Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A winter walk along the Straight River inspires January 7, 2026

Walking along the Straight River Trail near Fleckenstein Bluffs Park on a recent winter day. (Minnesota Prairie Roots copyrighted photo December 2025)

WITH WINTER OFFICIALLY LAUNCHED, it’s easy enough to stay home, settle in, curl up with a good book and avoid the ice, cold and snow that define Minnesota weather in January. When winter burrows in, I’m more inclined to hibernate. But I push myself to get out. It’s good for my physical, mental and emotional health.

An extensive city trail system runs throughout Faribault. (Minnesota Prairie Roots copyrighted photo December 2025)

Faribault offers plenty of options for aging Baby Boomers like me and others who simply want to take a walk. On the worst of winter days, I can loop around the soccer field at Shattuck-St. Mary’s School, which opens its dome to the public most weekday mornings (except holidays) from November into early spring. Hours vary, but generally run from around six-ish to 9:30 am.

The Straight River Trail stretches before me in the area known as Frog Town. (Minnesota Prairie Roots copyrighted photo December 2025)

And when I want to be outdoors, the city’s paved recreational trails are usually cleared, allowing me to safely immerse myself in nature. There’s something about walking outdoors at a brisk pace on a cold winter day that invigorates.

Even in the drab winterscape, color can be found, such as in these dried berries. (Minnesota Prairie Roots copyrighted photo December 2025)

Sometimes, though, I opt to carry my camera and focus on the environment rather than upping my heart rate. Photography improves my well-being, too, because I begin to notice nature’s details in a mostly monochrome landscape. Winter’s beauty emerges. And that is good for my spirit, my soul, my creativity.

The Straight River is anything but straight as it winds between woods and bluffs in Faribault. (Minnesota Prairie Roots copyrighted photo December 2025)

I especially delight in following the Straight River Trail because water, whether frozen or flowing free, mesmerizes me. I think humans have always been drawn to water. Near Fleckenstein Bluffs Park, the Straight River curves, winding through the woods, under the railroad bridge, along the bluffs.

Barely discernible, a temporary riverside shelter in the woods near Fleckenstein Bluffs Park. (Minnesota Prairie Roots copyrighted photo December 2025)

On a recent afternoon along the trail, with Canon camera in hand, I spotted a flash of red across the river in the woods. From a distance and through the trees, I couldn’t clearly distinguish details. But I knew this was a temporary shelter for someone without a permanent home. I saw a person shoveling snow.

Tangled twigs along the Straight River Trail. (Minnesota Prairie Roots copyrighted photo December 2025)

And I thought of my poem, “Misunderstood,” inspired by a previous walk along the Straight River Trail. That poem published in 2024 in Talking Stick 33, Earth Signs, a Minnesota literary anthology:

Misunderstood

Tents cluster along the Straight River,

home to the homeless on land

once held by the Wahpekute.

History and hardship merge here

in long-ago and present-day stories.

Bison skin tipis and nylon tents.

Different times. Different peoples.

Drawn to the water, the sheltering woods.

Misunderstood then. Misunderstood now.

This homemade trail sign, screwed to a tree along the Straight River Trail in Frog Town, leads to a path beaten through the snow. I did not follow the unofficial trail, not this time. (Minnesota Prairie Roots copyrighted photo December 2025)

Getting outdoors feeds my creativity. If not for that walk and my knowledge of Faribault history, I would not have crafted that poem about the Dakota and those experiencing homelessness today in my community. I observe, photograph, write, creating photos and stories that need to be shared.

© Copyright 2025 Audrey Kletscher Helbling

 

Inside The Land of Plenty under “the king’s” rule January 6, 2026

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Protesters stand along Minnesota State Highway 3 in Northfield at a NO KINGS protest. (Minnesota Prairie Roots copyrighted file photo October 2025)

ONCE UPON A TIME in The Land of Plenty, the leader of the land ruled like a king. Not a nice king. Not a kind king. But rather a mean-spirited one.

The leader had never been appointed king. It was a title he claimed for himself with oppressive authority. In truth, he’d been voted into his powerful position, not overwhelmingly as he declared, but rather in a close election. That should have been enough to tamp his crowing, rein in his overuse of superfluous adjectives and adverbs, deflate his super-inflated ego and encourage good behavior. But it was not to be.

ONE JANUARY DAY

Rather the self-proclaimed king, who’d been ousted from The Land of Plenty after his first tenure, determined to make up for lost time. Five years earlier, on an early January day, he attempted to retain power when his supporters stormed the castle. He claimed ignorance. Some believed him; many didn’t. Evidence doesn’t lie.

