. ankle bracelet. cruel and inhumane.

We’ve all heard countless media reports of people snatched from the streets and elsewhere by masked agents of the federal government, unlawfully detained without due process, separated from family, deported… That is, indeed, cruel, inhumane, heartbreaking and wrong. Even when immigrants are following all of the rules, all of the laws to legally live here, they find themselves targeted.

Martha Brown took this photo of the anonymous mother which is included, along with text, in the “I Am Minnesota” exhibit. (Minnesota Prairie Roots copyrighted photo October 2025)

To read the story of this young mother from my area, to see the faceless portrait, and then to also view a photo taken by Martha Brown, candidate for Minnesota House District 19a, deeply touched me. Brown photographed only the young woman’s legs and the wheels of her baby’s stroller. That was absolutely the right and compassionate thing to do.

The intentionally-framed image is more effective and powerful than if Brown had photographed the woman’s face. Every single person who sees this image should understand the reasons for anonymity. In a statement with the photo, Brown urges southern Minnesotans to reach out to their U.S. congressman “to stop this cruel and inhumane treatment.”

Langlais’ inclusion of the anonymous mother’s portrait and story, along with Brown’s photo and words, is perhaps the most important part of the “I Am Minnesota” exhibit. And to think, I nearly missed it there in a corner of the gallery. Don’t miss this exhibit, which closes on November 15 at the Paradise Center for the Arts. It’s located in historic downtown Faribault, a place many immigrants call home.

One of my favorite images from downtown Faribault shows a group of Somali men visiting on a street corner. (Minnesota Prairie Roots copyrighted file photo 2024)

FYI: The Northfield Public Library is hosting “Bridging Communities: A Celebration of Somali Culture” from 1-4 p.m. Saturday, November 8. The event features interactive dance workshops led by the Somali Museum of Minnesota Dance Troupe; a performance by the Faribault Middle School Choir; and a participatory sing-along of Somali songs. Other activities include henna art, face painting, bilingual Somali storytelling, a scavenger hunt with prizes and more. The library is collaborating with Somali community partners and St. Olaf and Carleton colleges to bring this event to Northfield.

NOTE: I photographed the “I Am Minnesota” exhibit with permission of the Paradise. I also received permission from Martha Brown to include her photo in this post.

© Copyright 2025 Audrey Kletscher Helbling

 

“I Am Minnesota” exhibit features immigrants’ portraits & stories in Faribault November 4, 2025

Kate Langlais’ newest installment of her “I Am Minnesota” project fills the main gallery at the Paradise Center for the Arts with nearly 20 portraits. (Minnesota Prairie Roots copyrighted photo October 2025)

EACH TIME I VIEW the portrait art of Faribault artist Kate Langlais, I feel gratitude. Gratitude for the project she’s undertaken to showcase first and second-generation immigrants in my southern Minnesota community. Titled “I Am Minnesota,” this collection of portraits and accompanying first-person stories is now displayed in the main gallery at the Paradise Center for the Arts in downtown Faribault until November 15.

Kylee, as drawn in charcoal by Kate Langlais. (Minnesota Prairie Roots copyrighted photo October 2025)

Every single person in Faribault, Rice County and Minnesota ought to see this enlightening exhibit. In her artist’s statement, Langlais shares her own family story of descending from immigrants. She invites everyone to write their stories in the gallery guestbook and then to take the time to read the posted stories and “open your heart to connecting with all of your Faribault neighbors.”

The Monroy Lara Family, an oil on canvas by Kate Langlais. (Minnesota Prairie Roots copyrighted photo October 2025)

I appreciate those words, “open your heart to connecting.” It is when we begin to talk to one another, to meet each other on a personal level, to see each other as individuals, that barriers begin to fall and we become neighbors, even friends.

A charcoal portrait of Cathlena by Kate Langlais. (Minnesota Prairie Roots copyrighted photo October 2025)

This “I Am Minnesota” exhibit connects us in a way that is effective. It doesn’t get much more personal than faces and stories. These are the stories of individuals rooted in Africa, Asia, North America, South America and Europe.

