Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Watching the Straight River in Faribault March 24, 2011

The river watcher points to the Straight River that has flooded Teepee Tonka Park and tells me how much the water has already gone down. The park often floods in the spring.

DAILY HE’S TREKKED across town from his north-side home to the downtown area and then crossed the bridge to check on the river.

I met him early Wednesday evening near the banks of the Straight River at Faribault’s east-side Teepee Tonka Park.

We didn’t waste time on chit chat, didn’t even introduce ourselves. We simply talked about the river and flooding and how he’s driven here daily recently to watch the river rise.

We look from the bridge toward flooded Teepee Tonka Park, where waters have already begun to recede.

He has reason for concern. During last September’s flash flood in Faribault, sewage backed up into his home from the sanitary sewer causing $15,000 in damages. He doesn’t live on a river. The Rice County Fairgrounds on one side, buildings and land on the other across a roadway, sit between his home and the Cannon River. His 20th Street Northwest home is buffered from the rivers, the Cannon nearest his home and the Straight that joins it nearby, flowing north past Teepee Tonka where he’s kept a watchful vigil.

He was optimistic, though, on Wednesday evening, telling me the Straight River had crested that afternoon and gone down. He wasn’t worried. The water was no where near the level during last fall’s flash flood. I could see that and so could he.

We turned away from the park bridge, toward the viaduct, to check the river level.

The Straight River has stayed mostly inside its banks near the historic viaduct.

And so I left this river watcher, braving the slippery, iced sidewalk to step onto the park bridge and peer into the raging waters of the Straight River.

The river watcher turns and walks back to his post on the bridge.

I leave the river watcher peering over the bridge at the churning Straight River.

CHECK BACK for more river images from Faribault.

© Copyright 2011 Audrey Kletscher Helbling

 

As rain and snow fall, the flood threat rises in Minnesota March 22, 2011

The view from my front window at 8 a.m. today as sleet pelted Faribault.

I AWOKE THIS MORNING to a world of gray and white and sleet pelting in sheets against the windows.

So much for spring…

When I plucked the The Faribault Daily News from the front steps, shook off the water droplets soaking the paper’s plastic sleeve, removed and opened the paper, I read this headline: STILL RISING—National Weather Service declares flood warning for Rice County as Straight River closes in on 10 feet.

And so the spring flood season has begun here in Minnesota with road closures in the Henderson area southwest of the Twin Cities, between Windom and Fulda in southwestern Minnesota and probably other places of which I am unaware.

Here in Faribault, officials are keeping a close eye on the rising Straight and Cannon Rivers. Sandbags are filled and plans are in place to put them in place should the need arise. Of major concern is the riverside wastewater treatment plant which was flooded during a flash flood last September. During that flood six months ago, many homes and some businesses were inundated with floodwaters. A local riverside park, which often floods in the spring, was also under feet of water.

Upon checking the National Weather Service Twin Cities, MN., website map, I see most of the southern half of Minnesota falls under a flood warning.

For the north, winter storm and blizzard warnings have been issued. The last I heard, several inches of snow are expected to fall in my area sometime today and/or into tomorrow.

A car passes by my home at 8 a.m. as heavy sleet fell. Sleet also pelted Faribault during the night.

Rain continues to fall here as we approach the noon hour with temperatures hovering several degrees above freezing.

Personally, I’ve been affected by this wet weather with some minor water seeping into a corner of the basement—enough to soak up, move belongings and turn on the fans. It’s a hassle, but certainly nothing compared to the issues some folks will face as the snow and rain fall and the rivers rise.

PLEASE SUBMIT a comment with any information you have about rising rivers/creeks/streams and/or flooding in your area of Minnesota. I would like to share your stories with Minnesota Prairie Roots readers.

© Copyright 2011 Audrey Kletscher Helbling

 

Take this snow and shove (shovel) it March 20, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 9:23 PM
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ON THE FIRST DAY OF SPRING in Minnesota, my true love gave to me…chicken on the grill.

But, before he could cook the chicken, he shoveled 2 ½ feet of snow from the patio to access the Weber. That would be the grill which, until yesterday, lay tipped on its side, having toppled off a melting snow mountain.

