Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

St. Mary’s of Melrose, Part II July 17, 2011

STARK CHURCHES appeal to me. The ones with the simple wooden cross, the white clapboard siding, the time-worn pews settled upon plain plank floors.

But the ornate houses of worship likewise snag my soul with crosses of gold, walls of brick and gleaming, carved pews.

One of the many ornate carvings at St. Mary's Catholic Church in Melrose.

I am most comfortable with, most accustomed to, the unadorned churches of the Lutherans, my religious heritage. We keep things simple. No cluster of burning candles. No wafting incense. No pools of holy water. Minimal, if any, gold.

Perhaps for that reason, when I step into an historic Catholic church, I feel like I’ve entered a foreign land. I am often awed by the opulence, by the details that visually overwhelm me.

The side aisle on the left leads to an ornate altar in St. Mary's which is on the National Register of Historic Places.

That’s exactly how I felt upon entering St. Mary’s Catholic Church of Melrose, featured here in an earlier post. Overwhelmed. But good overwhelmed. Because I could not possibly present all of the images I wanted to share with you in a single post, here are the remainder.

No matter your religious affiliation, you simply have to appreciate a place like St. Mary’s. What beauty. What art. What history. What heavenly splendor.

This was the top or bottom of something. Can't recall what. But it sure is stunning.

Look at this gorgeous, carved door, will you?

Golden statues. Beautiful.

Just look at this detailed side altar. I could have spent hours in St. Mary's.

And then I discovered these collection baskets hanging from a rack. We Lutherans don't have wicker baskets with long handles. These contrast so sharply with the the ornateness in the church and that is why I so appreciated this grouping.

St. Mary's Catholic Church stands strong as a fortress in Melrose, next to the turkey plant, its towering steeples visible from nearby Interstate 94 in west central Minnesota.

© Copyright 2011 Audrey Kletscher Helbling

 

Hail St. Mary’s of Melrose June 26, 2011

The steeples of St. Mary's Catholic Church of Melrose.

I STOOD THERE. Just stood there. For minutes, taking in the glorious splendor before me.

The cornflower blue of the arched ceiling. The pillars. Pews—endless carved pews stretching from the fonts of holy water to the steps leading to the altar.

A view from the back of St. Mary's Catholic Church looking toward the main altar.

I didn't even try to count the hand-carved pews that grace this church. But they are many.

A stone font holding holy water at the back of the church.

Such beauty. Such holiness. Such wonderment.

Opulent, stained glass windows bedecking the sanctuary like jewels on a crown.

One of too many stained glass windows to count.

Statues fit for the finest of museums.

This statue of Jesus and Mary sits at the back of the church.

And then I moved, not sure which direction to go, wondering how I could possibly see every detail. Prayerful hands. Flickering candles. The frayed ends of the bell pull. Gold-leaf stenciled crosses. Worn wood. Angels in flight above the altar.

Clustered candles of prayer at St. Mary's.

Bell ropes dangle by the balcony stairway. Two stairways lead to the balcony.

A gold-leafed stenciled cross borders a side wall of the sanctuary.

My eyes swept across the Church of St. Mary’s, or St. Mary’s Catholic Church of Melrose. Choose the moniker you prefer.

The name and the denomination of this 1898 church mattered not to me. I cared only for the heavenly feel of this holy place.

How could I not be impressed by this multi-steepled house of worship next to the turkey plant and soaring above the landscape 100 miles northwest of the Twin Cities?

How many times, if you travel Interstate 94 in central Minnesota, have you noticed those steeples while zipping by Melrose, but never taken the time to drive into town? Placed on the National Register of Historic Places in 1993, this Catholic church is worth a stop if you appreciate craftsmanship, art, history and reverent beauty beyond belief.

The church rises above the land, defining Melrose.

The 113-year-old building was constructed by the parishioners of St. Boniface and renamed St. Mary’s when St. Boniface and St. Patrick’s parishes merged in 1958.

History runs deep here. You will see it in the hitching post out front, smell it in the incense, hear it in the creak of steps leading to the locked balcony.

And if you listen closely, you can almost hear the whispered prayers of those who have come here on bended knees to lift up their sorrows to the Lord.

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I COULD NOT POSSIBLY share my many photos of St. Mary’s with you in one blog post. Please check back for more images in a future post.

© Copyright 2011 Audrey Kletscher Helbling

 

Step into yesteryear at the stark, yet welcoming, Ottawa Town Hall September 17, 2010

The Ottawa Town Hall was built in 1860 from local limestone.

I ABSOLUTELY COULD NOT believe my good fortune. After peering through a front window into the old town hall and wondering why the lights were on, I pulled (or pushed; I can’t recall which) on the front door. Much to my elation, the door gave way.

Let me preface this by saying that in the past when I have clicked door latches or turned knobs on historic buildings, mostly churches, I’ve met resistance, meaning I was locked out.

I tried the door latch and the door was, to my surprise, unlocked.

But, ah, to feel the door sway, allowing me entrance, gave me that momentary feeling of surprised satisfaction. And look, just look, at what awaited me inside the Ottawa Town Hall.

Inside, the stark room stretched out before me.

Simplistic beauty best describes the interior of this former general store constructed in 1860 from local limestone and today among six Ottawa buildings on the National Register of Historic Places.

To find this village platted in 1853 along the Minnesota River, follow winding Le Sueur County Road 23 northeast of St. Peter. And when you get there, after reading the historical marker and picking up a self-guided tour brochure from the town hall kiosk, try the door.

If you’re as fortunate as me, you’ll step into yesteryear, onto scuffed wood-plank floors, into a building that has been the Ottawa Town Hall since 1902.

If you’re like me, you’ll stand there for a moment or two or three taking in the atmosphere of this place. You can see history in the beadboard walls and ceiling, in the stage flanked by steps and adorned with a scenic canvas curtain reminiscent of melodrama days, in the lone American flag, in the curved-back wooden chairs stacked precisely along the wall.

The stage intrigues me. Who performed here? Do actors and actresses ever grace this stage today?

I tugged at the two side doors that would have given me access to the stage. But, alas, they were locked.

I stroked the stiff canvas of the stage curtian and admired the painted florals.

Ottawa Town Hall chairs

Even the stacked chairs seemed a sculpture of historic art.

If you like “fancy,” you won’t appreciate the starkness of a room awash in white under the blazing light of bare bulbs.

For me, though, there’s something about this town hall that soothes, comforts, makes me feel right at home, as if the door was meant to be left unlocked, the lights switched on in an inviting welcome.

Though rather plain, the town hall possesses a certain welcoming charm.

© Copyright 2010 Audrey Kletscher Helbling