Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

An African spiritual plus my thoughts during Black History Month February 3, 2025

This Nigerian-themed quilt art was created years ago by my friend Susan. The art reflects to me the joy of an African spiritual. The fabric came from Nigeria, where Susan’s father-in-law served as a Lutheran missionary. (Minnesota Prairie Roots copyrighted file photo)

THE SONG WAS UNEXPECTED during Sunday morning worship at the conservative Lutheran church I attend in Faribault. But it was fitting for the day and for my feelings, which have leaned deeply into discouragement recently.

The African American spiritual, “There Is a Balm in Gilead,” proved a temporary balm for my soul. The old school word “balm” holds a healing connotation. The song’s refrain encourages: There is a balm in Gilead to make the wounded whole. There is a balm in Gilead to heal the sin-sick soul.

As I sang the refrain, I wondered, what or where is Gilead? Later research revealed that, during Old Testament days, Gilead was a mountainous region east of the Jordan River and an important source of medicinal herbs. That makes sense as it relates to the lyrics.

Christ’s face in a stained glass window in the sanctuary of my church, Trinity Lutheran, Faribault. (Minnesota Prairie Roots copyrighted file photo)

In the New Testament, “balm of Gilead” refers not to an herb which heals physically, but to Jesus through whom spiritual healing comes. That also makes sense as it relates to lyrics of the song printed on page 749 of the Lutheran Service Book.

Events of recent weeks in this country have me feeling apprehensive, unsettled, worried, in need of a healing balm. I know I am not alone in these feelings as we face economic challenges, upheaval, chaos and uncertainties on endless levels. Each day seems to bring something of new concern. No matter where you stand politically or spiritually, you have to feel the tension and uncertainties in this country.

A snippet of a photo by Stephen Somerstein from the exhibit, “Selma to Montgomery: Marching Along the Voting Rights Trail,” which I saw at St. Olaf College in Northfield, Minnesota, in 2015. (Minnesota Prairie Roots copyrighted file photo)

On Sunday, as I sang the African American spiritual, I allowed myself to be swept into the healing words of hope and comfort. It was not lost on me that, sitting on the end of my pew, was a family of mixed race—an African American father, White mother and three biracial children, one a darling baby boy of ten months. I thought of my own newborn grandson, who is mixed race. What does the future hold for these two little boys? Will they face challenges simply because of their skin color? I’d like to think not. But…

And I thought, too, of the new calendar month of February, in which we celebrate Black History Month, focusing on Black history, culture and education. I reflect on slavery, on Civil Rights leaders, on racial disparities, diversity, equity and inclusion, wondering how I, personally, can educate myself and make a difference.

A message left by a visitor to the Selma exhibit at St. Olaf College. It’s so applicable to today. (Minnesota Prairie Roots copyrighted file photo)

It truly does start with each of us standing up for what is good and right and decent and not going along with what we know in our hearts, minds and souls to be wrong. And then, maybe then, we’ll find our balm in Gilead.

© Copyright 2025 Audrey Kletscher Helbling

 

Easter morning March 31, 2024

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My favorite Easter hymn. (Minnesota Prairie Roots copyrighted file photo)

EASTER MORNING DAWNS with the sunshine of God’s love. I believe this to be true.

I know that my Redeemer lives!

Have a blessed Easter, dear readers!

© Copyright 2024 Audrey Kletscher Helbling

 

Easter memories of song, tattoos & faith April 9, 2023

My favorite Easter hymn. (Minnesota Prairie Roots copyrighted file photo)

IT IS MY ABSOLUTE favorite Easter hymn—“I Know that My Redeemer Lives.” And there is a reason behind that choice.

As a child, I sang that song with my Sunday School class during Easter worship services at St. John’s Lutheran Church in Vesta. Dressed in our Easter finery—girls in pastel dresses and Easter hats, boys in dress pants and shirts, some with bow ties cinching their necks—we belted out the joyful words about the risen Lord.

To this day, I can recite most of the verses. The words are that ingrained in my memory. Words of triumph, love, blessings, assurance and so much more. I feel my soul filling with Easter morning hope in the memories of singing that aged hymn.

I admittedly cannot carry a tune or read a single musical note. And I admit to a bit of fear on those long ago Easter mornings in rural southwestern Minnesota. Not fear about forgetting the words to a hymn. But rather a dislike of sitting in the St. John’s balcony with only a low, partial wall separating me from the sanctuary below. I never jostled for the front pew in that upstairs packed with kids.

I hold another memory from Easter morning. Not of danger, but rather of youthful disobedience. Mom asked my siblings and me not to tattoo our arms before church services. Of course, we didn’t listen and excitedly held washcloth to paper tattoos, imprinting temporary art (from Easter egg dyeing kits) onto our skin. In the end, I don’t think anyone really cared as long as we showed up to sing at church.

