Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Country song March 11, 2013

Filed under: Uncategorized — Audrey Kletscher Helbling @ 6:48 AM
Tags: , , , , , , ,
Somewhere along Minnesota Highway 19 west of Red Wing, Minnesota.

Somewhere along Minnesota Highway 19 west of Red Wing, Minnesota.

THERE’S SOMETHING about a pick-up truck on a gravel road and high-line wires (as I termed power lines in my youth) that stretch seemingly into infinity, and how the two mimic each other—the road and the wires—in strong horizontal lines.

There is something poetic and lonely and haunting in this rural winter scene, almost like the plaintive lyrics of a country western song or strings strung taut upon an acoustic guitar.

Is he destined to break her heart or has he already broken it?

© Copyright 2013 Audrey Kletscher Helbling

 

Montgomery, Part II: Entertaining & inspiring the folks of South Central Minnesota in an historic dance hall March 5, 2013

A sign just off Minnesota Highway 13 welcomes travelers to Montgomery.

A sign near the Minnesota Highway 13 and 21 intersection welcomes travelers to Montgomery.

IN RURAL SOUTHERN MINNESOTA, in the heart of Czech country, in a community with a fading welcome sign noting local Miss Czech-Slovak U.S.A. queens Connie David (1989-1990) and Marisa Schleis (1998-1999), you’ll discover an unexpected treasure.

The red-roofed building in the distance is Hilltop Hall.

The red-roofed building in the distance is Hilltop Hall.

Historic Hilltop Hall sits on the north end of First Street in Montgomery, past the library and chiropractic office, the eateries and bars, the newspaper and accounting offices, the antique shops, even farther than the bakery which bakes ethnic kolacky, just two doors up from the meat market, source of homemade sausage.

Hilltop Hall was "falling apart," John Grimm says of the building he bought in the early 1990s. He reroofed, gutted and reconstructed and/or restored the interior.

Hilltop Hall was “falling apart,” John Grimm says of the building he bought in the early 1990s. He reroofed  the hall and gutted and reconstructed and/or restored the interior.

The red-roofed 1892 brick structure on the National Register of Historic Places represents a center of culture in this self-proclaimed Kolacky Capital of the World, a farming town of nearly 3,000 notably proud of its Czech heritage.

A sign outside Hilltop Hall directs guests to the Curtain Call Theatre performance of "On Golden Pond." The area theatrical group also performs in neighboring New Prague.

A sign outside Hilltop Hall directs guests to the Curtain Call Theatre performance of “On Golden Pond.” The area theatrical group also performs in neighboring New Prague.

The community should also be proud of Hilltop, a rare small town gem which hosts once-a-year comedic performances by Curtain Call Theatre and monthly Hilltop Happenings Series variety shows in the second floor 75-foot by 45-foot vintage concert and dance hall. The main floor is home to the Montgomery Area Arts & Heritage Center—featuring rotating historic and artistic exhibits—and a floral/gift shop, Posy Pantry.

Native Wisconsinite John Grimm, 72, a retired airline pilot, entrepreneur and former Le Sueur County commissioner who has lived in the Montgomery area since 1992, represents the driving force behind this cultural center nestled into a hill across the alley from St. John’s Lutheran Church.

This composer and singer—by passion, not profession—and a team of equally enthusiastic musicians six months ago revived the variety shows which have been an irregular part of Hilltop since Grimm purchased and restored the building in the early 1990s. He bought the old hall, he says, “to save a significantly historic building” and “to create a place where local folks could perform.”

Except for a small section which was damaged by water, this wood floor is original.

Except for a small section which was damaged by water, this wood floor is original. Here volunteers stack chairs following the final performance of “On Golden Pond” while the cast enjoys pizza.

Now on Sunday afternoons, during the recently-resurrected variety shows, audiences ranging from 30 – 100 gather in the upper floor venue, feet planted on the restored wood floor, to hear next-door Lutheran pastor, Bob Kaul, strum his folk style guitar music or professional musician Craig Wasner of Northfield perform or Grimm present his Elvis impersonations (or other musical selections).

In a kicked back atmosphere where performers arrive two hours before the 4 p.m. – 6 p.m. show to rehearse, if necessary, and then sit among the crowd, the audience will hear a wide range of music from gospel to pop, folk, country, classical and more presented by regular troupe members from the Montgomery, Le Sueur, New Prague and Northfield areas.

Among the crowd favorites, Grimm notes, is 2012 Montgomery-Lonsdale High School (now Tri-City United) graduate Jesse Beulke, a gifted musician studying psychology and music at Minnesota State University, Mankato, with aspirations of becoming a professional composer. Beulke’s classical music selections on the piano have drawn standing ovations. “The audience recognizes his talent,” Grimm says.

Other regulars include musicians Wade and Mary Lou Fradenburgh, Maren Wasner and Wendy Zaske.

A view of Hilltop Hall's performance venue shows John Grimm and Fran Bohlke playing the lead roles in "On Golden Pond."

A view of Hilltop Hall’s performance venue shows the cast of “On Golden Pond.” John Grimm, center, plays the lead role along with Fran Bohlke of Shakopee, left in Curtain Call Theatre’s production. This marked Bohlke’s third time playing Ethel Thayer. She previously played the part during performances in Worthington and Luverne. Stenciling in the hall was either replicated or restored, depending on condition.

