Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Walnut Grove mural bridges cultures July 18, 2013

Rochester artist Greg Wimmer was commissioned to paint this mural last summer in downtown Walnut Grove.

Rochester artist Greg Wimmer was commissioned to paint this mural last summer in downtown Walnut Grove.

MY NEPHEW, ADAM KLETSCHER, who lives and teaches in Walnut Grove, told me to check out the new mural downtown when I recently visited this southwestern Minnesota community. So, after leaving the Family Festival during the town’s annual celebration of Laura Ingalls Wilder’s Little House books, I stopped to photograph the 20-foot by 78-foot painting on the east side of Bubai Foods along Main Street.

Being a bit rushed, I failed to photograph the front of the building housing a combination Asian and American food market. And I didn’t have time to go inside and ask questions.

Later I connected with Terry Yang, who moved to Walnut Grove in 2001 from St. Paul, opened the Asian portion of Bubai Foods in 2003 and purchased the American foods side in 2005.

Yang is among the estimated 30 percent of Walnut Grove’s 870 residents of Hmong ethnicity. The Hmong first came to this rural area in 2000, Yang says, to settle in a quiet small town with affordable housing (“We don’t have to lock our houses or cars here,” he says) in a landscape similar to their native Laos.

Walnut Grove is now home to retired Hmong and to young people employed mostly at factories in nearby Marshall, Wabasso and Worthington.

The mural in progress. Photo courtesy of Greg Wimmer.

The mural in progress. Photo courtesy of Greg Wimmer.

It is that infusion of Laotian immigrants that figured in to the design of the community-supported mural painted last summer by Greg Wimmer of Rochester based Wimmer Illustration and Design with assistance from Adrienne Lobl. Mural sponsors included individuals, local businesses and the Laura Ingalls Wilder Museum.

This snippet of the mural shows Laura Ingalls Wilder as a teacher next to a Hmong woman. To the left is the log bridge spanning Plum Creek, where the Ingalls family lived in a dug out.

This snippet of the mural shows Laura Ingalls Wilder as a teacher standing next to a Hmong woman. To the left is the log bridge spanning Plum Creek, where the Ingalls family lived in a sod house.

The painting, Yang says, shows the similarities between Laos and Walnut Grove and also melds the new Hmong culture and the pioneer history of this Minnesota community. For example, Laura Ingalls and a Hmong woman stand side by side, one in a simple lace-collared prairie dress, the other in intricate and colorful traditional celebratory Hmong attire reserved for special occasions like weddings and New Year’s celebrations.

Wimmer worked with the Hmong community, integrating many of their suggestions in to the design. A log bridge spanning Plum Creek, part of an original Ingalls family mural here which had faded and was in need of repair, was incorporated in to the new work and represents the bridging of two cultures, according to the artist.

“My personal opinion is that it (the mural) makes a statement about the changes in the community without saying a word,” Wimmer says.

In the foreground a Hmong man plays a bamboo flute near a rice field as his daughter carries a basket. In the background, a pioneer  busts sod with a an ox and a plow.

In the foreground, left, a Hmong man plays a bamboo flute near a rice field as his daughter carries a basket. In the background, a pioneer busts sod with an ox and a plow.

Yang also references the connections between the two cultures via two farming scenes—of a pioneer man plowing a Minnesota field with an ox, similar to the water buffalo that work the land in Laos, and of a Hmong family near a rice field and shown with a basket for carrying harvested crops from farm to village.

Native prairie plants, like black-eyed Susan and coneflowers, are part of the painting.

Native prairie plants, like black-eyed Susan and coneflowers, are part of the painting.

One of the draws to Walnut Grove, Yang says, is the land available for Hmong to plant gardens. Laotian natives, like native Walnut Grove area residents, are connected to the land.

Yang has always felt welcome in southwestern Minnesota and appreciates the mural showcasing the changes in his community, which now includes, he says, “so many races.”

Girls in traditional Hmong dress attended the mural dedication last year.

Girls in traditional Hmong dress attended the mural dedication last year. Photo courtesy of Greg Wimmer.

FYI: Hmong dancers will be among entertainers at the Family Festival from 11 a.m. – 6 p.m. this Saturday, July 20, at the Walnut Grove City Park as part of the festivities celebrating the Little House books by Laura Ingalls Wilder. Click here to see the festival schedule.

And click here for more information about other events at the annual celebration.

BONUS PHOTOS:

Greg Wimmer painted this mural in nearby Marshall. Photo courtesy of Greg Wimmer.

Greg Wimmer painted this mural in nearby Marshall. Photo courtesy of Greg Wimmer.

And Wimmer painted this mural in Rapid City, South Dakota. Photo courtesy of Greg Wimmer.

And Wimmer painted this mural in Rapid City, South Dakota. Photo courtesy of Greg Wimmer.

© Copyright 2013 Audrey Kletscher Helbling

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Scarecrows from around the world at MSAD October 29, 2011

FROM EGYPT TO INDIA TO MEXICO…, you’ll find those countries and more represented at this year’s Minnesota State Academy for the Deaf Scarecrow Fest.

Autumn wouldn’t be quite the same without this annual display at the school’s picturesque campus on the east side of Faribault. For years my family has toured the scarecrows showcased in the school’s green space edged by lovely, historic limestone buildings.

Unlike past festivals, the scarecrows this year hadn’t been ravaged by the brisk winds that often sweep across this hilltop location. Durability is a requirement in construction of the scarecrow scenes, which are also judged on use of materials, overall appearance and creativity.

I don’t know how judges decided on the winners this year because so many entries in the themed “Cultures of the World” contest ranked as outstanding. MSAD classes, public school classes, dorm groups, community groups, families and staff can enter the competition.

This year’s theme, especially, pleased me given the ever-growing cultural diversity that defines Faribault.

If you want to see the scarecrows in person, you best hurry. The displays went up a few days ago, will remain up until Halloween, and must be removed from the campus on Tuesday.

"International ECE Children" by the MSAD ECE with historic Tate Hall in the background.

A close-up of "Barn Raising Rebels" by the Faribault High School American Sign Language Group 3.

A detail in the "Barn Raising" scene that made me pause and wonder if this blackbird was about to take flight.

"Italian Pizzeria" by the MSAD ECE won third place.

Animal art in the "Kenya" display by MSAD grades 2/3.

"Welcome to Egypt" by the MSAD Class of 2015 included an Egyptian, a camel and three pyramids.

Viking Leif Erickson was part of the "Greenland" scarecrow scene by MSAD grades 4/5. The entry won second place.

Several skulls were incorporated into "Mexico's Day of the Dead" by MSAD Class of 2013.

Faribault High School's American Sign Language Group 1 created this Jamaican.

The Baker family built the Taj Mahal, which mimics the shape of Noyes Hall in the background, for their "Welcome to India" scarecrow display. The Bakers won first place.

The Baker family got the details, right down to the jewel on the Indian woman's forehead.

© Copyright 2011 Audrey Kletscher Helbling