In her own words, Cathlena’s story. (Minnesota Prairie Roots copyrighted photo October 2025)

Viewing this creative project takes time. Some of these portraits I’ve previously seen at smaller exhibits of Langlais’ immigrant-focused work. It’s important to see every face, hear every voice. Like Rosa’s.

The Molina Family as drawn in charcoal by Kate Langlais. (Minnesota Prairie Roots copyrighted photo October 2025)

Born in the US and raised in Texas and Minnesota, Rosa has struggled with racism. She tried to fit in while growing up—reciting the Pledge of Allegiance, joining Girl Scouts, throwing toilet paper at houses… Still, Rosa was told to “go back” to her own country. America is her own country. She was told, too, to “speak English because this is America.” Being bilingual is, in my opinion, a strength in today’s interconnected world.

Another view of portraits in the “I Am Minnesota” gallery exhibit. (Minnesota Prairie Roots copyrighted photo October 2025)

Even among acquaintances, I’ve heard derogatory comments about Faribault’s immigrant population, especially Somalis. I don’t let those negative remarks go unchecked. Rosa says it well: “I just think sometimes that some people forget that their families were once the different ones.”

Kate Langlais’ drawing of Sam, born in a Cambodian refugee camp. (Minnesota Prairie Roots copyrighted photo October 2025)

To be “different”—in how you dress, the language you speak, the food you eat, the way you look, your customs and traditions—often makes you a target. The first and second-generation immigrants who shared their stories with Langlais don’t hold back. They’ve been bullied, misunderstood, struggled, been told to assimilate… It’s disheartening at times to read their truth. But these are words we need to read.

The Echeverria Family operates a successful food truck, Delicious Pupusas, as drawn in charcoal by Kate Langlais. (Minnesota Prairie Roots copyrighted photo October 2025)
Silvia Echeverria’s story about how her family business came to be accompanies the family portrait. (Minnesota Prairie Roots copyrighted photo October 2025)
In the corner of another portrait is the name of a popular Faribault restaurant, El Tequila Family Mexican Restaurant in business for 27 years in multiple communities. (Minnesota Prairie Roots copyrighted photo October 2025)

Among all of the tough truths there are beautiful words, too, of friendships, dreams, opportunities, goals, hard work and success. Restaurants opened. A food truck business started. And many other stories of obstacles overcome to achieve personal happiness and professional success.

Charcoal portrait of Dawud, whose family story is rooted in Somalia, by Kate Langlais. (Minnesota Prairie Roots copyrighted photo October 2025)

Second grader Dawud, born in St. Paul and living in Faribault, holds unbridled optimism about his future. “I want to grow up to be a business owner, just like my dad, and travel around the world,” he says. But then he also dreams of becoming a professional basketball or soccer player, like many other Minnesota boys his age. I hope nothing, especially not his immigrant background, holds him back. Ever.

As Marco, who came to the US at age seven shares, “We love autumn, flowers, the sun, nature, and the great opportunities to become better people.”

The Paradise Center for the Arts in historic downtown Faribault. (Minnesota Prairie Roots copyrighted photo October 2025)

FYI: The Paradise Center for the Arts, 321 Central Avenue North, Faribault, is open from noon-5 p.m. Wednesday-Friday, from 10 a.m.-2 p.m. Saturday and also during scheduled events and performances.

This exhibit was photographed with permission of the PCA. Portraits are the copyrighted work of artist Kate Langlais. My photos, in some cases, do not show the entire portrait. Please visit this gallery exhibit to view all of the portraits in full and to read the accompanying stories.

© Copyright 2025 Audrey Kletscher Helbling

 

“I Am Minnesota” immigrant portraits & stories inspire September 11, 2023

Portraits and stories, including that of Tin Tea owner, Chau, second from right, are featured in the newest “I Am Minnesota” exhibit. (Minnesota Prairie Roots copyrighted photo September 2023)

IN THE CORRIDOR LINKING Buckham Memorial Library and the Faribault Community Center, 13 portraits of immigrants and second-generation immigrants line the walls. They are the work of Faribault artist Kate Langlais in her updated “I Am Minnesota” project.