Grimm is planning to add original humorous skits to the monthly Sunday variety shows, tapping into his passion for performing. Fran Bohlke, who played Ethel Thayer opposite Grimm’s Norman Thayer Jr. in the Curtain Call Theatre’s recent performances of “On Golden Pond” at the Hilltop, will also sing at the March 24 show.

While Grimm and his troupe welcome guest performers, those entertainers must audition for what’s billed as “a unique mix of breathtaking talent, lighthearted entertainment and tasty snacks—all in one lovely historic place…that brings entertainment, enjoyment and inspiration to the folks of South Central Minnesota.”

Big Honza's Museum of Unnatural History.

Big Honza’s Museum of Unnatural History.

The snacks include freshly-popped popcorn from the popcorn machine tucked in the hall’s second floor corner kitchen and pizza from Pizzeria 201 just down First Street in the historic Westerman Lumber Company office and residence. Grimm also owns that 1895 building which is on the National Register of Historic Places. Next door you’ll find Big Honza’s Museum of Unnatural History, another project of the creative Grimm.

Big Honza' sprinkling can located near his museum.

Big Honza’ sprinkling can located nest to the Big Honza museum.

As Grimms tells it, the fictional Big Honza Giganticzech originated when he penned a musical for Montgomery’s annual Kolacky Days celebration, embellishing local history to create the town’s version of Paul Bunyan. That led to the museum where visitors will see items like Big Honza’s airplane/corn shredder, a chain driven concertina and more. The museum is open by appointment or ask the folks at the Pizzeria to let you in; they have a key.

A view of the set for "On Golden Pond" with Big Honza painted on the wall to the left.

A view of the set for “On Golden Pond” with Big Honza painted on the wall to the left.

At Hilltop Hall, a rendition of Big Honza is painted onto a wall of the stage where those Curtain Call Theatre comedies are presented each February. Grimm enjoys the intimate setting of the old dance hall which will seat about 100 during the dinner theatre shows. On a recent Sunday afternoon, dinner guests savored chicken breast with pasta and sauce, roasted cauliflower and fresh fruit in a meringue-topped shell catered by Pizzeria 201. Other audience members arrived later just for the show.

“People look forward to it,” Grimm says of the yearly winter plays first performed at the Hilltop in 1999 with “Bull in a China Shop.” Other shows have included “The Odd Couple,” “Moon Over Buffalo,” The Dixie Swim Club,” and more. “Bathroom Humor” is slated for February 2014.

Set requirements, due to limited space in the built-on stage area, are the biggest restrictions in selecting a play, Grimm says. He doesn’t worry about the number of performers as a spiral staircase hidden behind the stage allows actors and actresses to slip down to the first floor floral shop to await their cues. Grimm installed the staircase after removing the building’s original freight elevator, a decision he today regrets.

When Grimm purchased Hilltop Hall, site of a laundromat, he found 10 inches of lint covering these walls as dryers had been vented into the hallway. This hall runs between the heritage center and floral shop and leads to a stairway to the performance space.

When Grimm purchased Hilltop Hall, site of a laundromat, he found 10 inches of lint covering these walls as dryers had been vented into the hallway. This hall runs between the heritage center and floral shop and leads to a stairway to the performance space. The chandelier is not original to the building.

He’s never regretted, though, his decision to buy the old dance hall, although Grimm admits some people think he’s crazy. But his passion for singing and entertaining—he’s composed several hundred songs, made four CDs and authored a play, “It’s About Us”—for promoting Montgomery, and for offering this arts venue, drive him.

With annual taxes on the building at $10,000-plus and a monthly light bill of some $200, his Hilltop project is a “money losing situation,” Grimm says. He justifies the expense noting that he doesn’t take vacations, so his vacation money goes into his arts endeavor.

The ceiling plaster had crumbled, so an artist laid on his back to re-create this mural on sheetrock in the center of the performance space.

The plaster had crumbled, so an artist laid on his back to re-create this ceiling mural on sheetrock in the center of the performance space. The chandelier is antique but not original to the hall. The original lights could not be restored, Grimm says.

Grimm admits an ineptness at promoting and that Hilltop Hall is under-utilized. But he won’t compromise his conviction not to allow alcohol into the building which is also used for the occasional community meeting, piano recitals and exercise classes.

For now he’s focused on those monthly variety shows, bringing “pizza, performers & plenty of pizzazz” to the folks of South Central Minnesota at the historic Hilltop Hall in Montgomery.

These exterior doors open to the hallway leading to the performing arts center.

These exterior doors open to the hallway leading to the upstairs performing arts center. A handicapped accessible entry is at the rear of the building off the alley.

FYI: Upcoming Hilltop Happenings Series shows are set for 4 p.m. – 6 p.m. on Sundays, March 24, April 28, May 26 and June 30. Admission is free although donations are accepted to help defray production and overhead costs.

The 2013 billing promises “…popular favorites to concert hall classics; from costumes and comedy to inspirational gospel and harmonic collaborations.”

Hilltop Hall is located at 206 First Street North in Montgomery’s downtown business district.

