Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Complex & compelling define Scott Dominic Carpenter’s novel, Theory of Remainders April 1, 2013

Theory of Remainders coverA SINGLE QUESTION POPS into my mind upon finishing Theory of Remainders by Northfield, (MN.), author Scott Dominic Carpenter. How did he come up with the ideas for this creatively complex literary novel about a Boston psychiatrist who returns to France nearly 15 years after his teenage daughter’s murder?

This adept writer uses language as a primary tool in the telling of this story, taking the reader deep into a French village where Philip Adler searches for answers related to Sophie’s disappearance. Carpenter’s astuteness to the nuances of language, his use of word play and his command of several languages riddle this novel. And, yes, the word “riddle” is a deliberate word choice.

“Graves were always a presence pointing to an absence…” Carpenter writes early on. Later, he pens these memorable statements: “Things don’t ever square up. In short, the world is not tidy, by which I mean that there are no equations without remainders.”

Unlike other books centered by a mystery, Theory of Remainders challenged me to examine words, to puzzle through conversations and scenes, to rely on the thought process rather than tangible evidence. That engagement of the reader sets this novel apart.

Nothing, really, is at it seems in this can’t-put-down compelling read.

That’s a credit to an author who clearly understands the depth of the human psyche and how that affects love and relationships, guilt and regret, the past and the present.

This story goes beyond one man’s search to settle his past. It is about those he loves/loved, a place he lived, complicated relationships, animosity, secrets, personal weaknesses and so much more.

A strong sense of place, such as “villages that sat like beads on a rosary,” the intertwining of history into the plot, multifaceted characters and more meld to create the tension that weaves through this novel.

Carpenter masters impressive visuals with similes like these: “Memories nuzzled at his mind’s gate like kenneled dogs” and “The silhouette of an idea flitted like a sylph through the shadows.” Reading his writing is a literary pleasure.

I can almost visualize Carpenter, when writing Theory of Remainders, placing strategic dots upon paper and then challenging the reader to connect those dots. Once the connected dots reveal a picture, the reader is left wondering how this gifted writer developed such a multi-layered and truly exceptional novel.

For anyone who values a literary novel of substantial depth in character development, language, sense of place and reader engagement, Theory of Remainders ranks as a must-read.

FYI: Click hear to read an excerpt, hear an audio or order a copy of Theory of Remainders, releasing May 22.

If Scott Dominic Carpenter’s name rings familiar with you here, it’s because I previously reviewed his collection of short stories, This Jealous Earth. You can read that review by clicking here.

© Copyright 2013 Audrey Kletscher Helbling

 

“It was a dark and stormy night…” March 15, 2013

Snoopy's GuideJUST THINKING about the scene—my husband and kids lying belly down on the carpet reading the Sunday funnies—makes me smile.

My mother’s heart swelled with love to witness this weekly connection between father and daughters/son. Back then, I considered only that bonding aspect, that break from full-time mothering, the laughter that spilled from the living room.

I’ve never been a reader of comics, considering them a waste of time. Besides that, I’m a serious person, not inclined to reading anything remotely humorous. But now, at age 56, it is not too late to admit that I was wrong. Comics offer not only laughter, but insights into life and much more. Duh.

Thanks to Minnesota writer Sue Ready, who blogs at Ever Ready, I discovered the value in comic strips via her recommended reading of Snoopy’s Guide to the Writing Life, published in 2002 by Writer’s Digest Books and edited by Barnaby Conrad and Monte Schulz.

It was the title, not the comedic aspect, which grabbed my attention. I am always interested in reading about writing and this volume offers insights from noted authors like Ray Bradbury, Fannie Flagg and Danielle Steel, among about two dozen others.

Their advice, though, isn’t presented in a straight-forward manner. Rather, the selected writers are prompted by cartoonist Charles M. Schulz’s Snoopy strips, specifically featuring Snoopy the writer at his doghouse rooftop typewriter.

Why had I forgotten that Snoopy was a writer? Perhaps because I have not read all that many Peanuts cartoons.

Snoopy faces the sometime issues of writer’s bloc, criticism (from the ever present loud-mouthed Lucy), rejection and more. But the problems somehow seem funny when faced by Snoopy and not me.

The canine is stuck on beginning his stories with “It was a dark and stormy night,” or a slightly revised version. How often do we writers also become stuck, writing in the same way or, even worse, writing how we think we should write?

Author Fannie Flagg advises:

The joy about writing is that as long as you write from your heart, a thousand English degrees cannot compete with that.

How true. Readers can sense when you write from your heart.

I found Snoopy’s Guide to the Writing Life packed with pieces of useful advice, some which I already knew, some not. Here are some paraphrased gems I plucked from the book:

  • Too much time on the typewriter (translate computer) can cause double vision. (Correct.)
  • Avoid boring descriptions and heavy explanations.
  • Understand your subject and your market.
  • Surprise is an important element of humor (and writing in general, might I add).
  • Stop seeking approval and advice and trust your instincts.
  • “Try to leave out the parts that readers skip” (direct quote that I could not paraphrase).
  • Plot develops from character, a point emphasized by more than one writer.
  • Just write. Every day.

Now, one of my favorite lines comes from Monte Schulz, the son of Peanuts creator Charles M. Schulz. Monte surmises that writers write “for the music of beautiful language.” I love that phrase because I totally get what he means. As a writer, and especially as a poet, my heart rejoices when I find the exact word or line which makes my poem sing. It is a glorious moment.

Then, on the second to last page of Snoopy’s Guide, writer J.F. Freedman throws in that element of surprise, at least for me, when he writes:

 Great comic strips…are a fine introduction into literature, and are damn good writing in and of themselves…

And after reading (in this book) more than 180 “Snoopy at the typewriter” comic strips, likely more comics than I’ve read in my life, I’d agree with Freedman. Damn good writing, indeed.

