Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Filmmakers celebrate another year of documenting Faribault history May 2, 2019

Logan Ledman, left, and Samuel Temple. Photo courtesy of 1855.

 

THEY ARE ONLY SENIORS in high school. But already Logan Ledman and Samuel Temple have left their creative imprint on Faribault.

 

Photo courtesy of 1855.

 

On Sunday, May 5, the creators of the 1855 history series on Faribault Community Television host their annual Shindig to commemorate another year of producing documentaries. They’ve crafted films on topics ranging from the Peoples of Faribault to Bishop Henry Whipple, Burkhartzmeyer Shoes and more. And last year marked a debut theatrical performance of local history, The 1855 Live Show, at the Paradise Center for the Arts.

 

Samuel and Logan stand on the front porch of the Alexander Faribault house, home to town founder Alexander Faribault. Photo courtesy of 1855.

 

I can’t say enough good things about these two who launched their local films several years ago. Their work is professional, thoughtful, educational and inspiring. Every time I’ve connected with them, they’ve been responsive, kind, friendly, engaging and professional.

They and their work are worth celebrating.

Ledman and Temple recognize the value of connecting with community, something they’re done incredibly well. Their Shindig at the Rice County Historical Society offers another opportunity to connect and to showcase their work and that of musician Sam Dwyer, composer of the 1855’s score. Dwyer will perform and sell CDs of his latest symphony. The filmmakers will also sell copies of their works. And they will premiere several new episodes from their upcoming fourth season.

Join these young creatives at this free event. Plan to arrive at 1 p.m. to assure you don’t miss the screenings, musical performance and more. The Shindig runs until 4:45 p.m. with refreshments provided.

© Copyright 2019 Audrey Kletscher Helbling
Photos courtesy of 1855

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Faribault history takes center stage in a must-see play by two high school students September 20, 2018

 

An original play about historic Faribault opens Friday evening, September 18, at the Paradise Center for the Arts, Faribault.

 

REVEALING. THOUGHT-PROVOKING. POWERFUL. Authentic. Relevant.

All describe a debut play, A Celebration of Faribault: The 1855 Live Show, written and directed by high school seniors Logan Ledman and Samuel Temple. I attended a recent press screening of the Paradise Community Theatre production, set to open Friday evening at the Paradise Center for the Arts in historic downtown Faribault.

 

The cast of A Celebration of Faribault: The 1855 Live Show. Writers and directors are Samuel Temple of Faribault, left center row, and Logan Ledman of Northfield, right center row.

 

Featuring town founder Alexander Faribault, Bishop Henry Whipple, long-time Judge Thomas Buckham and his wife, Anna, as the lead characters, this play personalizes my southeastern Minnesota community’s early history. By the end of this lengthy show, I felt like I really knew the people I’ve read about in historical accounts. The directors/writers tackle real-life issues of the era head-on in a sensitive and relate-able way. They do that in intimate dialogue, in reading of letters exchanged between the Buckhams, in newspaper editorials, in a dramatic battlefield setting, in one especially powerful scene that closes the first act… I won’t share that closing. It needs to be seen and heard. Experienced really.

 

The Milford State Monument along Brown County Road 29 west of New Ulm commemorates the deaths of 52 settlers who were killed in the area during the U.S.-Dakota War of 1862. Located along the eastern edge of the Lower Sioux Reservation, Milford had the highest war death rate of any single township. Minnesota Prairie Roots file photo.

 

The Loyal Indian Monument at Birch Coulee Monument near Morton honors Native Americans and features strong words like humanity, patriotism, fidelity and courage. Minnesota Prairie Roots file photo.

 

The content of this play takes me beyond Faribault and back to my native southwestern Minnesota prairie, at the epicenter of the U.S.-Dakota War of 1862, a focal point in this production. I know well the history of that war, which I studied decades ago and once researched. Ledman and Temple clearly did their research, too, in writing this play.

 

The youth orchestra plays original music by Sam Dwyer, back in the headset.

 

The crew weaves in audio details that, with a surround sound system, amplify the impact of the script. Mood-setting music written by area high school student Sam Dwyer and performed by an all-youth orchestra enhances the production. Likewise lighting and varied ways of presenting content keep the play interesting and entertaining.

 

This sculpture of Alexander Faribault meeting with a Dakota trading partner stands in Faribault’s Heritage Park near the Straight River and site of Faribault’s trading post. Faribault artist Ivan Whillock created this sculpture which sits atop a fountain known as the Bea Duncan Memorial Fountain. Minnesota Prairie Roots file photo.

 

As I listened and watched, I considered how, 150-plus years later, my city still struggles with issues similar to those in frontier Faribault. Back then, town founder and fur trader Alexander Faribault, whose mother was the daughter of a Dakota chief and who married a part Dakota woman, welcomed the Dakota into his home, onto his land. Likewise, Bishop Whipple welcomed those native peoples into his church as friends. After the U.S.-Dakota War, locals were no longer so accepting of the Dakota presence here or in other parts of Minnesota.