To learn more about the people and places in this post, be sure to click on their highlighted names. I’d encourage you, especially, to click on Jesse Beulke’s link to hear two original compositions, “I Guess It’s Goodbye” and “Rise,” by this gifted young composer and musician.

CHECK BACK FOR MORE posts from Montgomery.

© Copyright 2013 Audrey Kletscher Helbling

 

The Poetry Barn March 3, 2013

Filed under: Uncategorized — Audrey Kletscher Helbling @ 12:18 PM
Tags: , , , , , , , ,

OFFICIALLY, IT’S CALLED Stoney End Music Barn.

But I call it The Poetry Barn.

Stoney End Music Barn, 920 State Highway 19, Red Wing, Minnesota

Stoney End Music Barn, 920 State Highway 19, Red Wing, Minnesota

Tucked into a wooded hillside just west of Red Wing, an aged sprawling barn draws the attention of travelers on Minnesota Highway 19. If not for the words, this barn might go unnoticed, blending into the rural landscape.

But there the barn stands, block print letters painted upon peeling paint.

Perhaps passersby ponder the poetry posted. Perhaps not.

I have photographed the barn on a sunny Saturday in March, just another person passing by en route to and from the Mississippi River town of Red Wing. Like so many others, I am in a hurry with no time to pause and explore this roadside attraction.

I have missed so much. Stoney End Music Barn, I later learn, houses a team of musicians who craft primarily harps—having made more than 7,000 since 1984.

The renovated barn is also home to the Hobgoblin Music Store and a third floor music loft/concert hall.

So you see, Stoney End Music Barn truly is a poetry barn, for music is poetry.

© Copyright 2013 Audrey Kletscher Helbling

 

Minnesota Sinfonia comes to Faribault & I attend a classical music concert for the first time February 15, 2013

Cellist Dmitry Kouzov

Cellist Dmitry Kouzov

I WATCHED AS THEIR crooked arms worked the bows back and forth, mostly gliding, sometimes slowing in almost robotic jerks, across the violins tucked under their chins.

All the while the music flowed—soft and soothing, other times bursting into crescendos of triumph and power.

The rhythm, the tones, the movement mesmerized me as only classical music can.

For the first time ever Thursday evening, I attended an orchestra concert. And let me tell you, this performance by the Minnesota Sinfonia, with featured soloist Dmitry Kouzov on the cello, rated as outstanding.

Not that I have anything with which to compare the performance or even a musical background to rate it—I don’t play an instrument nor can I read a musical note. But that matters not. The music moved me, engaged me, transported me.

When Kouzov, an International Beethoven Competition winner, settled into his chair at the historic Cathedral of Our Merciful Saviour in Faribault, his very presence commanded respect. Those of us in the audience knew we were about to hear something truly magical from this cellist who has performed with orchestras like the St. Petersburg Symphony and the National Symphony of Ukraine.

And we did. To watch Kouzov work his cello, to hear sounds ranging from almost ear-hurting shrills to the deepest of depths, impressed. I heard trilling birds and tin cans kicked along a rocky road and imagined immigrants journeying across the Minnesota prairie.

My husband, sitting next to me on the pew in this 150-year-old cathedral, thought cartoon music. I understand his perspective. But I tend to think more in poetic terms. That’s the beauty of music—it is open to interpretation based on individual experiences, personality and perceptions.

I was simply thankful the music and the brooding darkness and warmth of the sanctuary did not lull my husband asleep during the 1 ½ hour Valentine’s Day evening concert. That this chamber orchestra held the interest of an automotive machinist who prefers the likes of Fleetwood Mac, The Moody Blues and Charlie Daniels to classical music should impress you.

The Cathedral of Our Merciful Saviour, shown here in a file photo, offers wonderful accoustics for a concert.

The Cathedral of Our Merciful Saviour, shown here in a file photo, offers wonderful acoustics for a concert.

Mostly, I was thankful for the opportunity to attend a concert of this caliber in my community and at no cost. Minnesota Sinfonia, a non-profit whose mission is “to serve the musical and educational needs of the citizens of Minnesota, especially families with children, inner-city youth, seniors and those with limited financial means,” performs all concerts free of charge. The Sinfonia receives support in part from the National Endowment for the Arts and the Minnesota Clean Water, Land & Legacy Amendment.

Faribault’s Shattuck-St. Mary’s School and The Catherdral of Our Merciful Saviour collaborated to bring the Sinfonia to Faribault as part of Shattuck’s Fesler-Lampert Performing Arts series.

The historic Cathedral of Our Merciful Saviour in Faribault. File photo.

The historic Cathedral of Our Merciful Saviour in Faribault. File photo.

I appreciate that this group of professional musicians took their concert outside of the Twin Cities metro area. Outstate Minnesota needs more exposure like this to the performing arts. As I listened, I thought how much my 80-year-old mom, who lives in rural southwestern Minnesota, would enjoy a concert like this. And I wondered why my community of 23,000 could not fill this sanctuary to overflowing for this spectacular free concert of classical music. Next time…

FYI: Click here to learn more about the Minnesota Sinfonia.

The Minnesota Sinfonia will present two free concerts this weekend in the Twin Cities. A performance is set for 7 p.m. Friday, February 15, in Founders Hall at Metropolitan State University, 700 East 7th Street, St. Paul.

