Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Montgomery, Part V: Slinking through the alleys March 8, 2013

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WRAPPING UP OUR TOUR of Montgomery, I present several bonus photos from this southern Minnesota community.

A view from a downtown Montgomery late on a Sunday afternoon.

A view from a downtown Montgomery alley late on a Sunday afternoon.

These photos don’t showcase anything particularly outstanding. Yet, they reveal interesting buildings or parts of buildings not seen unless you detour through an alley or along a less-traveled street.

I’d always advise you to follow the road less-traveled. Always.

Discovered in that same alley.

Discovered in that same alley.

Another "blacksmith shop" across town.

Another “blacksmith shop” across town.

The rear handicapped accessible entry to historic Hilltop Hall.

The rear handicapped accessible entrance to historic Hilltop Hall which is built into the side of a hill. This entry off a narrow alley leads to the second floor performing arts center space.

I believe this building once housed Montgomery Brewing Company. Can anyone confirm?

I believe the building on the right once housed Montgomery Brewing Company. Can anyone confirm?

© Copyright 2013 Audrey Kletscher Helbling

 

Montgomery, Part IV: The unique way this Minnesota town honors its veterans, plus a haven for some March 7, 2013

NEARLY EVERY COMMUNITY, from the smallest to the largest, has a veterans’ memorial. And that is good, for honoring those who have served our country is worthy.

Often, though, these memorials are costly. So individual bricks or pavers are sold, fundraisers held, donations solicited to cover expenses. This, too is admirable, to garner that personal and community involvement, support and ownership.

But sometimes it is the simplest idea, the one that does not cost a great deal of money, which most impresses.

Patriotism is evident in downtown Montgomery.

Patriotism is evident in downtown Montgomery.

In Montgomery, Minnesota, you will find Veteran’s Memorial Park with its soldier and eagle statues, granite monument, inscribed brick pavers, park benches, flags and more.

Veterans' photos and information in the window of Aging Services.

Veterans’ photos and information in the window of Aging Services.

But you will also find, in the vet’s park and primarily in the heart of downtown, the photos and stories of Montgomery’s veterans printed, framed and showcased.

It is a simple, but deeply personal and moving, way to honor hometown men and women who have served in the military.

If you look closely, you can see the veterans' tributes in the lower windows of Hilltop Hall.

If you look closely, you can see the veterans’ tributes in the lower windows of Hilltop Hall.

I happened upon the Montgomery Veteran’s Project on a recent Sunday afternoon visit to see Curtain Call Theatre’s performance of “On Golden Pond” at historic Hilltop Hall. (Click here to read a previous post about Hilltop.) On Hilltop’s lower level, in the windows of Posy Pantry and the Montgomery Arts & Heritage Center, I first noticed the framed veterans’ tributes.

In the lower left corne you can see veterans' tributes in the window of Sweet Repeats Resale Shop.

In the lower left corner you can see veterans’ tributes in the window of Sweet Repeats Resale Shop.

But not until after the play, on a tour through the downtown, did I realize the scope of this project. Everywhere—from business storefront windows to exterior building walls—I spotted veterans’ photos and information, 279 total.

Honoring veterans at the Monty Bar.

Honoring veterans at the Monty Bar.

Framed and secured to the brick wall below a window at the Monty Bar are the pictures and military backgrounds of Cletus C., Dale and Darryll A. Gregor; Edward D. Pexa; and Sylvia A. Pexa Relander.

Veterans photos and info posted at Dvorak Accounting & Taxes.

Veterans photos and info posted at Dvorak Accounting & Tax.

Propped against a window at Dvorak Accounting & Tax, framed memorials reveal that George O. Dvorak was among the first troops sent to Europe in 1917. George H. Dvorak serviced communications equipment while supporting the 35th Tank Division in Korea.

More tributes on the exterior of the Happy Hour Bar.

More tributes on the exterior of the Happy Hour Bar.

Over at the Happy Hour Bar, I learn that Milo Kadlec, part of the 10th Infantry Division, received the Korean Service Medal with four Bronze Stars and the United Nations Service Medal.

To see these photos, to read this information, truly allows me to view these veterans as individuals, as hometown men and women who left rural Minnesota to serve in the U.S. and abroad.

More personal memorials grace the windows of La Nette's Antiques.

More personal memorials grace the windows of La Nette’s Antiques’n Lace.

