Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Commemorating 9/11 in Faribault, a photo essay September 11, 2025

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A firefighter rings a bell outside the Faribault Fire Hall during the 9/11 ceremony. (Minnesota Prairie Roots copyrighted photo September 2025)

WE GATHERED THURSDAY MORNING at the Faribault Fire Hall as the sun beamed bright upon the crowd, as those in uniform stood in reverent respect, as engines idled, as the bell rang, as the American flag was raised and lowered, as heads bowed in prayer.

People gather inside and outside the fire hall before the commemoration began at 7:46 a.m. (Minnesota Prairie Roots copyrighted photo September 2025)
A Faribault police officer clutches an American flag. (Minnesota Prairie Roots copyrighted photo September 2025)
Cleaning a Rice County Sheriff’s Department vehicle before the ceremony. (Minnesota Prairie Roots copyrighted photo September 2025)

A short ceremony here marked the 24th anniversary of the September 11, 2001, terrorist attacks on America, an act of violence that initially claimed 2,977 lives. And many others in the years thereafter.

Flag bearing police officers participating in the memorial event. (Minnesota Prairie Roots copyrighted photo September 2025)
Saluting. (Minnesota Prairie Roots copyrighted photo September 2025)
Members of the sheriff’s department and others salute. (Minnesota Prairie Roots copyrighted photo September 2025)

At 7:46 a.m., when the first plane, Flight 11, hit the first World Trade Center, the ceremony in Faribault began. I mostly wandered, watched, framed photos, struggled to hear speakers. But mostly, I heard the silence, felt the heaviness upon hearts, remembered.

The youngest in attendance stands inside the fire hall. (Minnesota Prairie Roots copyrighted photo September 2025)

On that morning in 2001, I was caring for my 7-year-old son, who wasn’t feeling well, and his friend. I knew nothing of the attack until my husband called from work to inform me. As I scanned the crowd 24 years later, I wondered where all of them were when the unthinkable happened. Some were not yet born. Others, like Faribault’s communications director, was sitting in his seventh grade science class when he got the news. Many of us were just going about our normal day.

The line-up of firefighters, police officers and others was impressive. (Minnesota Prairie Roots copyrighted photo September 2025)

When I reflect on that day, I recall how profoundly different the world felt afterwards. The absence of airplanes in the sky following the attacks in New York City and at the Pentagon and then the crash of the fourth plane over a field in Pennsylvania was noticeable. I remember worrying, wondering if the Mall of America in Minnesota would be attacked in a symbolic act of terrorism. Everything felt different. Surreal. Scary.

Many firefighters were in attendance, as I would expect given how many of their brothers and sisters on the East Coast perished on 9/11. (Minnesota Prairie Roots copyrighted photo September 2025)

I remember my son and his friend building two towers from blocks and then crashing toy airplanes into them, sending the blocks toppling into a pile. Child’s play as I watched endless media coverage, unable to turn off the TV.

A Faribault fire fighter with two Faribault police officers. (Minnesota Prairie Roots copyrighted photo September 2025)

Time passes. Days, months, years, decades. And here I was, 24 years later, standing outside my local fire hall. Standing with firefighters, law enforcement, EMTs, an insurance agent, the former mayor, city employees, local media, a child, a veteran, an older woman and her dog…ordinary people remembering those lost on that tragic day in American history, 9/11.

Patriotism threaded through the event. (Minnesota Prairie Roots copyrighted photo September 2025)

TELL ME: What are your memories from September 11, 2001? How did you feel and how do you feel now?

This Faribault fire truck was parked along the street by the fire hall. Other emergency vehicles were also parked either along the street or on the fire hall driveway. (Minnesota Prairie Roots copyrighted photo September 2025)

© Copyright 2025 Audrey Kletscher Helbling

 

Beyond violence, two artists show that hope rises March 7, 2017

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A portrait of Barb Larson by Faribault artist Dana Hanson.

A portrait of Barb Larson by Faribault artist Dana Hanson.

TUCKED INTO TWO CORNERS in two galleries are two tributes by two artists.