At 4 p.m. on Sunday, February 17, Minnesota Sinfonia will perform at Temple Israel, 2324 Emerson Avenue South, Minneapolis.

Early arrival is recommended at both venues. I’d suggest you search online for more info about these concerts if interested in attending.

(Because The Cathedral of Our Merciful Saviour is especially dark and because photos were not allowed during the performance, I did not take my camera to the concert.)

© Copyright 2013 Audrey Kletscher Helbling

 

And how did I like that classical music concert? December 30, 2012

A FEW WEEKS AGO, my husband phoned from work. He’d just won two tickets to the Trans-Siberian Orchestra concert at the Xcel Energy Center, compliments of Power 96, KQCL, a Faribault radio station. (Some of you may remember this from a previous post.)

Oh, my gosh, was I excited. I love classical music.

But as apparently everyone on this earth knows, except me, the Trans-Siberian Orchestra is a rock band. Who would have thought with a name like that?

So I figured I may as well confess my lack of musical knowledge, which I did in a December 12 post. For those of you who have not read that first amusing story, click here for a good laugh.

Secondly, you should know that I have not attended a rock concert in perhaps 30 years, the last one being a performance by The Moody Blues at the old St. Paul Civic Center.

Just sayin’ that I’m not exactly a music expert.

A view of the stage in the background and performers in the foreground elevated onto tiny platforms. I apologize for the horrible images, but DSLR cameras are not allowed into a concert venue and I don't own a compact camera. This image and the second were taken with my cell phone.

A view of the stage in the background and performers in the foreground elevated onto tiny platforms. I apologize for the horrible images, but DSLR cameras were not allowed into the concert venue and I don’t own a compact camera. This image and the second were taken with my cell phone. You can only imagine how many times I repeated, “I wish I had my camera.”

So what did I think of “The Lost Christmas Eve” concert by the Trans-Siberian Orchestra? In all honesty, I was more impressed by the light and pyrotechnics show than by the music or the storyline.

I know. I know. Those of you who really, really love the Trans-Siberian Orchestra will wonder, “What the heck? Did she attend the same concert as me?”

Apparently I prefer my music quiet, as in the outstanding “O Come, All Ye Faithful” solo by one of the band members versus the drum banging, steel guitar blazing mashed sound of a song I can’t even understand. I found it interesting that the reverent solo I most enjoyed received the loudest and longest audience applause of the concert.

Yes, there were a lot of gray hairs attending the show, along with a mix of other ages. Just sayin’, we may have favored Led Zepplin in our days (that would be you, Chuck, our concert neighbor), but now some of us wear ear plugs to rock concerts. My husband and I are raising our hands here. I bet the woman from Prior Lake sitting behind us wished she had brought hers, too.

Again, a bad photo, but at least it gives you some idea of the amazing light show and fabulous showmanship of this concert.

Again, a bad photo, but at least it gives you some idea of the amazing light show and fabulous showmanship of this concert.

For awhile there, until my eyes and brain adjusted, I also wondered if I should have brought sunglasses. Those strobe lights were pretty intense. But, once I settled in, I was enamored by the light show and the fire. The flames were so high and intense that the heat wafted to the back of the auditorium where we were seated.

About those seats…we were directly facing the stage; the location could not have been better. But who planned the width of these seats and the leg room? Honestly, I felt wedged into my chair and worried about knocking our large-sized $9.25 shared beer from the cup holder.

I worried, too, a bit about the performers who were elevated onto tiny towering platforms both on-stage and near our end of the concert venue. I bet they really felt the heat when fiery jets flamed near them. That was pretty cool even if it was hot. Got that?

All in all, my husband and I reached this conclusion: The Trans-Siberian Orchestra presented a good concert. Our tickets were free. We were happy.

But would we pay to see this group perform again? Probably not.

© Copyright 2012 Audrey Kletscher Helbling

 

Go ahead, laugh at this Trans-Siberian Orchestra story December 12, 2012

MY HUSBAND PHONED from work one morning last week to tell me he’d just won two tickets from a local radio station to see the Trans-Siberian Orchestra in concert at the Xcel Energy Center in St. Paul.

I was thrilled. I love classical music and have never attended a professional orchestra concert.

This album cover has nothing to do with the Trans-Siberian Orchestra except the location, New York City. Joe Krush created this cover photo for Joseph Kuhn's 1958 "Symphony for Blues"  record album cover. I recently purchased 10 vintage records at the Faribault Salvation Army for the cover art. If I own a record player, I'm not sure where it's stored or if it works.

This album cover has nothing to do with the Trans-Siberian Orchestra except the location, New York City. Joe Krush created this cover photo for Joseph Kuhn’s 1958 “Symphony for Blues” record album cover. I recently purchased 10 vintage records, including this one, at the Faribault Salvation Army for the cover art. If I own a record player, I’m not sure where it’s stored or if it works.

“Are they were from Siberia?” I asked, noting the orchestra name.

“No, New York, I think,” Randy responded.

It didn’t matter. I was excited about the upcoming concert. Since Randy needed to get back to work, I didn’t ask for additional details.

Later, I shared the news with our oldest daughter. The conversation went something like this:

Daughter: You do know that the Trans-Siberian Orchestra is a rock band, right?