But how did this project come to be, I wondered. When interviewing Montgomery entrepreneur and Hilltop Hall owner John Grimm, I asked him about the framed veterans photos. Grimm, an Air Force instructor pilot in Texas during the Vietnam War, had seen a similar tribute at a veterans’ memorial in his hometown of Wautoma, Wisconsin, and suggested that Montgomery establish such a personalized memorial. That was nearly three years ago.

Several vets' photos hang on the exterior of the local newspaper office, The Montgomery Messenger.

Several vets’ photos hang on the exterior of the local newspaper office, The Montgomery Messenger.

Initially coordinated by Mobilize Montgomery, the installation of these individualized memorials is now handled by local American Legion Post 79. For a suggested $25 donation to defray printing, frame and display case costs, families can honor their loved ones via a personalized tribute.

That’s not a lot of money for the front and center memorials embraced by a patriotic community proud of those who served their country.

A portion of the promotional brochure from The Harbor. Courtesy of John Grimm.

A portion of the promotional brochure from The Harbor. Courtesy of John Grimm.

THAT’S NOT ALL. Grimm, who says he has a passion for helping veterans, recently undertook another project aimed at assisting aging veterans and others in need. He bought the former Cottagewood Resort along Minnesota Highway 13 between Montgomery and New Prague last May and has converted it into The Harbor, advertised as “a serene haven for veterans and individuals with unique needs.”

The Harbor features three log cabins and a central facility which can house a total of 14 on the 20-acre wooded, lakeside property.

His goal, Grimm says, is to negotiate individual rental rates based on whatever is reasonable and affordable to the renter and will work for him to keep the haven financially solvent.

This Vietnam War era veteran, who previously operated a Montgomery area assisted living facility, tells of a call he received about a 52-year-old homeless veteran while The Harbor was in the beginning of renovation. He thought about the housing request for awhile and decided if the vet had to choose between living under a bridge and living in a mess, he’d likely choose the mess. Turns out the vet had been a sheetrocker, so he moved into The Harbor in July to help tape and seam sheetrock.

THERE, DEAR READERS, are two feel-good stories from one small Minnesota town, stories I discovered because I took the time to really look at Montgomery, to see the veterans’ tributes, and then to inquire about them. These discoveries await you at every turn. Just slow down, and you will see them, too.

Watch for one more story in my five-part series from this southern Minnesota community.

© Copyright 2013 Audrey Kletscher Helbling

 

Winona Winhawks represent Minnesota for “most unique high school mascot” honor March 6, 2013

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WinhawksTHE WINONA WINHAWKS beat out four other Minnesota high schools this week to advance in the next round of selecting the nation’s most unique high school mascot.

In an online contest sponsored by the High School Sports Staff of USA TODAY, the Winhawks defeated the Blooming Prairie Awesome Blossoms, the Roosevelt Teddies, the Jordan Hubmen and the Sauk Centre Mainstreeters to represent Minnesota in Region 4.

Results show the Minnesota voting was close—between two of the schools—with the Winona Winhawks grabbing 52 percent of the online votes and the Blooming Prairie Awesome Blossoms nearly 46 percent.

That’s an impressive showing for the Awesome Blossoms given the considerable population difference between the two southern Minnesota communities. Blooming Prairie is home to about 2,000 people while Winona has some 27,500 residents.

Tom Ressler created Blooming Prairie's logo, a black-and-white Awesome Blossom , in 1979.

Tom Ressler created Blooming Prairie’s logo, a black-and-white Awesome Blossom , in 1979.

Blooming Prairie High School substitute teacher Tammy Wolf noted that difference in a comment posted on the USA TODAY Minnesota voting page:

Great Job Blossom Fans! For a community of 2,000—we did ourselves real proud with 143,376 votes! Proud to be an “Awesome Blossom!” Thanks to all of you who voted for BP!

Voting began today for six regional winners who will then advance to the finals. The Winhawks are now competing against eight other mascots:

  • Hodags (a fictional monster) from Rhinelander, Wisconsin
  • Kernels (yes, after the Corn Palace) from Mitchell, South Dakota
  • Honkers from Kenmare, North Dakota
  • Norsemen from Roland-Story High School in Story City, Iowa
  • Orphans from Centralia, Illinois
  • Nimrods from Watersmeet, Michigan
  • Fighting Jeeps from Northeast Dubois in Dubois, Indiana
  • Zeps from Shenandoah, Ohio

So, Minnesotans, here’s your opportunity to put Minnesota, specifically Winona, into the national spotlight by voting for the Winhawks between now and March 14. Just click here to vote.