And so all these decades later, I remember my favorite hymn and how my faith has carried me through life. Through joyful moments, through ordinary days, through really difficult times…

He lives to bless me with his love.

He lives to help in time of need.

I know that my Redeemer lives!

A joyful Easter to all of you from my home in southern Minnesota, not from the balcony of St. John’s!

TELL ME: Do you have a favorite Easter hymn and/or memory? I’d like to hear.

© Copyright 2023 Audrey Kletscher Helbling

 

Moving through grief January 31, 2022

My Grandma Josephine holding her baby daughter, my mom Arlene, in 1932.

AMAZING GRACE, how sweet the sound…

The lyrics brought me to tears. Sobbing. A week after I followed family into the St. John’s Lutheran Church sanctuary, behind Mom’s casket, and settled onto a pew only feet from her coffin.

On that January 22 morning, with “Amazing Grace” as the funeral processional, tears did not fall. Nor did they in the immediate days thereafter. But a week later, while watching the movie, I Can Only Imagine, grief bubbled over. I cried as I listened to “Amazing Grace” in a funeral scene. Actor J. Michael Finley, playing Christian musician/vocalist Bart Millard of MercyMe, sat in a pew at his father’s funeral. When the camera shifted from Finley to his father’s casket, my own new grief erupted.

Me with my mom during a January 2020 visit. (Minnesota Prairie Roots file photo January 2020 by Randy Helbling)

It is a process, this grieving. For me, the process began years ago as Mom’s health declined. Every time I saw her, which was not often in the past two years due to COVID-19, I felt like it would be my last. And so I savored each visit—the moments of connection, the glimpses of recognition, the slightest of smiles. I hoped my presence comforted her, brought her a bit of joy, reassured her of my love. This was about her, not me.

A portion of a photo board I created of my mom and with her parents and siblings.

And so here I am, approaching three weeks since her death, only now feeling the depth of my mother’s forever absence on this earth. On Sunday I removed pictures from photo boards I crafted. Storyboards which highlighted her life. Photo collages intentionally focused on her. Not me or others. But on her and the story of her life.

Mom’s “The Good Shepherd” art. (Minnesota Prairie Roots copyrighted photo January 2022)

On my dining room wall hangs a framed print, “The Good Shepherd,” a wedding gift to my parents in 1954. It always hung in their bedroom and then on my mom’s care center wall until the end. Now I have this cherished art, this visual reminder of Mom’s faith. For 67 years, that image of Jesus, “The Good Shepherd,” reassured and comforted her, just as it does me today. In my grief, especially in my grief.

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TELL ME: Dear readers, do you have a special piece of art, a song, something that reminds you of a dear loved one now departed? I’d like to hear what touches your spirit/comforts/uplifts you when you think of a loved one (s) now gone.

© Copyright 2022 Audrey Kletscher Helbling

 

Easter joy in a song April 1, 2018

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THE WORDS IN THIS HYMN are my most cherished of Easter songs. For these verses I sang as a child each Easter in the balcony of St. John’s Lutheran Church, Vesta, Minnesota.

Dressed in a new cotton Easter dress, feet strapped into shiny patent leather shoes, a hat streaming ribbons down my back, I sang with enthusiasm. I know that my Redeemer lives! Loud. Joyous. From the soul.

The imprint of this hymn remains with me decades later, far removed from the church of my youth. I can still sing the words from memory. I can still feel the stiff cotton of my new dress, hear the organ music rising and falling, smell the lingering scent of cows on myself and classmates, taste the sweetness of Easter candy upon my tongue, see the temporary Easter tattoos pressed upon my arm.

In this rural church, gathered with other farm families, I celebrated Easter. Today, decades later, in Trinity Lutheran Church 120 miles to the east, I know (still) that my Redeemer lives!

TO MY DEAR READERS, may you celebrate a joyous and blessed Easter!

Copyright 2018 Audrey Kletscher Helbling

 

I know that my Redeemer lives April 16, 2017

WE FILED INTO THE BALCONY of St. John’s Lutheran Church, Sunday School children clunking up the stairs in our shiny patent leather shoes. I felt a tinge of nervous energy fueled by too much chocolate taken from Easter baskets and eaten for breakfast.

 

My vintage 1960s purse, reclaimed years ago from my mom’s toy box.

 

I was dressed in my Easter finery—lacy anklets tucked into shiny shoes, lime green skirt skimming my knees below a sleeveless floral shirt accented by a matching lime green jacket. I carried a lime green purse. I looked as fashionable as a skinny Minnesota farm girl can in a homemade ensemble topped by an Easter hat with ribbons tailing down the back.