The king’s anger simmered, then boiled over when he returned to the castle feeling vindicated and empowered. A man of vengeance, he sought to punish any who opposed him. On the flip side, he freed those he considered wrongfully shackled. No one would do harm to him or his legion. No one. He was in charge. His decisions held absolute power. Only his voice mattered.

Threats. Intimidation. Cruel and demeaning words. Imprisonment. Deflection. Manipulation. Gaslighting. Conspiracy theories. All fit his mode of ruling. He would make The Land of Plenty great again, whatever that meant.

BROKEN PROMISES

He promised to end wars and claimed he had. He promised to lower prices. He promised to rid the land of strangers and foreigners. That sounded promising to all who supported him. No conflict, only peace. Fewer coins spent on food purchased in the town square marketplace. A strong land unlike any other, without foreigners roaming the streets, taking away jobs, committing crimes and creating chaos (his words).

Except it was the king creating chaos. Doing whatever he pleased. Causing discord. Divisions arose within the kingdom. World conflict increased. Prices spiked as the king imposed new taxes. The ruler of The Land of Plenty was viewed by millions as uncaring, ruthless, self-centered and far worse. Many felt his wrath.

SNATCHED, BANISHED

The king targeted strangers and foreigners who contributed greatly to the economy and success of the kingdom. They toiled in fields, wagon wheel factories, blacksmith shops, bakeries… Some even emptied his golden commode. But to the king, none of that mattered. “Go back to your homeland!” the king screamed. “We don’t want you here!” He decreed that the unwanted should be snatched, grabbed off the streets by his masked henchmen and banished. And so many were.

As the days, weeks, months and then a year passed since the self-proclaimed king resumed his rule, the situation in The Land of Plenty was far from fine. It was, in fact, rather awful, dire, especially for the lowly peasants who labored long hours for every coin. Many realized they’d been duped, led to believe in fairy tale endings. In happily ever after.

And so the story goes with three chapters unwritten, the ending unknown.

© Copyright 2026 Audrey Kletscher Helbling

 

Art, history & laughter at the Paradise

The H.H. King Flour Mill as painted by Faribault artist Maybelle Stark in 1959. This is a photo of a print I own. Stark’s mill painting is included in a new exhibit at the Paradise Center for the Arts. (Minnesota Prairie Roots copyrighted photo January 2026)

THE VISUAL AND PERFORMING ARTS come together under one roof this Friday evening, January 9, at the Paradise Center for the Arts in historic downtown Faribault during an opening gallery reception from 5-7 pm followed by an improv comedy show at 7:30 pm. I’m excited about both. I love art. And I like entertainment that makes me laugh.

First up is the reception celebrating the work of artists showcased in four galleries. That includes “Homegrown Art: The Local Artist Collection of the Rice County Historical Society,” individual artists Barbara Schwenk and Leo Bird, pottery from the Paradise Center for the Arts pottery department and art by Bethlehem Academy students.

The RCHS exhibit in the main gallery kicks off a year-long celebration of the county historical society’s 100th birthday. “From a fantastical creature made of tin to bright, creative pottery and beautiful paintings, this gallery highlights items normally tucked away in storage and spotlights the talents of the Rice County community,” according to a media release from the RCHS.

“1938 Church Wedding” by Linda Van Lear is based on The Holy Innocents Church at the Rice County Fairgrounds/Historical Society grounds. The painting was previously shown at the Paradise. (Minnesota Prairie Roots copyrighted file photo August 2020)

Naturally, I wondered about the artists to be featured in the 20 pieces chosen for the Paradise show. They include, among others, Grace McKinstry, Linda Van Lear, Ivan Whillock, Maybelle Stark and Frieda Lord. I’m familiar with all of them except Lord, although I have seen and photographed the art of her granddaughter, Dana Warmington Hanson. Lord and Stark were among the founding members of the Faribault Art Center, which evolved into the Paradise Center for the Arts.

“Rain,” a woodcarving by Ivan Whillock exhibited previously at the Paradise. (Minnesota Prairie Roots copyrighted file photo October 2020)

McKinstry and Whillock are perhaps the best-known in that short list shared with me by the RCHS. Whillock, who has a studio in Faribault, is an internationally-renowned woodcarver and also a painter. McKinstry (she died in 1936) traveled the world in pursuit of creating portraits and landscapes. Her art is featured in the Smithsonian, the Minnesota Historical Society, the Minnesota State Capital and elsewhere worldwide. Locally, the county historical society owns more than 40 pieces of her artwork, the largest collection of McKinstry’s art anywhere.

I own art by one of the artists, Maybelle Stark, whose work is included in the RCHS gallery exhibit. That’s a print of the H.H. King Flour Mill, once located along the Cannon River on Faribault’s west side and destroyed by fire in 1975. Stark painted the scene in 1959 and exhibited it locally the same year. Now that painting is back on public display nearly 70 years later.