And what exactly is a Winhawk, you ask?

According to the online ballot, Winhawks is a nice play on words that transforms the stereotypical “Hawks” mascot into a winning proposition. Blackhawks. Seahawks. Plain-old Hawks. They have nothing on the Winhawks. Winona’s mascot, Herky, is a cartoon bird with bulky arms.

Prizes ranging from $100 – $2,000 will be awarded to the winning high school athletic departments. And in these days of cash-strapped schools (speaking generally here and not necessarily referencing Winona), that money, I’m certain, would be welcome by any district.

TO READ A PREVIOUS post I wrote about this mascot contest, click here. I really wanted the Awesome Blossoms to win. Sorry, Winhawks. But good luck now. Go Winhawks!

© Copyright 2013 Audrey Kletscher Helbling

 

Montgomery, Part III: Franke’s Bakery, a sweet spot in the “Kolacky Capital of the World”

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EDITOR’S NOTE: In the spring of 2010, I visited Franke’s Bakery in Montgomery, a now 99-year-old business which truly embraces the community’s Czech heritage. This feature published in Minnesota Moments magazine and I’m reprinting it here as written three years ago, with the addition of many more photos. This is the third in a five-part series of stories from Montgomery. Enjoy.

Mary Ann Kaisersatt, left, and Jule Franke make prune-filled kolacky.

Mary Ann Kaisersatt, left, and Jule Franke make prune-filled kolacky.

JULE FRANKE AND MARY ANN KAISERSATT work side-by-side in the bakery kitchen, their fingers swiftly and expertly stretching, folding and tucking corners of dough squares across dollops of prune filling.

In an hour, they will have made 50 dozen kolacky, the trademark Czech pastry of 96-year-old Franke’s Bakery in downtown Montgomery, self-proclaimed “Kolacky Capital of the World.”

Unbaked prune kolacky.

Unbaked prune-filled kolacky.

As Franke shapes the neat little dough packages upon the lightly-floured wooden countertop in this room that smells of yeast and baking bread, she describes the Czech treat. It’s “like a sweet dough with a filling,” she says. And at Franke’s, those fillings are the popular prune and poppy seed, plus apricot, apple and raspberry.

For 50 years now, this woman, who confesses that she is not Czech but German, has been making kolacky. “I’m not from here and I’m not Czech, until I married the baker,” she says, smiling.

“The baker” would be Alvin “Butch” Franke, her husband of 52 years who died last December. His father, Emil, a German with a little Czech heritage, grew up in Czechoslovakia, immigrated to America in the early 1900s and opened the bakery in 1914. Butch followed in his baker father’s footsteps. And then Butch and Jule’s son, Bob, became involved in the family business 25 years ago.

Franke's Bakery anchors a corner of downtown Montgomery.

Franke’s Bakery anchors a corner of downtown Montgomery.

Today this bakery, located in the heart of Minnesota Czech country, is nationally-known for its ethnic pastry. Franke’s ships packages of kolacky via priority mail all over the U.S., especially before holidays like Easter. Those customers often grew up in the area, Franke says, and will simply mail a check and a request for kolacky.

Customers orders hang in the kitchen.

Customers orders hang in the kitchen.

The bakery also has a loyal customer base locally and in the Twin Cities area.

The bakery retains the charm of yesteryear.

The bakery retains the charm of yesteryear.

But at no time is the demand for Franke’s kolacky higher than during Montgomery’s annual celebration of its Czech heritage, Kolacky Days, set this summer for July 23 – 25. Franke enlists her children and their families to make 2,000 dozen kolacky for the weekend event that includes a home-baked kolacky contest and a kolacky eating competition. During the celebration, Franke’s kolacky are sold at the bakery and in Memorial Park.

A selection of Franke's Bakery bread.

A selection of Franke’s Bakery bread, made without preservatives.

Yet, day-to-day, this Czech treat remains a mainstay at this bakery, also known for its rye bread.

Czech, Slovakian and American flags grace the bakery counter.

Czech, Slovakian and American flags grace the bakery counter.

“Vitáme Vás!” (“We welcome you”) imprinted on a window placard, miniature Czech and Slovakian flags set upon the countertop and humorous signs like “PARKING FOR CZECHS ONLY—ALL OTHERS WILL BE TOWED” embrace the area’s rich Czech heritage.

Among the sweet treats.

Among the sweet treats.