After shoveling his way to the grill, he fired it up.

But, as anyone knows, even in winter-spring, a man cannot grill without beer. So my true love chiseled a bottle of Nordeast into an icy snow bank to reach icy perfection. By the time I photographed the chilling beer, the bottle was nearly empty.

Later he iced a bottle of Grain Belt Premium.

And so on the first day of spring in Minnesota, I did not get five golden rings or a partridge in a pear tree. Yes, I am well aware that I am referencing The Twelve Days of Christmas here. But with all the snow still remaining in our northern state, December 25 seems like yesterday.

Rather, on this fine spring day (if you call 40-plus degree temps, rain and thunder in the morning, and snow-blotched lawns and boulevards “fine”), I got chicken, and potatoes, on the grill.

© Copyright 2011 Audrey Kletscher Helbling

 

An eye on nature in paradise October 27, 2010

 

 

Windows on Paradise Art Gallery, 904 Division Street South, Northfield.

 

IF NOT FOR THE EXTERIOR sign attached to a front yard tree, the pale yellow house set back from the Division Street sidewalk could pass for just another residence.

Instead, this old house is home, studio and gallery to nationally-known Northfield artist Mark Daehlin, one of 29 artists featured on this past weekend’s South Central Minnesota October Studio ArTour and Sale.

I entered the Windows on Paradise Art Gallery via an inviting front porch where some of Daehlin’s work was displayed. The artist, who does primarily oils, asked that I not single out pieces to photograph, so I’ll simply tell you that my husband and I lingered by Daehlin’s realistic depiction of an old John Deere tractor in a rural scene. It was a bit of a game for us to find the pheasant roosters incorporated into the work.

Even more interesting, I learned that Daehlin’s paintings have been made into puzzles. Now I am not a puzzle person—I actually get quite frustrated with puzzles—but even I can appreciate the beauty of a fine art puzzle. With outdoor scenes like “Majestic Moose” and “Opening Day” offered by White Mountain Puzzles and “Lakeside Cabin” and “Indian Summer” (among others) from Bits And Pieces Puzzles, these puzzles should hold a special appeal for outdoors-loving Minnesotans.

 

 

Puzzles featuring Mark Daehlin's art were propped on the floor in his gallery during the studio tour.

 

All of Daehlin’s art, really, showcases nature. From waterfalls to fall scenes, sunflowers, peonies, winterscapes and lots more, these paintings reflect the artist’s ability to truly see, in detail, the world around him.

 

 

Northfield artist Mark Daehlin and some of his art, in his gallery.

 

I was particularly impressed with his 12 x 48-inch “Stillwater Nights” painting that features a riverside view of Stillwater. Here’s Daehlin’s description from his Web site: “After the sun sets over Stillwater, streetlights come on, bathing the town in a romantic glow. A cruising riverboat is reflected in flowing waters. It’s the height of autumn and trees are ablaze in all their finery.” It’s a splendid piece of art that makes you want to hop in the car and cross the Stillwater lift bridge to view the city as Daehlin has through his artist’s eyes.

 

 

Daehlin's art is displayed in his house, in a room-turned-gallery. At the top of this photo, you'll see a portion of his "Stillwater Nights" painting.

 

 

Warm wood floors, a strategically-placed area rug and a plump chair create an inviting gallery space.

 

© Copyright 2010 Audrey Kletscher Helbling

 

Northfield artist celebrates life and light in his art October 25, 2010

SEVERAL TIMES we pulled off the highway, onto a gravel road or into a driveway, searching for the elusive studio of pastel and oil artist Frederick D. Somers of rural Northfield.

My husband, second daughter and I were on the South Central Minnesota October Studio arTour and we had selected a handful of studios to visit on Sunday afternoon. I knew we would all like Somers’ work, which features nature scenes.

And we did, once we got there. Our mistake came in thinking that a roadside arTour sign meant his studio was right there, near the signage. It wasn’t and I finally ended up phoning for directions after we had all but given up.

When we finally pulled into Somers’ quaint farm site and I saw the red-plank granary turned gallery/studio and the old red barn flanked by a silo, the former farm girl in me was already endeared to this place.

