Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

The mystery of the brewery and bank paintings January 17, 2011

I DIDN’T GROW UP in Faribault. But I’ve lived here longer than any place in my life—28 ½ years—so I suppose that makes me somewhat of a local.

As such, I’ve developed an appreciation for the history that surrounds me, especially in the downtown. Faribault boasts a historic commercial district graced by many beautiful brick buildings.

So when two paintings of old Faribault buildings mysteriously showed up at my friend Rhody Yule’s art exhibit, I was intrigued. I knew the pieces in the exhibit inside and out, backward and forward, upside down and right side up because I submitted the application for Rhody’s show and then helped select the art.

Then, suddenly, these two additional paintings—of the Fleckenstein Brewery and the Security Bank—appear. How did they get there?

 

Faribault artist Rhody Yule created this oil painting of the Fleckenstein Brewery in 1976. The building, and the brewery, no longer exist. The 20-foot Fleck's beer bottle on the right side of the painting sat near the brewery entrance. Children often had their pictures taken here when their parents toured the brewery.

In 1964, Rhody Yule painted this picture of the Security Bank in downtown Faribault. The original 1870 stone structure was covered with a brick facade. The building is no longer a bank.

I asked around, but no one could solve the mystery.

Thanks to my sleuthing husband, who thought to look at the backs of the paintings, the mystery was quickly solved and I had a name and number.

Local history buff Brian Schmidt owns the oil paintings. When he learned of Rhody’s art show, he hustled the two pieces down to the Paradise Center for the Arts because he figured others would be interested.

Brian was right and I had lots of questions for him, starting with, “Where did you get these paintings?”

Turns out he purchased them at Woody Schrader auctions, which are held on Sundays and Wednesdays at Schrader’s Faribault auction house.

As long as we were talking, I didn’t shy from asking Brian how much he paid for the paintings. He purchased the 1964 bank painting for $30 seven years ago. He got the 1976 painting of the Fleckenstein Brewery about 10 years ago for $90.

I told Brian he got a deal. He knew it.

But here’s the best part about this whole story. Brian grew up on the north side of Faribault and often dug for bottles in the “bottle pit” at the Fleckenstein Brewery. He’s also considered the local expert on the brewery, he says, and has some 300 collectible brewery items.

Who better to own these paintings than Brian?

“I love Faribault history,” says this Rice County Historical Society member who is always seeking treasures from the city’s past.

He can tell you that the Fleckenstein Brewery had a 108-year history in Faribault, opening in 1856 and closing in 1964. The Fleckensteins made Fleck’s beer and pop. He’s eager to share more and has invited me and my husband to see his collection.

For now, though, we focused primarily on those paintings.

“I was so glad to put to rest the mystery of the paintings that I own from Rhody Yule,” Brian wrote in an e-mail follow-up to our phone conversation. “I have often wondered where his studio was and who was the man behind the wonderful art work that I found. It was a pleasure to finally see the man who actually painted these wonderful paintings. I will cherish these paintings FOREVER now!”

 

The former Security Bank, today, along Central Avenue in downtown Faribault.

The clock that graces the corner of the Security Bank building has fallen apart. A number of years ago there was discussion about refurbishing the clock, but that didn't happen, I believe, because of the high costs to undertake such a project.

The lovely stone entrance to the Security Bank.

FYI: Rhody Yule, who was a Faribault sign painter for 33 years, never had a studio. He painted quietly at home for enjoyment.

IF ANYONE OWNS paintings by Rhody, please submit a comment here and tell me about the art pieces you have.

If you would like to see the Security Bank and Fleckenstein Brewery paintings, which Brian Schmidt terms “so spectacular and detailed,” check out “A Lifetime of Art: The Rhody Yule Collection” at the Paradise Center for the Arts. Hours are 10 a.m. – 5 p.m. Tuesday – Friday and noon – 5 p.m. Saturday. This first-ever gallery show for 92-year-old Rhody runs through February 26.

Other exhibit paintings of Faribault buildings include one of the old Trinity Lutheran Church and School and the Faribault Woolen Mill.

© Copyright 2011 Audrey Kletscher Helbling

 

Red carpet treatment for Faribault artists January 15, 2011

A replica marquee on the historic Paradise Center for the Arts in downtown Faribault welcomes guests to the opening night gallery reception for Rhody Yule and Adam Kuehnel.