Me: Uh, no. I thought it was a classical orchestra. Oh, oh. Maybe now I don’t want to go.

Daughter: Bring your ear plugs.

And that is how I learned that my husband and I, who last took in a rock concert (by The Moody Blues) at the St. Paul Civic Center decades ago before children, would not be hearing the lovely and soothing classical music I imagined.

Instead, we’ll be bombarded by steel guitars, so I’m told by someone who’s twice heard the Trans-Siberian Orchestra in concert. The few token string instruments in the band are, he claims, barely audible above the rest of the instruments. Still, he says, we’ll see and hear an outstanding performance which also includes pyrotechnics.

Alright then. Fire and loud rock music. Cool.

The Trans-Siberian Orchestra Christmas concert includes a touch of Broadway. Again, unrelated except for the Broadway element, here's another vintage record album I recently purchased for the graphic arts element.

The Trans-Siberian Orchestra Christmas concert includes a touch of Broadway. Again, unrelated except for the Broadway element, here’s another vintage record album I recently purchased for the graphic arts element.

The band’s 2012 holiday tour marks the debut performance of their rock opera, “The Lost Christmas Eve,” fusing elements of rock, classical, folk, Broadway and R & B music. I doubt Randy is aware of the “opera” tag.

The performance tells a story that “encompasses a run-down hotel, an old toy store, a blues bar, a Gothic cathedral and their respective inhabitants all intertwined during a single enchanted Christmas Eve in New York City.”

Cool. I appreciate a good story, even if this one’s not set in a quaint Siberian village.

Even the actual albums themselves are a beauty to behold, including this one featuring Wayne King and his orchestra. I bet the Trans-Siberian Orchestra sounds nothing like King.

Even the actual albums themselves are a beauty to behold, including this one featuring Wayne King and his orchestra. I bet the Trans-Siberian Orchestra sounds nothing like King.

FOR ANY OF YOU who may be wondering, yes, my spouse was fully aware that the Trans-Siberian Orchestra is a rock band. Hey, I’ve never claimed to know much about music.

Have any of you attended this band’s holiday show? If so, should I bring ear plugs and what’s your review of the performance?

© Copyright 2012 Audrey Kletscher Helbling

 

Photographing a choral festival: It’s in the details November 20, 2012

Filed under: Uncategorized — Audrey Kletscher Helbling @ 8:00 AM
Tags: , , , , , , , ,

MY VOLUNTEER ASSIGNMENT was to photograph the mass choir comprised of 250 singers from 11 churches.

Choir members from 11 churches sing four songs in closing the choral festival.

That shot came near the end of a 1 ½ hour Festival of Choirs event Sunday afternoon at my church, Trinity Lutheran in Faribault. Choir members from churches in Eagan, Faribault, Inver Grove Heights, Janesville, Morristown, Northfield, North Morristown, South St. Paul, Stewartville and Waseca performed separately before joining in singing four songs of praise, thanksgiving and hallelujahs.

Congregation and mass choir, a side view.

Now, when I cover an event like this, I do not simply stand at the back of the church aiming my camera lens forward. Oh, no. I rove, searching for photo ops and angles that will tell a story. That is the photojournalist, and artist, in me emerging.

A piano’s player’s hands.

That same piano player and the choir she accompanied.

And, of course, the piano player’s feet working the pedals.

My pastor promised that if anyone got upset about me ranging here and there taking photos, they could speak to him. With that pastoral blessing, I set to work, moving from side-to-side of the sanctuary, tucking myself behind pillars, crouching beside pews, scooting along pews, crawling, squatting and, finally, for that mega choir group shot, climbing onto a chair.

Proof that even kids need someone to lean on while standing on a pew. This is not technically a perfect image. But look at that little girl’s face. Pure joy as she and, I assume, grandma, clap to the music.

At one point, I even slipped off my shoes and stepped onto a back pew, leaning on a stranger’s shoulder for balance. A spongy pew cushion does not make for a stable perch.

Because I shoot without flash, I knew I had to hold my camera perfectly still with each shot. I also knew that would not happen. But that is the beauty of shooting digital. Overshoot and you’re bound to have enough “good” photos.

I watched this boy, a member of the Trinity Lutheran Church, North Morristown, choir, for awhile before capturing this moment.

I was also acutely aware that simply photographing choirs performing at the front of the church would not make for particularly interesting shots. So I watched for the personal moments, the snippets that comprise the whole.

My favorite photo of the day came quite unexpectedly as I was walking through the narthex. These brothers, brothers to the boy in the above image, were hanging out in the narthex with their mom, one watching the concert, the other not.

That takes patience and observation—consciously choosing to notice individuals and details—and often a bit of luck.

I wanted to show all perspectives of the concert, including that of the pianists.

I happened to be on the floor, saw the men from Peace Lutheran walking toward the steps and took one quick shot.

And then I raced to the opposite side of the sanctuary to get this photo of the Peace, Faribault, choir singing.

The director of the Trinity Lutheran Church, Northfield, choir exhibited such enthusiasm that I simply had to catch her in motion.

Remember that little girl from earlier? There she is again, watching. She makes me smile.

I set my camera on a front pew and aimed up for this perspective.