All of the art showcased in the Paradise galleries from now through February 21 is sure to draw plenty of interest among those who value creativity. And local history.

Promo for Little Fish Improv. (Sourced online)

And for anyone who also values the performing arts, Little Fish Improv presents improv comedy beginning at 7:30 pm Friday. I’ve seen this group of area comedians perform several times on the Paradise stage. They are a talented bunch who think quickly on their feet (thus the word “improv”) and get their audience engaged and laughing. It seems to me a really challenging art form.

Bonus, this comedy show is a fundraiser with all proceeds benefiting the Paradise Center for the Arts. I feel incredibly fortunate to live in a community with an outstanding arts center and with a deep appreciation for the arts.

FYI: Click here to purchase tickets for Little Fish Improv.

At 1 pm Saturday, January 17, Diane Lockerby, pottery instructor at the Paradise, will lead a “Historic Pottery Workshop at the Paradise.” Following her brief talk about pottery and local history, attendees will make a piece of pottery to take home. There is a fee. Space is limited. Click here to register.

© Copyright 2026 Audrey Kletscher Helbling

 

Thoughts as we begin 2026 during these challenging times in the U.S. January 1, 2026

I took this award-winning photo in 2012 at an International Festival in Faribault. To this day, it remains one of my favorite images reflecting diversity in my community. The gathered kids cared not about ethnicity, but only about breaking open a pinata. (Minnesota Prairie Roots copyrighted file photo 2012)

AS THE NEW YEAR begins, I enter it with a whole lot of trepidation, uncertainty and concern. Feeling optimistic right now does not come easily. I fear for our country. I fear for my community. I fear for my Latino and Somali neighbors, targeted by the federal government. Yes, ICE agents are visible and active in Faribault. Though I have not seen them myself, this information comes from reliable sources.

I fear that we are becoming desensitized to the ICE snatchings. I fear we are becoming desensitized to the lies, the rhetoric, the hatred, the awfulness spewing from, well, way too many leaders and even everyday people.

A pin gifted to me by a friend this past summer. I now have it pinned to a small bag that holds my cellphone, my way of getting a message out there. (Minnesota Prairie Roots copyrighted file photo)

What happened to common decency and goodness and kindness? And due process? Why is anyone accepting suppression, oppression, racism, discrimination and more as OK, especially those who claim Christianity as their belief system? None of what’s happening is Christian, not according to my Christian beliefs anyway. Not according to the Bible I read.

Encouraging words posted near a garden in the heart of downtown Faribault many years ago. (Minnesota Prairie Roots copyrighted file photo)

It’s hard, really hard, to remain hopeful in the light of all this. But I try. My mom raised me to be caring, kind and compassionate. She lived that way, helping others through volunteerism and monetary gifts, but mostly through her kind, quiet, gentle and caring spirit. She treated everyone with love and compassion. I wish Mom was still alive so I could talk to her about all of this.

A simple directive on a tombstone at Valley Grove. (Minnesota Prairie Roots copyrighted file photo)

But sometimes the dead still speak to us. I don’t mean that in a literal sense, but rather in the legacies and words the once-living leave behind. It is one of the reasons I meander through cemeteries. Valley Grove Cemetery, rural Nerstrand, is one of those final resting places that offers an abundance of wisdom upon gravestones.

From my personal collection, a painting on burlap by Mexican artist Jose Maria de Servin that depicts peace. (Minnesota Prairie Roots copyrighted file photo)

One particular tombstone stands out for the many positive affirmations it lists under the banner, BLESSED ARE THE PEACEMAKERS. (And this means authentic peacemakers, not those who pretend or claim to practice/bring peace.) Under that gravestone header is this broader message: EVERYONE HAS SOME GIFTS THAT CAN MAKE OUR WORLD A LITTLE BETTER. I absolutely agree.

Among a long list of ways we can make the world a better place as listed on a tombstone at Valley Grove Cemetery. (Minnesota Prairie Roots copyrighted file photo)

Then, on the massive slab of stone, are written specific ways in which we can make the world better and live as peacemakers. I especially appreciate these two messages: TREAT OTHERS THE WAY YOU WANT TO BE TREATED. And BE KIND TO ALL AS YOU NEVER KNOW THEIR BURDENS.

Those are simple, uncomplicated directives that seem easy enough to follow. In 2026, it is my hope that we can shift back to being a caring country, where we treat others as we would like to be treated. And that is with kindness, compassion, care and love.

TELL ME: What are your hopes for 2026 in the U.S., your community? What are your concerns for the new year?

© Copyright 2026 Audrey Kletscher Helbling