HER BACKGROUND MIMICS MINE. Grew up doing chores on a southwestern Minnesota dairy farm in a community where everyone knows everyone. Surrounded by a large, extended family. Danced at the American Legion Hall, ate beef commercials and called the noon meal dinner, the evening meal supper.
Although I’ve never met Kathy Swanson, I feel a sisterhood with her. We are both creatives, decidedly connected to the Minnesota prairie of our roots. The place that shaped us, that remains a part of our identities and our creative work.
That mutual rural background is the reason I’m so excited about Kathy’s award-winning independent feature film, Farmer of the Year, produced and directed with her life partner, Vince O’Connell. That film by YellowHouse Films (named after the yellow house in Vermont where the couple lives) shows at 7 p.m. Saturday, March 23, and at 2 p.m. Sunday, March 24, at the Paradise Center for the Arts in historic downtown Faribault. Ticket cost is $10. When Kathy reached out to me asking for help in bringing the film to Faribault, I didn’t hesitate. I’m always happy to assist another creative and especially someone from my home region. My native county of Redwood is a bit farther to the north and east of hers.
Kathy, a former Lincoln County Dairy Princess, grew up near Tyler, a farming community of some 1,100 within a half hour drive of the South Dakota border. The Vermont filmmakers took their cast and crew to southwestern Minnesota, shooting scenes on Kathy’s home farm (now owned by her brother and his wife), inside her octogenarian father’s house, at the local Citizens State Bank, on area roads and more. The crew also filmed in places like The Lunch Box Cafe and Hole in the Mountain Park in Lake Benton and in downtown Marshall. The film takes viewers along Interstate 90 in Minnesota and into South Dakota, right up to the famous Corn Palace in Mitchell, S.D. Other shots are of Mesa, Arizona. And, most unique, 1950s farming footage from Kathy’s dad’s 8mm film incorporated into Farmer of the Year. Such documentation can only add to the authenticity of the film.
The mail carrier in the film is the real Tyler mailman. The guy mowing the cemetery is the guy who mows the cemetery. This is real rural life, a life Kathy understands well and tapped into when writing the script.
The character-driven film tells the story of an 83-year-old widower farmer who has just sold his farm, then gets an invitation to his World War II Army reunion in California. Hap Anderson and his granddaughter take off in a 1973 Winnebago with plans to stop in Nebraska so Hap can reconnect with an old flame.
So much of the promo material about Farmer of the Year resonates with me:
The film aspires to have a sense of real life within the rural Midwest vernacular.
Farmer of the Year blends the comedy and drama of life into a deceptively simple story of aging, transition and resilience.
Life is one long growing season.
Rated between a PG and a PG13 film, Farmer of the Year has already been widely-shown and praised in Minnesota. It stars noted performers like Barry Corbin of Northern Exposure fame, Mackinlee Waddell of Good Christian Belles, Terry Kiser of Weekend at Bernie’s and others with impressive credentials. YellowHouse Films has 20 short films to its production credit.
I look forward to watching this 1-hour, 43-minute film in my community of Faribault, a 2 ½-hour drive from my hometown of Vesta. I value the exposure southwestern Minnesota gets in Farmer of the Year. This rural region seems too often underappreciated, too often considered the middle-of-nowhere. But it’s some place. It’s the place that shaped creatives like Kathy and me. It’s a place we once called home among people we loved in a land we loved. Still love.
© Copyright 2019 Audrey Kletscher Helbling
Photos (unless otherwise noted) courtesy and copyright of YellowHouse Films