WHAT WRITING TIPS can you offer? Let’s hear them.

© Copyright 2013 Audrey Kletscher Helbling

 

Northfield writer Scott Carpenter masters the craft of short stories in This Jealous Earth March 1, 2013

Intrigued by this cover image like me? Learn why  it was selected and placed upside down at the end of my review.

Intrigued by this cover image? Learn why it was selected and placed upside down at the end of my review.

I’VE STRUGGLED, since reading This Jealous Earth, to pinpoint a word which best describes my reaction to a collection of 16 short stories by Northfield (MN.) author Scott Dominic Carpenter. And that should be considered a compliment.

Carpenter’s stories about relationships and aging, choices and regrets, and more, hold an element of mystery, a deeper meaning which reveals itself as the plots progress, until the ending and the ah-ha moment evoked.

For example, in the first paragraphs of “The Tender Knife,” I expect a husband to kill his wife, not his koi. He didn’t, but he did. Now if that makes no sense, that is precisely my point. Carpenter possesses that unique ability to mess with your mind/throw you for a loop, cliché phrases that totally apply to a writing style that is anything but cliché.

He takes aspects of everyday life—vacations, marital and sibling discord, the death of a parent, aging, love, fear and more—and crafts stories to which his readers can relate. Aging Baby Boomers can surely empathize with Donna, married 30 years with three grown children and the main character in “Riddles.” She and her husband are on a long-awaited European vacation when she loses her way in an art museum. As she struggles to weave through a labyrinth of art she cannot understand, Donna understands she’s waited too long for this trip.

Carpenter writes, in Donna’s voice:

To think that she had begged for this trip! What in God’s name had she been thinking? What was the point? And what on earth were you to do after the scales have tipped in your life, after the children have gone, and all you have left to do is wait?

His stories mostly center on choices—to shoplift or not, to keep or to toss, to reconcile or give up, to attempt to save or to let go, to stand up for yourself or to submit, to simply accept or to challenge/change/question.

In “This Jealous Earth,” the story from which the book draws its title, a family awaits the rapture. But one, the non-believing son, Randy, will be left behind. Therein lies the conflict for his obedient younger sister, Cat. Will she choose faith or family? That dilemma, and the consequences, leave the reader hanging on every word until the clincher ending.

Likewise, in “The Visit,” the tension builds when a child goes missing on a rural acreage with a pond. I’m not going to reveal the ending, but I simply must share the final sentence of that story because it’s so powerful and perhaps so true of how we often choose to cover our fears with meaningless conversation:

And with lavish servings of words, always more words, they covered over the memory of the pond, black and still.

Carpenter chooses words with care. That is obvious, especially so in “The Spirit of the Dog” where even the name of the main character, Caleb, holds significance. Because I have a son named Caleb, I know the name means “dog” (although I chose my son’s name for the biblical Caleb and certainly not the canine reference). Read this story about miners, a dog that is killed, superstition and stolen possessions and you will understand the double-meaning in that name.

I couldn’t pen a fair review of This Jealous Earth without noting that I nearly stopped reading half way through the first story, “The Tender Knife.” I struggled with details in killing of the koi. Don’t allow that to distract if you are squeamish like me. The story is most definitely worth reading. Likewise, several stories include the f-word and sexual undertones that may offend. However, these are not used lightly, but as integral parts of shaping a character and/or developing the plot.

If Carpenter’s first book of fiction is any indication of what readers can expect from him, then I’m already a fan. His next book, Theory of Remainders, is due for release in May. Here’s the promo description: A suspenseful literary novel set in the lush backgrounds of Normandy, Theory of Remainders explores the secret ties between love, trauma, and language.

Carpenter has already proven to me that he can write, and with a strong voice definitively his.

Scott Dominic Carpenter

Scott Dominic Carpenter

FYI: To learn more about Carpenter and his writing, click here to reach his website.

His upcoming appearances include public readings at  6 p.m. Thursday, March 7, at Barnes & Noble, 14880, Apple Valley, and at 7:30 p.m. Friday, March 8, at Monkey See, Monkey Read, 425 Division Street South in downtown Northfield. Besides writing, Carpenter teaches French literature and critical theory at Carleton, a liberal arts college in Northfield.

BECAUSE I WAS PARTICULARLY intrigued by the upside down placement of the field and sky image on the cover of This Jealous Earth, I posed these questions to publisher MG Press:

Could you explain the photo selection and why it was placed upside down on the cover? What message/feeling/whatever are you hoping to evoke in the reader?

Here’s the response from MG’s Robert James Russell:

The fact that the photo is upside down aligns with the themes of miscommunication and the confrontations of strangeness inherent in all of the stories in the collection. The land (or earth, as it were), gives us a sense that the disconnect and strangeness is dealing with familiar things (that is, it is not a paranormal strangeness, or anything truly otherworldly).

It’s meant to be disorienting, but not jarring, and demonstrate how a simple choice or change of perspective can completely alter how something is viewed. These types of choices are the ones the characters in This Jealous Earth face in all of the stories, ones that will permanently alter how they view their lives.

On a more aesthetic level, we chose this image specifically because, quite simply, it was gorgeous and we felt the contrasting tones would work well to achieve our goal.

© Copyright 2013 Audrey Kletscher Helbling
Images courtesy of Scott Dominic Carpenter and MG Press
The book cover design is by Sarah E Melville, Sleeping Basilisk Graphic Design.
Author photo is by Paul Carpenter.