The mass choir can quickly become that, simply a mass, unless you focus. I chose to see the individuals, specifically the little boy in the front row who had lost his place in the music.

While noticing the details is vital to a photo essay, so is the broader view.

The light of late afternoon made the western stained glass window glow in golden tones. Here’s a snippet, Christ’s face.

I placed my camera on the floor and shot this mass choir and congregation image, the angle drawing your eye to the cross.

The mass choir disbands and the concert ends.

TO THE ORGANIZERS OF and participants in the choral festival, thank you for blessing us with your musical talents. I cannot read a single note and thus so appreciate those of you who do and who share your gifts.

© Copyright 2012 Audrey Kletscher Helbling

 

Mixing art, music and BBQ at Faribault festival August 12, 2012

The banner and band scaffolding/set-up in the 300 block of Central Avenue during Saturday’s Blue Collar BBQ & Arts Fest in Faribault

FROM DEAFENING MUSIC that bounced between historic buildings along Faribault’s Central Avenue, to the savory taste and tantalizing, smokey smell of barbecued meat to the cheers of onlookers when a local celebrity plunged into the dunk tank to the clink of washers against asphalt in the washer tournament to human faces morphing, via paint, into animal faces, offerings at the fourth annual Blue Collar BBQ & Arts Fest in Faribault drew crowds, and smiles, on a picture perfect Saturday.

An overview of the crowd early into the event on Saturday, looking to the 300 block of historic downtown Farbault.

Coordinated by the Paradise Center for the Arts, the 13-hour free festival focused on bringing people into the historic downtown to enjoy/participate in the arts, music, food, a BBQ and homemade brew competition, and more.

The Black Widow BBQ team, one of about a dozen competing for top prizes of $500 in several categories.

BBQ teams set up along a side street to cook their meats and desserts.

A Texas native, now living in Faribault and a member of The Black Hat “BBQ” team, sprays apple juice onto his St. Louis style pork ribs during the BBQ contest.

Grill Cabin team members, from New Prague, prepare entries in the BBQ competition.

Retail stores like The Crafty Maven, 212 Central Avenue, at the heart of the arts and crafts fair and kids’ activities, expected an increase in business with an influx of an anticipated 5,000 people into the downtown for the festival. And that’s part of the plan, to celebrate downtown businesses, many of them event supporters. Other businesses in the community also sponsored parts of the festival.

Flower art and more, shaped and welded from old silverware, etc. is helping the DeWall brothers of DeWall Bros Metal Creations of Grand Meadow finance their college educations. Their art was for sale at the arts fest.

While the DeWall men were peddling their metal art, the women–mom/wife, Cindy, and girlfriend, Allison– were shopping and getting their faces painted by Jodi Gustafson of Big Shoe Entertainment.

Bob Maegerlein of Rochester, specializing in Raku ware, sold his pottery at the arts fair.

I arrived late morning and wandered for several hours past vendors—wishing I could sample the meat smoking in BBQ contestants’ grills; admiring the artistic creations of artists and a gifted face painter; ducking into the Paradise Center for the Arts to photograph the current art show, Car pARTS; steering mostly clear of the north end of the 300 block of Central because I couldn’t tolerate the volume of the live band music; trying a vendor’s delicious BBQed meat trio sampler that was way overpriced for the quantity (plus, no forks included); and, finally, stopping at Pawn Minnesota and then a Somali clothing shop on my way to the car.

Blues-rock guitarist/musician Trent Romens was among six featured musical acts.

Did the festival accomplish for me what I expected? Yes. I was entertained, although I would have appreciated a much lower volume on the music. Ditto for the price on the meat sampler. And I would have liked access to the home brew competition, which was tucked into the Paradise somewhere.

But all in all, the festival provided a fun way to while away part of a Saturday. And, for those downtown business owners who hoped the event would draw shoppers into stores, it worked for me. I’d never been into the pawn store and wasn’t even aware of the Somali shop or another ethnic business across the street (which wasn’t open).

If you’re from Faribault, I hope you took  time on Saturday to attend the Blue Collar BBQ & Arts Fest and appreciate what we have, right here in our own community.

With the weather about as good as it gets on a summer day, attendance was high at the Blue Collar BBQ & Arts Fest.

Dad and grandpa watched the pets while the kids played in the bouncy inflatables. These pom pom pets were a popular item sold at the arts fair.

Kids practiced for the washer tournament. I was not convinced by a tournament organizer to participate. “She would throw the washer through a store window,” my husband told him. He would be right. Either that or I would have struck a passerby. We walked away, for the safety of those in attendance.

Isabella, 7, of Faribault, one of the many kids who lined up for the free face painting. Check back for an additional post featuring the artwork of professional face painter Jodi Gustafson of Big Shoe Entertainment.

Taking a turn in the dunk tank…

© Copyright 2012 Audrey Kletscher Helbling

 

In southern Minnesota: “An old-time mission festival out in the woods” August 7, 2012

A sign marks the mission festival site at Marquardt’s Grove where cattle gates to the pasture are opened to allow entry. That’s the dry bed of Bull Run Creek on the left.

AT 8 A.M. SUNDAY, Harold Krienke swung his truck into Marquardt’s Grove some 10 miles south of Janesville to help set up for the annual mission festival in the woods near his country church, Immanuel Lutheran.

