Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A potluck of rural Minnesota street photography June 24, 2026

Photographed in Kenyon. Two guys and a tractor. (Minnesota Prairie Roots copyrighted photo June 2026)

EVERYDAY LIFE presents snapshots of ordinary moments worthy of documentation. So, when I’m out and about in public places, I look for those unique storytelling moments. To capture them with my camera gives me a sense of satisfaction. To share those images is to share a slice of life.

Defined, this is candid street photography. People just going about their daily lives when I take a photo unnoticed. I’m always respectful in my photography, often opting for side or back images. Occasionally I ask for a posed portrait. But my preference is always natural, unscripted.

Our destination, All Seasons Thrift Store in Kenyon. (Minnesota Prairie Roots copyrighted file photo 2024)

Recently, upon a return road trip from Rochester, Randy and I stopped in small town Kenyon to shop at a downtown thrift store. But before we could even exit the van, I noticed two guys across the street standing by a mid-1950s International Harvester Farmall tractor chained onto a trailer.

I can only guess at their conversation. Perhaps they were bartering over a price, talking repairs or reminiscing. But the scene was so typical rural Minnesota. Guys dressed in their work-worn jeans (one with suspenders), sturdy work boots and everyday shirts engaged deep in conversation. Only their seed corn caps were missing.

A scene along Central Avenue during the June 19 Car Cruise Night shows a Mexican restaurant in the background (right), one of several in downtown Faribault. (Minnesota Prairie Roots copyrighted photo June 2026)

The scene was decidedly different in Faribault the next evening. While attending Car Cruise Night, two Somali women crossed my path on Central Avenue. I smiled and greeted them as they continued down the sidewalk. They carried textiles similar to those I’ve seen in storefront windows of some local Somali-owned businesses.

Downtown Faribault is home to numerous Somali-owned businesses. Many Somalis also live in the downtown area. (Minnesota Prairie Roots copyrighted photo June 2026)

I appreciated the moment because the women reflect the cultural diversity of my community. The demographics of Faribault, of Minnesota, have changed a lot in recent years and I’m happy to showcase that in my work.

A street scene in downtown Willmar. (Minnesota Prairie Roots copyrighted photo June 2026)

Some 135 miles to the northwest in Willmar, I once again saw the cultural diversity of a city which is home to many Latinos and those with East African roots, especially Somalis. A short walk and drive about the downtown confirmed that.

This young man invited me to take his portrait in downtown Willmar. (Minnesota Prairie Roots copyrighted photo June 2026)

While photographing an artsy street bench, I encountered a young man sitting on a large planter box. I noticed his patriotic-themed shirt featuring a liberty bell against a backdrop American flag and the message, Let Freedom Ring. “I like your shirt,” I said, as he pulled out his ear buds and then invited me to take his photo. I jumped at the chance to photograph him, creating a memorable portrait. He reflects the diversity of his community. And his t-shirt made a strong statement about liberty during this, the 250th birthday year of a nation built by immigrants.

Sweets Ice Cream in Kerkhoven in far western Minnesota. (Minnesota Prairie Roots copyrighted photo June 2026)

Up the road some 20 miles northwest of Willmar, I took a street portrait, literally in the street, outside the Kerkhoven Civic Center. The building houses city hall, the library, a heritage room and a community gathering space. It’s just down the street from an ice cream shop along busy U.S. Highway 12.

Leaving a potluck on a Saturday afternoon in Kerkhoven. (Minnesota Prairie Roots copyrighted photo June 2026)

After enjoying bowls heaping with scoops of key lime pie ice cream and maple nut ice cream from Sweets Ice Cream, Randy and I headed for the van. That’s when I saw a guy leaving the civic center with a crockpot in hands. I stood in the middle of the street—you can do that in Kerkhoven, population around 800—and took his photograph.

If anything says “Minnesota,” it’s a potluck. I didn’t track the guy down to ask if he had any leftovers. I wasn’t hungry after eating all that ice cream. But I was delighted to photograph him in this signature Minnesota moment.

Candid street photography tells a story within a moment of time. History. A record of everyday life. And when I can snapshot that, I feel a sense of accomplishment because I’ve documented a moment worth honoring, worth sharing, worth much more than a thousand words.

© Copyright 2026 Audrey Kletscher Helbling

 

Reflecting on September 11 in photos from NYC, thoughts from Minnesota September 11, 2020

My son drew this picture of a plane aimed for the twin towers a year after 9/11. He was a third grader in a Christian school and needed to think of a time when it was hard to trust God. To this day, this drawing by my boy illustrates to me how deeply 9/11 impacted even the youngest among us.

 

SEPTEMBER 11, 2001. The date is forever seared into our memories as the day terrorists targeted the World Trade Center towers, the Pentagon and a jetliner flying over Pennsylvania. When those planes crashed. When those towers fell. When fires raged. When thousands died, we grieved. Individually. And collectively as a nation.

 

On the campus of Carleton College in Northfield, Minnesota, a plaque honors an alumni, Ann Nelson. Minnesota Prairie Roots file photo 2019.

 

Yet, as a Minnesotan nearly 1,200 miles removed from New York City and D.C. and Pennsylvania, I did not experience the same depth of fear and grief as others much nearer to the target sites or with loved ones lost.

 

I reconstructed a tower using the same blocks my son and his friend used on September 11, 2001, to duplicate what they saw on television. These are also the same airplanes they flew into the tower. Minnesota Prairie Roots file photo.

 

Sure, I remember where I was—at home with my kindergarten age son and another boy in my care. I remember how the boys stacked wooden toy blocks and then crashed toy airplanes into the two towers, copying the scenes played and replayed on television because I could not bring myself to shut off the TV.

I recall, too, the eeriness, the feelings of uncertainty and worry and disbelief.

 

The Faribault firefighters pay special tribute to the fallen New York firefighters on their memorial sign. Minnesota Prairie Roots file photo.

 

But none of this, none of this second-hand experience, compares to those who lived it and saw it. Like NYC photographer Keith Goldstein, a gifted creative whose work I follow on his blog, Far Earth Below. Keith excels in portrait photography. On the street, not the studio. Real. Everyday life. Raw and emotional and difficult sometimes to view. But honest in every way.

Keith was there on 9/11. He saw the devastation, destruction, death as he headed from his East Village home toward the towers. He found himself unable to photograph the horror unfolding before him. But several years later, as construction began on the Freedom Tower, he lifted his camera to undertake a project, “Looking On, Watching the Building of the Freedom Tower.”

The photos of people watching construction of the tower are signature Keith Goldstein. Honest. Emotional. Real. Every time I view Keith’s work, I wonder how he does it. How does he manage these focused, powerful images without his subjects noticing his presence? It’s a gift, a talent honed from years of experience.

That talent was recognized by Olympus Passion, which published a portion of his “Looking On” project in November 2018. Keith shared that publication on his blog today and I invite you to study his images and read the story he wrote about his 9/11 experiences. I expect you will be as impressed as I am by his work and the insights his photos provide.

I invite you also to continue following Keith’s photo blog. I appreciate how his images show me a world far removed from my Minnesota home. A world much different. Yet, a world I need to see because, even though my life and world are much different than his, we still live in this place called America.

Keith is as kind and decent and caring as they come. We’ve communicated occasionally via email, so I know this to be true. Several years ago he gifted me with a colorful print on aluminum of an immigrant vending t-shirts. My choice of photos. Choosing an image proved challenging. But I wanted a portrait. Signature Keith.

As different as we are, we are connected by our love of photography. And by our desire to share the world we view through our cameras.

© Copyright 2020 Audrey Kletscher Helbling