 

My thoughts after reading a book by 35W Bridge collapse survivor Garrett Ebling February 21, 2013

SOMETIMES, MANY TIMES, life is not as it seems upon the surface.

That summarizes my overall reaction to reading Collapsed, A Survivor’s Climb from the Wreckage of the 35W Bridge by Garrett Ebling.

Now, before I explain, you should know that I wrote a feature article, “The 35W bridge collapse: One story of survival, rescue and blessings,” which published in Minnesota Moments magazine in 2007. That story included information and quotes from interviews with Garrett (done via e-mail given his physical condition), his then fiancée, Sonja Birkeland, and his rescuer, Rick Kraft.

This photo shows the opening spread of the feature article published in the November/December 2007 issue of Minnesota Moments. Casey McGovern of Minneapolis shot the bridge collapse scene. To the far left is Garrett before the collapse, to the right, his rescuer. The next photo shows his Ford Focus which plummeted into the Mississippi River. And to the right are Garrett and Sonja, before the collapse.

This photo shows the opening spread of the feature article published in the November/December 2007 issue of Minnesota Moments. Casey McGovern of Minneapolis shot the bridge collapse scene. To the far left is Garrett before the collapse, to the right, his rescuer. The next photo shows his Ford Focus which plummeted into the Mississippi River. And to the right are Garrett and Sonja, before the collapse. Photos on the opposite page show Garrett during his recovery.

Garrett granted a limited number of interviews, mine included, shortly after the August 1, 2007, collapse in Minneapolis, favoring print journalists given his background in newspapers. He had worked as managing editor of the Faribault Daily News. And although I’d never met him, we’d communicated after my son was struck by a hit-and-run driver while crossing a Faribault street the previous year. Garrett showed a great deal of compassion toward my family and that meant a lot to me as a mother.

With that background, you can understand why my approach to Garrett’s memoir is more personal than that of the average reader. And, for that reason, my reaction is more emotional. Reading of his ongoing struggles, I could hardly believe this was the same positive and determined man I’d interviewed shortly after the bridge collapse.

But I expect, at the time of our 2007 interview, Garrett was in pure recovery mode, so focused on his physical recovery that he had no idea of the emotional struggles ahead. And I’ll be honest here, I’d not considered either how plunging from a bridge (in your car) the equivalent of an 11-story building into a river would impact every aspect of your life. Garrett’s injuries, including a traumatic brain injury, were numerous, his survival termed miraculous by many. Every facial bone plate shattered in an impact compared to hitting a brick wall at 100 mph.

Garrett with his mom, Joyce Resoft, about a month after the bridge collapse.

Garrett with his mom, Joyce Resoft, about a month after the bridge collapse. Photo courtesy of Garrett Ebling.

In his book, which also shares the recovery stories of several other bridge collapse survivors, Garrett holds nothing back. Nothing. Upon seeing himself in a mirror for the first time, he writes:

This man’s face, unlike mine, was swollen and quite asymmetrical. One eyelid drooped far lower than the other. One pupil remained fully dilated. There were gashes and scabs around his brow. His temples were sunken in. His teeth were either missing or horribly out of place. This man should be living up in Notre Dame’s bell tower.

Even prior to viewing himself for the first time after the collapse, the then 32-year-old realized: “I might be fixable, but I wouldn’t ever be the same.” That declaration, in the context of the book, applies as much to his physical appearance as to his personality.

Throughout the book, survivor after survivor reveals issues related to diagnoses of Post Traumatic Stress Disorder such as new fears, anger, loss of control, lack of joy in life, challenges in relationships… Prior to reading Garrett’s book, I’d only considered PTSD an issue of soldiers, like my father, who’d served in war. How ridiculously limited I was in that thinking.

Garrett’s book will catch you like that, revealing the obvious which you may not have considered. Take his story about a Halloween night out in a downtown Minneapolis bar with his buddies. A friend warned him about a young man wearing a 35W bridge collapse costume. Garrett writes of the incident:

I approached him. I acted as though I couldn’t figure out his costume…asked him who he was supposed to be. ‘I’m the 35W Bridge collapse,’ he said in an almost proud way, like he’d just thought of the most clever Halloween costume ever. I pointed to a Matchbox school bus glued to his chest. ‘You know, thirteen people died and dozens more had their lives forever changed on that bridge just two years ago—and you’re looking at one of them.’

That’s one powerful story, not only for exposing the insensitivity of a young man, but also for revealing how we oftentimes fail to understand that even the most ordinary aspects of life—like an evening out—can be impacted by a disaster.

book1

Garrett’s book shows, in very personal ways via the stories of survivors Lindsey, Kim (that bus driver), Paula, Omar, Erica and others, the individuals behind the 35W Bridge collapse. That enables the reader to connect in a world where disasters are often lumped into numbers and places and quickly forgotten when the next disaster occurs.

I have never forgotten the 35W Bridge collapse. I doubt any Minnesotan could. When disaster happens that close, affects people who were simply commuting home from work, as Garrett and Lindsey were; driving a bus load of kids back from a day at the waterpark, as Kim was; or heading out for or a celebratory dinner with family as Paula, her husband and two daughters were, you realize how life can change in an instant, for any of us.

Only four days before the collapse, Garrett proposed marriage to Sonja. These should have been among the happiest days of his life, as should have been his marriage on the one-year anniversary of the bridge collapse. But Garrett reveals, much to my surprise, that he felt no joy on his August 1, 2008, wedding day, simply pasting a smile on his face, his spirit crushed.

That deeply personal revelation—and Garrett shares even more about the difficulties in his relationship—shocked me. What had happened to the couple I’d interviewed in 2007? Sonja, at the time a church youth director, told me then:

This could be the blessing of our life. God has done fantastic things out of bad things. The seeds have been planted. If we can get through this, we can get through anything.