Visitors pulled into the farmyard, defined by an old red barn and silo.

Fred Somers' gallery is housed on the main floor of this former granary. His studio is on the lower level.

But then, to step inside his gallery, ah, I felt like I hadn’t even walked indoors. Somers paints with his eyes on nature—the trees, the water, birds, flowers…

An arTour visitor peruses Somers' art in his gallery.

“I paint what I love,” Somers tells me as he stands next to his easel and an in-process pastel painting of a flower in muted shades of plum and moss green balanced by white. Light bathes his airy lower level artist’s retreat that is complemented by wood and stone. Paintings are stacked and hung, cameras at the ready to photograph subjects for his art.

Somers is working on a floral pastel in his studio.

In Somers' studio, I noticed this maple leaf stuck above a painting.

I find while viewing Somers’ paintings that I can easily mistake them for photographs, until I move in close to see the details he’s stroked into his distinct creations.

A brochure that I’m handed describes his art as “explosions of light, water and leaves in wonderful pastel and oil paintings.”

Somers says he prefers to paint with pastels because “you’re closer to your work.” He demonstrates that closeness by picking up a pastel. Then he selects a brush, which tipped in green paint, smears paint across his hand. No matter his choice, Somers’ work is outstanding and he has a lengthy list of artistic credits to prove that.

As I am about to head upstairs to the gallery, Somers says he’s painting some portraits now, including one of Rice County’s most-decorated soldier. He shows me a small copy of the portrait, of the veteran who was awarded three bronze stars and a Purple Heart and who fought at the Battle of the Bulge during WW II. The two became friends after Somers set up his easel and painted in the old soldier’s yard.

Even though portraits veer from Somers’ typical subject, you can see the light in his eyes, hear the enthusiasm in his voice as he speaks of this venture. Here, clearly, is a man passionate about his life’s work of celebrating life and light through his art.

A gallery window, flanked by Somers' paintings, frames the silo and a portion of the old red barn.

FYI: Somers Studio and Gallery lies southeast of Northfield on State Highway 246. If you are traveling from the west and reach the turn-off to Nerstrand Big Woods State Park, you’ve gone too far. His gallery is marked by a sign and is located on the south side of the road at 9775 Highway 246/Dennison Boulevard South.

Copyright 2010 Audrey Kletscher Helbling

 

Autumn splendor in my Minnesota backyard October 10, 2010

Filed under: Uncategorized — Audrey Kletscher Helbling @ 10:20 AM
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LATELY I’VE BEEN so focused on driving somewhere to view the fall colors that I’ve failed to notice the autumn splendor in my backyard.

But when Arkansas relatives stopped the other day and remarked on the brilliant foliage, I paused to look. They were right.

My neighbor’s maples are ablaze in eye-popping orange and golden hues dappled with green.

And behind my house, the single maple is transitioning from green to yellow.

Curling leaves already carpet the lawn.

When I stepped outside early Thursday morning to hang laundry on the clothesline, I paused, basket in hand, and stared at the cobalt blue sky. Only in autumn do you see a sky so profoundly, deeply, purely blue.

I set the basket down on the steps. The wet clothes could wait a minute or ten. I rushed inside, grabbed my camera and aimed toward the sky, the trees, then toward the ground to those fallen leaves…

over to the petunias

and the hydrangea

and the mums.

God’s creation, in glorious splendor, awaited me. And on this day, I chose to see the beauty He had given to me, right in my backyard.

© Copyright 2010 Audrey Kletscher Helbling

 

Exploring the Kasota Prairie on an October afternoon October 7, 2010

 

 

A rock juts into the Kasota Prairie.

 

I CAN HEAR, in the distance, the steady thrum of traffic, presumably from U.S. Highway 169 or perhaps from nearby Minnesota Highway 22. I’m uncertain because I’ve never been here before and I haven’t consulted a map to pinpoint my location.

If not for the endless drone, I could be standing in the middle of a remote South Dakota or western Minnesota prairie.

But I am in south central Minnesota, at the Kasota Prairie, on a 90-acre remnant of the prairie land which comprised one-third of our state before 1850. Here native prairie grasses remain and grazed lands have been restored.