 

A flag ceremony during a past international festival features national anthems and information about the countries from which Faribault residents have originated. Minnesota Prairie Roots file photo.

 

Today Faribault faces some of those same challenges with immigrants in our community. They have not always been welcomed. But I see that changing as time passes, as cultures adjust, as acceptance grows. So this play, though historically-themed, remains relevant. I would like to believe that Alexander Faribault (as scripted in the play) was right in his assessment: “We are neighbors in the human race. That is the community of Faribault.”

The deeply personal aspects of A Celebration of Faribault come in letters written between Thomas Buckham and his wife, Anna. The teen writers/directors spent hours at the Minnesota Historical Society reading those exchanges. With reluctance, Anna left her family on the East Coast to resettle in Faribault, only to return and care for her ailing sister. The Buckhams would be separated for 17 years with Anna returning to Minnesota upon her husband’s death. At times I felt uncomfortable witnessing the conflicts within this marriage and the choices made. But that says a lot for the script, for the acting, that I experienced those emotions. These were real people torn between family and place. Anna truly never felt at home in Faribault.

 

Anna Buckham gifted the city of Faribault with the Art Nouveau/Greek Revival style Kasota stone Thomas Scott Buckham Memorial Library. It was constructed in 1929-1930 for $240,000. Minnesota Prairie Roots file photo.

 

Still, she left a legacy honoring the husband she loved even through physical separation. That legacy stands just blocks from my home, at the site of a former livery stable. It is the Thomas Scott Buckham Memorial Library, complete with Greek murals celebrating Thomas’ adoration of the Greeks, the Greek language and culture, and Greek classics.

 

This bronze sculpture of Thomas Scott Buckham hangs above a fireplace in the library’s second floor Great Hall meeting space. Minnesota Prairie Roots file photo.

 

As someone who grew up in a rural community without a library, I deeply appreciate this gift to the city I’ve called home for 36 years. I value Buckham library and the content therein from magazines to books to the art gracing walls to a stained glass window crafted by Charles Connick of Boston. Today my son lives and works in greater Boston. Growing up, he visited the library often, checking out books to teach himself computer programming. He would not be where he is today professionally without the resources of Buckham library. Likewise, my daughters worked as pages there, experiences that would later land them library jobs as college students. The library holds personal significance in my family’s history. Thus I appreciate its prominence in A Celebration of Faribault and its continued importance in my community as a welcoming place for all peoples.

 

High school students Logan Ledman, left, and Samuel Temple produce “1855: A Faribault History Series on FCTV” in Faribault. File photo courtesy of Samuel Temple.

 

Exiting the Paradise Center for the Arts theater following the performance, I felt a sense of gratitude to the young men who care enough about Faribault to research and embrace its history and then share their discoveries with others. Ledman and Logan are also creators of 1855, an acclaimed history documentary series aired on local public television. It’s hard to believe these two are still in high school. There’s no doubt these 17-year-olds possess a clear and deep love of history, of heritage and of this place we call Faribault.

FYI: Performances of A Celebration of Faribault: The 1855 Live Show are set for 7:30 p.m. on two Fridays, September 21 and 28, and at 2 p.m. on two Sundays, September 23 and September 30. Click here to purchase tickets.

A $3,000 grant from the Southeastern Minnesota Arts Council helped fund this production.

© Copyright 2018 Audrey Kletscher Helbling

 

“Peoples of Faribault,” an enlightening must-see video August 4, 2017

High school students Logan Ledman, left, and Samuel Temple produce “1855: A Faribault History Series on FCTV” in Faribault. Photo courtesy of Samuel Temple.

 

THEIR APPRECIATION FOR LOCAL HISTORY shines in the videos they produce. But it’s more than a passion for Faribault history that drives Samuel Temple of Faribault and Logan Ledman of Northfield. The 16-year-olds strive to make viewers think via the videos they create for Faribault Community Television.

 

Photo courtesy of Samuel Temple.

 

Nearly two years after their first of 11 history episodes aired, the teens tackled their most extensive project yet—a 40-some minute video titled “Peoples of Faribault.” I watched the show this week and am impressed by the research, the content and the clincher ending that challenges viewers to consider how their choices affect Faribault’s identity as a community.

Negative local perceptions of his hometown prompted Samuel to co-produce a video that counters that negativity. He and Logan do that through the art of entertaining, informative and thought-provoking storytelling. Their work is top-notch professional as they address issues of ethnicity in their latest and most lengthy film.

 

This prize-winning photo which I shot at the International Festival Faribault in 2012 reflects the cultural diversity of our community.

