She is not one of us. We speak a common language. We have a common background, a common culture. She is not one of us.
We have to be careful about this sort of thing…German nationals. German nationals engage in prostitution. They harbor dangerous political convictions. Are you aware of the Espionage Act of 1916?
English only in the church. English.
You’re German. It’s a bad influence. You’re German. It’s a disruption to my community. You make coffee that’s too black.
She makes good coffee, not like the women in church.
I was fearful of her differences, but I was hopeful she could join us on our path….Do not allow your good lives to be poisoned by these two.
This is German food?
No, just food.
You don’t have the papers.
LAST WEEK I REWATCHED Sweet Land, an award-winning independent film released in 2005. The movie, based on Minnesota writer Will Weaver’s short story, “A Gravestone Made of Wheat,” and filmed on my native southwestern Minnesota prairie, rates as a favorite of mine.
I appreciate the early 1920s setting, the music, the story and, now, its relevancy to today. The above dialogue comes from Sweet Land, which focuses on the challenges faced by Inge Altenberg, summoned to America by Norwegian farmer Olaf Torvik. He expects a Norwegian mail order bride as do others in the community. But Inge is not Norwegian; she is German.
Thereafter, the conflict begins with “She is not one of us.”
I won’t give away the plot, which includes a love story. But I will tell you that I watched the movie this time from a much different perspective, in the context of current day immigration issues in our country. Sadness swept over me.
Please watch this thought-provoking, conversation-starting film. It’s a must-see whether you make coffee that’s good, judged as too black or you don’t brew coffee at all. It’s still coffee.
RELATED: Saturday afternoon a sizable crowd gathered on the Rice County Courthouse grounds in my community for a peaceful protest. Please click here to watch the video, Faribault, Minnesota Immigration Ban Protest 2-4-17, posted by Terry Pounds. Faribault is home to many immigrants and refugees, including from Somalia.
A photographic exhibit of refugee children who fled Syria, leaving everything behind, is showing at the American Swedish Institute in Minneapolis. Photos for Where the Children Sleep were taken by award-winning Swedish photojournalist Magnus Wennman. In order to increase community access to the exhibit, the ASI is providing free admission on Wednesdays in February. The exhibit runs through March 5. Where the Children Sleep launches the Institute’s 2017 “Migration, Identity and Belonging Programming.”
Review © Copyright 2017 by Audrey Kletscher Helbling