
THROUGHOUT MY 15 YEARS of blogging, I’ve sold rights to dozens of images sourced from Minnesota Prairie Roots. My photos have published on websites, in tourism guides, on album covers, on packaging for a toy company, in magazines and newspapers, on business promotional materials, on signs and banners, on the cover of a nonprofit’s annual report, in books…
I’m especially proud of the three photos published in The World of Laura Ingalls Wilder—The Frontier Landscapes that Inspired the Little House Books by New York Times bestselling author Marta McDowell. I grew up only 25 miles from Walnut Grove, Wilder’s childhood home. Wilder inspired me as a writer and photographer with her detail-rich creative style. I’m also proud of my two Grant Wood-themed Iowa rest stop photos printed in the book Midwest Architecture Journeys. I have copies of both books.

Likewise, I had the honor of selling rights to photos displayed in a temporary Laura Ingalls Wilder exhibit at the American Writer’s Museum in Chicago, at the Minnesota Children’s Museum in St. Paul and at the National WWII Museum in New Orleans. Atherton Pictures purchased rights to a southwestern Minnesota farm site photo for a WWII video created for the museum. I’ve never visited any of the three museums.

Seldom do I see how my photos are used once I email the original high resolution digital images to the buyer. But this summer I had the joy of seeing my framed photos displayed in hallways of the new Minnesota Veterans Home in Bemidji. I was in town to bring my son, who lives in Boston and was in Bemidji for the international unicycling convention, home to Faribault. I knew I had to make time for a stop at the veterans home.

So in between Unicon 21 events, Randy and I headed to the vets home in hopes of seeing my six framed art prints. We found four, thanks to Maryhelen Chadwick, public affairs/volunteer coordinator at the Veterans Home. When we showed up unexpectedly, Chadwick graciously led us through the sprawling Town Center in search of my photos. There, in the hallways of this public space, which includes a multipurpose room, theater, club room, learning studio, family dining room, therapy gym and meditation room, we located four of my photos.


Curated by a St. Paul art company, the selected images are all veteran-themed. Oversized photos of veterans’ memorials in Faribault and Northfield anchor a hallway wall. Elsewhere in the public space are two more images shot in Faribault—a veteran playing taps at a Memorial Day program and a photo of items placed at the Traveling Vietnam Memorial Wall. Chadwick later found my photos of sculptures at the county memorial in Faribault and the Rock County Veterans Memorial, Luverne, in the residential wing of the veterans home.

To see four of my six photos showcased in a public space where veterans, their families and friends, staff, and others can view my work is humbling. I am the daughter of a Korean War veteran. My dad, Elvern Kletscher, fought on the front lines in Korea as a foot soldier. He experienced the worst of war. The injuries. The killing. Atrocities so awful, so horrific that he was forever changed by his time in combat. He suffered from Post Traumatic Stress Disorder (unrecognized at the time of his discharge). He endured much pain, heartache, trauma. Nightmares. Flashbacks.

But, in his later years of life, Dad found solace among other veterans in a support group through the Redwood County Veterans Service office. I remember how hard officials worked to secure the Purple Heart that Dad finally got 47 years after he was wounded on Heartbreak Ridge. I was there for that emotional public ceremony.

Today emotions swell again as I think of my framed photos hanging in the Minnesota Veterans Home—Bemidji. To me these are not just veterans-related images procured as art. They are a photographic “thank you” to every person who has served our country. Because of individuals like my dad, I live in a free country, in a democracy. I never take that for granted. To be able to express my gratitude via my photos is truly an honor, a joy and deeply meaningful.

NOTE: Maryhelen Chadwick kindly found and photographed my eagle/dove and soldier sculpture photos per my request after I visited the home. They hang in the Beltrami Household, one of four 18-room residential areas, a space I could not tour due to privacy.
© Copyright 2024 Audrey Kletscher Helbling











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