Here locals gather for a cup of coffee and a sweet treat, sliding into wooden booths in this 1931 building—the original bakery burned—that retains the charm of yesteryear.

Behind the scenes in the bakery's kitchen.

Behind the scenes in the bakery’s kitchen.

Five days a week Franke arrives here at 5:30 a.m. to help prepare baked goods, following family recipes that have been passed down through the generations. Soon fresh-baked doughnuts, Bismarcks, cookies, breads, turnovers, bars, buns, kolacky and more fill display shelves.

She has no plans to retire.

“This is in her blood,” says employee Kaisersatt.

Flour scoop...

Flour scoop…

The women laugh as they continue to fold dough, lifting and gently placing the square treats onto parchment paper-lined trays that hold five dozen kolacky. Kaisersatt scoots around to the other side of the work station across the slippery, flour-dusted floor to grab a kettle of milk wash. She dips her wide brush into the liquid and sweeps the bristles across the unbaked mounds of dough.

This, Franke says, helps to brown and keep the kolacky moist. The dough will rest overnight, then go into a steambox for an hour to rise before baking in the morning.

As appealing as the ethnic treat is to customers, the slender Franke admits, “I don’t eat too many (kolacky). I don’t care too much for sweets.”

But, obviously, customers do, as they’ve supported this family-owned business through three generations, for nearly 100 years.

You can't miss the sign marking Franke's Bakery, a family-owned business in Montgomery for 99 years.

You can’t miss the sign marking Franke’s Bakery, a family-owned business in Montgomery for 99 years.

FYI: Franke’s Bakery is open from 6:15 a.m. – 5 p.m. Tuesday – Friday and from 6:15 a.m. – 3 p.m. on Saturday. The bakery is closed on Sunday and Monday. Call Franke’s at (507) 364-5025 for more information. Visit the bakery website by clicking here.

 

Montgomery, Part II: Entertaining & inspiring the folks of South Central Minnesota in an historic dance hall March 5, 2013

A sign just off Minnesota Highway 13 welcomes travelers to Montgomery.

A sign near the Minnesota Highway 13 and 21 intersection welcomes travelers to Montgomery.

IN RURAL SOUTHERN MINNESOTA, in the heart of Czech country, in a community with a fading welcome sign noting local Miss Czech-Slovak U.S.A. queens Connie David (1989-1990) and Marisa Schleis (1998-1999), you’ll discover an unexpected treasure.

The red-roofed building in the distance is Hilltop Hall.

The red-roofed building in the distance is Hilltop Hall.

Historic Hilltop Hall sits on the north end of First Street in Montgomery, past the library and chiropractic office, the eateries and bars, the newspaper and accounting offices, the antique shops, even farther than the bakery which bakes ethnic kolacky, just two doors up from the meat market, source of homemade sausage.

Hilltop Hall was "falling apart," John Grimm says of the building he bought in the early 1990s. He reroofed, gutted and reconstructed and/or restored the interior.

Hilltop Hall was “falling apart,” John Grimm says of the building he bought in the early 1990s. He reroofed  the hall and gutted and reconstructed and/or restored the interior.

The red-roofed 1892 brick structure on the National Register of Historic Places represents a center of culture in this self-proclaimed Kolacky Capital of the World, a farming town of nearly 3,000 notably proud of its Czech heritage.

A sign outside Hilltop Hall directs guests to the Curtain Call Theatre performance of "On Golden Pond." The area theatrical group also performs in neighboring New Prague.

A sign outside Hilltop Hall directs guests to the Curtain Call Theatre performance of “On Golden Pond.” The area theatrical group also performs in neighboring New Prague.

The community should also be proud of Hilltop, a rare small town gem which hosts once-a-year comedic performances by Curtain Call Theatre and monthly Hilltop Happenings Series variety shows in the second floor 75-foot by 45-foot vintage concert and dance hall. The main floor is home to the Montgomery Area Arts & Heritage Center—featuring rotating historic and artistic exhibits—and a floral/gift shop, Posy Pantry.

Native Wisconsinite John Grimm, 72, a retired airline pilot, entrepreneur and former Le Sueur County commissioner who has lived in the Montgomery area since 1992, represents the driving force behind this cultural center nestled into a hill across the alley from St. John’s Lutheran Church.

This composer and singer—by passion, not profession—and a team of equally enthusiastic musicians six months ago revived the variety shows which have been an irregular part of Hilltop since Grimm purchased and restored the building in the early 1990s. He bought the old hall, he says, “to save a significantly historic building” and “to create a place where local folks could perform.”