Sonja couldn’t have known. And I never would have predicted that this couple, rock hard in their faith, would struggle to keep their relationship together. This, for me, proved the toughest part of the book to read. Eventually they worked it out and saved their marriage.

Sonja and Garrett, with their son, Cooper.

Sonja and Garrett, with their son, Cooper. Photo courtesy of Garrett Ebling.

For Garrett, the pivotal point in his recovery comes in June 2010 as he prays to God:

…I asked you to take the reins. But what I really should have asked of you was to place your hands over mine and guide me, rather than allow me to walk away and demand you do the work.

What a powerful revelation. I’d encourage you to read Collapsed: A Survivor’s Climb from the Wreckage of the 35W Bridge. You’ll never view a disaster in quite the same way. You’ll appreciate all that survivors of a disaster endure. And you will realize, as did Sonja without knowing, the possibilities: “If we can get through this, we can get through anything.”

FYI: Click here for more information about Garrett Ebling’s book.

Copyright 2013 Audrey Kletscher Helbling

Book excerpts quoted with permission from Garrett Ebling

 

Support regional writing this Christmas via the gift of words December 6, 2012

WITH ALL THE “SHOP LOCAL” buzz this time of year, have you ever considered how that applies to the printed word?

Are you supporting local and regional authors, writers from within your state?

Allow me to show you two Minnesota publications that would make ideal Christmas gifts for anyone who appreciates regional based writing. Both feature collections of fiction, creative nonfiction and poetry.

Lake Region Review, volume two, with cover art by  Charles Beck

Lake Region Review, volume two, with cover art by Charles Beck

Lake Region Review, a literary magazine centered in Battle Lake in the northwestern part of our state, showcases work by writers from Minnesota and the eastern Dakotas selected in a competitive process. This year 34 pieces were culled from some 430 submissions for publication in volume two.

In their introduction to this 160-page soft-cover book-style collection produced by the Lake Region Writers Network, co-editors Athena Kildegaard and Mark Vinz write in part:

Our aim in selecting writing for this issue is simply to look for the best writing that engages and enlightens through attention to language. In these pages you’ll find characters challenged by circumstances (and weather), poems charged with vitality (and weather), and essays that will provoke and move you.

How true. With topics like polio and Alzheimer’s, installing a satellite dish on a snowy rooftop and falling through the ice, unemployment and death, and even some stories—“Norwegian Love” and “Julebukking”—of Scandinavian influence, you are certain to find writing that entertains and evokes emotional reactions.

The writers themselves range from beginners to seasoned.

Visitors to the Kaddatz Galleries in downtown Fergus Falls peruse the art of Charles Beck.

Visitors to the Kaddatz Galleries in downtown Fergus Falls peruse the art of Charles Beck. Minnesota Prairie Roots file photo.

A bonus to both volumes of Lake Region Review is the original regional-based cover art. This year’s cover features “Cardinals,” a wood print by well-known Minnesota artist Charles Beck of Fergus Falls.

Stephen Hennings painting on the cover of Lake Region Review, volume one.

Stephen Henning’s painting on the cover of Lake Region Review, volume one.

Last year a detail of an original landscape painting, “Christina Lake: View from Seven Sisters,” by nationally-renowned artist Stephen Henning of Evansville graced the cover of volume one.

Like Lake Region Review, The Talking Stick produced by the Jackpine Writer’s Bloc based in Menahga (near Park Rapids) offers a quality selection of works in a book-style collection.

The cover of The Talking Stick, Volume 21, Nightfall, also has a Minnesota bend with a stock photo of loons on a lake from iStockphoto.com.

The cover of The Talking Stick, Volume 21, Nightfall, also has a Minnesota bend with a stock photo of loons on a lake from iStockphoto.com.

According to the Jackpine website, “…we publish to encourage solid writing that shows promise, creativity and brilliance.”

Especially heavy in poetry (94 poems), volume 21 of this literary journal features 130 pieces (chosen from 278 submissions) by writers from Minnesota or with a Minnesota connection.

With titled works like “Bologna Sandwich,” “Memories of Duluth,” “And a Bier for Dad,” “January Snow,” “Iceout,” “Blueberry Woods Symphony,” and more, the Minnesota influence presses deep into the 192 pages of this volume, subtitled Nightfall.

Therein lies the beauty of buying local in the printed word: a strong regional imprint.

That local connection also ties into the financial support provided to these two literary collections. Otter Tail Power Company, an energy company servicing western Minnesota and the eastern Dakotas, provided “generous support” to Lake Region Review. And a grant from the Region 2 Arts Council with funding from the Minnesota Legislature financed, in part, volume 21 of The Talking Stick.

HAVE YOU PURCHASED/or will you buy local books or literary collections as Christmas gifts this year? If so, please share your recommendations.

FYI: To learn more about the two literary collections highlighted here and how to purchase them, click here for the Lake Region Review. Then click here for The Talking Stick.

Some of the writers published in Lake Region Review, volume two, will read from their works beginning at 2 p.m. this coming Sunday, December 9, at Zandbroz Variety, 420 Broadway Avenue, in downtown Fargo, N.D. (If only I was going to be in Fargo this weekend. But I will read some of my poetry beginning at 6:00 p.m. Thursday, December 6, in the Great Hall at Buckham Memorial Library, Faribault.)

Disclaimer: My work has been published in both volumes of Lake Region Review and in several volumes of The Talking Stick. However, I received no monetary compensation for that or for this review, nor was I asked to pen this post.