Both honor Barb Larson, murdered on December 23, 2016, in an act of domestic violence. She was a long-time friend to artist Judy Saye-Willis and an acquaintance to artist Dana Hanson. Both chose to remember Barb in their exhibits currently showing at the Paradise Center for the Arts in historic downtown Faribault.

Dana painted an oil on canvas portrait of Barb, the Faribault Area Chamber of Commerce & Tourism employee who stopped occasionally to place orders at the bakery where Dana works. “I just wanted to do something positive to remember…she was genuine and very nice,” Dana said. The result is her “In Memory of Barb Larson” painting, based on a photo.

This series of fiber art pieces by Northfield artist Judy Saye-Willis also honors Barb Larson. The pieces, from left to right, are titled "Darkness of Death 1", "Darkness of Death 2", "Destruction", "Hope", "Hope Rising" and "The Light of Hope".

This series of fiber art pieces by Northfield artist Judy Saye-Willis focuses on death and hope. The pieces, from left to right, are titled “Darkness of Death 1,” “Darkness of Death 2,” “Destruction,” “Hope,” “Hope Rising” and “The Light of Hope.”

Judy’s artwork themed on death and hope spans half a wall and includes six pieces. Three framed works were already completed prior to Barb’s murder. They are an expression of “what’s happening in our culture today,” she said, specifically citing ISIS and the violence in Aleppo, Syria, as inspiring the art. But, once the events of December 23 unfolded locally, Judy created three more related fiber art pieces using natural dye materials. The result is a compelling series of framed art and panels focusing on death and hope.

I angled my camera up to photograph "Darkness of Death 2."

I angled my camera up to photograph “Darkness of Death 2.” When Judy created this scene with blood dripping and an executioner’s mask, she was thinking of ISIS and the violence/situation in Aleppo.

“…I was feeling raw, emotional with nowhere to go with it,” Judy said. “It (Barb’s murder) was senseless. I went to my studio and started the first piece. I tried three times to dye the piece black, unsuccessfully. I called it “The Darkness of Death 1.”

Simply titled: "Hope."

Madonna and child, simply titled: “Hope.”

Once she finished the black panel, Judy transitioned into the theme of hope. That was prompted by a Catholic church official she heard talking about faith and hope on the morning of December 23 (the day of Barb’s murder) on CBS This Morning. The result is two more hope-inspired fiber art panels.

As I viewed both artists’ tributes to Barb Larson, I could see the emotion within the artwork. Dana succeeds, through the strokes of her brush and the paint colors she chose, to portray the woman described as vivacious and friendly by those who knew her. Genuine warmth glows in Dana’s painting of Barb. I can see Barb’s personality in that portrait.

Judy’s art differs significantly, leaving more open to interpretation, more room for the viewer to insert his/her experiences, emotions and reactions. In the first three darker pieces, beginning with the length of black-dyed cloth, there is no ignoring the darkness of a violent death. That Judy chose to confront and share that in her work makes a powerful visual public statement whether considering the violence in Aleppo or the violence in Faribault.

"Hope Rising," says Judy Saye-Willis, "is about moving forward from tragedy."

“Hope Rising,” says Judy Saye-Willis, “is about moving forward from tragedy.”

Equally as important are the three hope-inspired pieces that follow. Those, too, make a powerful visual public statement.

A close-up of "The Light of Hope," which Judy calls her strongest piece.

A close-up of “The Light of Hope,” which Judy calls the strongest piece in this series.

Through their art, Judy and Dana have opened the conversation about domestic and other violence in a deeply personal, emotional and introspective way.

Dana’s exhibit includes a trio of horse paintings titled MESSENGERS OF HOPE. They are, left to right, subtitled “Light,” “Passion Fire” and “Grace”

And any time we begin to think and talk about these difficult issues, hope rises.

FYI: At noon today, HOPE Center and the Faribault Chamber are rallying at the Chamber office (where Barb Larson was murdered) as part of a statewide effort, “It Happens Here: A Statewide Day to End Domestic Violence.”

© Copyright 2017 Audrey Kletscher Helbling

Artwork photographed with permission of the artists.