Except for a small section which was damaged by water, this wood floor is original.

Except for a small section which was damaged by water, this wood floor is original. Here volunteers stack chairs following the final performance of “On Golden Pond” while the cast enjoys pizza.

Now on Sunday afternoons, during the recently-resurrected variety shows, audiences ranging from 30 – 100 gather in the upper floor venue, feet planted on the restored wood floor, to hear next-door Lutheran pastor, Bob Kaul, strum his folk style guitar music or professional musician Craig Wasner of Northfield perform or Grimm present his Elvis impersonations (or other musical selections).

In a kicked back atmosphere where performers arrive two hours before the 4 p.m. – 6 p.m. show to rehearse, if necessary, and then sit among the crowd, the audience will hear a wide range of music from gospel to pop, folk, country, classical and more presented by regular troupe members from the Montgomery, Le Sueur, New Prague and Northfield areas.

Among the crowd favorites, Grimm notes, is 2012 Montgomery-Lonsdale High School (now Tri-City United) graduate Jesse Beulke, a gifted musician studying psychology and music at Minnesota State University, Mankato, with aspirations of becoming a professional composer. Beulke’s classical music selections on the piano have drawn standing ovations. “The audience recognizes his talent,” Grimm says.

Other regulars include musicians Wade and Mary Lou Fradenburgh, Maren Wasner and Wendy Zaske.

A view of Hilltop Hall's performance venue shows John Grimm and Fran Bohlke playing the lead roles in "On Golden Pond."

A view of Hilltop Hall’s performance venue shows the cast of “On Golden Pond.” John Grimm, center, plays the lead role along with Fran Bohlke of Shakopee, left in Curtain Call Theatre’s production. This marked Bohlke’s third time playing Ethel Thayer. She previously played the part during performances in Worthington and Luverne. Stenciling in the hall was either replicated or restored, depending on condition.

Grimm is planning to add original humorous skits to the monthly Sunday variety shows, tapping into his passion for performing. Fran Bohlke, who played Ethel Thayer opposite Grimm’s Norman Thayer Jr. in the Curtain Call Theatre’s recent performances of “On Golden Pond” at the Hilltop, will also sing at the March 24 show.

While Grimm and his troupe welcome guest performers, those entertainers must audition for what’s billed as “a unique mix of breathtaking talent, lighthearted entertainment and tasty snacks—all in one lovely historic place…that brings entertainment, enjoyment and inspiration to the folks of South Central Minnesota.”

Big Honza's Museum of Unnatural History.

Big Honza’s Museum of Unnatural History.

The snacks include freshly-popped popcorn from the popcorn machine tucked in the hall’s second floor corner kitchen and pizza from Pizzeria 201 just down First Street in the historic Westerman Lumber Company office and residence. Grimm also owns that 1895 building which is on the National Register of Historic Places. Next door you’ll find Big Honza’s Museum of Unnatural History, another project of the creative Grimm.

Big Honza' sprinkling can located near his museum.

Big Honza’ sprinkling can located nest to the Big Honza museum.

As Grimms tells it, the fictional Big Honza Giganticzech originated when he penned a musical for Montgomery’s annual Kolacky Days celebration, embellishing local history to create the town’s version of Paul Bunyan. That led to the museum where visitors will see items like Big Honza’s airplane/corn shredder, a chain driven concertina and more. The museum is open by appointment or ask the folks at the Pizzeria to let you in; they have a key.

A view of the set for "On Golden Pond" with Big Honza painted on the wall to the left.

A view of the set for “On Golden Pond” with Big Honza painted on the wall to the left.

At Hilltop Hall, a rendition of Big Honza is painted onto a wall of the stage where those Curtain Call Theatre comedies are presented each February. Grimm enjoys the intimate setting of the old dance hall which will seat about 100 during the dinner theatre shows. On a recent Sunday afternoon, dinner guests savored chicken breast with pasta and sauce, roasted cauliflower and fresh fruit in a meringue-topped shell catered by Pizzeria 201. Other audience members arrived later just for the show.

“People look forward to it,” Grimm says of the yearly winter plays first performed at the Hilltop in 1999 with “Bull in a China Shop.” Other shows have included “The Odd Couple,” “Moon Over Buffalo,” The Dixie Swim Club,” and more. “Bathroom Humor” is slated for February 2014.

