Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

In Faribault: A creatively moving production of “A Christmas Carol” December 2, 2022

Filed under: Uncategorized — Audrey Kletscher Helbling @ 2:30 PM
Tags: , , , , , , , , , , , , , ,

A scene from “A Christmas Carol,” now on stage in Faribault. (Photo courtesy of director Sam Temple)

ON THE MORNING OF OUR GRANDSON’S preschool holiday party, Randy took time off work to watch a group of preschoolers perform an unrehearsed version of the Christmas story. The little ones eagerly donned swatches of cloth, transforming into multiple Marys, Josephs, angels and shepherds. My eyes focused on Isaac, brown tunic slipped over his plaid flannel shirt, shepherd’s staff in hand. I worried he might bonk a classmate over the head. He never did. In the end, the pastor-directed impromptu play proved entertaining and joyful, a blessing to all.

Later that evening, after he returned from a half day of work, Randy joined me at the Paradise Center for the Arts in Faribault to watch an invitation-only final dress rehearsal of Charles Dickens’ A Christmas Carol performed by The Merlin Players. Well-rehearsed, directed, staged, acted and presented, this play contrasted sharply with the one we’d seen earlier that day. Yet, the messages of peace, love and good will (among others) repeated. The Dickens’ play ended with the line: “God bless us everyone!”

Two plays in one day—one familiar to me, the other not. One faith-based, the other centered on choices one makes in life. Both powerful in their own way. One loose and unstaged, the other professionally done.

The promotional poster for “A Christmas Carol.” (Courtesy of Sam Temple)

That I’ve never read or seen A Christmas Carol is something I hesitate to admit. I am, after all, an English minor, an avid reader, a writer. Of course, I knew the basic story line of main character Ebenezer Scrooge visited by the ghosts of Christmas past, present and future. But that’s about it. So I walked into the theater Thursday evening not quite knowing what to expect, although I anticipated another outstanding performance by The Merlin Players. Fifteen years ago they presented this same play at the Paradise. Now the theater company is disbanding, choosing to end with a repeat of A Christmas Carol, albeit different in presentation.

Posted in a window of the Paradise Center for the Arts, a quote by Jacob Marley, Ebenezer Scrooge’s business partner. (Minnesota Prairie Roots copyrighted photo December 2022)

As I sat in my theater seat listening and watching, central themes began to emerge. “There’s more to life than work,” Mrs. Fezziwig (Alane Bendtsen) states as Ebenezer Scrooge faces the Ghost of Christmas Past. I thought of my husband who just that morning missed work to attend our 3-year-old grandson’s preschool party and pageant. I felt grateful for his decision. Age has a way of shifting priorities. And in this theatrical production, a story has a way of exposing regrets. Scrooge focused his life on work, on making money, on getting things and, in the end, gave up so much, including love.

I expect we have all experienced many Scrooge moments, when we stand at a crossroads and make choices that aren’t the best, that, in the end, hurt us, those we love, even strangers. Choices that are self-serving and unkind. I expect we have all turned away those in need, like Scrooge did in a brief interaction with a child caroler (Ella Boland) in a moment I found especially touching.

Sam Temple, who directed the play, notes that “through this story, Dickens sought to solidify Christmas as a season for charity, kindness, and compassion for the downtrodden.” That carries through in the unfolding plot and dialogue with a message as timely today as in 1843 when Dickens penned this story.

Another scene from The Merlin Players’ production of Charles Dickens’ Christmas classic. (Photo courtesy of Sam Temple)

From the youngest to oldest, these 26 performers (all playing multiple roles except Steve Searl/Scrooge) pour their hearts and souls into retelling Dickens’ A Christmas Carol. I cannot imagine trying to direct a cast of this size; Sam Temple proved he was up to the task. The lines. The movement. The dancing. The costuming. The technical aspects. The music and singing—Jingle Bells, Silent Night, O Tannenbaum… The festive spirit of the season emerges. Everything comes together seamlessly.

That I came into this performance with no preconceived ideas, no comparisons to other productions, allows for an unbiased review. I sat back. Took it all in, appreciating the dramatic special effects which include the banging of chains, globes of floating light, a towering and menacing black Ghost of Christmas Yet to Come and more. I’m intentionally not revealing details. Technical Director Matthew Boyd and crew outdid themselves in creatively enhancing this theatrical version of Dickens’ Christmas classic.