© Copyright 2012 Audrey Kletscher Helbling

 

A heartwarming Christmas story & an interview with Northfield author Patrick Mader December 4, 2012

NORTHFIELD AUTHOR PATRICK MADER possesses a gift—a gift to create, along with illustrator Andrew Holmquist, award-winning children’s picture books.

His latest, a Christmas story, continues that winning tradition of excellence. Visiting the Visitors recently received a silver award in the holiday book category in the 2012 Moonbeam Children’s Book Awards competition.

The cover of Patrick Mader's latest book, illustrated by Andrew Holmquist. The artist incorporated the wise men's heads into the tree branches.

The cover of Patrick Mader’s latest book, illustrated by Andrew Holmquist. See how Holmquist incorporated the wise men’s heads into the tree branches.

In his holiday tale, Mader takes the reader again into a rural setting, as he does in his first two books, Opa & Oma Together and Oma Finds a Miracle.

He’s reworked the story of the wise men visiting the Christ child into a contemporary story line of three siblings and their grandparents trekking across snow-covered fields to deliver gifts, but in this version to the wise men and the animals, not the Holy Family.

This heartwarming spin on the timeless and enduring biblical record of the wise men journeying to Bethlehem is especially memorable when told from the perspective of children. That coupled with animals as an integral part of the plot—we all know how much most kids love animals—makes this an especially appealing book.

Illustrator Andrew Holmquist, a Northfield native now living and working as an artist in Chicago.

Illustrator Andrew Holmquist, a Northfield native now living and working as an artist in Chicago.

Illustrator Holmquist’s artwork, created via pencil, charcoal, graphite washes, colored pencil and markers combined with digital coloring in the computer, sets a peaceful and inviting mood that reminds me so much of my childhood winter nights on the star-studded Minnesota prairie, warm light spilling from barn and house windows onto the snow.

Yes, this book evokes nostalgia, at least for me.

But it also evokes a sense of wonderment and thankfulness, of understanding and simplicity, of treasuring the real gift of Christmas, of reclaiming that special magic we adults felt as children.

I promise, Visiting the Visitors will hold your heart and those of the children you love.

THAT SAID, HOW DID PATRICK MADER, an elementary school teacher in Morristown (about 10 miles west of my Faribault home in southeastern Minnesota), create this story?

How does he continue to reap awards (Writer’s Digest honorable mention for Opa & Oma Together and the bronze medal for Big Brother Has Wheels from the Independent Publisher Books Awards in 2010) and the accolades of well-known Minnesota writers?

I posed those questions, and more, to Mader and here’s what he had to say:

Q: What inspires you in your writing?

A: My objective is to write books with positive messages—I refer to them as “Heartwarming Stories of the Heartland.” They are based on what I have seen, what I have heard, what I remember, and what I have felt as I witness life. Family members and friends have had some fascinating events in their lifetime and I simply try to make the stories come to life with a bit of creativity and Andrew Holmquist’s stunning artwork.

Patrick Mader with his wife, Karen, and children, Karl and Ellen, by the family's nativity set. the wood stable was crafted of wood from the barn on the childhood farm (home of his parents, George and Mary Margaret Mader) near St. Bonifacius where Mader grew up.

Patrick Mader with his wife, Karen, and children, Karl and Ellen, by the family’s nativity set. The stable was crafted of wood from the barn on Mader’s childhood farm (home of his parents, George and Mary Margaret Mader) near St. Bonifacius.

Q: What specifically inspired Visiting the Visitors?

A: When our children were very young, they would ask whether we could go to a neighbor’s very large outdoor nativity set. We would sing songs, they would hug the statues of the nativity characters, and then we would return home for hot chocolate and cookies. They were very tender and memorable moments that you don’t forget as a parent. It was stored in my memory until I felt confident that I could write and market a Christmas book.

Q: Is there a message you’re attempting to convey via this story?

A: Yes, it is that the origin of the Christmas holiday is still of interest and can have a quiet majesty to children.

Q: Two of the names you chose for the three children in this story are unusual. Can you explain the significance of the names Malik and Balta?

A: Actually, the names of all three children took a few hours to finalize. The names are Malik, Cassie, and Balta. They are multicultural children and in my research I learned the name Malik has been a popular African-American name. Cassie is the girl in the story and that is not an uncommon name. The name Balta was chosen because some ethnic groups have an a or o as a last letter. When you put the three names together, they are derivations from the supposed names of the three wise men who are characters in the book: Melchior, Casper, and Balthazar. While most children will not grasp the significance, adults who question the names will often figure it out and it can become a teachable moment.

Q: You’ve garnered three awards and also accolades from well-known Minnesota authors. How do you explain such success?

A: I am thrilled that our books have won awards. The success is due to many professional and talented people at Beaver’s Pond Press, the editors, the layout design artist, and, most significantly, the illustrator, Andrew Holmquist.

The success in obtaining endorsements from Tom Hegg, Catherine Friend, Doug Wood, and Jim Gilbert probably are more due to them being gracious and thoughtful people than it is of my writing. Combined they have probably sold over five million books, yet they are very approachable and quietly candid.

Q: Are you working on, or do you have plans for, a fourth book?

A: Yes, it worries my wife! I have begun to co-author a non-fiction book about Minnesota athletes with a former StarTribune sportswriter. I like sports and thought that some of the lesser known athletes had intriguing stories to tell. They do. It may take us two to four years to get it published because it requires lots of travel since we decided to have personal interviews with each of the athletes that will be profiled.

Meanwhile, I have drafts for two more children’s picture books: one is a story that revolves around Halloween, the other is about a young girl who mixes up sounds of words—it will be my first attempt at a book that will have lots of humor yet have a tender ending.