Set requirements, due to limited space in the built-on stage area, are the biggest restrictions in selecting a play, Grimm says. He doesn’t worry about the number of performers as a spiral staircase hidden behind the stage allows actors and actresses to slip down to the first floor floral shop to await their cues. Grimm installed the staircase after removing the building’s original freight elevator, a decision he today regrets.

When Grimm purchased Hilltop Hall, site of a laundromat, he found 10 inches of lint covering these walls as dryers had been vented into the hallway. This hall runs between the heritage center and floral shop and leads to a stairway to the performance space.

When Grimm purchased Hilltop Hall, site of a laundromat, he found 10 inches of lint covering these walls as dryers had been vented into the hallway. This hall runs between the heritage center and floral shop and leads to a stairway to the performance space. The chandelier is not original to the building.

He’s never regretted, though, his decision to buy the old dance hall, although Grimm admits some people think he’s crazy. But his passion for singing and entertaining—he’s composed several hundred songs, made four CDs and authored a play, “It’s About Us”—for promoting Montgomery, and for offering this arts venue, drive him.

With annual taxes on the building at $10,000-plus and a monthly light bill of some $200, his Hilltop project is a “money losing situation,” Grimm says. He justifies the expense noting that he doesn’t take vacations, so his vacation money goes into his arts endeavor.

The ceiling plaster had crumbled, so an artist laid on his back to re-create this mural on sheetrock in the center of the performance space.

The plaster had crumbled, so an artist laid on his back to re-create this ceiling mural on sheetrock in the center of the performance space. The chandelier is antique but not original to the hall. The original lights could not be restored, Grimm says.

Grimm admits an ineptness at promoting and that Hilltop Hall is under-utilized. But he won’t compromise his conviction not to allow alcohol into the building which is also used for the occasional community meeting, piano recitals and exercise classes.

For now he’s focused on those monthly variety shows, bringing “pizza, performers & plenty of pizzazz” to the folks of South Central Minnesota at the historic Hilltop Hall in Montgomery.

These exterior doors open to the hallway leading to the performing arts center.

These exterior doors open to the hallway leading to the upstairs performing arts center. A handicapped accessible entry is at the rear of the building off the alley.

FYI: Upcoming Hilltop Happenings Series shows are set for 4 p.m. – 6 p.m. on Sundays, March 24, April 28, May 26 and June 30. Admission is free although donations are accepted to help defray production and overhead costs.

The 2013 billing promises “…popular favorites to concert hall classics; from costumes and comedy to inspirational gospel and harmonic collaborations.”

Hilltop Hall is located at 206 First Street North in Montgomery’s downtown business district.

To learn more about the people and places in this post, be sure to click on their highlighted names. I’d encourage you, especially, to click on Jesse Beulke’s link to hear two original compositions, “I Guess It’s Goodbye” and “Rise,” by this gifted young composer and musician.

CHECK BACK FOR MORE posts from Montgomery.

© Copyright 2013 Audrey Kletscher Helbling

 

Part I: Touring historic downtown Montgomery, Minnesota, not Alabama March 4, 2013

A snippet overview of First Street in downtown Montgomery.

A snippet overview of First Street in downtown Montgomery late on a Sunday afternoon.

EARLY ON A SUNDAY AFTERNOON in the dead of a Minnesota winter, downtown Montgomery, except for vehicles clustered around Hilltop Hall for a theatrical performance and around locals bars, is mostly quiet.

A mural on the

A mural depicts downtown. Minnesota Prairie Roots file photo.

The occasional pick-up truck cruises First Street, the main north-south route through the heart of this Le Sueur County farming community of nearly 3,000 noted for its strong Czech heritage.

Although this self-proclaimed “Kolacky Capital of the World” lies only about 25 miles northwest of my Faribault home, I’ve never really explored the town except to attend three plays at Hilltop Hall and to write a magazine feature story about Franke’s Bakery. The 99-year-old bakery specializes in kolacky, a folded Czech pastry filled with poppy seeds or fruit.

Franke's Bakery. Minnesota Prairie Roots file photo.

Franke’s Bakery. Minnesota Prairie Roots file photo.

On this Sunday afternoon the bakery is closed. And so are most other businesses. Without distracting vehicles, I can fully appreciate the historic architectural qualities of this downtown. From the aged brick buildings to the vintage signage to the woodframe storefronts that always remind me of something out of a Western, I am smitten with these buildings, this business district.