It was then he spotted the large black cat with the long tail edging dried up Bull Run Creek some 100 feet from the site where worshipers would gather 2 ½ hours later. “It wasn’t a house cat,” Krienke laughs. The cat—perhaps a panther, some speculate—didn’t scare him; it had been seen previously in the area.

Krienke’s animal encounter certainly wasn’t the first, and won’t be the last, at this mission festival held for the past 75 years in a five-acre wooded section of a 70-acre pasture where cattle still graze days before the event. Last year several head of cattle busted through an electric fence and charged across the creek toward the worship site. Another time horses caused a bit of trouble. No harm done, though, as the wayward animals were chased away.

Len Marquardt, who owns the woodlot and pasture, previously owned by his father, Alfred, and Alfred’s father, Gustav, before him, takes it all in stride. A few wandering animals won’t stop him from continuing the tradition of three generations of his family hosting the long-time festival of Freedom Church, as it is commonly known (referencing its location in Freedom Township), and the past two years in conjunction with Trinity Lutheran Church, Wilton Township, also known as the Wilton Church.

An overview of the worship site with the Freedom Band seated on the stage and the audience seated on plank benches and lawn chairs on the hillside. Freedom and Trinity Pastor Glenn Korb is standing at the makeshift altar.

Len’s heart and soul are committed to what he defines as “an old-time mission festival out in the woods.”

That definition seems apt for this event which, many Freedom members estimate, has been ongoing for a century. In the early days, area farmers took turns hosting the annual summer mission festival. The outdoor worship service has always been held around the same time of year, initially chosen, Len says, because the wheat harvest would have just been completed and farmers would have had more money to donate to the church.

Offerings are collected in ice cream buckets at the mission festival.

Money, though, has never been the focus of the festival although a collection is taken. Rather, the purpose is to “help people to focus on missions,” says Len, who several years ago accompanied his daughter, Julie, and others on a mission trip to Nicaragua. It changed him and he now takes personally the words “Here am I, send me” from the hymn “Hark! the Voice of Jesus Crying.” Julie, now a third-year student at Concordia University in Seward, Nebraska, followed up with a mission trip to Hong Kong and is now considering a career as a missionary.

“I think we need to be a church in mission,” Len says as he explains the purpose of the mission fest on his family’s property. The natural setting of farm fields, open pasture and woods, with a cool breeze stirring oak leaves and raising goosebumps on Sunday morning, connected worshipers to the message delivered by the Rev. Dr. Robert Holst, retired president of Concordia University, St. Paul, and a former missionary to Papua, New Guinea.

The Rev. Dr. Robert Holst delivered a message on missions and afterward answered questions about his missionary service in New Guinea. Len Marquardt says the congregation has never had trouble finding a guest pastor as they savor participating in an “old-time mission festival out in the woods.”

As Rev. Holst spoke of his experiences in his sermon, “Global Missions: International Love,” worshipers, sitting among the trees, could easily imagine the primitive ways of the New Guinea people, their belief in spirits, their sacrifice of pigs, their mistrust and misunderstandings and lack of knowledge about God and the challenges the pastor faced in telling them about Christ.

Foreign missions seemed as close as a thought away for attendees like Jeanette Schoenfeld of Wilton Church who enjoys the mission fest because, she says, “It’s like they do in Africa,” worshiping outdoors.

Baby Jaci sits with her dad, Mike, and brother, Bales, during the worship service.

Len Marquardt and others, including his sister, Sally Hodge, appreciate, too, the traditions they are passing from family to family through generations of mission festivals. As Sally samples a vinegary, potato-green bean dish prepared for the mission fest potluck, she glances back to kids racing up the wooded hillside. “I remember tromping up the hills, tromping up the trails, building wood forts…talk about history and family and pleasure in knowing each other…” Sally says as she glances across the table at friend and fellow parishioner Davin Quiram.

All ages, and several generations of families, attended the mission fest on Sunday.

Sally Hodge sings in the choir and usually plays in the band. But this year she didn’t make the practices so was unable to join the Freedom Band. She lives just up the hill from Marquardt’s Grove and grew up on the other side of “just up the hill.”

Davin, like Sally a life-long member of Freedom, concurs as the two reminisce and remember the rare treat of soda pop from the mission fest pop and candy stand, which Davin will later man. The friends don’t recall specific mission speakers or messages from their childhood days, only those racing through the woods and gulping pop memories.

Davin, though, is quick to rattle off the areas of ministry covered by mission speakers in the past 10 years: American Indians, Hispanic, college, Japanese and such.

An elderly man turns to a hymn in the old pocket-size songbook that’s been used for decades.

While guest speakers change from year to year, the music remains constant with worshipers singing hymns from the pocket-size Mission Hymns Suitable for Mission Festivals and Similar Gatherings (out of print for 80 years).

Likewise, the Freedom Band, the church band comprised of Freedom members and others from the area and in existence for an estimated 80 years, uses the same familiar music books such as The Church Band Book—Choral Melodies of the Lutheran church for Military Band by A. Grimm, published in 1919 by Antigo Publishing Co., and a handwritten book of music transposed from a hymnal for the band.

The Freedom Band and some of its handwritten music.