Q: Why do you write?

A: I have found writing enjoyable, but I really thrive on sharing our books through presentations. I like engaging an audience, providing teachable moments, and encouraging attendees to follow their own aspirations. So writing is the vehicle that allows me not only to do programs, but it also leaves its own small legacy. It has been very rewarding to read letters or listen to people say that our books have touched them. Those conversations and messages touch me and bring great joy.

FYI: To learn more about Patrick Mader and Andrew Holmquist and their books, and how to purchase them, click here to reach Mader’s website.

Disclaimer: I received a free copy of Visiting the Visitors for purposes of reviewing this book. Patrick also donated copies of his first three books to the Little Free Library in my hometown of Vesta.

© Copyright 2012 Audrey Kletscher Helbling

Artwork and photos courtesy of Patrick Mader and Andrew Holmquist.

 

Stories from the Tracy, Minnesota, tornado remembered and published 44 years later June 13, 2012

Eric J. Lantz, 16, of Walnut Grove, shot this award-winning photo of the Tracy tornado as it was leaving town. He often took photos for the Walnut Grove Tribune, owned by his uncle, Everett Lantz. This image by Eric was awarded third place in the 1968 National Newspaper Association contest for best news photo.

FORTY-FOUR YEARS AGO TODAY Minnesota’s first F5 tornado, the most powerful with wind speeds in excess of 300 mph, plowed through the southwestern Minnesota farming community of Tracy killing nine.

Twenty-five miles to the northeast, my farmer father paused from milking cows on that sultry June 13 evening in 1968 to watch the tornado churn across the flat prairie landscape. Not wanting to unduly alarm his family, he did not warn us of the approaching storm. Only afterward, when the menacing clouds dissipated before reaching our farm, did he tell us what he’d observed through the open barn door.

Days later our family of eight piled into the family car and drove to Tracy to see the devastation.

This photo, taken by Eric J. Lantz, a printer’s devil/photographer for the Walnut Grove Tribune, was republished in  the Tracy Headlight Herald courtesy of the Tribune. It shows a damaged boat and overturned car sitting atop the rubble after the Tracy tornado of June 13, 1968.

I was an impressionable 11 ½ years old at the time. Specific memories of that destruction—except for twisted, shredded trees and tossed boxcars—have long vanished. But the overall, chaotic scene and the deaths of those nine Tracy residents are forever seared into my memory. The deadly Tracy tornado is the sole reason I dream about and fear tornadoes.

The photo by Eric J. Lantz illustrates the cover of Scott Thoma’s just-published book.

So I knew when I picked up Tracy native Scott Thoma’s recently-published book, Out of the Blue—The true story of two sisters and their miraculous survival of one of the most powerful tornadoes in Minnesota history—that the nightmare would come.

And it did, on the night I finished the chapter about sisters Linda (Haugen) Vaske, 20, and Pam Haugen, 8, who never made it to the basement of Linda’s home, I dreamed that I could not reach the basement during a tornado.

I’ve blocked out the rest of that nightmare. And for more than four decades, Linda, who was flung about by the fierce winds of that 1968 tornado as was Pam, also blocked out much of that terrifying event. That is until she and Pam sat down with Thoma, a long-time writer and newspaper reporter, to talk about that fateful evening when they nearly lost their lives.

For 44 years, Linda blamed herself for the death of the tornado’s youngest victim, 2 ½-year-old Nancy Vlahos, whom Linda’s then-husband and she were in the process of adopting. The preschooler was ripped from Linda’s arms and later found dead in the street.

While the story of the Haugen sisters and little Nancy centers the book, Thoma’s account of the Tracy tornado encompasses the stories of others, including his own. He lived less than a block from the twister’s destructive path and recalls his father searching for an elderly neighbor and unintentionally stepping upon the man’s lifeless body wrapped in a tattered drape. It was the first time he saw his father cry.

That intimate familiarity with the scenes that unfolded in the aftermath of the tornado and the understanding of how small towns pull together assure readers that Thoma is writing this for reasons which are deeply personal. He is honoring those who died, those who survived and those who helped his community of then 2,500 residents in its hours of greatest need.

You will read about Delpha Koch, who from her farm home five miles southwest of Tracy, phoned a dispatcher at 6:55 p.m. to warn of the approaching tornado, saving countless lives. Ditto for the police officer and train crew and others who alerted residents to the storm.

Delpha, a critical care nurse at the Tracy Hospital, her husband and two sons immediately headed into Tracy, arriving as screaming and stunned residents covered in dirt and silt emerged from the rubble. Almost immediately rescuers began taking the dead and injured to the hospital in a furniture delivery truck and other vehicles.

Thoma, via conversations with survivors and through extensive research, writes with absolute attention to detail, taking the reader inside that 42-bed hospital where 171 patients were seen for tornado-related injuries in the outpatient department. Twenty-three were hospitalized, including the Haugen sisters—Linda was seriously injured, Pam was not.

In what I consider one of the most memorable lines from the book, Thoma quotes Kathy Haugen, upon seeing Linda: “That’s not my sister.” Due to the extent of her injuries, Linda was unrecognizable to even her closest loved ones.

Thoma’s book is as much a tragic story of lives lost and homes and businesses damaged or destroyed as it is about a community pulling together. From Tracy Fire Chief/Fire Marshall/Civil Defense Director Bernie Holm who worked tirelessly for his community to the 80-year-old retired doctor who volunteered at the hospital to the veterinarians who sutured wounds to the farmers who brought tanks of water to the hospital and more, this is a story of how we as humans assist one another in need.

But it is also a story which emphasizes the ferocity of an F5 tornado, one of only two which have ever occurred in Minnesota, the other in nearby Chandler on June 16, 1992. One person was killed in Chandler and 35 injured.