“Faysel,” who fled the war in Somalia. (Minnesota Prairie Roots copyrighted file photo September 2020)

This is a remarkable and revealing exhibit, which stretches well beyond faces portrayed primarily in black and white charcoal on gray paper. Langlais also includes the stories of those who now call this region home. Those stories hold the challenges and dreams, the successes, the gratitude and more of individuals who have become integral, and important, parts of our communities.

Faysel’s story from Langlais’ 2020 “I Am Minnesota” exhibit. (Minnesota Prairie Roots copyrighted file photo September 2020)

I saw Langlais’ first “I Am Minnesota” exhibit in 2020 at the Paradise Center for the Arts. She includes seven of those 2020 portrait-story pairings in her latest installation along with six new featured individuals. I appreciate her work today as much as I did three years ago.

Kate Langlais at work in her home studio. (Photo courtesy of Kate Langlais, 2022)

In her artist’s statement, Langlais states in part that, “It is an honor to learn about each individual’s hardships and perseverance, as well as the beauty of their hopes and dreams.”

“Hilda,” successful Faribault business owner. (Minnesota Prairie Roots copyrighted photo September 2023)

That includes the hopes and dreams of Hilda, who came to Faribault in 1996 with the goal of opening a family-run restaurant serving authentic Mexican food. Twenty-seven years later, El Tequila Family Mexican Restaurant is still going strong, even expanding to other communities. Hilda overcame a vocal naysayer who doubted such a restaurant could survive, let alone thrive, in Faribault. She proved him wrong and, in her story, expresses gratitude to a supportive community.

Likewise, another woman with a dream, second-generation Vietnamese-American Chau, opened Tin Tea in Northfield in June 2021 at the age of 19 while also a full-time student at St. Olaf College. Her story begins with gratitude to her parents: “My parents’ incredible journey from Vietnam to a new land left an indelible mark on my life. Filled with hardships and unwavering determination, their arrival in a foreign land with nothing but hope and courage inspired me deeply.”

An unidentified “I Am Minnesota” portrait of a woman hangs next to a drawing of Peter. (Minnesota Prairie Roots copyrighted photo September 2023)

To read these stories, to view these portraits, is to witness the strength and determination of individuals like Hilda and Chau. And Peter, an immigrant from the Netherlands who moved with his wife Virginia to Faribault in 2002. Since then, Peter, now a U.S. citizen, has volunteered tirelessly in Faribault, heading up the International Festival, being selected as “Citizen of the Year” (along with Virginia), elected to the City Council, recently named the new Rice County fair manager and more.

Included in Hilda’s portrait is the name of her successful Mexican restaurant, the first in Faribault and now one of several. (Minnesota Prairie Roots copyrighted photo September 2023)

Thirteen faces. Thirteen stories. They are ours to view, to read, to appreciate. For in seeing, we put faces to the word “immigrants.” For in reading, we learn their backstories. And in both, we begin to understand that our newest neighbors and their families overcame much to call this place, this southern Minnesota, home.

FYI: Kate Langlais’ “I Am Minnesota” exhibit will be up until Friday, September 15. A closing reception is slated for 5-7 pm with a free portrait drawing class beginning at 6 pm. Register for the drawing class at Faribault Parks and Recreation.

© Copyright 2023 Audrey Kletscher Helbling

 

Immigrants, Escape Artists &, yes, Elvis in the house September 1, 2020

“Ashley,” portrait by Kate Langlais.

 

“GO BACK TO WHERE YOU CAME FROM. GO BACK TO MEXICO AND NEVER COME BACK!”

 

A snippet of Ashley’s story, as posted with her portrait.

 

I intentionally capitalized and boldfaced those angry words spoken to a 5-year-old by a “mean girl.” Can you imagine hearing such awful, horrible words directed at you? Yet, they are all too common. If not spoken, then thought.