A second quote by character Jacob Marley posted at the Paradise. (Minnesota Prairie Roots copyrighted photo December 2022)

I exited the theater feeling reflective and uplifted by the transformation of Scrooge from money-focused and miserly to kind, caring, compassionate. “I am not the man that I was,” he declares. He stood at a crossroads and, in the end, chose good will, kindness, love. He experienced what I would term A Christmas Awakening.

FYI: A Christmas Carol opens at 7:30 pm Friday, December 2, at the Paradise Center for the Arts along Central Avenue in historic downtown Faribault. Other 7:30 pm performances are on December 3, 8, 9 and 10. Two afternoon shows are set for Sunday, December 4 and 11 at 2 pm. If you plan to attend, I highly encourage you to reserve tickets now or you may not get a seat. Tickets are selling quickly. Click here for more info.

© Copyright 2022 Audrey Kletscher Helbling

 

Reflecting on Alexander Faribault, connecting past & present

Filed under: Uncategorized — Audrey Kletscher Helbling @ 5:00 AM
Tags: , , , , , , , , , , , , , , , , ,

The home of town founder Alexander Faribault. (Minnesota Prairie Roots copyrighted file photo 2017)

ON SATURDAY, THE HOME of Faribault’s founder, Alexander Faribault, opens for its 15th annual Christmas open house. The event features the 1853 house decorated for the holidays in the French-Canadian style. Faribault was of French-Canadian and Dakota descent.

The Faribaults’ dining room set for the holidays during the 2017 Christmas open house. (Minnesota Prairie Roots copyrighted file photo 2017)

To walk through the rooms of this historic home is to feel the presence of the Faribault family, including wife Mary Elizabeth Graham and their children. The Faribaults lived here only a few years before moving to a large brick mansion on the bluffs overlooking the Straight River. With 10 children, I expect they needed more space than the wood-frame house provided.

An overview of Alexander Faribault’s gravesite at Calvary Cemetery. (Minnesota Prairie Roots copyrighted photo April 2020)

Across town several miles to the west atop a hill overlooking the countryside on the edge of Faribault, the life of Alexander Faribault comes full circle. It is here, in Calvary Cemetery, that this fur trader, this friend of the Dakota, this town founder, this family man, is buried.

A memorial to Alexander Faribault stands at the Calvary Cemetery entrance. The birth date here differs from the one on Faribault’s tombstone. (Minnesota Prairie Roots copyrighted photo April 2020)

In April 2020, I visited this cemetery for the first time specifically looking for Faribault’s gravesite. I found it along with a memorial marker honoring him at the graveyard’s entrance.

Memorial marker words up close. (Minnesota Prairie Roots copyrighted photo April 2020)

Race or creed did not color his judgments, the marker states in part. That seems to match what I’ve read about Alexander Faribault. Both his mother and wife were of Dakota heritage, thus he and his children were, too. Alexander, who traded with and befriended the Dakota, later sheltered some of them on his land. Government treaties removed indigenous peoples from their land, including in current-day Faribault. Alexander Faribault served as an interpreter in the signing of regional treaties given his knowledge of the Dakota language and culture. I wonder if he felt conflicted by how the government treated the Dakota.

This sculpture of Alexander Faribault and a Dakota trading partner stands in Faribault’s Heritage Park near the Straight River and site of Faribault’s trading post. Faribault artist Ivan Whillock created this sculpture which sits atop the Bea Duncan Memorial Fountain. (Minnesota Prairie Roots copyrighted file photo)

Today, 216 years after Faribault was born on November 28, 1806, an awareness and acknowledgment that indigenous peoples were the first inhabitants of this area is rising. Long before fur traders like Faribault set up trading posts in the region, the Dakota lived here, hunted here, fished here, raised their families here, called this place home.

This shows a portion of an in-ground marker for Alexander Faribault. (Minnesota Prairie Roots copyrighted photo April 2020)

When I consider the friendships forged among fur traders and the Dakota, I think of the Faribault community today and those who call this place home. This city truly is a melting pot of cultures and peoples. I celebrate that. Some day I hope we can all, like our town founder, view each other through a clear lens without the filter of race or creed coloring judgment.

A holiday greeting from Alexander Faribault displayed at a past Christmas open house. (Minnesota Prairie Roots copyrighted file photo)

FYI: The Alexander Faribault House Christmas Open House is from 11 am- 3 pm Saturday, December 3, at 12 First Avenue Northeast, Faribault. The event is free and is part of this weekend’s Winterfest celebration in Faribault.

© Copyright 2022 Audrey Kletscher Helbling