 

 

A view from the parking lot with a stone wall framing the prairie.

 

On a Friday afternoon, my husband and I discover this scenic spot in the Minnesota River valley two miles from Kasota. Because I favor the sweeping, wide open spaces of the prairie, the place of my roots, to the cramped confines of wooded land, I am comfortably at home here.

Prairie meets sky at Kasota. Stems of grasses dried to the muted earthen shades of autumn sway in the wind, mingling with the wildflowers and the berries I can’t always identify.

Occasionally a block of ancient rock juts through the soil, breaking the vista of plant life.

 

 

Water, rock, sky and prairie meld in this scenic Kasota Prairie landscape.

 

I pause often along the walking trails, even stray from the trampled paths, to examine the mottled stone, to admire a lone, rock-encircled barren tree atop a hill, to identify the red berries of wild roses, to study a clutch of feathers left by a predator, to take in the distant hillside of trees tinted in autumn colors.

 

 

My favorite image from the Kasota Prairie, a barren tree encircled in rock.

 

 

 

Wild rose berries on the Kasota Prairie.

 

 

Trees on a distant hillside change colors under October skies.

 

There is so much to appreciate here. Wind. The sky, quickly changing from azure blue wisped with white to the angry gray clouds of a cold front. Land, rolling out before me, unbroken except for sporadic pockets of water, the occasional tree or cluster of trees and those rocks, those hard, ancient rocks that interrupt this land, this Kasota Prairie.

 

 

A sign marks the Kasota Prairie entrance.

 

 

To truly appreciate the prairie, notice the details, like the berries growing among the grasses.

 

 

A narrow path runs along the barbed wire fence border line of the prairie.

 

FYI: To find the Kasota Prairie, take Le Sueur County Road 21 one mile south of Kasota. Then turn west onto township road 140 and go one mile.

© Copyright 2010 Audrey Kletscher Helbling

 

Who are these marauding invaders anyway? July 12, 2010

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:21 AM
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OK ALL OF YOU nature-loving entomologist types out there. I need your help.

A swarm of larvae has descended upon my potted fuchsia and I would like to identify these invaders.

At first I thought the caterpillar rather cute as I observed an ant scoot across its back and back. Note the singular word “caterpillar.”

An ant about to embark on a journey across the back of this unidentified larva on my fuchsia.

The larva squirms, reacting to the ticklish feet of the ant and that amuses me.

That was day one.

ON DAY TWO, the singular became plural as I counted some 25 larvae feasting on my fuchsia. Did the scout report back, “Hey, this way, over here, look what I found!” followed by “Forward, march!”  from the commander? The powerful army had stripped away the leaves, decimating the unguarded plant.

The larvae stripped the leaves from one fuchsia and were working on the second plant in an adjacent pot.

Munch, munch, munch. The fuchsia leaves quickly disappear.

Then I stood by as a caterpillar consumed an entire leaf, just like that. Now you see it, now you don’t.

They were entertaining, but certainly no longer cute.

I am determined to determine what type of infestation I have in the pots on my driveway. I consulted a master gardener who works at the library and sent me home with Butterflies and Moths, a Golden Guide, published by St. Martin’s Press. She thinks I may be dealing with White-lined Sphinx larvae. Maybe.

But I am confused because these creatures differ in appearance. Are some male, the others female? Does their maturity or size—some are skinny and others are, well, chubby—change their look?

See how this larva differs in appearance from the one in the image above?

Just a different shot of the same larva. FYI, I'm told the pointed "horn" is the tail. Right or not?

Online research confuses me even more.

So, if you are in the know, please give me your two or three or five cents worth. Heck, I’ll even take a dollar’s worth of knowledge.

And, as long as you’re answering my questions, I would like to know why these creepy crawlies prefer fuchsia to the untouched Diamond Frost, non-stop begonia, Wandering Jew and impatiens planted in the same two pots.

From my female perspective, I’m pondering, “Could fuchsia be the equivalent of chocolate to these larvae?”

© Copyright 2010 Audrey Kletscher Helbling