Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Beyond just a holiday art exhibit at the former Owatonna orphanage December 15, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 8:27 AM
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A door into the Owatonna Arts Center in southern Minnesota.

BEHIND THE BACK BLUE DOOR of the Owatonna Arts Center, housed in a former orphanage, past the guardian nutcracker, up the stairs and just to your left, you’ll discover a sprinkling of holiday magic and realism in “The Story Books of Christmas” exhibit.

As OAC Art Director Silvan Durben tells me, the exhibit doesn’t specifically emphasize Christmas books—although two are holiday-themed—but rather impresses the sharing of a storybook with a child and the warm memories that evokes.

You’ll experience that bonding over books in a rotating display of Mother Goose tales crafted onto cardboard and placed next to a Christmas tree embraced by teddy bears tucked among branches.

Who among us doesn’t remember with fondness the recitation of nursery rhymes?

Jack be nimble, Jack be quick, Jack jump over the candlestick.

Hickory, dickory, dock, the mouse ran up the clock. The clock struck one. The mouse ran down. Hickory, dickory, dock.

Or the story of the “Old Man in the Moon?”

It was not lost on me, though, that the orphaned children who once tread these floors did not experience the closeness of clutching a teddy bear or cuddling on a lap while listening to nursery rhymes as they drifted into sleep.

A rotating exhibit of several Mother Goose nursery rhymes.

A close-up of art in the Hickory, dickory, dock rhyme.

Many dreamed of escaping—and some did via rail—the drudgery and abuse at the former Minnesota State Public School for Dependent and Neglected Children.

That reality struck me as I viewed an over-sized silver jingle bell and the word “BELIEVE” punched into an equally-large golden ticket at The Polar Express display. In that children’s picture book by Chris Van Allsburg, a young boy boards a train to the North Pole as the story unfolds to reveal the magic of Christmas.

The large, magical silver bell in The Polar Express display.

Although I did not ask, I wonder if the creators of “The Story Books of Christmas” considered the double-meaning of selecting The Polar Express to highlight in this place where so many children wished for a ticket out.

I found the selection fitting, touching and sad. And a wee bit hopeful.

FYI: “The Story Books of Christmas” exhibit runs through December 29 at the OAC, 435 Garden View Lane. OAC hours are from1 p.m. – 5 p.m. Tuesday – Sunday, closed Mondays. The OAC will also be closed December 23 – 26.

The display highlighting the book, Nestor, the Long-Eared Christmas Donkey.

CHECK BACK for another blog post from the art center and for a photographic tour of Cottage 11, once home to orphaned boys.

© Copyright 2011 Audrey Kletscher Helbling

 

Faribault nonagenarian’s art show opens on Friday January 11, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 8:09 AM
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RHODY YULE.

Even his name has an artistic, poetic ring to it.

He’s my friend.

He’s also an artist.

This Friday evening, 92-year-old Rhody, the man I met about a year ago when I stopped to photograph 10 celebrity portraits on his rural Faribault garage, has his first-ever gallery showing. His exhibit opens with a reception from 5 p.m. – 7 p.m. at the Paradise Center for the Arts, 321 Central Avenue North, in downtown Faribault.

I want you to be there.

I want you there to celebrate the art and the artist.

You will meet a humble, gentle man with a sense of humor and a positive attitude that will surely uplift you.

You will meet a widower who treasures the portrait of his beloved wife, Shirley.

You will meet a veteran who served his country during WW II and painted a military scene on old military tent canvas while stationed in Nome, Alaska, because he had no other canvas.

You will meet a father, a man of faith, who painted his version of “The Last Supper” in honor of his only child, Paul, who died at age 23 in a 1977 car accident.

 

A snippet of Rhody Yule's painting, "Reverent Prayer," which will be among religious paintings included in his exhibit. This is my personal favorite of all his paintings.

"The Betrayal," among several over-sized religious paintings done by Rhody.

Some 50 oil paintings and other art will be featured in the exhibit, “A Lifetime of Art: The Rhody Yule Collection.”

I am honored and thrilled to have helped make this show happen for a man who has been quietly painting for enjoyment since age 16.

That his talent has remained out of the public view for this long still astounds me. Most folks in the Faribault area likely have seen some of Rhody’s work as he painted signs for 33 years. But they have not seen the portraits, religious paintings, landscapes and other art that he created in his free time.

 

Celebrity portraits on Rhody's garage, where I first discovered his work last fall.

MY DISCOVERY OF RHODY happened by accident, when I saw the 10 celebrity portraits on his garage in the fall of 2009, stopped to photograph them and then knocked on Rhody’s door. I never expected a frail nonagenarian to answer.

That was the beginning of our friendship and my efforts to secure an art gallery show for him. I applied for the show on Rhody’s behalf. And then, when the Paradise accepted his work for a solo exhibit in the Carlander Gallery, Team Rhody formed to make it happen. I’ve been working with Rhody’s family and friends, members of the Paradise Gallery Committee, my husband and even a California graphics designer to pull this all together.

From choosing paintings to hauling, cleaning and titling them; promoting the show; and now, this last week, finalizing details for the finger foods to be served at the reception, this has been a process. Those of us involved can’t wait for you to meet Rhody and view his art.