I must, I tell myself, return to Montgomery when these businesses are open. I can only imagine what discoveries await me.

I love antique shops and thrift stores, so you can bet Sweet Repeats Resale Shop is on my list of places to check out.

I love antique shops and thrift stores, so you can bet Sweet Repeats Resale Shop is on my list of places to check out.

Look, another antique shop, La Nette's Antiques'n Lace.

Look, another antique shop, La Nette’s Antiques’n Lace.

Lots of super cool vintage signage in Montgomery.

Lots of super cool vintage signage in Montgomery.

Because my eldest daughter is in love with a Schmidt boy (nothing to do with the beer), I had to photograph this sign. The striped building is the local meat market.

Because my eldest daughter is in love with a Schmidt boy (nothing to do with the beer), I had to photograph this sign. The striped building is the local meat market.

On the National Register of Historic Places, the historic Westerman Lumber Company office and house is home to Pizzeria 201. The restaurant makes homemade pizzas, a wide selection of Italian foods and more.

On the National Register of Historic Places, the historic Westerman Lumber Company office and house is home to Pizzeria 201. The restaurant makes homemade pizzas, a wide selection of Italian foods and more. I’ve heard rave reviews about the food.

So small town: burgers and a meat raffle promoted on a whiteboard in a restaurant window.

So small town: burgers and a meat raffle promoted on a whiteboard in a restaurant window.

I don't expect I'll get inside this vintage 1800s house tucked between businesses on First Street, but I could try. That's the office of the local newspaper, The Montgomery Messenger, on the left.

I don’t expect I’ll get inside this vintage 1800s house tucked between businesses on First Street, but I could try. That’s the office of the local newspaper, The Montgomery Messenger, on the left.

I absolutely love these small towns that have kept their historic buildings.

I absolutely love these small towns that have kept their historic buildings like this one dated 1896.

TOMORROW, IN THIS FIVE-PART SERIES from Montgomery, I take you to Hilltop Hall, which I’ve visited thrice. After that, we’ll go inside Franke’s Bakery, with photos from my 2010 visit there; I don’t expect much has changed. Next, I’ll show you how this community honors its veterans in a unique way. And then, to end my five-part series on Montgomery, I’ll show you several bonus photos from the town.

© Copyright 2013 Audrey Kletscher Helbling

 

The Poetry Barn March 3, 2013

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OFFICIALLY, IT’S CALLED Stoney End Music Barn.

But I call it The Poetry Barn.

Stoney End Music Barn, 920 State Highway 19, Red Wing, Minnesota

Stoney End Music Barn, 920 State Highway 19, Red Wing, Minnesota

Tucked into a wooded hillside just west of Red Wing, an aged sprawling barn draws the attention of travelers on Minnesota Highway 19. If not for the words, this barn might go unnoticed, blending into the rural landscape.

But there the barn stands, block print letters painted upon peeling paint.

Perhaps passersby ponder the poetry posted. Perhaps not.

I have photographed the barn on a sunny Saturday in March, just another person passing by en route to and from the Mississippi River town of Red Wing. Like so many others, I am in a hurry with no time to pause and explore this roadside attraction.

I have missed so much. Stoney End Music Barn, I later learn, houses a team of musicians who craft primarily harps—having made more than 7,000 since 1984.

The renovated barn is also home to the Hobgoblin Music Store and a third floor music loft/concert hall.

So you see, Stoney End Music Barn truly is a poetry barn, for music is poetry.

© Copyright 2013 Audrey Kletscher Helbling

 

Northfield writer Scott Carpenter masters the craft of short stories in This Jealous Earth March 1, 2013

Intrigued by this cover image like me? Learn why  it was selected and placed upside down at the end of my review.

Intrigued by this cover image? Learn why it was selected and placed upside down at the end of my review.

I’VE STRUGGLED, since reading This Jealous Earth, to pinpoint a word which best describes my reaction to a collection of 16 short stories by Northfield (MN.) author Scott Dominic Carpenter. And that should be considered a compliment.

Carpenter’s stories about relationships and aging, choices and regrets, and more, hold an element of mystery, a deeper meaning which reveals itself as the plots progress, until the ending and the ah-ha moment evoked.

For example, in the first paragraphs of “The Tender Knife,” I expect a husband to kill his wife, not his koi. He didn’t, but he did. Now if that makes no sense, that is precisely my point. Carpenter possesses that unique ability to mess with your mind/throw you for a loop, cliché phrases that totally apply to a writing style that is anything but cliché.