Rhody Yule & Adam Kuehnel

FARIBAULT FIGURATIVELY rolled out the red carpet last night for two local artists.

I’m thrilled with the receptions given to watercolor artist Adam Kuehnel and my friend, oil painter Rhody Yule, at the Paradise Center for the Arts on opening night of their exhibits. I’m not good at numbers, but I’m certain more than 100 guests, maybe closer to 150, attended Friday evening’s event. That’s an exceptional turn-out.

Adam opened his “Founded Upon the Waters: A Collection of Works.”

Rhody opened his “A Lifetime of Art: The Rhody Yule Collection.”

I met Adam for the first time last night and was impressed by this friendly young man who teaches English in nearby Kenyon, has an architecture degree and paints for enjoyment.

I’ve known Rhody for about 1 ½ years, after discovering him via art hung on the side of his rural Faribault garage. Rhody, like Adam, possesses a passion for painting.

To see the two artists together last night warmed my heart. Rhody is 92 and has been painting for 76 years. Adam is exactly 60 years his junior and just beginning his artistic pursuit.

This first-ever gallery show is a long overdue honor for Rhody. It was clear to me from the way guests embraced him and his art last night that they loved what they saw. Every time I glanced over at Rhody, seated just inside the gallery in a comfy chair, someone was bending down to talk to him, to shake his hand, to praise his art.

Rhody, minutes before his gallery show opened.

This photo shows only a portion of the 50-plus paintings in Rhody's exhibit.

I heard the artwork praises, too—from the woman who was surprised at the excellent quality of the art created by this self-taught artist, for Rhody’s ability to paint a variety of subjects from portraits to landscapes to religious works and even a few abstracts, for the way in which he painted well-known religious scenes with a unique perspective, for the…

Among my favorites paintings are Rhody's 1989 self-portrait and the portrait of his wife, Shirley, who died in the spring of 2010.

Rhody and me

I heard praises, too, from those who thanked me for “finding” Rhody. Really, anyone could have “found” him. I just took the time to stop and meet the man who had hung celebrity portraits on his garage.

Because I’m snoopy/nosy/curious—I used all three words last night in explaining how I “found” Rhody—I learned that Rhody’s art had never been publicly exhibited. I decided to change that.

But this show did not happen solely because of me. I made that abundantly clear to all who approached me at last night’s opening reception. This became a team effort. “Team Rhody,” as we begin to call ourselves, worked together to bring “A Lifetime of Art: The Rhody Yule Collection” to The Carlander Family Gallery.

So, thank you, first of all, to my husband, Randy, for his enthusiastic support and help. Thank you, also, to these Team Rhody members: Bob and Kathi, Dennis and Kathy, Jean, Marian, Mary Ellen, Amy, and the Paradise Center for the Arts Gallery Committee, especially Julie and Deb.

Finally, thank you to all who attended the opening night reception and gave Rhody the red carpet treatment. I can’t think of anyone more deserving.

FYI: Rhody and Adam’s shows continue through February 26 at the PCA, 321 Central Avenue North in downtown Faribault. You can view the exhibits Tuesday – Friday from 10 a.m. – 5 p.m. or on Saturday from noon until 5 p.m.

Food artists Kathy and Mary Ellen led efforts to pull together a beautiful buffet table for the reception.

Rhody painted this military runway in Nome, Alaska, when he was stationed there during WW II. The scene is painted on an old piece of military tent canvas. To the left is one of two abstracts in the exhibit.

Visitors peruse Rhody's religious paintings.

© Copyright 2011 Audrey Kletscher Helbling

 

Gallery show for 92-year-old artist opens tonight January 14, 2011

The artist, Rhody Yule

TONIGHT MARKS A MOMENTOUS occasion for my friend Rhody Yule.

Tonight his first-ever art gallery exhibit opens in The Carlander Family Gallery at the Paradise Center for the Arts in downtown Faribault.

Maybe to most artists, this would not be a big deal. But, when you’re 92, like Rhody, and have been quietly painting for 76 years, it’s a very big deal to put your art out there for all to see in a gallery setting.

During the past six months, as I’ve worked to make this show happen, I’ve met many times with Rhody. Every time we’ve talked, he’s humbly downplayed his talent. That’s just Rhody—a gentle man who prefers not to be the center of attention.