The Freedom Band has always played at the mission fest and other area mission events in years gone by. At any time, 5 – 7 members of Sally’s family, the Marquardts, may be playing in the band—all on the trumpet but for one on the sax.

Gemma Lin returned to the mission fest, one year after her baptism there in 2011.

Part of mission fest also includes the occasional outdoor baptism. Sally’s father, Alfred, born in 1911, was baptized at the Freedom Mission Festival. Last year, a century later, two-month-old Gemma Lin of Mankato was baptized in Marquardt’s Grove and her great uncle was baptized the night before at Freedom Church. Aleta Lin, Gemma’s mom, treasures her daughter’s unique baptism and the story of that baptism which will always be a part of family history. She hopes Gemma will, through the years, continue to attend mission fest, a life-long tradition for Aleta, a life-long member of Freedom Church.

A bible lies on the floor of the stage where the band played and the preachers preached.

For those outside of Freedom, memories of past mission fests also come quickly. Such festivals were once a staple among rural congregations as a time to worship God in the outdoors, to socialize afterward at a potluck dinner and even meet future spouses.

Worshipers line up for a potluck dinner after the worship service.

Guest pastor Holst opened his message by reminiscing about the mission fests of his youth, recalling the washtubs full of soda pop—root beer, 7-UP and Orange Crush—set out by the youth group. He also remembered the ball games between fathers and children.

On Sunday there were no ball games or kids racing for a rare treat of pop. But plenty of kids—from babies to teens—settled onto temporary wood plank benches and lawn chairs or upon blankets or in car seats on the same ground in Marquardt’s Grove that has, for generations, served as an outdoor house of worship on one Sunday in August.

The vintage mini songbook lying on planks and the mission site in the background.

FYI: Check back for an additional post featuring mission fest photos and for a separate photo essay of Freedom Church.

© Copyright 2012 Audrey Kletscher Helbling

 

Join efforts to connect neighbors in a celebration of cultural diversity July 14, 2012

Several Latinos lead in singing of Mexico’s national anthem last September during the International Festival Faribault at Faribault’s Central Park.

ORGANIZERS OF THE SEVENTH ANNUAL international festival celebrating the cultural diversity of Faribault are looking for participants, help and donations for the Saturday, August 25 event.

Can you help?

And when I say “you,” I mean anyone, whether you live in or near Faribault or not.

Served at the 2011 fest: Guatemalan chuchitos– chicken, corn and salsa wrapped in a corn husk.

Drive on down from the Cities; we’re only an hour from downtown Minneapolis. Or drive across town to set up a booth showcasing your culture at International Festival Faribault. Sell ethnic cuisine. Pedal your ethnic arts and crafts or other merchandise. Show and tell and educate the public about your culture in this event pegged as “neighbor meeting neighbor.”

I like that neighborly phrase, for it is when we meet face-to-face and engage in conversation and sample each others food and learn each others customs that the cultural barriers begin to fall and friendships (or at least understanding) form.

Vendors, like this Somali woman, peddled their wares at the 2011 festival.

Table and booth space at the 10 a.m. – 4 p.m. festival are currently available to the public for a $20 fee. But get this: You keep all profits earned. Non-profit organizations get free space.

Now if that isn’t enough incentive to book a spot in Faribault’s Central Park for the day, consider how you will help advance the mission of the non-profit International Festival Faribault. Here’s the organization’s mission:

…to promote understanding between diverse cultures within Faribault, MN; uniting the community with music, dance, ethnic foods and merchandise which is experienced at a once a year festival organized by the committee.

Hoop maker, performer and teacher Adrienne Lee teaches a Girl Scout the art of hoop dancing. The Girl Scouts were among the non-profit groups with booths at the 2011 fest.

Already, Spanish and Somali singers, a local dance academy and several small bands have committed to providing on-stage entertainment. A hula hooper and jugglers are signed on to wander through the crowd.

The scramble for candy after the pinata is broken at last year’s festival.

What can you contribute? Dancing, singing or other musical entertainment from your culture? On-site ethnic art/crafts demonstrations? Are you willing to sing your country’s National Anthem on the Central Park Bandshell stage? How about presenting a mini drama or storytelling focused on your ethnicity? Can you plan and lead ethnic activities for kids?

The group also needs volunteers to assist with set-up and clean-up, help throughout the day, etc.

Monetary and silent auction donations are also needed. Do you have a tent and/or tables the group can borrow? Can you help with banners or flyers? Donate food items?

Yes, the list of needs is lengthy. But remember the “neighbor” part of this festival? Neighbors help neighbors.

Colorful skirts for sale at Riyaam’s booth during the 2011 celebration.

If you are interested in participating, contributing or helping in any way, email internationalfestivalfaribault@gmail.com or call (507) 412-9139. You must complete an application form and submit the $20 payment in advance to reserve a booth/table space.

Also, click here to visit the festival website at http://internationalfestivalfaribault.blogspot.com.

Finally, even if you’re unable to participate or donate, mark your calendar for 10 a.m. – 4 p.m., Saturday, August 25, for the International Festival Faribault. Admission is free and I promise, you’ll come one step closer to understanding your neighbors.

A young girl’s henna stained foot, photographed at the 2011 fest..

© Copyright 2012 Audrey Kletscher Helbling