He takes aspects of everyday life—vacations, marital and sibling discord, the death of a parent, aging, love, fear and more—and crafts stories to which his readers can relate. Aging Baby Boomers can surely empathize with Donna, married 30 years with three grown children and the main character in “Riddles.” She and her husband are on a long-awaited European vacation when she loses her way in an art museum. As she struggles to weave through a labyrinth of art she cannot understand, Donna understands she’s waited too long for this trip.

Carpenter writes, in Donna’s voice:

To think that she had begged for this trip! What in God’s name had she been thinking? What was the point? And what on earth were you to do after the scales have tipped in your life, after the children have gone, and all you have left to do is wait?

His stories mostly center on choices—to shoplift or not, to keep or to toss, to reconcile or give up, to attempt to save or to let go, to stand up for yourself or to submit, to simply accept or to challenge/change/question.

In “This Jealous Earth,” the story from which the book draws its title, a family awaits the rapture. But one, the non-believing son, Randy, will be left behind. Therein lies the conflict for his obedient younger sister, Cat. Will she choose faith or family? That dilemma, and the consequences, leave the reader hanging on every word until the clincher ending.

Likewise, in “The Visit,” the tension builds when a child goes missing on a rural acreage with a pond. I’m not going to reveal the ending, but I simply must share the final sentence of that story because it’s so powerful and perhaps so true of how we often choose to cover our fears with meaningless conversation:

And with lavish servings of words, always more words, they covered over the memory of the pond, black and still.

Carpenter chooses words with care. That is obvious, especially so in “The Spirit of the Dog” where even the name of the main character, Caleb, holds significance. Because I have a son named Caleb, I know the name means “dog” (although I chose my son’s name for the biblical Caleb and certainly not the canine reference). Read this story about miners, a dog that is killed, superstition and stolen possessions and you will understand the double-meaning in that name.

I couldn’t pen a fair review of This Jealous Earth without noting that I nearly stopped reading half way through the first story, “The Tender Knife.” I struggled with details in killing of the koi. Don’t allow that to distract if you are squeamish like me. The story is most definitely worth reading. Likewise, several stories include the f-word and sexual undertones that may offend. However, these are not used lightly, but as integral parts of shaping a character and/or developing the plot.

If Carpenter’s first book of fiction is any indication of what readers can expect from him, then I’m already a fan. His next book, Theory of Remainders, is due for release in May. Here’s the promo description: A suspenseful literary novel set in the lush backgrounds of Normandy, Theory of Remainders explores the secret ties between love, trauma, and language.

Carpenter has already proven to me that he can write, and with a strong voice definitively his.

Scott Dominic Carpenter

Scott Dominic Carpenter

FYI: To learn more about Carpenter and his writing, click here to reach his website.

His upcoming appearances include public readings at  6 p.m. Thursday, March 7, at Barnes & Noble, 14880, Apple Valley, and at 7:30 p.m. Friday, March 8, at Monkey See, Monkey Read, 425 Division Street South in downtown Northfield. Besides writing, Carpenter teaches French literature and critical theory at Carleton, a liberal arts college in Northfield.

BECAUSE I WAS PARTICULARLY intrigued by the upside down placement of the field and sky image on the cover of This Jealous Earth, I posed these questions to publisher MG Press:

Could you explain the photo selection and why it was placed upside down on the cover? What message/feeling/whatever are you hoping to evoke in the reader?

Here’s the response from MG’s Robert James Russell:

The fact that the photo is upside down aligns with the themes of miscommunication and the confrontations of strangeness inherent in all of the stories in the collection. The land (or earth, as it were), gives us a sense that the disconnect and strangeness is dealing with familiar things (that is, it is not a paranormal strangeness, or anything truly otherworldly).

It’s meant to be disorienting, but not jarring, and demonstrate how a simple choice or change of perspective can completely alter how something is viewed. These types of choices are the ones the characters in This Jealous Earth face in all of the stories, ones that will permanently alter how they view their lives.

On a more aesthetic level, we chose this image specifically because, quite simply, it was gorgeous and we felt the contrasting tones would work well to achieve our goal.

© Copyright 2013 Audrey Kletscher Helbling
Images courtesy of Scott Dominic Carpenter and MG Press
The book cover design is by Sarah E Melville, Sleeping Basilisk Graphic Design.
Author photo is by Paul Carpenter.