Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Faribault’s newest mural reflects love, diversity June 16, 2021

“LOVE FOR ALL” created by Jordyn Brennan. MN Prairie Roots copyrighted photo.

THE POWER OF VISUAL ART can’t be underestimated. It heals. Uplifts. Infuses joy. Creates a sense of peace. Brings people together. And so much more.

The ASL symbol for “v” and the peace symbol. MN Prairie Roots copyrighted photo.

In Faribault, “LOVE FOR ALL,” a just-finished mural designed and painted by Minneapolis artist Jordyn Brennan, shows the positive power of art in a way that reflects my southern Minnesota community. Yet, the mural’s universal theme of love appeals to everyone.

Jordyn Brennan signed her “LOVE FOR ALL” mural. MN Prairie Roots copyrighted photo.

I love this 85-foot by 35-foot mural which sprawls across the side of a building (and next to a city-owned parking lot) at the corner of First Avenue NW and Third Street NW in the heart of downtown Faribault. The City of Faribault commissioned Brennan to create the public art. It will be celebrated this week during Faribault Heritage Days with a ceremony at 3:30 pm Thursday, June 17, at the mural site. Guest speakers include city officials, representatives from the Minnesota State Academies for the Deaf and Blind and Faribault Main Street, and the artist.

The setting sun shines on the northwest corner of the mural. MN Prairie Roots copyrighted photo.

When I say I love this mural, I should explain, right? I love the vivid hues defining this art. To look at “LOVE FOR ALL” simply makes me happy. And who doesn’t need to feel happy after these past difficult 14 months-plus of living in a pandemic?

LOVE in assorted colors and languages. MN Prairie Roots copyrighted photo.

But beyond that basic appreciation, I value the message of an inclusive Faribault. Mine is a diverse community. Diverse in culture and ethnicity. Diverse, too, in that deaf and blind students come here from all over Minnesota to attend the Minnesota State Academies for the Deaf and Blind. Some of their families live here. A global student population also attends Shattuck-St. Mary’s School, an historic private boarding and day school on Faribault’s east side.

The three dots below the L are L in Braille. MN Prairie Roots copyrighted photo.

The artist took those facets of Faribault and incorporated them into her artwork. You’ll see that in the hands communicating love in American Sign Language with the Braille spelling below. The hands are painted in varied skin tones.

Mums, peonies and clematis. MN Prairie Roots copyrighted photo.

The rare Dwarf Trout Lily. MN Prairie Roots copyrighted photo.

Faribault’s noted flowers. MN Prairie Roots copyrighted photo.

And then, above those hands, flowers bloom. Not just any flowers, but mums, peonies, clematis and the Dwarf Trout Lily, all reflective of Faribault’s rich floral history. Read the backstory on that in my initial post about the mural by clicking here.

Painted concrete blocks distance vehicles from the mural. MN Prairie Roots copyrighted photo.

I feel incredibly grateful to live in a community which values art, including outdoor public art. Many historic-themed murals grace our downtown as do murals on the alley-side of The Upper East Side (213 Central Avenue) and the Second Street Pocket Garden.

The letter L in ASL. MN Prairie Roots copyrighted photo.

As a creative and a member of this diverse place I’ve called home for 39 years, I celebrate this newest piece of art. I hope it sparks conversations, creates a strong sense of community and positivity, and reminds all of us that art is powerful. And so is love.

© Copyright 2021 Audrey Kletscher Helbling

 

Alley-side art in Faribault May 3, 2021

Faribault’s newest mural, completed late last year.

OUTDOOR PUBLIC ART enhances a community. It provides an outlet for creativity, adds interest to place and often brings joy. At least that’s my assessment.

As someone who grew up in rural southwestern Minnesota with minimal exposure to the arts—or perhaps more accurately minimal opportunity in the arts—I deeply appreciate the arts.

This sculptor of Alexander Faribault trading with a Dakota trading partner stands in Faribault’s Heritage Park near the Straight River and site of Faribault’s trading post. Faribault artist Ivan Whillock created this sculpture which sits atop a fountain known as the Bea Duncan Memorial Fountain. Minnesota Prairie Roots file photo.

My community of Faribault, where I’ve lived for the past 39 years, embraces creativity, centered today at the Paradise Center for the Arts. Yet, the visual arts extend well beyond the walls of the Paradise to stained glass windows in our historic churches, an art collection at Buckham Memorial Library, sculptures, architecture, home-grown shops, historic-themed murals and even the graceful curves of the historic viaduct.

In this January 2016 photo taken from the viaduct, you can see the back of The Upper East Side (white stucco building) before the mural was added. The historic building originally housed W.H. Stevens Drug. Minnesota Prairie Roots file photo.

You can see Faribault’s newest addition to the outdoor art scene from that viaduct, which offers a sweeping view of the downtown area.

Visual layering is part of this mural.

But I viewed this latest public art close up from an alley. On the back and sides of The Upper East Side, an art and gallery space at 213 Central Avenue, Morristown area artist Jeff Jarvis (West Cedar Studio) painted a mural onto the stucco building.

A 1950s scene along Faribault’s Central Avenue is shown in this mural in our downtown district. Minnesota Prairie Roots file photo.

The mural differs significantly from the historic-themed murals scattered throughout our downtown as part of The Mural Society of Faribault’s ongoing mural installation efforts.

Close up, colors and graphics pop.

The Upper East Side mural, a project of owner Suzanne Schwichtenberg and Jarvis, is more modern and graphic with strong lines. Less detailed. Bold. With unexpected pops of color. I find the zipper painted into the mural to be especially creative—the unzipping of history, of stories, of past and present. The mural invites introspection rather than simple reflection on an historic place or memory.

That’s my take. Not as someone with an art education, but rather as a creative who has grown to appreciate the arts in her community and beyond.

A locally-themed tote displayed at The Upper East Side. Minnesota Prairie Roots file photo September 2018.

FYI: Suzanne Schwichtenberg leads paint-and-sip events and other painting sessions at The Upper East Side and also takes painting/social gatherings on the road. Jarvis is a third-generation artist specializing in historical sketches and scenes from everyday life. He is passionate about local and regional history, authoring a book on the area’s mill history.

© Copyright 2021 Audrey Kletscher Helbling