Yet, tonight, along with Adam Kuehnel, a watercolor artist about 60 years his junior and who is exhibiting in another gallery, Rhody will receive the public recognition he deserves for his oil paintings.

I’m glad this night has finally arrived because, more than once, Rhody joked, “I might die before then (the art show).”

I always responded: “Don’t you dare!”

Then he would smile and laugh. Truth be told, though, I worried.

But tonight, ah, tonight we’ll celebrate as “A Lifetime of Art: The Rhody Yule Collection” opens with an artists’ reception from 5 p.m. – 7 p.m.

 

For decades, most of Rhody's paintings were stored in this trailerhouse behind his rural home. (He has since moved.) The roof leaked and some of his art was damaged.

One of Rhody's rural landscapes, among several now exhibited at the Paradise.

Rhody specializes in portraits and religious paintings like this one of Christ, which he calls "Misery."

Rhody's exhibit also features several of his sketchbooks, including this drawing.

FYI: The exhibit runs through February 26. Gallery hours are Tuesday – Friday from 10 a.m. – 5 p.m. and Saturdays from noon to 5 p.m.

© Copyright 2011 Audrey Kletscher Helbling

 

Inside a pet portrait studio November 2, 2010

GROWING UP IN HOUSTON—that would be Minnesota, not Texas—Julie M Fakler always envied the farm kids with their farm animals.

Today, though, Julie has no reason to feel jealous. She’s surrounded by a menagerie of animals, some real (her cats), most not.

She’s an artist, specializing in pet portraits. A quick peek inside her Faribault studio and gallery during the recent South Central Minnesota October Studio arTour and Sale reveals that Julie especially loves cats and dogs. They comprise the bulk of her acrylics.

 

 

Examples of Julie M Fakler's animal portraits.

 

Occasionally, though, you’ll see a farm animal like a goat, chicken or calf. Some of those she’s painted at the nearby Rice County Fairgrounds, setting up her easel during the fair to recreate those critters.

 

 

Rice County Fair animal portraits painted during the fair.

 

As I sorted through the photos I took of Julie’s artwork, I finally figured out what was niggling at my brain about her paintings of animals against simple backgrounds of primarily primary colors. Her paintings, in my opinion, would fit perfectly into children’s picture books.

I haven’t asked Julie whether she’s ever considered illustrating a children’s book. But she will paint a portrait of your pet, on commission, or hand-stitch a quilt for you (another one of her artistic endeavors).

 

 

Julie painted this neighborhood dog.

 

 

Items tacked onto a bulletin board, left, provide Julie with inspiration for her paintings.

 

 

A jumble of paint tubes in the studio, which is housed in a former upholstery shop behind her Faribault home.

 

 

Paintings propped on the studio floor.

 

 

More animal art.

 

 

Julie and her sister make books, using them to record their world-wide travels via words and art.

 

 

One final nod to Julie's artistic side is represented in this old sink, acquired from a neighbor, and decorated for fall. It's outside her studio/gallery door. She intends to use the sink as a potting station in the spring.

 

For additional information and to view more of Julie’s art, click here to visit her Web site.

© Copyright 2010 Audrey Kletscher Helbling

 

A cool door and some cool art in Northfield October 29, 2010

NOW, HONESTLY, tell me. If you were walking down the sidewalk, saw this sign, these stairs clinging to this brick building and this wide-open welcoming door, wouldn’t you race up the steps?

 

 

This stairway leads to Nancy Carlson's art studio in downtown Northfield.

 

I didn’t race, but I hurried, after I’d snapped a few photos of this appealing scene in downtown Northfield. Never mind that my husband and second daughter thought me somewhat crazy. But, unlike them, I typically carry a camera on my hip and see photo ops in places most people wouldn’t.

Besides, the cloth on this door reminded me of the 70s, my era, and all the years I stitched clothing from psychedelic fabrics.

 

 

This fabric on the studio door takes me back to the 70s.

 

Inside, more bright colors awaited me. Just look at this bold chair and equally bold artwork. Freelance painter and mixed media artist Carla Thompson of Barefoot Studio created the vivid horse painting.

 

 

A perfect pairing of bold art and a bold chair inside the studio.

 

She’s in to bright colors and whimsy and I took a fancy to her wood block paintings. Visual art paired with words—humor and simple thoughts on life, according to information from her Web site.

 

 

Whimsical designs painted on wood blocks by Carla Thompson and photographed, by me, at a weird, artsy angle.