I remember, from 1968 accounts of the Tracy tornado, the reports of tossed boxcars; a 25-ton boxcar was blown two blocks. Thoma spews out the numbers—26 toppled train cars, 111 destroyed homes, 76 houses with major damages, five businesses destroyed and 15 businesses damaged.

Yet, what impacts me most upon reading his book are the nuances of this tornado, like the account of Tracy resident Jerry Engesser discovering a book upon the rubble in his yard. He turns it over to read the title, Gone with the Wind.

And then, the bit that makes goosebumps rise on my arms comes in a partial letter found by a farmer 45 miles away near Redwood Falls. It reads:

Cliffy,
It’s raining and hailing here tonight and the wind is blowing hard…

Linda (Haugen) Vaske had just begun writing that letter to her military husband, Clifford, when the tornado swept into Tracy around 7 p.m. on Thursday, June 13, 1968, claiming nine lives and forever changing this southwestern Minnesota prairie community.

Eric J. Lantz, photographer for the Walnut Grove Tribune, also took this photo which was shared and published in the Tracy Headlight Herald. He captured this scene at the demolished Tracy Elementary School.

FYI: Click here to link to Willmar, Minnesota, author Scott Thoma’s Out of the Blue website. His book was published in May by Polaris Publications, an imprint of North Star Press of St. Cloud, Inc.

To read an earlier post I wrote about the Tracy tornado, click here. It features information from Al Koch, who is married to one of my best friends from Wabasso High School, Janette Koch. Al witnessed the Tracy tornado and destruction and his mother, Delpha, phoned the Tracy dispatcher about the approaching tornado.

My experience with tornadoes is personal. About 30 years ago, when I was already an adult and living away from home, a twister struck the farm where I grew up. Click here to read that post.

Click here to read a post about a tornado which struck my father’s childhood farm about a mile away in 1953 or 1954.

Last July 1 a series of downbursts with windspeeds of 90 – 100 mph swept through my hometown of Vesta. Read about the damage there by clicking here.

And finally, click here to read a post about a terrifying storm my husband, son, mother and I rode out in a car along a rural road north of Walnut Grove (near Tracy) two summers ago. I’ve probably never been more terrified than during those 45 minutes on that stormy, black night.

Yes, I fear and respect tornadoes. You should, too.

© Copyright 2012 Audrey Kletscher Helbling
Copyrighted photos are courtesy of Scott Thoma and are published here with his permission. Photographer Eric J. Lantz retains the copyright to the above photos.

 DISCLAIMER: I received a free copy of Out of the Blue. However, that did not influence my decision to write this post nor its content.

 

The names behind the numbers in the Titanic disaster & more April 13, 2012

ALL TOO OFTEN following a major disaster, numbers overwhelm, overtake and distance us from the personal loss. It is easy to overlook the individuals—those who lived and those who died—in the sheer immensity of the situation.

Consider the Titanic, which 100 years ago this Sunday, April 15, 1912, sank into the icy depths of the North Atlantic, claiming the lives of nearly 1,500 people. Around 700 survived.

Who are the individuals behind those numbers?

Writers Debbie and Michael Shoulders introduce us to 31 of those Titanic passengers and crew members in their children’s picture book, T is for Titanic: A Titanic Alphabet, illustrated by Gijsbert van Frankenhuyzen and published by Sleeping Bear Press in 2011:

Allen, Frederick
Astor, John Jacob
Astor, Madeleine
Bride, Harold
Brown, Margaret Tobin
Browne, Father Francis
Carney, William
Daniels, Robert W.
Dean, Milvina
Fleet, Frederick
Harper, Henry
Hart, Eva
Hartley, Wallace
Hays, Margaret
Hichens, Robert
Ismay, Joseph Bruce
King, Alfred
Lightoller, Charles Herbert
Loto
Louis
Murdoch, William
Navratil, Michel
Pacey, Reginald
Phillips, Jack
Rothschild, Elizabeth Barrett
Rothschild, Martin
Smith, Captain Edward John
Spedden, Douglas
Straus, Ida
Straus, Isidor
Zimmerman, Leo

It is that personal aspect, the brief telling of individual stories, which humanizes this book targeted for the 6 – 10-year-old age group (although most certainly of interest to any age). That several children are included in the list of 31 is a credit to the authors.

Among the children is 7-year-old Eva Hart, who became fascinated with one of the 10 dogs aboard the Titanic. More than 40 years after the disaster, she found a French bulldog like the one she’d favored on the ship.

The story of Loto and Louis is less joyful. Their father, Michel Navratil, estranged from his wife, boarded the ship with his two young sons. Navratil, who used aliases for himself and his boys, died. His sons survived. Eventually, they were reunited with their mother.

At just nine weeks old, Milvina Dean was the youngest passenger. She died at age 97 as the last Titanic survivor.

Scroll through the list above and you will read the names of the Titanic’s captain, elevator operators, a violinist, a pregnant woman, a publisher, a farmer from Germany and more.

These were real people with hopes and dreams. And it was the dream of one man, Joseph Bruce Ismay, director of White Star Line, the company that owned the Titanic, to sail this large luxury liner. He was aboard the Titanic on the fateful voyage. He climbed into one of the last lifeboats and survived.

The authors pack plenty of factual information about the ship, the disaster, the rescue and the aftermath into their book. But the strength of this book lies in the personal stories.

It is the names that touch the soul, stir the heart and cause one to pause and ponder the grief and pain resulting from this unforgettable tragedy.