Team Rhody wants you to be there, to celebrate with those of us who care for and love this man, this artist.

Rhody's self-portrait, 1989

PLEASE JOIN US from 5 p.m. – 7 p.m. Friday, January 14, for a meet-the-artists opening night reception for Rhody and artist Adam Kuehnel, who creates watercolors and will exhibit in the Lois Vranesh Boardroom Gallery. Adam says his work “exists somewhere on the path between Hemingway’s Two Hearted River and Keillor’s Lake Wobegon.”

As for Rhody, I’ve only labeled his show with the “A Lifetime of Art: The Rhody Yule Collection” title and not slotted him as an artist.

I think Rhody would simply prefer to be just Rhody.

A recent photo of 92-year-old Rhody.

I saw Rhody on Saturday, when my husband and I picked up the last of his paintings and delivered them to the art center. He was eating breakfast with his friends at the assisted living facility where he resides. As always, he was happy and talkative. He’s sporting a new haircut. He’s picked up a new shirt and corduroys to wear on Friday. A relative says Rhody looks mighty dapper.

He’s ready to meet you. I’m ready for you to meet him, my friend, the artist. Rhody Yule.

IF YOU LIVE in Canada or Finland or Arkansas or Washington D.C. or anywhere that is not within reasonable traveling distance to attend the art show, I understand why you won’t be there. I hope you’ve enjoyed this online introduction to Rhody and a sampling of his art.

However, if you live in Northfield or Owatonna or Waseca or the Twin Cities metro, please consider driving to Faribault for this opening night reception. We’re only a half-hour drive from Burnsville, 45 minutes from Minneapolis. The art center is in the heart of Faribault’s historic downtown. You can’t miss the marquee.

If the weather is bad, please check before coming.

Both exhibits will continue through February 26. So if you can’t make the January 14 opening night event, stop at the gallery from noon – 5 p.m. on Saturdays or from 10 a.m. – 5 p.m. Tuesday – Friday.

P.S. If you attend on opening night, you’ll be treated to free food and beverages with an open cash bar also.

You'll even see the Duke at Rhody's show. Sorry, no Elvis.

© Copyright 2010 Audrey Kletscher Helbling

 

Designer Max Lohrbach makes a fashion statement in Mantorville September 2, 2010

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:35 AM
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I AM NO FASHIONISTA or anything closely resembling a woman who knows, or really cares, about fashion.

So when I stopped at the Mantorville Art Guild last week while visiting this historic southeastern Minnesota river town, I had no idea I had just stepped into the world of fashion.

When you enter the Mantorville Art Guild, turn and pull hard on the door knob. And if a strong wind is blowing, hang onto the screen door.

But I should have figured it out given the fashionably-dressed women consulting with artist Max Lohrbach. They weren’t, like me, dressed in plain denim shorts, a scoop-necked cotton shirt and $3 flip flops from Walmart. Rather, one wore an ankle-length shoulderless dress with a swatch of fabric crossing her back and a band tied at her neck. A big bag was fashionably slung over her shoulder. I can’t recall the other woman’s attire, but neither toted a bulky brown camera bag like me.

I felt a bit under-dressed for the occasion. How was I to know, though, that one of Minnesota’s premier fashion designers would be there? That would be Lohrbach. Not until I returned home did I realize his importance.

In the background, Max Lohrbach visits with guests at his "Souvenir Portrait" exhibit, which opened August 21 in Mantorville.

My blissful ignorance allowed me to enjoy Lohrbach’s “Souvenir Portrait” without star-struck pretenses. I was simply viewing an artistic piece that, to me, seems a perfect fit for the artist’s hometown of Mantorville, a community with a 12-block downtown on the National Historic Registry.

Lohrbach’s 2-3 dimensional “installed illustration” showcases his original garments influenced by, and depicting, the 1876 era, the time of our nation’s Centennial.

If his exhibit had been a photograph, I would have been looking at a family portrait. Promotional information for Lohrbach’s show says, “The somewhat dark scene may serve not only as a fashion installation, but also as a common ancestral portrait.”

Max Lohrbach's "Souvenir Portrait" at the Mantorville Art Guild.

“Souvenir Portrait” calls for a closer look at the details this Minnesota designer has incorporated into his scene—the red, white and blue in the clothing; the alphabet sash upon the child’s skirt; the pig drawing on the father’s shirt; the crossed arms; the hand angled in the pocket; the mother turned protectively toward her child; the rustic eagle fashioned from weathered wood…

Lohrbach's work depicts the love between mother and child.

Playful vintage details incorporated into the child's dress.

There's something almost sad, or perhaps contemplative, in the face of this woman painted by Lohrbach and wearing his original design.

Lohrbach has created a piece worthy of study as much for the personal sense of history he conveys as for the detailed vintage-style garments he’s designed.

“SOUVENIR PORTRAIT” will be on display at the Mantorville Art Guild, 508 Clay Street, until September 19. Gallery hours are from 11 a.m. – 4 p.m. Friday and Saturday and from noon until 4 p.m. on Sunday. Arrangements can be made for special tours. Fashionable attire is optional.

© Copyright 2010 Audrey Kletscher Helbling