 

 

Wood block art by Carla Thompson

 

 

Mirror art by Carla Thompson frames visitors perusing her art during last weekend's Studio arTour.

 

Artists Meg Jensen Witt and Nancy Carlson joined Thompson in displaying their art in Carlson’s studio during last weekend’s South Central Minnesota October Studio arTour and Sale. Carlson, in my opinion, has a pretty cool place, in the McClaughry Building, 101 E. Fifth Street, to hang out and create her watercolor and India ink pieces.

 

 

An overview of Nancy Carlson's art studio in the McClaughry Building, 101 E. Fifth Street, Suite 211, Northfield, during the arTour last weekend.

 

Witt’s ceramic wall hangings and table top pottery, in mostly subdued, muted tones, contrasted sharply with the bolder art of her friends.

 

 

Examples of Meg Jensen Witt's nature-themed art.

 

But that’s the great thing about art. We all have different tastes. Exactly what we like depends on many factors—for me, my rural upbringing and that 70s influence.

© Copyright 2010 Audrey Kletscher Helbling

 

Praise for a 92-year-old artist September 28, 2010

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The historic Christdala Evangelical Swedish Lutheran Church.

INSIDE THE SMALL country church, I place my hand atop his, the coolness of his skin seeping into the warmth of my fingers. I feel the slight tremble of his hand, a hand that for some seven decades lifted brush to canvas and metal and wood as he painted.

He is cold, even though dressed in layers. I am warm in my short-sleeved shirt. We wait—me in the stiff-backed pew and him in a folding chair.

In just a few minutes, I will introduce my 92-year-old artist friend to a sanctuary full of worshipers, briefing them on his life as a painter. But how do you condense seven decades of painting into 180 seconds? I do, because I don’t enjoy public speaking and I have time constraints.

He is Rhody Yule, a former sign painter by day. And by night he painted to express himself in hundreds of portraits, landscapes, still-lifes and religious scenes created through the decades.

On this Sunday afternoon we have come by invitation of the Christdala Church Preservation and Cemetery Association of rural Millersburg to showcase nine of Rhody’s religious paintings, including one of Christdala Evangelical Swedish Lutheran Church which he painted in 1969.

This is his debut public art showing and I am thrilled at the opportunity for Rhody, first the subject of a magazine feature article I wrote and now, I am honored to say, my friend.

A humble man of faith, who on more than one occasion has claimed that his paintings “ain’t nothin’” or “aren’t much,” deserves this public display of his art.

So on this perfect Sunday afternoon in September, when the sun filters through leaves tipped in red and golden hues, my husband and I have come to this hilltop site to set his paintings upon easels against the backdrop of the 1878 wood frame church. A woman in reverent prayer. Judas betraying Jesus. The Last Supper.

The simple lines of the church provide an ideal backdrop for Rhody's paintings.

Rhody's depiction of Judas betraying Jesus is among the paintings displayed.

"Our Glorious Savior," "The Empty Tomb" and "The Last Supper" on exhibit.

Jesus appears to, and blesses, doubting Thomas in Rhody's painting.

Rhody calls his painting of the suffering Christ, "Misery."

Here in the churchyard, on a strip of grass between the church and the gravestones of Swedish immigrants, those who have come for Christdala’s annual worship service/open house peruse the nine religious paintings, chat with Rhody, chat with me. They share their admiration for his art.

I am smiling. This is as it should be. Praise for the artist, the slight wisp of a man who, since age 16, has quietly sketched and drawn and painted for the joy of creating.

Artist Rhody Yule sits next to some of his paintings displayed at Christdala.

As the afternoon gathering draws to a close, Rhody gives his Christdala painting to the preservation society. I am unaware that he planned to do this. “It belongs here,” he tells me later. That is so Rhody, to quietly, without a big to-do, present his Christdala painting to those who will most appreciate it.

Rhody's 1969 painting of Christdala church.

THANK YOU to B. Wayne Quist for inviting Rhody and me to participate in Christdala’s annual open house. I am especially grateful for this opportunity to display Rhody’s art for the first time ever. He has also been accepted for a solo art show January 14 – February 26, 2011, in the Carlander Gallery at the Paradise Center for the Arts in Faribault.

PLEASE CHECK BACK for posts about historic Christdala, which closed in 1966.

© Copyright 2010 Audrey Kletscher Helbling