 

 

If my childhood Easter memories were nothing more than those of fashion and of candy, I would feel shallow and lacking in my faith. But I am thankful to have been raised in a home by loving Christian parents who got me to church every Sunday to learn of, praise and worship God. After the service, I clunked down the narrow basement stairs to Sunday School. And there I learned the song that, each Easter, I still sing from memory:

I know that my Redeemer lives! What comfort this sweet sentence gives! He lives, he lives, who once was dead; He lives my everliving head!

 

Art of the risen Lord photographed inside St. Mary’s Catholic Church, New Trier, Minnesota.

 

In the balcony of that rural Minnesota church, I sang with enthusiasm and joy of my Redeemer. Eight verses. The voices of farm girls and boys singing with such gusto. Every Easter. The words are still imprinted upon my memory more than 50 years later: I know that my Redeemer lives!

And I still sing them with joy.

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MY DEAREST READERS, may you be blessed with a joyous Easter.

© Copyright 2017 Audrey Kletscher Helbling

 

Part III from Wanamingo: The connection to a beloved hymn March 23, 2016

The Lars Larson log cabin sits next to the water tower in Wanamingo. The information center can be seen to the right

The Lars Larson log cabin sits next to the water tower in Wanamingo. The blue grey structure to the right is the information center.

IN THE UNLIKELIEST OF PLACES, beneath an aged water tower and next to an historic log cabin, an unexpected bit of Wanamingo’s history is revealed. It is typed on sheets of paper sandwiched under Plexiglas in a handcrafted case labeled Information Center.

The song: It Is Well With My Soul.

The song: It Is Well With My Soul. The writer and composer’s names are highlighted in blue.

It is the story of the beloved hymn, It Is Well With My Soul, and its link to this Southeastern Minnesota farming community of nearly 1,100.

When peace, like a river, attendeth my way, When sorrows like sea billows roll; Whatever my lot, thou hast taught me to say, It is well, it is well with my soul.

My lips move in silence as I read the familiar words, the familiar melody chorusing comfort. It is well, it is well with my soul.

The story of the Spaffords and the hymn, along with images, is posted.

The story of the Spaffords and the hymn, along with images, is posted.

I’d never considered the story behind the words. But now that I’m reading about Horatio and Anna Spafford’s personal tragedy, I am deeply moved. The couple lost their four oldest daughters at sea when the Ville du Haure collided with an English sailing ship en route to Europe in 1873. Only Anna survived, cabling her husband, who remained back home on business, with two words: Saved Alone.

During his voyage to see his grieving wife, Horatio penned It Is Well With My Soul. Three years later, Philip Bliss composed the accompanying music.

This sign marks the log cabin.

This sign marks the log cabin.

But what does any of this have to do with Wanamingo? The connection begins about two decades earlier when 14-year-old Anna Larson journeys to Wanamingo Township from Chicago to be with her ill father. Lars E. Larson moved to Minnesota the year prior in hopes farming would improve his health. He died in the spring of 1857, within a year of Anna’s arrival. That same year, Anna, 15, met her Sunday School teacher, 29-year-old Horatio Spafford. In 1861, she married Horatio, a then successful Chicago attorney.

Within 10 years, the Spaffords have four daughters. And then those girls are dead, drowned at sea. Their mother, Anna, survives, kept afloat by a plank until she is rescued.

How many people drive by this log cabin on Main Street in Wanamingo and never stop? We were tipped off by a local to the story I've shared here, thus my husband and I stopped.

How many people drive by this log cabin on Main Street in Wanamingo and never stop? I was tipped off by a local to the story I’ve shared here, thus I stopped.

Having read this story behind the familiar hymn while standing in the shadow of the Wanamingo water tower next to the Larson log cabin, I am moved. I am moved by the faith of Horatio Spafford who, in sorrow rolling like sea billows, penned such profound and comforting words. It is well, it is well with my soul.

FYI: Check back tomorrow for another post in my “from Wanamingo” series. I will take you inside Trinity Lutheran Church.

© Copyright 2016 Audrey Kletscher Helbling

 

I know that my Redeemer lives March 31, 2013

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A cross in Trebon Cemetery, 10 miles northwest of Faribault in Shieldsville Township.

A cross in Trebon Cemetery, 10 miles northwest of Faribault in Shieldsville Township.

I know that my Redeemer lives;
What comfort this sweet sentence gives!
He lives, He lives, who once was dead;
He lives, my ever-living head.

He lives triumphant from the grave;
He lives eternally to save:
He lives all-glorious in the sky;
He lives exalted there on high.

This, one of my favorite hymns, I sang with the congregation of Trinity Lutheran Church in Faribault this Easter Sunday morning.

The words are imprinted upon my memory from childhood Easters, of singing from the balcony of St. John’s Lutheran Church in Vesta with my Sunday School classmates.

I know that my Redeemer lives. I knew that then. I still know that now. He is risen. He is risen, indeed.

Wishing you a most blessed Easter in our risen Lord.

Copyright 2013 Audrey Kletscher Helbling