DISCLAIMER: I received a free review copy of this book. However, that did not influence my decision to write this review or the content of the review.
Book cover image courtesy of Sleeping Bear Press. Click here to read more about T is for Titanic: A Titanic Alphabet.

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TWO RESIDENTS of my community, Simon and Karen Zeller of Faribault, are currently aboard the MS Balmoral Titanic Memorial Cruise which left on April 8 from Southhampton, England, with 1,309 passengers. The Balmoral, owned by Fred Olsen Cruise Lines, is following the route of the Titanic and will arrive at the site of the disaster on Sunday. Its final destination is New York. Fred Olsen’s parent company, Harland and Wolff, Ltd., built the Titanic. Click here to read an article about the Zellers published in the Faribault Daily News.

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JEFF OSBORNE, who works in Faribault and lives in nearby Montgomery, built a radio-controlled model of the Titanic in the late 1990s. The model is made of cardboard but has been waterproofed on the bottom so the replica ship can be placed in water. Read about the Titanic model in the Faribault Daily News by clicking here.

 

The disturbing truths revealed in “Why I Left the Amish” December 13, 2011

ANY ILLUSION I’VE HELD of the Amish living Utopian existences has been shattered into a million shards after reading Why I Left the Amish: A Memoir.

Written by Saloma Miller Furlong, a woman raised in an Amish community in Ohio, this rates as one of the most disturbing books I’ve read given my preconceived notions about an idyllic Amish world.

Certainly, all Amish should not be pigeonholed by this single book.

Yet, the truths shared by Furlong cannot be ignored. The Amish, like none of us, live pastoral, simple, uncomplicated lives.

In Furlong’s situation, she lived a living hell. I can think of no other way to describe the horrific stories of abuse within her family shared in her memoir.

As I read her book, I began to understand how living within the confines of rigid rules and beliefs within a closed community can allow such abuse to continue without intervention.

According to Furlong:

Individuality is squelched in the name of “community.”

Women/girls are to be subservient to men/boys.

Obedience is demanded.

Rules rule.

Humbleness of spirit prevails and not always in a positive way.

Don’t get me wrong here. I am not condemning the Amish or their chosen beliefs or lifestyle. But I have, through Furlong’s memoir, come to understand how ideologies can keep the issues of abuse hidden and ignored deep within the community.

In Furlong’s case, she writes of the shame heaped upon her family by the Amish community aware of dysfunction within her family. Her father was mentally ill, her mother unwilling to protect her daughters, her brother abusive.

Her words hurt your heart. Simple as that.

Furlong writes:

“Our fear of Datt’s violence kept us trapped so that we could not even imagine freedom.”

Eventually that fear of violence also gave Furlong the courage to plan her escape and flee in 1977 at the age of 20.

But can you imagine how difficult that decision must have been, knowing this:

“It is a belief system that a child inherits, in which one believes one is damned if one leaves the Amish.”

FURLONG IS CURRENTLY co-writing a sequel, When We Were Young and She Was Amish, with her husband, David. After that initial escape, where Why I Left the Amish ends, Furlong was tracked by her family and the bishop and returned to her Amish community. Later she would flee for a second, and final, time.

Why I Left the Amish was published in 2011 by Michigan State University Press.

This is a must-read book, even if you’re not interested in the Amish. Furlong’s memoir addresses abuse and we can all learn from it, no matter our beliefs.

© Review text copyright 2011 Audrey Kletscher Helbling

 

The truths in “The Help” December 1, 2011

The large print version of The Help.

THREE MONTHS AGO I reviewed “The Help,” a movie based on the New York Times bestseller by Kathryn Stockett. (Read that review by clicking here.)

I wrote then:

In a nutshell, “The Help” tells the story of black women working as maids in upper class Southern white households during the 1960s.

It is that and more. So much more.

Yesterday I stole away 10 minutes to finish the final chapter of The Help. My opinion of the book rates as high as my opinion of the movie. Everyone ought to read this novel and see this movie.

Why?

Although a work of fiction, this book speaks the truth.

Let me show you. While reading The Help, I jotted three page numbers onto a scrap of paper, noting passages that especially struck me.

In chapter 17, from the perspective of Minny, a “colored” maid, are these thoughts:

But truth is, I don’t’ care that much about voting. I don’t care about eating at a counter with white people. What I care about is, if in ten years, a white lady will call my girls dirty and accuse them of stealing the silver.

Consider those words. Do attitudes of “stealing the silver” still linger today?

Near the end of the book, in chapter 34, I came across this line:

Please, Minny, I think. Please, take this chance to get out.

Aibileen wishes this as she speaks on the phone with her friend Minny, who has hunkered down in a gas station after fleeing her abusive husband. Minny finally finds the courage to leave Leroy.

Personal courage, in my summation, is a reoccurring theme in The Help—courage to speak up, courage to be true to yourself, courage to escape abuse.

I would like to see copies of The Help placed in every women’s shelter, given to every victim of domestic abuse, handed to every woman trying to muster the courage to flee an abusive relationship. Stockett’s writing on the topic is that powerful, that motivating, that moving.

Profound, strong words of encouragement for anyone who's been abused, known someone who's been or is being abused, or is currently in an abusive relationship.

Finally, a few pages later I found this passage, a favorite line from the movie and repeated in the book by Mae Mobley, the little girl in maid Aibileen’s care:

“You is kind,” she say, “you is smart. You is important.”

Aibileen ingrained that phrase in Mae Mobley, a child mostly ignored by her mother.

How often do we tell our children, “You is kind. You is smart. You is important” and really, truly, mean it?

IF YOU’VE READ The Help, what nuggets did you glean from this book? What themes or passages made a lasting impression on you?

© Copyright 2011 Audrey Kletscher Helbling