 

Kate Langlais, painting at a recent concert in Faribault’s Central Park as part of “Art in the Park.” Minnesota Prairie Roots file photo August 2020.

 

Ashley, the subject in an art exhibit, “I Am Minnesota,” by Faribault portrait artist Kate Langlais, experienced that hatred. She reported the insult to her mom and her principal. I’m thankful she called out the bully, because no one should have to endure such disrespect, especially a kindergartner.

 

“Faysel” up close by Kate Langlais. He fled war in Somalia.

 

And I’m thankful to Kate, the artist, for taking on this project which features portraits of first and second-generation immigrants living in Faribault and their stories. Her portraits are currently exhibited at the Paradise Center for the Arts in historic downtown Faribault through September 12.

 

The title of each portrait is simple. The subject’s name.

 

Kate invites viewers to “recall what they know about their family’s immigration stories.”

 

Parker, four months, the son of an immigrant who arrived here at about the same age. Portrait by Kate Langlais.

 

But she pushes beyond that to prompt thought about problems immigrants must overcome—language barriers, cultural differences, acceptance (or not) by neighbors.

 

An overview of a portion of the Escape Artists exhibit.

 

After viewing Kate’s thought-provoking portraits and accompanying life summaries, I walked over to a larger gallery featuring art by the Escape Artists. Right away, I connected the two. Not because the art is at all alike. But because of the word “escape.” The subjects in Kate’s portraits escaped oppression, war, poverty and more for life in America. The Escape Artists are a group of artist friends who, 30-plus years ago, began escaping together to create art.

 

A section of “On the Ragged Edge” by Theresa Harsma.

 

As I meandered through the gallery, I considered the Escape Artists’ art with the imprint of Kate’s portraits on my mind. For example, Theresa Harsma writes in her artist’s statement for “On the Ragged Edge” of sorting through her collection of found objects and choosing those that seemed to want to be part of the piece. Just like immigrants want to be part of the piece that is America.

 

“1938 Church Wedding” by Linda Van Lear is based on The Holy Innocents Episcopal Church located at the Rice County Fairgrounds/Historical Society Museum Grounds.

 

I expect LInda Van Lear’s painting of “1938 Church Wedding” includes immigrants among wedding guests, probably even in the bridal party.

 

“Lasso the Moon” by Susanne Crane.

 

And I interpreted Susanne Crane’s “Lasso the Moon” as lassoing dreams. Dreams of a better life for those who came to America, including my forefathers, and probably yours.

 

This photo shows part of “Streams of Consciousness, Rivers of Green” by Theresa Harsma.

 

“Maria” by Kate Langlais.

 

Back to artist Theresa Harsma, another work, “Streams of Consciousness, Rivers of Green,” struck me in its connection to one story in “I Am Minnesota.” Three times Maria attempted to cross the river from Mexico into the U.S. The determination, the exhaustion, the despair—they’re all woven into her story. No matter how you feel about immigration issues, at the very core is a human being, now a Minnesotan, with struggles, hopes and dreams.

 

An overview of the Cash-Elvis exhibit.

 

Julie M Fakler created this piece, “You ain’t nothin’ but a hound dog,” inspired by Elvis’ song.

 

A close-up of Dan Rathburn’s “A Man in Black” (aka Johnny Cash).

 

Once I finished touring the Escape Artists’ exhibit, I shifted my focus to a Johnny Cash and Elvis pop-up show in a small corner gallery. In some ways, these two musicians were escape artists, too, escaping through their music.

 

“Tree of Life with Mother Nature’s Daughters” by Susanne Crane.

 

I love when art, from a divergence of artists, connects. We are all different. Yet alike in our humanity.

 

The Paradise Center for the Arts marquee.

 

FYI: The Paradise Center for the Arts, 321 Central Avenue North, Faribault, is open Thursday-Saturday from noon to 5 p.m. The above exhibits close on September 12.

© Copyright 2020 Audrey Kletscher Helbling