 

It’s no secret that Faribault has struggled with accepting newcomers. And newcomers have struggled to adapt. But Samuel and Logan put it all in perspective by tracing back to the town’s 1850s beginning and progressing from there. They cover the ethnic groups of the Dakota, French-Canadians, Swedes, Norwegians, Czech, Germans, Irish, Latinos, Cambodians, Chinese and Faribault’s newest immigrants, Somalis. Each group faced issues of assimilation and rejection, the two discovered through extensive research and interviews.

 

This sculptor of Alexander Faribault trading with a Dakota trading partner stands in Faribault’s Heritage Park near the Straight River and site of Faribault’s trading post. Faribault artist Ivan Whillock created this sculpture which sits atop the Bea Duncan Memorial Fountain. Minnesota Prairie Roots file photo.

 

Samuel summarizes the reason each group came to Faribault in one simple statement: “Everyone was looking for a home, for a wide array of reasons, and each found it in Faribault.”

Looking for a home. It doesn’t get more basic than that. But behind those four words are specifics such as war, famine, pursuing the American dream and more. It’s all covered in the film, for each of the featured ethnic groups.

 

Many Somalis now call Faribault home. I took this photo at a 2015 car show in historic downtown Faribault.

 

While researching for the video, the producers began to see a pattern. Says Logan in an email response to my questions:

“Issues of racism, cultural conflict, and discrimination came up in our work for this video. It ended up being a consistent pattern; the town’s response to newcomers was, initially, consistently negative. Over time, though, as new Faribault townsfolk left a multi-generational mark on the community, there was a parallel, consistently positive final acceptance of those newcomers by the town. This was a pattern that repeated itself across every group we looked at, and it’s a pattern we see repeating itself today.”

 

Bashir Omar. Photo courtesy of Samuel Temple.

 

Bashir Omar, a 10-year Faribault resident who serves on the Faribault Diversity Coalition and who works as a cultural liaison in the public school system, offers primarily praise for Faribault in comments aired in the “Peoples of Faribault” video. Although he says people fear the Somali culture, he’s always felt welcomed here and has not been targeted because of his Muslim faith. “Faribault has been a great town,” Bashir says.

 

Samuel and Logan narrate from the front porch of the Alexander Faribault house, home to town founder Alexander Faribault. Photo courtesy of Samuel Temple.

 

Not all newcomers have received the same warm welcome, an issue Samuel and Logan sensitively address through narrative and interviews. They also spoke with a local historian/author, city official and author/English as a second language educator and collaborated with sixth graders from the Cannon River STEM School to create family trees. Town founder Alexander Faribault, son of a part Dakota woman and a French trader, for example, faced discrimination when he befriended the Dakota, according to historian Larry Richie. He reveals in the video that Alexander died a despised and broken man. “We gotta learn to accept others,” Larry says.

 

A flag ceremony during a past International Festival featured national anthems and information about the countries from which Faribault residents have originated. Minnesota Prairie Roots file photo.

 

In their research, the filmmakers learned a few things about Faribault that surprised and unsettled them. I asked. For Samuel, the strong presence of the Ku Klux Klan in Faribault, including a mass gathering at the Rice County Fairgrounds for a state convention in 1924, left him feeling queasy. He noted, too, the Klan’s strong anti-Catholic (in addition to anti-black and anti-Jew) sentiment. For Logan, discrimination against Germans especially during the world wars came as a surprise. In the video, the term “enemy aliens” is linked to Germans.

 

I photographed this sign on the front desk of Buckham Memorial Library in Faribault. Minnesota Prairie Roots file photo 2017.

 

“Faribault is not immune to hate,” Samuel says in the film and then adds this in an email to me:

“Gathering information about the adversity that quite literally every group has faced put in perspective a single truth: accusing any one nationality or ethnicity or religion or group of people of having evil values, or being the root cause of problems in a community is wrong across the board; if we want history to look back on us favorably, we must live by that without exception.”

 

We learn from our past, looking back. This photo shows the back of the Alexander Faribault-Dakota sculpture at Faribault’s Heritage Park.

 

To read those words written by a 16-year-old inspires me and gives me hope. He and Logan are right. We can preserve our heritage while moving forward. We can learn from history. We can choose to focus on the positive, knowing that our choices affect our identity as a community. The choice is ours.

 

FYI: Joining Samuel and Logan in creating “Peoples of Faribault” are friends/musicians Sam Dwyer and Chase Ingraham of Northfield. Sam has also created original music for past episodes of “1855: A Faribault History Series.”

To view the “Peoples of Faribault” video, click here.

You can also see past episodes of “1855” that cover everything from the Fleckenstein Brewery to the Tilt-A-Whirl to local WASP Elizabeth Wall Strohfus at this same link.

© Copyright 2017 Audrey Kletscher Helbling
“Peoples of Faribault” images are courtesy of Samuel Temple